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Diotima's Children is the first comprehensive re-examination of the rationalist tradition of aesthetics as it prevailed in Germany in the late seventeenth and early eighteenth centuries. This tradition is of the greatest historical importance because it gave birth to modern aesthetics, art criticism, and art history.
Book Synopsis Diotima's Children by : Frederick C. Beiser
Download or read book Diotima's Children written by Frederick C. Beiser and published by Oxford University Press on Demand. This book was released on 2009-10-29 with total page 306 pages. Available in PDF, EPUB and Kindle. Book excerpt: Diotima's Children is the first comprehensive re-examination of the rationalist tradition of aesthetics as it prevailed in Germany in the late seventeenth and early eighteenth centuries. This tradition is of the greatest historical importance because it gave birth to modern aesthetics, art criticism, and art history.
The German philosopher Alexander Gottlieb Baumgarten (1714–1762) introduced “aesthetics” as a new science in his Reflections on Poetry (1735) and developed this new part of philosophy in a series of later works, culminating in his unfinished Aesthetics (1750/1758). This volume is the first collection of essays in the English language devoted to Baumgarten’s aesthetics. The essays highlight the distinguishing features of Baumgarten’s aesthetics, situate it in its historical context, document its reception, and examine its contributions to contemporary philosophy.
Book Synopsis Baumgarten's Aesthetics by : J. Colin McQuillan
Download or read book Baumgarten's Aesthetics written by J. Colin McQuillan and published by Rowman & Littlefield. This book was released on 2021-07-07 with total page 373 pages. Available in PDF, EPUB and Kindle. Book excerpt: The German philosopher Alexander Gottlieb Baumgarten (1714–1762) introduced “aesthetics” as a new science in his Reflections on Poetry (1735) and developed this new part of philosophy in a series of later works, culminating in his unfinished Aesthetics (1750/1758). This volume is the first collection of essays in the English language devoted to Baumgarten’s aesthetics. The essays highlight the distinguishing features of Baumgarten’s aesthetics, situate it in its historical context, document its reception, and examine its contributions to contemporary philosophy.
What does the sublime sound like? Harmonious, discordant, noisy, rustling, silent? Miranda Eva Stanyon rereads and resounds this crucial aesthetic category in English and German literatures of the long eighteenth century from a musical perspective and shows how sonorous sublimes lay at the heart of a central and transformative discourse. For Enlightenment and Romantic era listeners, the musical sublime represented a sonic encounter of the most extreme kind, one that tested what humans were capable of feeling, imagining, thinking, and therefore becoming. The sublime and music have not always sung from the same hymn sheet, Stanyon observes. She charts an antagonistic intimacy between the two, from the sublime's rise to prominence in the later seventeenth century, through the upheavals associated with Kant in the late eighteenth century, and their reverberations in the nineteenth. Offering readings of canonical texts by Longinus, Dryden, Burke, Klopstock, Herder, Coleridge, De Quincey, and others alongside lesser-known figures, she shows how the literary sublime was inextricable from musical culture, from folksongs and ballads to psalmody, polychoral sacred music, and opera. Deeply interdisciplinary, Resounding the Sublime draws literature into dialogue with sound studies, musicology, and intellectual and cultural history to offer new perspectives on the sublime as a phenomenon which crossed media, disciplines, and cultures. An interdisciplinary study of sound in history, the book recovers varieties of the sublime crucial for understanding both the period it covers and the genealogy of modern and postmodern aesthetic discourses. In resounding the sublime, Stanyon reveals a phenomenon which was always already resonant. The sublime emerges not only as the aesthetic of the violently powerful, a-rational, or unrepresentable, but as a variegated discourse with competing dissonant, harmonious, rustling, noisy, and silent strains, one in which music and sound illustrate deep divisions over issues of power, reason, and representation.
Book Synopsis Resounding the Sublime by : Miranda Eva Stanyon
Download or read book Resounding the Sublime written by Miranda Eva Stanyon and published by University of Pennsylvania Press. This book was released on 2021-05-07 with total page 287 pages. Available in PDF, EPUB and Kindle. Book excerpt: What does the sublime sound like? Harmonious, discordant, noisy, rustling, silent? Miranda Eva Stanyon rereads and resounds this crucial aesthetic category in English and German literatures of the long eighteenth century from a musical perspective and shows how sonorous sublimes lay at the heart of a central and transformative discourse. For Enlightenment and Romantic era listeners, the musical sublime represented a sonic encounter of the most extreme kind, one that tested what humans were capable of feeling, imagining, thinking, and therefore becoming. The sublime and music have not always sung from the same hymn sheet, Stanyon observes. She charts an antagonistic intimacy between the two, from the sublime's rise to prominence in the later seventeenth century, through the upheavals associated with Kant in the late eighteenth century, and their reverberations in the nineteenth. Offering readings of canonical texts by Longinus, Dryden, Burke, Klopstock, Herder, Coleridge, De Quincey, and others alongside lesser-known figures, she shows how the literary sublime was inextricable from musical culture, from folksongs and ballads to psalmody, polychoral sacred music, and opera. Deeply interdisciplinary, Resounding the Sublime draws literature into dialogue with sound studies, musicology, and intellectual and cultural history to offer new perspectives on the sublime as a phenomenon which crossed media, disciplines, and cultures. An interdisciplinary study of sound in history, the book recovers varieties of the sublime crucial for understanding both the period it covers and the genealogy of modern and postmodern aesthetic discourses. In resounding the sublime, Stanyon reveals a phenomenon which was always already resonant. The sublime emerges not only as the aesthetic of the violently powerful, a-rational, or unrepresentable, but as a variegated discourse with competing dissonant, harmonious, rustling, noisy, and silent strains, one in which music and sound illustrate deep divisions over issues of power, reason, and representation.
Few women's voices have survived from the antiquity period, but evidence shows that, especially in the area of religion, women were influential in Greek culture. Drawing on Socrates' Symposium , Nye advances this notion by not only exploring the original religious meaning of Diotima's teaching but also how that meaning has been lost throughout time.
Book Synopsis Socrates and Diotima by : Andrea Nye
Download or read book Socrates and Diotima written by Andrea Nye and published by Springer. This book was released on 2015-12-27 with total page 379 pages. Available in PDF, EPUB and Kindle. Book excerpt: Few women's voices have survived from the antiquity period, but evidence shows that, especially in the area of religion, women were influential in Greek culture. Drawing on Socrates' Symposium , Nye advances this notion by not only exploring the original religious meaning of Diotima's teaching but also how that meaning has been lost throughout time.
According to the received view, Kant’s critical revolution put an end to the kind of metaphysics of which Leibniz’s ‘Monadology’ is the example par excellence. This volume challenges Kant’s claim by providing a far more nuanced version of philosophy’s ‘post-Kantian’ tradition that spans from the late eighteenth to the early twentieth century and brings to light a rich tradition of new ‘monadologists’, many of whom have been unjustifiably forgotten by contemporary historians of philosophy. Through this complex dialogue, monadology is shown to be a remarkably fecund hypothesis, with many possible variations and developments. The volume’s focus on monadology exposes the depth and breadth of the post-Kantian period in an original and previously unexplored way and opens up numerous avenues for future research. Crucially, however, this volume not only shows that monadological metaphysics did continue after Kant but also asks the critical question of whether it should have done so. Consequently, the question of whether monadological metaphysics could also have a future is shown to be relevant in a way that was previously almost inconceivable. This book was originally published as a special issue of the British Journal for the History of Philosophy.
Book Synopsis Monadologies by : Jeremy Dunham
Download or read book Monadologies written by Jeremy Dunham and published by Routledge. This book was released on 2018-10-29 with total page 418 pages. Available in PDF, EPUB and Kindle. Book excerpt: According to the received view, Kant’s critical revolution put an end to the kind of metaphysics of which Leibniz’s ‘Monadology’ is the example par excellence. This volume challenges Kant’s claim by providing a far more nuanced version of philosophy’s ‘post-Kantian’ tradition that spans from the late eighteenth to the early twentieth century and brings to light a rich tradition of new ‘monadologists’, many of whom have been unjustifiably forgotten by contemporary historians of philosophy. Through this complex dialogue, monadology is shown to be a remarkably fecund hypothesis, with many possible variations and developments. The volume’s focus on monadology exposes the depth and breadth of the post-Kantian period in an original and previously unexplored way and opens up numerous avenues for future research. Crucially, however, this volume not only shows that monadological metaphysics did continue after Kant but also asks the critical question of whether it should have done so. Consequently, the question of whether monadological metaphysics could also have a future is shown to be relevant in a way that was previously almost inconceivable. This book was originally published as a special issue of the British Journal for the History of Philosophy.
Cover -- Title -- Copyright -- Contents -- Acknowledgements -- Introduction -- PART I The Golden Age and Primitivism -- 1 The Savages -- 2 Prometheus and Orpheus -- 3 Atlantis -- PART II The Blossoming and Decline of Culture -- 4 The Age of Blossoming in Athens -- 5 Alexandria -- PART III The Problem of a National Golden Age -- 6 The Roman Model: Golden Age as a Modern Disease -- 7 From Classicism to Romanticism -- PART IV Kingdom of God -- 8 German Tradition of Chiliasm -- 9 From Eschatology to Kairology -- 10 The Gospel of Nature -- 11 Medievalism as the Externalisation of the Golden Age -- Conclusion -- Index
Book Synopsis The Romantic Idea of the Golden Age in Friedrich Schlegel's Philosophy of History by : Asko Nivala
Download or read book The Romantic Idea of the Golden Age in Friedrich Schlegel's Philosophy of History written by Asko Nivala and published by Taylor & Francis. This book was released on 2017-02-03 with total page 282 pages. Available in PDF, EPUB and Kindle. Book excerpt: Cover -- Title -- Copyright -- Contents -- Acknowledgements -- Introduction -- PART I The Golden Age and Primitivism -- 1 The Savages -- 2 Prometheus and Orpheus -- 3 Atlantis -- PART II The Blossoming and Decline of Culture -- 4 The Age of Blossoming in Athens -- 5 Alexandria -- PART III The Problem of a National Golden Age -- 6 The Roman Model: Golden Age as a Modern Disease -- 7 From Classicism to Romanticism -- PART IV Kingdom of God -- 8 German Tradition of Chiliasm -- 9 From Eschatology to Kairology -- 10 The Gospel of Nature -- 11 Medievalism as the Externalisation of the Golden Age -- Conclusion -- Index
This book allows philosophers, literary theorists, and education specialists to come together to offer a series of readings on works of children's literature. Each of their readings is focused on pairing a particular, popular picture book or a chapter book with philosophical texts or themes. The book has three sections--the first, on picturebooks; the second, on chapter books; and the third, on two sets of paired readings of two very popular picturebooks. By means of its three sections, the book sets forth as its goal to show how philosophy can be helpful in reappraising books aimed at children from early childhood on. Particularly in the third section, the book emphasizes how philosophy can help to multiply the type of interpretative stances that are possible when readers listen again to what they thought they knew so well. The kinds of questions this book raises are the following: How are children's books already anticipating or articulating philosophical problems and discussions? How does children's literature work by means of philosophical puzzles or language games? What do children's books reveal about the existential situation the child reader faces? In posing and answering these kinds of questions, the readings within the book thus intersect with recent, developing scholarship in children's literature studies as well as in the psychology and philosophy of childhood.
Book Synopsis Philosophy in Children's Literature by : Peter R. Costello
Download or read book Philosophy in Children's Literature written by Peter R. Costello and published by Lexington Books. This book was released on 2012 with total page 355 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book allows philosophers, literary theorists, and education specialists to come together to offer a series of readings on works of children's literature. Each of their readings is focused on pairing a particular, popular picture book or a chapter book with philosophical texts or themes. The book has three sections--the first, on picturebooks; the second, on chapter books; and the third, on two sets of paired readings of two very popular picturebooks. By means of its three sections, the book sets forth as its goal to show how philosophy can be helpful in reappraising books aimed at children from early childhood on. Particularly in the third section, the book emphasizes how philosophy can help to multiply the type of interpretative stances that are possible when readers listen again to what they thought they knew so well. The kinds of questions this book raises are the following: How are children's books already anticipating or articulating philosophical problems and discussions? How does children's literature work by means of philosophical puzzles or language games? What do children's books reveal about the existential situation the child reader faces? In posing and answering these kinds of questions, the readings within the book thus intersect with recent, developing scholarship in children's literature studies as well as in the psychology and philosophy of childhood.
At the intersection of literary theory, philosophy of history and phenomenology, Arts of Connection: Poetry, History, Epochality explores the representation of connections between events in literary, historical and philosophical narratives. Events in a story can be seen as ordered according to proximate causation, which leads diachronically from one event to the next; and they can also be understood in view of the structure of the narrative as a whole – for instance in terms of the unity of plot. Feldman argues that there exists an essential narrative tension between these two kinds of connection, i.e. between the overarching arrangement or plot that holds together events from "outside," as it were, in order to produce an intelligible whole; and the portrayal of one-by-one, "interstitial" connections between events within the narrative. Arts of Connection demonstrates, by means of exemplary moments in Aristotle and classical German poetics, eighteenth-century philosophy of history, and twentieth-century phenomenology, that the task of connection is a fraught one, insofar as the formal unity of narrative competes or interferes with the representation of one-by-one connections between events, and vice versa.
Book Synopsis Arts of Connection by : Karen S. Feldman
Download or read book Arts of Connection written by Karen S. Feldman and published by Walter de Gruyter GmbH & Co KG. This book was released on 2019-08-05 with total page 243 pages. Available in PDF, EPUB and Kindle. Book excerpt: At the intersection of literary theory, philosophy of history and phenomenology, Arts of Connection: Poetry, History, Epochality explores the representation of connections between events in literary, historical and philosophical narratives. Events in a story can be seen as ordered according to proximate causation, which leads diachronically from one event to the next; and they can also be understood in view of the structure of the narrative as a whole – for instance in terms of the unity of plot. Feldman argues that there exists an essential narrative tension between these two kinds of connection, i.e. between the overarching arrangement or plot that holds together events from "outside," as it were, in order to produce an intelligible whole; and the portrayal of one-by-one, "interstitial" connections between events within the narrative. Arts of Connection demonstrates, by means of exemplary moments in Aristotle and classical German poetics, eighteenth-century philosophy of history, and twentieth-century phenomenology, that the task of connection is a fraught one, insofar as the formal unity of narrative competes or interferes with the representation of one-by-one connections between events, and vice versa.
After Taste is an inquiry into a field of study dedicated to the reconsideration, reconstruction and rehabilitation of the concept of Taste. Taste is the category, whose systematic, historical and actual dimensions have traditionally been located in a variety of disciplines. The actuality and potential of the study is based on a variety of collected facts from readings and experiences, which materialize in the following features: One concept (figurative Taste), two thinking traditions (analytic and synthetic/continental) and three interrelated dimensions (systematic, historic and actual) are presented in three volumes. As such, the study presents a salient comprehensive companion for wider readership of humanities approaching conceptions of Taste for the first time. Moreover, After Taste is intended for anyone who hopes to make a further contribution to the subject. Since its appearance and apparently short triumph some 250 years ago, the concept of non-literary Taste remained the linchpin of aesthetic theory and practice, but also a category outreaching aesthetics. Taste as the personal unity of the production, theory and criticism of art and literature, which was still largely taken as a given in the eighteenth century, has meanwhile given way to a highly-differentiated art world, in which aesthetic discourse is placed in such a way that it can seemingly no longer have a conceptual or linguistic effect on general opinion making. The critical role of “Taste judges”, ratings and rankings in the feuilleton, politics and social media on the one hand and the responding search for new canons on the other have had a huge impact on the academic and popular discourse today. However, Taste’s impact on society is in fact all-encompassing and yet, without getting even close to the “magnetic North” of the academic compass. After Taste fills the gaps of systematic research by a comprehensive tracing of the emergence of the doctrines, discourses and disciplinary dimensions of Taste up to the peak of its systematic and historical trajectory in the eighteenth century and onwards into the present day. The guiding goal is a post-disciplinary rehabilitation of the contested category as a preparation for its productive usage in emerging academic and popular contexts. Three intertwined research hypotheses form the guiding goal of an overall study of the agencies of Taste, its institutionalizations and expert cultures: The (1) first part provides a missing systematic perspective on the concept of Taste as a key factor for understanding the human faculties, value theories and practices of valuating. The (2) second part traces the events at the peak of Taste’s systematic and historical trajectories up until the late eighteenth century and verifies the historiographical hypothesis about the instrumentality of Taste for the production, reception and distribution of culture. The (3) third part reconstructs the major moments in which the contested concept of Taste experiences its post-disciplinary rehabilitation, in preparation for its future productive usage in the academic and popular discourses and practices. It shows how the category of Taste became the foundation, legitimation and the catalyst for the emerging division of labour, faculties and disciplines, confirming the hypothesis of the immense impact and actuality of Taste in the contemporary world.
Book Synopsis After Taste. Critique of insufficient reason by : Slavko Kacunko
Download or read book After Taste. Critique of insufficient reason written by Slavko Kacunko and published by Slavko Kacunko. This book was released on 2021-06-02 with total page 855 pages. Available in PDF, EPUB and Kindle. Book excerpt: After Taste is an inquiry into a field of study dedicated to the reconsideration, reconstruction and rehabilitation of the concept of Taste. Taste is the category, whose systematic, historical and actual dimensions have traditionally been located in a variety of disciplines. The actuality and potential of the study is based on a variety of collected facts from readings and experiences, which materialize in the following features: One concept (figurative Taste), two thinking traditions (analytic and synthetic/continental) and three interrelated dimensions (systematic, historic and actual) are presented in three volumes. As such, the study presents a salient comprehensive companion for wider readership of humanities approaching conceptions of Taste for the first time. Moreover, After Taste is intended for anyone who hopes to make a further contribution to the subject. Since its appearance and apparently short triumph some 250 years ago, the concept of non-literary Taste remained the linchpin of aesthetic theory and practice, but also a category outreaching aesthetics. Taste as the personal unity of the production, theory and criticism of art and literature, which was still largely taken as a given in the eighteenth century, has meanwhile given way to a highly-differentiated art world, in which aesthetic discourse is placed in such a way that it can seemingly no longer have a conceptual or linguistic effect on general opinion making. The critical role of “Taste judges”, ratings and rankings in the feuilleton, politics and social media on the one hand and the responding search for new canons on the other have had a huge impact on the academic and popular discourse today. However, Taste’s impact on society is in fact all-encompassing and yet, without getting even close to the “magnetic North” of the academic compass. After Taste fills the gaps of systematic research by a comprehensive tracing of the emergence of the doctrines, discourses and disciplinary dimensions of Taste up to the peak of its systematic and historical trajectory in the eighteenth century and onwards into the present day. The guiding goal is a post-disciplinary rehabilitation of the contested category as a preparation for its productive usage in emerging academic and popular contexts. Three intertwined research hypotheses form the guiding goal of an overall study of the agencies of Taste, its institutionalizations and expert cultures: The (1) first part provides a missing systematic perspective on the concept of Taste as a key factor for understanding the human faculties, value theories and practices of valuating. The (2) second part traces the events at the peak of Taste’s systematic and historical trajectories up until the late eighteenth century and verifies the historiographical hypothesis about the instrumentality of Taste for the production, reception and distribution of culture. The (3) third part reconstructs the major moments in which the contested concept of Taste experiences its post-disciplinary rehabilitation, in preparation for its future productive usage in the academic and popular discourses and practices. It shows how the category of Taste became the foundation, legitimation and the catalyst for the emerging division of labour, faculties and disciplines, confirming the hypothesis of the immense impact and actuality of Taste in the contemporary world.
This volume re-examines traditional interpretations of the rise of modern aesthetics in eighteenth-century Britain and Germany. It provides a new account that connects aesthetic experience with morality, science, and political society. In doing so, it challenges long-standing teleological narratives that emphasize disinterestedness and the separation of aesthetics from moral, cognitive, and political interests. The chapters are divided into three thematic parts. The chapters in Part I demonstrate the heteronomy of eighteenth-century British aesthetics. They chart the evolution of aesthetic concepts and discuss the ethical and political significance of the aesthetic theories of several key figures: namely, the third Earl of Shaftesbury, David Hume, and Adam Smith. Part II explores the ways in which eighteenth-century German, and German-oriented, thinkers examine aesthetic experience and moral concerns, and relate to the work of their British counterparts. The chapters here cover the work of Kant, Moses Mendelssohn, Alexander Gottlieb Baumgarten, and Madame de Staël. Finally, Part III explores the interrelation of science, aesthetics, and a new model of society in the work of Goethe, Johann Wilhelm Ritter, Friedrich Hölderlin, and William Hazlitt, among others. This volume develops unique discussions of the rise of aesthetic autonomy in the eighteenth century. In bringing together well-known scholars working on British and German eighteenth-century aesthetics, philosophy, and literature, it will appeal to scholars and advanced students in a range of disciplines who are interested in this topic.
Book Synopsis Beyond Autonomy in Eighteenth-Century British and German Aesthetics by : Karl Axelsson
Download or read book Beyond Autonomy in Eighteenth-Century British and German Aesthetics written by Karl Axelsson and published by Routledge. This book was released on 2020-10-25 with total page 302 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume re-examines traditional interpretations of the rise of modern aesthetics in eighteenth-century Britain and Germany. It provides a new account that connects aesthetic experience with morality, science, and political society. In doing so, it challenges long-standing teleological narratives that emphasize disinterestedness and the separation of aesthetics from moral, cognitive, and political interests. The chapters are divided into three thematic parts. The chapters in Part I demonstrate the heteronomy of eighteenth-century British aesthetics. They chart the evolution of aesthetic concepts and discuss the ethical and political significance of the aesthetic theories of several key figures: namely, the third Earl of Shaftesbury, David Hume, and Adam Smith. Part II explores the ways in which eighteenth-century German, and German-oriented, thinkers examine aesthetic experience and moral concerns, and relate to the work of their British counterparts. The chapters here cover the work of Kant, Moses Mendelssohn, Alexander Gottlieb Baumgarten, and Madame de Staël. Finally, Part III explores the interrelation of science, aesthetics, and a new model of society in the work of Goethe, Johann Wilhelm Ritter, Friedrich Hölderlin, and William Hazlitt, among others. This volume develops unique discussions of the rise of aesthetic autonomy in the eighteenth century. In bringing together well-known scholars working on British and German eighteenth-century aesthetics, philosophy, and literature, it will appeal to scholars and advanced students in a range of disciplines who are interested in this topic.
