Discovering Indian Independent Cinema

Discovering Indian Independent Cinema

Author: Sakti Sengupta

Publisher: CreateSpace

Published: 2015-04-10

Total Pages: 298

ISBN-13: 9781511675192

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For over four decades, Girish Kasaravalli has been fulfilling Satyajit Ray's prediction that "the future lies in Kannada cinema." Kasaravalli first emerged as a major force of the Indian New Wave in 1977 with Ghatashraddha (The Ritual), which won Best Feature Film, among other awards, in his home state of Karnataka, India; it was the only Indian film included in a list of 100 important world films compiled by the Cinémathèque Française. Like other filmmakers of his generation working outside the Bollywood mainstream, Kasaravalli has focused on injustices and inequality perpetrated by the caste system, Brahmin orthodoxy, and patriarchy, as well as by chronic corruption, a ruinous push for gentrification, and unprecedented, disruptive global forces in the "new India." Yet his films can never be reduced to "protest art." Rather, his extraordinarily diverse body of work is marked by a consistent attitude toward cinema's need to raise questions rather than provide answers. In films that range from experimentalism to lush historical drama to an inventive cinéma vérité, Kasaravalli allows viewers to explore on their own terms the singular worlds he creates. This book introduces Kasaravalli's groundbreaking career with an in-depth look at eight of his most important films, all available with English subtitles."Kasaravalli thinks globally and works locally." U.R. ANANTHAMURTHY"Kasaravalli has been one of the most underestimated filmmakers of our time." MAITHILI RAO"Kasaravalli has . . . extended the very range of conventional social realism by bringing into his framework various aspects of dynamic living cultural traditions. The 'culturing' of social realism has been Girish's most outstanding contribution to Indian cinema." N. MANU CHAKRAVARTHY


Book Synopsis Discovering Indian Independent Cinema by : Sakti Sengupta

Download or read book Discovering Indian Independent Cinema written by Sakti Sengupta and published by CreateSpace. This book was released on 2015-04-10 with total page 298 pages. Available in PDF, EPUB and Kindle. Book excerpt: For over four decades, Girish Kasaravalli has been fulfilling Satyajit Ray's prediction that "the future lies in Kannada cinema." Kasaravalli first emerged as a major force of the Indian New Wave in 1977 with Ghatashraddha (The Ritual), which won Best Feature Film, among other awards, in his home state of Karnataka, India; it was the only Indian film included in a list of 100 important world films compiled by the Cinémathèque Française. Like other filmmakers of his generation working outside the Bollywood mainstream, Kasaravalli has focused on injustices and inequality perpetrated by the caste system, Brahmin orthodoxy, and patriarchy, as well as by chronic corruption, a ruinous push for gentrification, and unprecedented, disruptive global forces in the "new India." Yet his films can never be reduced to "protest art." Rather, his extraordinarily diverse body of work is marked by a consistent attitude toward cinema's need to raise questions rather than provide answers. In films that range from experimentalism to lush historical drama to an inventive cinéma vérité, Kasaravalli allows viewers to explore on their own terms the singular worlds he creates. This book introduces Kasaravalli's groundbreaking career with an in-depth look at eight of his most important films, all available with English subtitles."Kasaravalli thinks globally and works locally." U.R. ANANTHAMURTHY"Kasaravalli has been one of the most underestimated filmmakers of our time." MAITHILI RAO"Kasaravalli has . . . extended the very range of conventional social realism by bringing into his framework various aspects of dynamic living cultural traditions. The 'culturing' of social realism has been Girish's most outstanding contribution to Indian cinema." N. MANU CHAKRAVARTHY

Indian Indies

Indian Indies

Author: Ashvin Immanuel Devasundaram

Publisher: Routledge

Published: 2022-02-10

Total Pages: 125

ISBN-13: 1000577171

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This book offers a concise and cutting-edge repository of essential information on new independent Indian films, which have orchestrated a recent renaissance in the Bollywood-dominated Indian cinema sphere. Spotlighting a specific timeline, from the Indies’ consolidated emergence in 2010 across a decade of their development, the book takes note of recent transformations in the Indian political, economic, cultural and social matrix and the concurrent release of unflinchingly interrogative and radically evocative films that traverse LGBTQ+ issues, female empowerment, caste discrimination, populist politics and religious violence. A combination of essential Indie-specific information and concise case studies makes this a must-have quick guide to the future torchbearers of Indian cinema for scholars, students, early career researchers and a global audience interested in intersecting aspects of cinema, culture, politics and society in contemporary India.


Book Synopsis Indian Indies by : Ashvin Immanuel Devasundaram

Download or read book Indian Indies written by Ashvin Immanuel Devasundaram and published by Routledge. This book was released on 2022-02-10 with total page 125 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book offers a concise and cutting-edge repository of essential information on new independent Indian films, which have orchestrated a recent renaissance in the Bollywood-dominated Indian cinema sphere. Spotlighting a specific timeline, from the Indies’ consolidated emergence in 2010 across a decade of their development, the book takes note of recent transformations in the Indian political, economic, cultural and social matrix and the concurrent release of unflinchingly interrogative and radically evocative films that traverse LGBTQ+ issues, female empowerment, caste discrimination, populist politics and religious violence. A combination of essential Indie-specific information and concise case studies makes this a must-have quick guide to the future torchbearers of Indian cinema for scholars, students, early career researchers and a global audience interested in intersecting aspects of cinema, culture, politics and society in contemporary India.

American Independent Cinema

American Independent Cinema

Author: Geoff King

Publisher: Bloomsbury Publishing

Published: 2014-09-08

Total Pages: 324

ISBN-13: 0857737333

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The independent sector has produced many of the most distinctive films to have appeared in the US in recent decades. From 'Sex, Lies and Videotape' in the 1980s to 'The Blair Witch Project' and New Queer Cinema in the 1990s and the ultra-low budget digital video features of the 2000s, indie films have thrived, creating a body of work that stands out from the dominant Hollywood mainstream. But what exactly is 'independent' cinema? This, the first book to examine the question in detail, argues that independence can be defined partly in industry terms but also according to formal and aesthetic strategies and by distinctive attitudes towards social and political issues, suggesting that independence is a dynamic rather than a fixed quality. Chapters focus on distribution and relationships with Hollywood studios; narrative ('Clerks' and 'Slacker' to 'Pulp Fiction', 'Magnolia' and 'Memento') and other formal dimensions (from 'Blair Witch's' 'authenticity' to expressive and stylized camerawork and editing in work from Harmony Korine to the Coen brothers); approaches to genre and alternative socio-political visions.


Book Synopsis American Independent Cinema by : Geoff King

Download or read book American Independent Cinema written by Geoff King and published by Bloomsbury Publishing. This book was released on 2014-09-08 with total page 324 pages. Available in PDF, EPUB and Kindle. Book excerpt: The independent sector has produced many of the most distinctive films to have appeared in the US in recent decades. From 'Sex, Lies and Videotape' in the 1980s to 'The Blair Witch Project' and New Queer Cinema in the 1990s and the ultra-low budget digital video features of the 2000s, indie films have thrived, creating a body of work that stands out from the dominant Hollywood mainstream. But what exactly is 'independent' cinema? This, the first book to examine the question in detail, argues that independence can be defined partly in industry terms but also according to formal and aesthetic strategies and by distinctive attitudes towards social and political issues, suggesting that independence is a dynamic rather than a fixed quality. Chapters focus on distribution and relationships with Hollywood studios; narrative ('Clerks' and 'Slacker' to 'Pulp Fiction', 'Magnolia' and 'Memento') and other formal dimensions (from 'Blair Witch's' 'authenticity' to expressive and stylized camerawork and editing in work from Harmony Korine to the Coen brothers); approaches to genre and alternative socio-political visions.

New Indian Cinema in Post-Independence India

New Indian Cinema in Post-Independence India

Author: Anuradha Dingwaney Needham

Publisher: Routledge

Published: 2013-11-26

Total Pages: 222

ISBN-13: 1135021341

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Shyam Benegal is an Indian director and screenwriter whose work is considered central to New Indian cinema. By closely analysing several of Benegal’s films, this book provides an understanding of India’s post-independence history. The book examines the filmmaker’s focus on women by highlighting his subtle and critical engagement with a truism of Indian nationalism: women’s centrality to the (nation-) state’s negotiation with modernity. It looks at the importance Benegal accords to history – its little known, contested, or iconic events and figures – in crafting national culture and identities, and goes on to discuss the filmmaker’s nuanced representation of the developmental agendas of the nation-state. The book presents an account of the relationship of historical film and fiction to official history, and provides a fuller understanding of Indian cinema, and how it is shaped by as well as itself shapes national imperatives. Filling a gap in the literature, the book offers an analysis of cinematic treatment of post-independence narratives and gives important insights into the imagination of the time. It is a useful contribution for students and scholars of Film Studies, South Asian History and South Asian Culture.


Book Synopsis New Indian Cinema in Post-Independence India by : Anuradha Dingwaney Needham

Download or read book New Indian Cinema in Post-Independence India written by Anuradha Dingwaney Needham and published by Routledge. This book was released on 2013-11-26 with total page 222 pages. Available in PDF, EPUB and Kindle. Book excerpt: Shyam Benegal is an Indian director and screenwriter whose work is considered central to New Indian cinema. By closely analysing several of Benegal’s films, this book provides an understanding of India’s post-independence history. The book examines the filmmaker’s focus on women by highlighting his subtle and critical engagement with a truism of Indian nationalism: women’s centrality to the (nation-) state’s negotiation with modernity. It looks at the importance Benegal accords to history – its little known, contested, or iconic events and figures – in crafting national culture and identities, and goes on to discuss the filmmaker’s nuanced representation of the developmental agendas of the nation-state. The book presents an account of the relationship of historical film and fiction to official history, and provides a fuller understanding of Indian cinema, and how it is shaped by as well as itself shapes national imperatives. Filling a gap in the literature, the book offers an analysis of cinematic treatment of post-independence narratives and gives important insights into the imagination of the time. It is a useful contribution for students and scholars of Film Studies, South Asian History and South Asian Culture.

India's New Independent Cinema

India's New Independent Cinema

Author: Ashvin Immanuel Devasundaram

Publisher: Routledge

Published: 2016-06-10

Total Pages: 308

ISBN-13: 1317290747

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This is the first-ever book on the rise of the new wave of independent Indian films that is revolutionising Indian cinema. Contemporary scholarship on Indian cinema so far has focused asymmetrically on Bollywood—India’s dominant cultural export. Reversing this trend, this book provides an in-depth examination of the burgeoning independent Indian film sector. It locates the new 'Indies' as a glocal hybrid film form—global in aesthetic and local in content. They critically engage with a diverse socio-political spectrum of ‘state of the nation’ stories; from farmer suicides, disenfranchised urban youth and migrant workers to monks turned anti-corporation animal rights agitators. This book provides comprehensive analyses of definitive Indie new wave films including Peepli Live (2010), Dhobi Ghat (2010), The Lunchbox (2013) and Ship of Theseus (2013). It explores how subversive Indies, such as polemical postmodern rap-musical Gandu (2010) transgress conventional notions of ‘traditional Indian values’, and collide with state censorship regulations. This timely and pioneering analysis shows how the new Indies have emerged from a middle space between India’s globalising present and traditional past. This book draws on in-depth interviews with directors, actors, academics and members of the Indian censor board, and is essential reading for anyone seeking an insight into a current Indian film phenomenon that could chart the future of Indian cinema.


Book Synopsis India's New Independent Cinema by : Ashvin Immanuel Devasundaram

Download or read book India's New Independent Cinema written by Ashvin Immanuel Devasundaram and published by Routledge. This book was released on 2016-06-10 with total page 308 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first-ever book on the rise of the new wave of independent Indian films that is revolutionising Indian cinema. Contemporary scholarship on Indian cinema so far has focused asymmetrically on Bollywood—India’s dominant cultural export. Reversing this trend, this book provides an in-depth examination of the burgeoning independent Indian film sector. It locates the new 'Indies' as a glocal hybrid film form—global in aesthetic and local in content. They critically engage with a diverse socio-political spectrum of ‘state of the nation’ stories; from farmer suicides, disenfranchised urban youth and migrant workers to monks turned anti-corporation animal rights agitators. This book provides comprehensive analyses of definitive Indie new wave films including Peepli Live (2010), Dhobi Ghat (2010), The Lunchbox (2013) and Ship of Theseus (2013). It explores how subversive Indies, such as polemical postmodern rap-musical Gandu (2010) transgress conventional notions of ‘traditional Indian values’, and collide with state censorship regulations. This timely and pioneering analysis shows how the new Indies have emerged from a middle space between India’s globalising present and traditional past. This book draws on in-depth interviews with directors, actors, academics and members of the Indian censor board, and is essential reading for anyone seeking an insight into a current Indian film phenomenon that could chart the future of Indian cinema.

India's New Independent Cinema

India's New Independent Cinema

Author: Ashvin Immanuel Devasundaram

Publisher: Routledge

Published: 2016-06-10

Total Pages: 338

ISBN-13: 1317290739

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This is the first-ever book on the rise of the new wave of independent Indian films that is revolutionising Indian cinema. Contemporary scholarship on Indian cinema so far has focused asymmetrically on Bollywood—India’s dominant cultural export. Reversing this trend, this book provides an in-depth examination of the burgeoning independent Indian film sector. It locates the new 'Indies' as a glocal hybrid film form—global in aesthetic and local in content. They critically engage with a diverse socio-political spectrum of ‘state of the nation’ stories; from farmer suicides, disenfranchised urban youth and migrant workers to monks turned anti-corporation animal rights agitators. This book provides comprehensive analyses of definitive Indie new wave films including Peepli Live (2010), Dhobi Ghat (2010), The Lunchbox (2013) and Ship of Theseus (2013). It explores how subversive Indies, such as polemical postmodern rap-musical Gandu (2010) transgress conventional notions of ‘traditional Indian values’, and collide with state censorship regulations. This timely and pioneering analysis shows how the new Indies have emerged from a middle space between India’s globalising present and traditional past. This book draws on in-depth interviews with directors, actors, academics and members of the Indian censor board, and is essential reading for anyone seeking an insight into a current Indian film phenomenon that could chart the future of Indian cinema.


Book Synopsis India's New Independent Cinema by : Ashvin Immanuel Devasundaram

Download or read book India's New Independent Cinema written by Ashvin Immanuel Devasundaram and published by Routledge. This book was released on 2016-06-10 with total page 338 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first-ever book on the rise of the new wave of independent Indian films that is revolutionising Indian cinema. Contemporary scholarship on Indian cinema so far has focused asymmetrically on Bollywood—India’s dominant cultural export. Reversing this trend, this book provides an in-depth examination of the burgeoning independent Indian film sector. It locates the new 'Indies' as a glocal hybrid film form—global in aesthetic and local in content. They critically engage with a diverse socio-political spectrum of ‘state of the nation’ stories; from farmer suicides, disenfranchised urban youth and migrant workers to monks turned anti-corporation animal rights agitators. This book provides comprehensive analyses of definitive Indie new wave films including Peepli Live (2010), Dhobi Ghat (2010), The Lunchbox (2013) and Ship of Theseus (2013). It explores how subversive Indies, such as polemical postmodern rap-musical Gandu (2010) transgress conventional notions of ‘traditional Indian values’, and collide with state censorship regulations. This timely and pioneering analysis shows how the new Indies have emerged from a middle space between India’s globalising present and traditional past. This book draws on in-depth interviews with directors, actors, academics and members of the Indian censor board, and is essential reading for anyone seeking an insight into a current Indian film phenomenon that could chart the future of Indian cinema.

Exploring Morality and Sexuality in Asian Cinema

Exploring Morality and Sexuality in Asian Cinema

Author: Peter C. Pugsley

Publisher: Routledge

Published: 2016-04-15

Total Pages: 160

ISBN-13: 1317137299

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This ground-breaking book explores the moral dimensions of sexual imagery in contemporary, general-release Asian films. It examines debates that arise over aesthetic styles and the cultural and traditional influences that determine the content and impact of these films. The social and regulatory environments for filmmakers across Asia reflect distinct national and cultural differences. In just the past decade, for instance, Indian cinema has rapidly moved from representations of coy and submissive female protagonists to highly eroticized leading ladies unafraid of flaunting their sexuality. On the other hand, the cinema emerging from the Chinese mainland has been much more circumspect in its representations of overt sexuality, at times in conflict with other Chinese cinemas from Hong Kong and Taiwan. This use of sexual imagery or morally questionable film content raises on-going debates into censorship and the use of state or industry controls to protect certain sectors of society from exposure to particular narratives or images. Film, like all forms of art, fulfils a number of aesthetic functions for local, regional and international audiences. As distribution and technological advances make Asian films more readily available across the globe, an understanding of the different aesthetics at play will enable readers of this book to recognize key cultural motifs in representations of onscreen sexuality and the surrounding controversies found in cinematic texts from Asia.


Book Synopsis Exploring Morality and Sexuality in Asian Cinema by : Peter C. Pugsley

Download or read book Exploring Morality and Sexuality in Asian Cinema written by Peter C. Pugsley and published by Routledge. This book was released on 2016-04-15 with total page 160 pages. Available in PDF, EPUB and Kindle. Book excerpt: This ground-breaking book explores the moral dimensions of sexual imagery in contemporary, general-release Asian films. It examines debates that arise over aesthetic styles and the cultural and traditional influences that determine the content and impact of these films. The social and regulatory environments for filmmakers across Asia reflect distinct national and cultural differences. In just the past decade, for instance, Indian cinema has rapidly moved from representations of coy and submissive female protagonists to highly eroticized leading ladies unafraid of flaunting their sexuality. On the other hand, the cinema emerging from the Chinese mainland has been much more circumspect in its representations of overt sexuality, at times in conflict with other Chinese cinemas from Hong Kong and Taiwan. This use of sexual imagery or morally questionable film content raises on-going debates into censorship and the use of state or industry controls to protect certain sectors of society from exposure to particular narratives or images. Film, like all forms of art, fulfils a number of aesthetic functions for local, regional and international audiences. As distribution and technological advances make Asian films more readily available across the globe, an understanding of the different aesthetics at play will enable readers of this book to recognize key cultural motifs in representations of onscreen sexuality and the surrounding controversies found in cinematic texts from Asia.

Documentary Film in India

Documentary Film in India

Author: Giulia Battaglia

Publisher: Routledge

Published: 2017-11-22

Total Pages: 248

ISBN-13: 1351375636

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This book maps a hundred years of documentary film practices in India. It demonstrates that in order to study the development of a film practice, it is necessary to go beyond the classic analysis of films and filmmakers and focus on the discourses created around and about the practice in question. The book navigates different historical moments of the growth of documentary filmmaking in India from the colonial period to the present day. In the process, it touches upon questions concerning practices and discourses about colonial films, postcolonial institutions, independent films, filmmakers and filmmaking, the influence of feminism and the articulation of concepts of performance and performativity in various films practices. It also reflects on the centrality of technological change in different historical moments and that of film festivals and film screenings across time and space. Grounded in anthropological fieldwork and archival research and adopting Foucault’s concept of ‘effective history’, this work searches for points of origin that creates ruptures and deviations taking distance from conventional ways of writing film histories. Rather than presenting a univocal set of arguments and conclusions about changes or new developments of film techniques, the originality of the book is in offering an open structure (or an open archive) to enable the reader to engage with mechanisms of creation, engagement and participation in film and art practices at large. In adopting this form, the book conceptualises ‘Anthropology’ as also an art practice, interested, through its theoretico-methodological approach, in creating an open archive of engagement rather than a representation of a distant ‘other’. Similarly, documentary filmmaking in India is seen as primarily a process of creation based on engagement and participation rather than a practice interested in representing an objective reality. Proposing an innovative way of perceiving the growth of the documentary film genre in the subcontinent, this book will be of interest to film historians and specialists in Indian cinema(s) as well as academics in the field of anthropology of art, media and visual practices and Asian media studies.


Book Synopsis Documentary Film in India by : Giulia Battaglia

Download or read book Documentary Film in India written by Giulia Battaglia and published by Routledge. This book was released on 2017-11-22 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book maps a hundred years of documentary film practices in India. It demonstrates that in order to study the development of a film practice, it is necessary to go beyond the classic analysis of films and filmmakers and focus on the discourses created around and about the practice in question. The book navigates different historical moments of the growth of documentary filmmaking in India from the colonial period to the present day. In the process, it touches upon questions concerning practices and discourses about colonial films, postcolonial institutions, independent films, filmmakers and filmmaking, the influence of feminism and the articulation of concepts of performance and performativity in various films practices. It also reflects on the centrality of technological change in different historical moments and that of film festivals and film screenings across time and space. Grounded in anthropological fieldwork and archival research and adopting Foucault’s concept of ‘effective history’, this work searches for points of origin that creates ruptures and deviations taking distance from conventional ways of writing film histories. Rather than presenting a univocal set of arguments and conclusions about changes or new developments of film techniques, the originality of the book is in offering an open structure (or an open archive) to enable the reader to engage with mechanisms of creation, engagement and participation in film and art practices at large. In adopting this form, the book conceptualises ‘Anthropology’ as also an art practice, interested, through its theoretico-methodological approach, in creating an open archive of engagement rather than a representation of a distant ‘other’. Similarly, documentary filmmaking in India is seen as primarily a process of creation based on engagement and participation rather than a practice interested in representing an objective reality. Proposing an innovative way of perceiving the growth of the documentary film genre in the subcontinent, this book will be of interest to film historians and specialists in Indian cinema(s) as well as academics in the field of anthropology of art, media and visual practices and Asian media studies.

Unruly Cinema

Unruly Cinema

Author: Rini Bhattacharya Mehta

Publisher: University of Illinois Press

Published: 2020-06-22

Total Pages: 324

ISBN-13: 0252052005

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Between 1931 and 2000, India's popular cinema steadily overcame Hollywood domination. Bollywood, the film industry centered in Mumbai, became nothing less than a global cultural juggernaut. But Bollywood is merely one part of the country's prolific, multilingual cinema. Unruly Cinema looks at the complex series of events that allowed the entire Indian film industry to defy attempts to control, reform, and refine it in the twentieth century and beyond. Rini Bhattacharya Mehta considers four aspects of Indian cinema's complicated history. She begins with the industry's surprising, market-driven triumph over imports from Hollywood and elsewhere in the 1930s. From there she explores how the nationalist social melodrama outwitted the government with its 1950s cinematic lyrical manifestoes. In the 1970s, an action cinema centered on the angry young male co-opted the voice of the oppressed. Finally, Mehta examines Indian film's discovery of the global neoliberal aesthetic that encouraged the emergence of Bollywood.


Book Synopsis Unruly Cinema by : Rini Bhattacharya Mehta

Download or read book Unruly Cinema written by Rini Bhattacharya Mehta and published by University of Illinois Press. This book was released on 2020-06-22 with total page 324 pages. Available in PDF, EPUB and Kindle. Book excerpt: Between 1931 and 2000, India's popular cinema steadily overcame Hollywood domination. Bollywood, the film industry centered in Mumbai, became nothing less than a global cultural juggernaut. But Bollywood is merely one part of the country's prolific, multilingual cinema. Unruly Cinema looks at the complex series of events that allowed the entire Indian film industry to defy attempts to control, reform, and refine it in the twentieth century and beyond. Rini Bhattacharya Mehta considers four aspects of Indian cinema's complicated history. She begins with the industry's surprising, market-driven triumph over imports from Hollywood and elsewhere in the 1930s. From there she explores how the nationalist social melodrama outwitted the government with its 1950s cinematic lyrical manifestoes. In the 1970s, an action cinema centered on the angry young male co-opted the voice of the oppressed. Finally, Mehta examines Indian film's discovery of the global neoliberal aesthetic that encouraged the emergence of Bollywood.

The Cinematic ImagiNation [sic]

The Cinematic ImagiNation [sic]

Author: Jyotika Virdi

Publisher: Rutgers University Press

Published: 2003

Total Pages: 284

ISBN-13: 9780813531915

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Pivoting on the nation as a central preoccupation in Hindi films, Virdi (communication and film and media studies, U. of Windsor, Canada) contends that Hindi cinema appropriates familiar Hollywood cinematic strategies for its own distinctive aesthetics and poetics. Annotation (c)2003 Book News, Inc., Portland, OR (booknews.com).


Book Synopsis The Cinematic ImagiNation [sic] by : Jyotika Virdi

Download or read book The Cinematic ImagiNation [sic] written by Jyotika Virdi and published by Rutgers University Press. This book was released on 2003 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: Pivoting on the nation as a central preoccupation in Hindi films, Virdi (communication and film and media studies, U. of Windsor, Canada) contends that Hindi cinema appropriates familiar Hollywood cinematic strategies for its own distinctive aesthetics and poetics. Annotation (c)2003 Book News, Inc., Portland, OR (booknews.com).