Distributed Perception

Distributed Perception

Author: Natasha Lushetich

Publisher: Routledge

Published: 2021-12-29

Total Pages: 273

ISBN-13: 1000521702

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Who, what, and where perceives, and how? What are the sedimentations, inscriptions, and axiologies of animal, human, and machinic perception/s? What are their perceptibilities? Deleuze uses the word ‘visibilities’ to indicate that visual perception isn’t just a physiological given but cues operations productive of new assemblages. Perceptibilities are, by analogy, spatio-temporal, geolocative, kinaesthetic, audio-visual, and haptic operations that are always already memory. In the case of strong inscriptions, they are also epigenetic events. In physics, resonance is the tendency of a system to vibrate with increasing amplitudes at certain frequencies of excitation. In cybernetics and in theories of technology, it refers to systems’ feedback. In Native science, resonance denotes the axiology of positions and events. It’s a form of multi-species perception that emphasises emergent directionality and protean mnemonics. This transdisciplinary volume brings together key theorists and practitioners from media theory, Native science, bio-media and sound art, philosophy, art his- tory, and design informatics to examine: a) the becoming-technique of animal– human–machinic perceptibilities; and b) micro-perceptions that lie beneath the threshold of known perceptions yet create energetic vibrations. The volume shows distributed perception to be a key notion in addressing the emergence and peristence of plant, animal, human, and machine relations.


Book Synopsis Distributed Perception by : Natasha Lushetich

Download or read book Distributed Perception written by Natasha Lushetich and published by Routledge. This book was released on 2021-12-29 with total page 273 pages. Available in PDF, EPUB and Kindle. Book excerpt: Who, what, and where perceives, and how? What are the sedimentations, inscriptions, and axiologies of animal, human, and machinic perception/s? What are their perceptibilities? Deleuze uses the word ‘visibilities’ to indicate that visual perception isn’t just a physiological given but cues operations productive of new assemblages. Perceptibilities are, by analogy, spatio-temporal, geolocative, kinaesthetic, audio-visual, and haptic operations that are always already memory. In the case of strong inscriptions, they are also epigenetic events. In physics, resonance is the tendency of a system to vibrate with increasing amplitudes at certain frequencies of excitation. In cybernetics and in theories of technology, it refers to systems’ feedback. In Native science, resonance denotes the axiology of positions and events. It’s a form of multi-species perception that emphasises emergent directionality and protean mnemonics. This transdisciplinary volume brings together key theorists and practitioners from media theory, Native science, bio-media and sound art, philosophy, art his- tory, and design informatics to examine: a) the becoming-technique of animal– human–machinic perceptibilities; and b) micro-perceptions that lie beneath the threshold of known perceptions yet create energetic vibrations. The volume shows distributed perception to be a key notion in addressing the emergence and peristence of plant, animal, human, and machine relations.

Musical Networks

Musical Networks

Author: Niall Griffith

Publisher: MIT Press

Published: 1999

Total Pages: 422

ISBN-13: 9780262071819

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This volume presents the most up-to-date collection of neural network models of music and creativity gathered together in one place. Chapters by leaders in the field cover new connectionist models of pitch perception, tonality, musical streaming, sequential and hierarchical melodic structure, composition, harmonization, rhythmic analysis, sound generation, and creative evolution. The collection combines journal papers on connectionist modeling, cognitive science, and music perception with new papers solicited for this volume. It also contains an extensive bibliography of related work. Contributors Shumeet Baluja, M.I. Bellgard, Michael A. Casey, Garrison W. Cottrell, Peter Desain, Robert O. Gjerdingen, Mike Greenhough, Niall Griffith, Stephen Grossberg, Henkjan Honing, Todd Jochem, Bruce F. Katz, John F. Kolen, Edward W. Large, Michael C. Mozer, Michael P.A. Page, Caroline Palmer, Jordan B. Pollack, Dean Pomerleau, Stephen W. Smoliar, Ian Taylor, Peter M. Todd, C.P. Tsang, Gregory M. Werner


Book Synopsis Musical Networks by : Niall Griffith

Download or read book Musical Networks written by Niall Griffith and published by MIT Press. This book was released on 1999 with total page 422 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume presents the most up-to-date collection of neural network models of music and creativity gathered together in one place. Chapters by leaders in the field cover new connectionist models of pitch perception, tonality, musical streaming, sequential and hierarchical melodic structure, composition, harmonization, rhythmic analysis, sound generation, and creative evolution. The collection combines journal papers on connectionist modeling, cognitive science, and music perception with new papers solicited for this volume. It also contains an extensive bibliography of related work. Contributors Shumeet Baluja, M.I. Bellgard, Michael A. Casey, Garrison W. Cottrell, Peter Desain, Robert O. Gjerdingen, Mike Greenhough, Niall Griffith, Stephen Grossberg, Henkjan Honing, Todd Jochem, Bruce F. Katz, John F. Kolen, Edward W. Large, Michael C. Mozer, Michael P.A. Page, Caroline Palmer, Jordan B. Pollack, Dean Pomerleau, Stephen W. Smoliar, Ian Taylor, Peter M. Todd, C.P. Tsang, Gregory M. Werner

Perception-Action Cycle

Perception-Action Cycle

Author: Vassilis Cutsuridis

Publisher: Springer Science & Business Media

Published: 2011-02-02

Total Pages: 785

ISBN-13: 1441914528

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The perception-action cycle is the circular flow of information that takes place between the organism and its environment in the course of a sensory-guided sequence of behaviour towards a goal. Each action causes changes in the environment that are analyzed bottom-up through the perceptual hierarchy and lead to the processing of further action, top-down through the executive hierarchy, toward motor effectors. These actions cause new changes that are analyzed and lead to new action, and so the cycle continues. The Perception-action cycle: Models, architectures and hardware book provides focused and easily accessible reviews of various aspects of the perception-action cycle. It is an unparalleled resource of information that will be an invaluable companion to anyone in constructing and developing models, algorithms and hardware implementations of autonomous machines empowered with cognitive capabilities. The book is divided into three main parts. In the first part, leading computational neuroscientists present brain-inspired models of perception, attention, cognitive control, decision making, conflict resolution and monitoring, knowledge representation and reasoning, learning and memory, planning and action, and consciousness grounded on experimental data. In the second part, architectures, algorithms, and systems with cognitive capabilities and minimal guidance from the brain, are discussed. These architectures, algorithms, and systems are inspired from the areas of cognitive science, computer vision, robotics, information theory, machine learning, computer agents and artificial intelligence. In the third part, the analysis, design and implementation of hardware systems with robust cognitive abilities from the areas of mechatronics, sensing technology, sensor fusion, smart sensor networks, control rules, controllability, stability, model/knowledge representation, and reasoning are discussed.


Book Synopsis Perception-Action Cycle by : Vassilis Cutsuridis

Download or read book Perception-Action Cycle written by Vassilis Cutsuridis and published by Springer Science & Business Media. This book was released on 2011-02-02 with total page 785 pages. Available in PDF, EPUB and Kindle. Book excerpt: The perception-action cycle is the circular flow of information that takes place between the organism and its environment in the course of a sensory-guided sequence of behaviour towards a goal. Each action causes changes in the environment that are analyzed bottom-up through the perceptual hierarchy and lead to the processing of further action, top-down through the executive hierarchy, toward motor effectors. These actions cause new changes that are analyzed and lead to new action, and so the cycle continues. The Perception-action cycle: Models, architectures and hardware book provides focused and easily accessible reviews of various aspects of the perception-action cycle. It is an unparalleled resource of information that will be an invaluable companion to anyone in constructing and developing models, algorithms and hardware implementations of autonomous machines empowered with cognitive capabilities. The book is divided into three main parts. In the first part, leading computational neuroscientists present brain-inspired models of perception, attention, cognitive control, decision making, conflict resolution and monitoring, knowledge representation and reasoning, learning and memory, planning and action, and consciousness grounded on experimental data. In the second part, architectures, algorithms, and systems with cognitive capabilities and minimal guidance from the brain, are discussed. These architectures, algorithms, and systems are inspired from the areas of cognitive science, computer vision, robotics, information theory, machine learning, computer agents and artificial intelligence. In the third part, the analysis, design and implementation of hardware systems with robust cognitive abilities from the areas of mechatronics, sensing technology, sensor fusion, smart sensor networks, control rules, controllability, stability, model/knowledge representation, and reasoning are discussed.

Oxford Handbook of Face Perception

Oxford Handbook of Face Perception

Author: Gillian Rhodes

Publisher: Oxford University Press

Published: 2011-07-28

Total Pages: 933

ISBN-13: 0199559058

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In the past 30 years, face perception has become an area of major interest within psychology. This is the most comprehensive and commanding review of the field ever published.


Book Synopsis Oxford Handbook of Face Perception by : Gillian Rhodes

Download or read book Oxford Handbook of Face Perception written by Gillian Rhodes and published by Oxford University Press. This book was released on 2011-07-28 with total page 933 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the past 30 years, face perception has become an area of major interest within psychology. This is the most comprehensive and commanding review of the field ever published.

Semiotic Perception and Dynamic Forms of Meaning

Semiotic Perception and Dynamic Forms of Meaning

Author: Antonino Bondi

Publisher: Springer Nature

Published: 2023-10-25

Total Pages: 180

ISBN-13: 3031424514

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What do we mean by semiotic perception? Why should the concepts of perception and expressivity be reinterpreted within the encompassing framework of a dynamic theory of semiotic fields and forms? Can we redeploy the concept of form in such a way as to make explicit such a native solidarity (‘chiasmatic’ would have said Merleau-Ponty) between perception, praxis and expression -- and first and foremost in the activity of language, right to the heart of the life of the social and speaking animal that we are? What then would be the epistemological and ontological consequences, and how might this affect the way we describe semiolinguistic forms? This book aims to provide answers to these questions by opening up avenues of research on how to understand the linguistic and semiotic dimensions at work in the constitution of experience, both individual and collective.


Book Synopsis Semiotic Perception and Dynamic Forms of Meaning by : Antonino Bondi

Download or read book Semiotic Perception and Dynamic Forms of Meaning written by Antonino Bondi and published by Springer Nature. This book was released on 2023-10-25 with total page 180 pages. Available in PDF, EPUB and Kindle. Book excerpt: What do we mean by semiotic perception? Why should the concepts of perception and expressivity be reinterpreted within the encompassing framework of a dynamic theory of semiotic fields and forms? Can we redeploy the concept of form in such a way as to make explicit such a native solidarity (‘chiasmatic’ would have said Merleau-Ponty) between perception, praxis and expression -- and first and foremost in the activity of language, right to the heart of the life of the social and speaking animal that we are? What then would be the epistemological and ontological consequences, and how might this affect the way we describe semiolinguistic forms? This book aims to provide answers to these questions by opening up avenues of research on how to understand the linguistic and semiotic dimensions at work in the constitution of experience, both individual and collective.

Aesthetics as Philosophy of Perception

Aesthetics as Philosophy of Perception

Author: Bence Nanay

Publisher: Oxford University Press

Published: 2016-01-14

Total Pages: 252

ISBN-13: 0191077445

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Aesthetics is about some special and unusual ways of experiencing the world. Not just artworks, but also nature and ordinary objects. But then if we apply the remarkably elaborate and sophisticated conceptual apparatus of philosophy of perception to questions in aesthetics, we can make real progress. The aim of this book is to bring the discussion of aesthetics and perception together. Bence Nanay explores how many influential debates in aesthetics look very different, and may beAesthetics is about some special and unusual ways of experiencing the world. Not just artworks, but also nature and ordinary objects. But then if we apply the remarkably elaborate and sophisticated conceptual apparatus of philosophy of perception to questions in aesthetics, we can make real progress. The aim of this book is to bring the discussion of aesthetics and perception together. Bence Nanay explores how many influential debates in aesthetics look very different, and may be easier to tackle, if we clarify the assumptions they make about perception and about experiences in general. The focus of Aesthetics as Philosophy of Perception is the concept of attention and the ways in which this concept and especially the distinction between distributed and focused attention can help us re-evaluate various key concepts and debates in aesthetics. Sometimes our attention is distributed in an unusual way: we are attending to one perceptual object but our attention is distributed across its various properties. This way of experiencing the world is special and it plays an important role in characterizing a number of phenomena associated with aesthetics. Some of these that the book talks about include picture perception and depiction, aesthetic experiences, formalism, the importance of uniqueness in aesthetics, and the history of vision debate. But sometimes, in some aesthetic contexts, our attention is not at all distributed, but very much focused. Nanay closes his argument with an analysis of some paradigmatic aesthetic phenomena where our attention is focused: identification and engagement with fictional characters. And the conflict and interplay between distributed and focused attention is an important feature of many artworks.


Book Synopsis Aesthetics as Philosophy of Perception by : Bence Nanay

Download or read book Aesthetics as Philosophy of Perception written by Bence Nanay and published by Oxford University Press. This book was released on 2016-01-14 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt: Aesthetics is about some special and unusual ways of experiencing the world. Not just artworks, but also nature and ordinary objects. But then if we apply the remarkably elaborate and sophisticated conceptual apparatus of philosophy of perception to questions in aesthetics, we can make real progress. The aim of this book is to bring the discussion of aesthetics and perception together. Bence Nanay explores how many influential debates in aesthetics look very different, and may beAesthetics is about some special and unusual ways of experiencing the world. Not just artworks, but also nature and ordinary objects. But then if we apply the remarkably elaborate and sophisticated conceptual apparatus of philosophy of perception to questions in aesthetics, we can make real progress. The aim of this book is to bring the discussion of aesthetics and perception together. Bence Nanay explores how many influential debates in aesthetics look very different, and may be easier to tackle, if we clarify the assumptions they make about perception and about experiences in general. The focus of Aesthetics as Philosophy of Perception is the concept of attention and the ways in which this concept and especially the distinction between distributed and focused attention can help us re-evaluate various key concepts and debates in aesthetics. Sometimes our attention is distributed in an unusual way: we are attending to one perceptual object but our attention is distributed across its various properties. This way of experiencing the world is special and it plays an important role in characterizing a number of phenomena associated with aesthetics. Some of these that the book talks about include picture perception and depiction, aesthetic experiences, formalism, the importance of uniqueness in aesthetics, and the history of vision debate. But sometimes, in some aesthetic contexts, our attention is not at all distributed, but very much focused. Nanay closes his argument with an analysis of some paradigmatic aesthetic phenomena where our attention is focused: identification and engagement with fictional characters. And the conflict and interplay between distributed and focused attention is an important feature of many artworks.

Visual Perception

Visual Perception

Author: Steven Yantis

Publisher: Psychology Press

Published: 2001

Total Pages: 456

ISBN-13: 9780863775970

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First Published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.


Book Synopsis Visual Perception by : Steven Yantis

Download or read book Visual Perception written by Steven Yantis and published by Psychology Press. This book was released on 2001 with total page 456 pages. Available in PDF, EPUB and Kindle. Book excerpt: First Published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.

Multidimensional Models of Perception and Cognition

Multidimensional Models of Perception and Cognition

Author: F. Gregory Ashby

Publisher: Psychology Press

Published: 2014-02-04

Total Pages: 582

ISBN-13: 1317784030

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The mental representations of perceptual and cognitive stimuli vary on many dimensions. In addition, because of quantal fluctuations in the stimulus, spontaneous neural activity, and fluctuations in arousal and attentiveness, mental events are characterized by an inherent variability. During the last several years, a number of models and theories have been developed that explicitly assume the appropriate mental representation is both multidimensional and probabilistic. This new approach has the potential to revolutionize the study of perception and cognition in the same way that signal detection theory revolutionized the study of psychophysics. This unique volume is the first to critically survey this important new area of research.


Book Synopsis Multidimensional Models of Perception and Cognition by : F. Gregory Ashby

Download or read book Multidimensional Models of Perception and Cognition written by F. Gregory Ashby and published by Psychology Press. This book was released on 2014-02-04 with total page 582 pages. Available in PDF, EPUB and Kindle. Book excerpt: The mental representations of perceptual and cognitive stimuli vary on many dimensions. In addition, because of quantal fluctuations in the stimulus, spontaneous neural activity, and fluctuations in arousal and attentiveness, mental events are characterized by an inherent variability. During the last several years, a number of models and theories have been developed that explicitly assume the appropriate mental representation is both multidimensional and probabilistic. This new approach has the potential to revolutionize the study of perception and cognition in the same way that signal detection theory revolutionized the study of psychophysics. This unique volume is the first to critically survey this important new area of research.

Haptics: Perception, Devices, Mobility, and Communication

Haptics: Perception, Devices, Mobility, and Communication

Author: Poika Isokoski

Publisher: Springer

Published: 2012-05-30

Total Pages: 668

ISBN-13: 3642314015

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This book and its companion volume, LNCS 7282 and 7283, constitute the refereed proceedings of the 8th International Conference, EuroHaptics 2012, held in Tampere, Finland, in June 2012. The 99 papers (56 full papers, 32 short papers, and 11 demo papers) presented were carefully reviewed and selected from 153 submissions. Part I contains the full papers whereas Part II contains the short papers and the demo papers.


Book Synopsis Haptics: Perception, Devices, Mobility, and Communication by : Poika Isokoski

Download or read book Haptics: Perception, Devices, Mobility, and Communication written by Poika Isokoski and published by Springer. This book was released on 2012-05-30 with total page 668 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book and its companion volume, LNCS 7282 and 7283, constitute the refereed proceedings of the 8th International Conference, EuroHaptics 2012, held in Tampere, Finland, in June 2012. The 99 papers (56 full papers, 32 short papers, and 11 demo papers) presented were carefully reviewed and selected from 153 submissions. Part I contains the full papers whereas Part II contains the short papers and the demo papers.

Auditory Perception of Sound Sources

Auditory Perception of Sound Sources

Author: William A. Yost

Publisher: Springer Science & Business Media

Published: 2008

Total Pages: 337

ISBN-13: 0387713042

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Auditory Perception of Sound Sources covers higher-level auditory processes that are perceptual processes. The chapters describe how humans and other animals perceive the sounds that they receive from the many sound sources existing in the world. This book will provide an overview of areas of current research involved with understanding how sound-source determination processes operate. This book will focus on psychophysics and perception as well as being relevant to basic auditory research. Contents: Perceiving Sound Sources: An Overview William A. Yost Human Sound Source Identification Robert A. Lutfi Size Information in the Production and Perception of Communication Sounds Roy D. Patterson, David R. R. Smith, Ralph van Dinther, and Tom Walters The role of memory in auditory perception Laurent Demany, and Catherine Semal Auditory Attention and Filters Ervin R. Hafter, Anastasios Sarampalis, and Psyche Loui Informational masking Gerald Kidd Jr., Christine R. Mason, Virginia M. Richards, Frederick J. Gallun, and Nathaniel I. Durlach Effects of harmonicity and regularity on the perception of sound sources Robert P. Carlyon, and Hedwig E. Gockel Spatial Hearing and Perceiving Sources Christopher J. Darwin Envelope Processing and Sound-Source Perception Stanley Sheft Speech as a Sound Source Andrew J. Lotto, and Sarah C. Sullivan Sound Source Perception and Stream Segregation in Non-human Vertebrate Animals Richard R. Fay About the editors: William A. Yost, Ph.D., is Professor of Psychology, Adjunct Professor of Hearing Sciences of the Parmly Hearing Institute, and Adjunct Professor of Otolaryngology at Loyola University of Chicago. Arthur N. Popper is Professor in the Department of Biology and Co-Director of the Center for Comparative and Evolutionary Biology of Hearing at the University of Maryland, College Park. Richard R. Fay is Director of the Parmly Hearing Institute and Professor of Psychology at Loyola University of Chicago. About the series: The Springer Handbook of Auditory Research presents a series of synthetic reviews of fundamental topics dealing with auditory systems. Each volume is independent and authoritative; taken as a set, this series is the definitive resource in the field.


Book Synopsis Auditory Perception of Sound Sources by : William A. Yost

Download or read book Auditory Perception of Sound Sources written by William A. Yost and published by Springer Science & Business Media. This book was released on 2008 with total page 337 pages. Available in PDF, EPUB and Kindle. Book excerpt: Auditory Perception of Sound Sources covers higher-level auditory processes that are perceptual processes. The chapters describe how humans and other animals perceive the sounds that they receive from the many sound sources existing in the world. This book will provide an overview of areas of current research involved with understanding how sound-source determination processes operate. This book will focus on psychophysics and perception as well as being relevant to basic auditory research. Contents: Perceiving Sound Sources: An Overview William A. Yost Human Sound Source Identification Robert A. Lutfi Size Information in the Production and Perception of Communication Sounds Roy D. Patterson, David R. R. Smith, Ralph van Dinther, and Tom Walters The role of memory in auditory perception Laurent Demany, and Catherine Semal Auditory Attention and Filters Ervin R. Hafter, Anastasios Sarampalis, and Psyche Loui Informational masking Gerald Kidd Jr., Christine R. Mason, Virginia M. Richards, Frederick J. Gallun, and Nathaniel I. Durlach Effects of harmonicity and regularity on the perception of sound sources Robert P. Carlyon, and Hedwig E. Gockel Spatial Hearing and Perceiving Sources Christopher J. Darwin Envelope Processing and Sound-Source Perception Stanley Sheft Speech as a Sound Source Andrew J. Lotto, and Sarah C. Sullivan Sound Source Perception and Stream Segregation in Non-human Vertebrate Animals Richard R. Fay About the editors: William A. Yost, Ph.D., is Professor of Psychology, Adjunct Professor of Hearing Sciences of the Parmly Hearing Institute, and Adjunct Professor of Otolaryngology at Loyola University of Chicago. Arthur N. Popper is Professor in the Department of Biology and Co-Director of the Center for Comparative and Evolutionary Biology of Hearing at the University of Maryland, College Park. Richard R. Fay is Director of the Parmly Hearing Institute and Professor of Psychology at Loyola University of Chicago. About the series: The Springer Handbook of Auditory Research presents a series of synthetic reviews of fundamental topics dealing with auditory systems. Each volume is independent and authoritative; taken as a set, this series is the definitive resource in the field.