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This history of Fiji focuses on the period of Imperial British control and offers a fascinating glimpse at a unique and volatile situation. The drama unfolds with a look into the backgrounds of the native Fijians--subsistence farmers most of whom are hardly affected by modern progress. Complications arise with the introduction of the Indian migrants who were recruited to serve periods of indenture on sugar cane plantations. Nearly all of them were Hindus. They yearned for land--the most valuable property in India. The plot further thickens with the "dual government" set-up where a governor, appointed by the Queen, works side by side with the Fijian Administration which has jurisdiction over all Fijians in the Colony. The Drama of Fiji is based on three periods of fieldwork in those islands at intervals over a period of 23 years, visit to northern India, and relevant literature. The last visit to Fiji, in 1960, was part of a large project in the South Pacific, made possible by a combined grant-in-aid of research, given by the Association of American Geographers and the Graduate School of the University of Cincinnati, the latter of which awarded a subvention to the author for this book.
Book Synopsis Drama Of Fiji by : John Wesley Coulter
Download or read book Drama Of Fiji written by John Wesley Coulter and published by Tuttle Publishing. This book was released on 1989-12-15 with total page 175 pages. Available in PDF, EPUB and Kindle. Book excerpt: This history of Fiji focuses on the period of Imperial British control and offers a fascinating glimpse at a unique and volatile situation. The drama unfolds with a look into the backgrounds of the native Fijians--subsistence farmers most of whom are hardly affected by modern progress. Complications arise with the introduction of the Indian migrants who were recruited to serve periods of indenture on sugar cane plantations. Nearly all of them were Hindus. They yearned for land--the most valuable property in India. The plot further thickens with the "dual government" set-up where a governor, appointed by the Queen, works side by side with the Fijian Administration which has jurisdiction over all Fijians in the Colony. The Drama of Fiji is based on three periods of fieldwork in those islands at intervals over a period of 23 years, visit to northern India, and relevant literature. The last visit to Fiji, in 1960, was part of a large project in the South Pacific, made possible by a combined grant-in-aid of research, given by the Association of American Geographers and the Graduate School of the University of Cincinnati, the latter of which awarded a subvention to the author for this book.
Download or read book Beyond Ceremony written by Ian Gaskell and published by [email protected]. This book was released on 2001 with total page 516 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The Drama of Fiji by : John Wesley Coulter
Download or read book The Drama of Fiji written by John Wesley Coulter and published by . This book was released on 1967 with total page 230 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The Drama of Fiji. A Contemporary History. [With Illustrations, Including Maps.]. by : John Stanley COULTER
Download or read book The Drama of Fiji. A Contemporary History. [With Illustrations, Including Maps.]. written by John Stanley COULTER and published by . This book was released on 1967 with total page 230 pages. Available in PDF, EPUB and Kindle. Book excerpt:
“Look. no one cares. no one cares what we do as long as we’re here, doing what we’re told” Welcome to Fiji Land. Things are very simple here. Follow orders. Fight the good fight. You can even take photos. Grainer’s new. He asked to come over here. Wolstead likes to watch people while they sleep. Meanwhile, Tanc’s here to do what he’s told and do it proper. Fiji Land is a surreal and incisive play about the very real things that happen when cell doors shut and the world looks away. “as long as we’re safe, we don’t want to know what’s going on to keep it that way, do we?”
Book Synopsis fiji land by : Nick Gill
Download or read book fiji land written by Nick Gill and published by Bloomsbury Publishing. This book was released on 2014-01-08 with total page 81 pages. Available in PDF, EPUB and Kindle. Book excerpt: “Look. no one cares. no one cares what we do as long as we’re here, doing what we’re told” Welcome to Fiji Land. Things are very simple here. Follow orders. Fight the good fight. You can even take photos. Grainer’s new. He asked to come over here. Wolstead likes to watch people while they sleep. Meanwhile, Tanc’s here to do what he’s told and do it proper. Fiji Land is a surreal and incisive play about the very real things that happen when cell doors shut and the world looks away. “as long as we’re safe, we don’t want to know what’s going on to keep it that way, do we?”
Download or read book Two Plays written by Vilsoni Hereniko and published by [email protected]. This book was released on 1998 with total page 168 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Since the late 1960s, drama by Pacific Island playwrights has flourished throughout Oceania. Although many Pacific Island cultures have a broad range of highly developed indigenous performance forms—including oral narrative, clowning, ritual, dance, and song—scripted drama is a relatively recent phenomenon. Emerging during a period of region-wide decolonization and indigenous self-determination movements, most of these plays reassert Pacific cultural perspectives and performance techniques in ways that employ, adapt, and challenge the conventions and representations of Western theater. Drawing together discussions in theater and performance studies, historiography, Pacific studies, and postcolonial studies, Remaking Pacific Pasts offers the first full-length comparative study of this dynamic and expanding body of work. It introduces readers to the field with an overview of significant works produced throughout the region over the past fifty years, including plays in English and in French, as well as in local vernaculars and lingua francas. The discussion traces the circumstances that have given rise to a particular modern dramatic tradition in each site and also charts routes of theatrical circulation and shared artistic influences that have woven connections beyond national borders. This broad survey contextualizes the more detailed case studies that follow, which focus on how Pacific dramatists, actors, and directors have used theatrical performance to critically engage the Pacific’s colonial and postcolonial histories. Chapters provide close readings of selected plays from Hawai‘i, Aotearoa/New Zealand, New Caledonia/Kanaky, and Fiji that treat events, figures, and legacies of the region’s turbulent past: Captain Cook’s encounters, the New Zealand Wars, missionary contact, the overthrow of the Hawaiian monarchy, and the Fiji coups. The book explores how, in their remembering and retelling of these pasts, theater artists have interrogated and revised repressive and marginalizing models of historical understanding developed through Western colonialism or exclusionary indigenous nationalisms, and have opened up new spaces for alternative historical narratives and ways of knowing. In so doing, these works address key issues of identity, genealogy, representation, political parity, and social unity, encouraging their audiences to consider new possibilities for present and future action. This study emphasizes the contribution of artistic production to social and political life in the contemporary Pacific, demonstrating how local play production has worked to facilitate processes of creative nation building and the construction of modern regional imaginaries. Remaking Pacific Pasts makes valuable contributions to Pacific literature, world theater history, Pacific studies, and postcolonial studies. The book opens up to comparative critical discussion a geopolitical region that has received little attention from theater and performance scholars, extending our understanding of the form and function of theater in different cultural contexts. It enriches existing discussions in postcolonial studies about the decolonizing potential of literary and artistic endeavors, and it suggests how theater might function as a mode of historical enquiry and debate, adding to discussions about ways in which Pacific histories might be developed, challenged, or recalibrated. Consequently, the book stimulates new discussions in Pacific studies where theater has, to date, suffered from a lack of critical exposure. Carefully researched and original in its approach, Remaking Pacific Pasts will appeal to scholars, graduate students, and upper-level undergraduate students in theater and performance studies and Pacific Islands studies; it will also be of interest to cultural historians and to specialists in cultural studies and postcolonial studies.
Book Synopsis Remaking Pacific Pasts by : Diana Looser
Download or read book Remaking Pacific Pasts written by Diana Looser and published by University of Hawaii Press. This book was released on 2014-10-31 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since the late 1960s, drama by Pacific Island playwrights has flourished throughout Oceania. Although many Pacific Island cultures have a broad range of highly developed indigenous performance forms—including oral narrative, clowning, ritual, dance, and song—scripted drama is a relatively recent phenomenon. Emerging during a period of region-wide decolonization and indigenous self-determination movements, most of these plays reassert Pacific cultural perspectives and performance techniques in ways that employ, adapt, and challenge the conventions and representations of Western theater. Drawing together discussions in theater and performance studies, historiography, Pacific studies, and postcolonial studies, Remaking Pacific Pasts offers the first full-length comparative study of this dynamic and expanding body of work. It introduces readers to the field with an overview of significant works produced throughout the region over the past fifty years, including plays in English and in French, as well as in local vernaculars and lingua francas. The discussion traces the circumstances that have given rise to a particular modern dramatic tradition in each site and also charts routes of theatrical circulation and shared artistic influences that have woven connections beyond national borders. This broad survey contextualizes the more detailed case studies that follow, which focus on how Pacific dramatists, actors, and directors have used theatrical performance to critically engage the Pacific’s colonial and postcolonial histories. Chapters provide close readings of selected plays from Hawai‘i, Aotearoa/New Zealand, New Caledonia/Kanaky, and Fiji that treat events, figures, and legacies of the region’s turbulent past: Captain Cook’s encounters, the New Zealand Wars, missionary contact, the overthrow of the Hawaiian monarchy, and the Fiji coups. The book explores how, in their remembering and retelling of these pasts, theater artists have interrogated and revised repressive and marginalizing models of historical understanding developed through Western colonialism or exclusionary indigenous nationalisms, and have opened up new spaces for alternative historical narratives and ways of knowing. In so doing, these works address key issues of identity, genealogy, representation, political parity, and social unity, encouraging their audiences to consider new possibilities for present and future action. This study emphasizes the contribution of artistic production to social and political life in the contemporary Pacific, demonstrating how local play production has worked to facilitate processes of creative nation building and the construction of modern regional imaginaries. Remaking Pacific Pasts makes valuable contributions to Pacific literature, world theater history, Pacific studies, and postcolonial studies. The book opens up to comparative critical discussion a geopolitical region that has received little attention from theater and performance scholars, extending our understanding of the form and function of theater in different cultural contexts. It enriches existing discussions in postcolonial studies about the decolonizing potential of literary and artistic endeavors, and it suggests how theater might function as a mode of historical enquiry and debate, adding to discussions about ways in which Pacific histories might be developed, challenged, or recalibrated. Consequently, the book stimulates new discussions in Pacific studies where theater has, to date, suffered from a lack of critical exposure. Carefully researched and original in its approach, Remaking Pacific Pasts will appeal to scholars, graduate students, and upper-level undergraduate students in theater and performance studies and Pacific Islands studies; it will also be of interest to cultural historians and to specialists in cultural studies and postcolonial studies.
Book Synopsis Legends of Fiji and Rotuma by : Inez Hames
Download or read book Legends of Fiji and Rotuma written by Inez Hames and published by . This book was released on 1991 with total page 72 pages. Available in PDF, EPUB and Kindle. Book excerpt:
The stories of Fiji are rich in drama, telling of gods and fabulous creatures, of islands built by supernatural powers, and of the creation of the birds, beasts and plants that inhabit the islands that make up the Fijian group.
Book Synopsis Myths and Legends of Fiji and Rotuma by : Alexander Wyclif Reed
Download or read book Myths and Legends of Fiji and Rotuma written by Alexander Wyclif Reed and published by Raupo. This book was released on 1967 with total page 268 pages. Available in PDF, EPUB and Kindle. Book excerpt: The stories of Fiji are rich in drama, telling of gods and fabulous creatures, of islands built by supernatural powers, and of the creation of the birds, beasts and plants that inhabit the islands that make up the Fijian group.
A comprehensive and authoritative single-volume reference work on the theatre arts of Asia-Oceania. Nine expert scholars provide entries on performance in twenty countries from Pakistan in the west, through India and Southeast Asia to China, Japan and Korea in the east. An introductory pan-Asian essay explores basic themes - they include ritual, dance, puppetry, training, performance and masks. The national entries concentrate on the historical development of theatre in each country, followed by entries on the major theatre forms, and articles on playwrights, actors and directors. The entries are accompanied by rare photographs and helpful reading lists.
Book Synopsis The Cambridge Guide to Asian Theatre by : James R. Brandon
Download or read book The Cambridge Guide to Asian Theatre written by James R. Brandon and published by Cambridge University Press. This book was released on 1997-01-28 with total page 266 pages. Available in PDF, EPUB and Kindle. Book excerpt: A comprehensive and authoritative single-volume reference work on the theatre arts of Asia-Oceania. Nine expert scholars provide entries on performance in twenty countries from Pakistan in the west, through India and Southeast Asia to China, Japan and Korea in the east. An introductory pan-Asian essay explores basic themes - they include ritual, dance, puppetry, training, performance and masks. The national entries concentrate on the historical development of theatre in each country, followed by entries on the major theatre forms, and articles on playwrights, actors and directors. The entries are accompanied by rare photographs and helpful reading lists.