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The completely updated, illustrated bestseller on architectural graphics with over 500,000 copies sold Architectural Graphics presents a wide range of basic graphic tools and techniques designers use to communicate architectural ideas. Expanding upon the wealth of illustrations and information that have made this title a classic, this Fourth Edition provides expanded and updated coverage of drawing materials, multiview drawings, paraline drawings, and perspective drawings. Also new to this edition is the author's unique incorporation of digital technology into his successful methods. While covering essential drawing principles, this book presents: approaches to drawing section views of building interiors, methods for drawing modified perspectives, techniques for creating accurate shade and shadows, expert styles of freehand sketching and diagramming, and much more.
Book Synopsis Architectural Graphics by : Francis D. K. Ching
Download or read book Architectural Graphics written by Francis D. K. Ching and published by . This book was released on 1975 with total page 136 pages. Available in PDF, EPUB and Kindle. Book excerpt: The completely updated, illustrated bestseller on architectural graphics with over 500,000 copies sold Architectural Graphics presents a wide range of basic graphic tools and techniques designers use to communicate architectural ideas. Expanding upon the wealth of illustrations and information that have made this title a classic, this Fourth Edition provides expanded and updated coverage of drawing materials, multiview drawings, paraline drawings, and perspective drawings. Also new to this edition is the author's unique incorporation of digital technology into his successful methods. While covering essential drawing principles, this book presents: approaches to drawing section views of building interiors, methods for drawing modified perspectives, techniques for creating accurate shade and shadows, expert styles of freehand sketching and diagramming, and much more.
Why did early modern architects continue copying drawings long after the invention of print should have made such copying obsolete? Carolyn Yerkes answers that question in a fresh investigation into the status of architectural drawing in the 16th and 17th centuries. Drawing after Architecture: Renaissance Drawings and their Reception investigates the status of architectural drawing after the invention of print, and explores a vast group of 16th and 17th century manuscripts and collections of drawings that are each part of a larger network of copies. Made by French and Italian draftsmen who studied Roman monuments, the drawings contain information about the buildings - buildings that include the most important ancient and modern works, the Pantheon and Saint Peter's - that is not known from any other sources. But the information that the drawings preserve is only part of their value: the drawings also show how that information was recorded, transferred, and analysed by other draftsmen. In the 16th century, survey drawing was the key mechanism through which the material past was understood, and many 16th and 17th century drawings after ancient architecture are extant. Ultimately, this book pursues the nature of architectural evidence, in that it asks how Renaissance architects used images to explore structures, to create biographies, and to write history.
Book Synopsis Drawing After Architecture by : Carolyn Yerkes
Download or read book Drawing After Architecture written by Carolyn Yerkes and published by Marsilio. This book was released on 2017 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt: Why did early modern architects continue copying drawings long after the invention of print should have made such copying obsolete? Carolyn Yerkes answers that question in a fresh investigation into the status of architectural drawing in the 16th and 17th centuries. Drawing after Architecture: Renaissance Drawings and their Reception investigates the status of architectural drawing after the invention of print, and explores a vast group of 16th and 17th century manuscripts and collections of drawings that are each part of a larger network of copies. Made by French and Italian draftsmen who studied Roman monuments, the drawings contain information about the buildings - buildings that include the most important ancient and modern works, the Pantheon and Saint Peter's - that is not known from any other sources. But the information that the drawings preserve is only part of their value: the drawings also show how that information was recorded, transferred, and analysed by other draftsmen. In the 16th century, survey drawing was the key mechanism through which the material past was understood, and many 16th and 17th century drawings after ancient architecture are extant. Ultimately, this book pursues the nature of architectural evidence, in that it asks how Renaissance architects used images to explore structures, to create biographies, and to write history.
Drawings, doodles, and ideograms argue with ferocity and wit for traditional urbanism and architecture. Architect Léon Krier's doodles, drawings, and ideograms make arguments in images, without the circumlocutions of prose. Drawn with wit and grace, these clever sketches do not try to please or flatter the architectural establishment. Rather, they make an impassioned argument against what Krier sees as the unquestioned doctrines and unacknowledged absurdities of contemporary architecture. Thus he shows us a building bearing a suspicious resemblance to Norman Foster's famous London “gherkin” as an example of “priapus hubris” (threatened by detumescence and “priapus nemesis”); he charts “Random Uniformity” (“fake simplicity”) and “Uniform Randomness” (“fake complexity”); he draws bloated “bulimic” and disproportionately scrawny “anorexic” columns flanking a graceful “classical” one; and he compares “private virtue” (modernist architects' homes and offices) to “public vice” (modernist architects' “creations”). Krier wants these witty images to be tools for re-founding traditional urbanism and architecture. He argues for mixed-use cities, of “architectural speech” rather than “architectural stutter,” and pointedly plots the man-vehicle-landneed ratio of “sub-urban man” versus that of a city dweller. In an age of energy crisis, he writes (and his drawings show), we “build in the wrong places, in the wrong patterns, materials, densities, and heights, and for the wrong number of dwellers”; a return to traditional architectures and building and settlement techniques can be the means of ecological reconstruction. Each of Krier's provocative and entertaining images is worth more than a thousand words of theoretical abstraction.
Book Synopsis Drawing for Architecture by : Leon Krier
Download or read book Drawing for Architecture written by Leon Krier and published by MIT Press. This book was released on 2009-07-10 with total page 247 pages. Available in PDF, EPUB and Kindle. Book excerpt: Drawings, doodles, and ideograms argue with ferocity and wit for traditional urbanism and architecture. Architect Léon Krier's doodles, drawings, and ideograms make arguments in images, without the circumlocutions of prose. Drawn with wit and grace, these clever sketches do not try to please or flatter the architectural establishment. Rather, they make an impassioned argument against what Krier sees as the unquestioned doctrines and unacknowledged absurdities of contemporary architecture. Thus he shows us a building bearing a suspicious resemblance to Norman Foster's famous London “gherkin” as an example of “priapus hubris” (threatened by detumescence and “priapus nemesis”); he charts “Random Uniformity” (“fake simplicity”) and “Uniform Randomness” (“fake complexity”); he draws bloated “bulimic” and disproportionately scrawny “anorexic” columns flanking a graceful “classical” one; and he compares “private virtue” (modernist architects' homes and offices) to “public vice” (modernist architects' “creations”). Krier wants these witty images to be tools for re-founding traditional urbanism and architecture. He argues for mixed-use cities, of “architectural speech” rather than “architectural stutter,” and pointedly plots the man-vehicle-landneed ratio of “sub-urban man” versus that of a city dweller. In an age of energy crisis, he writes (and his drawings show), we “build in the wrong places, in the wrong patterns, materials, densities, and heights, and for the wrong number of dwellers”; a return to traditional architectures and building and settlement techniques can be the means of ecological reconstruction. Each of Krier's provocative and entertaining images is worth more than a thousand words of theoretical abstraction.
How architectural drawings emerged as aesthetic objects, promoted by a network of galleries, collectors, and institutions, and how this changed the understanding of architecture. Prior to the 1970s, buildings were commonly understood to be the goal of architectural practice; architectural drawings were seen simply as a means to an end. But, just as the boundaries of architecture itself were shifting at the end of the twentieth century, the perception of architectural drawings was also shifting; they began to be seen as autonomous objects outside the process of building. In Drawing on Architecture, Jordan Kauffman offers an account of how architectural drawings—promoted by a network of galleries and collectors, exhibitions and events—emerged as aesthetic objects and ultimately attained status as important cultural and historical artifacts, and how this was both emblematic of changes in architecture and a catalyst for these changes. Kauffman traces moments of critical importance to the evolution of the perception of architectural drawings, beginning with exhibitions that featured architectural drawings displayed in ways that did not elucidate buildings but treated them as meaningful objects in their own right. When architectural drawings were seen as having intrinsic value, they became collectible, and Kauffman chronicles early collectors, galleries, and sales. He discusses three key exhibitions at the Leo Castelli Gallery in New York; other galleries around the world that specialized in architectural drawings; the founding of architecture museums that understood and collected drawings as important cultural and historical artifacts; and the effect of the new significance of architectural drawings on architecture and architectural history. Drawing on interviews with more than forty people directly involved with the events described and on extensive archival research, Kauffman shows how architectural drawings became the driving force in architectural debate in an era of change.
Book Synopsis Drawing on Architecture by : Jordan Kauffman
Download or read book Drawing on Architecture written by Jordan Kauffman and published by MIT Press. This book was released on 2018-06-01 with total page 378 pages. Available in PDF, EPUB and Kindle. Book excerpt: How architectural drawings emerged as aesthetic objects, promoted by a network of galleries, collectors, and institutions, and how this changed the understanding of architecture. Prior to the 1970s, buildings were commonly understood to be the goal of architectural practice; architectural drawings were seen simply as a means to an end. But, just as the boundaries of architecture itself were shifting at the end of the twentieth century, the perception of architectural drawings was also shifting; they began to be seen as autonomous objects outside the process of building. In Drawing on Architecture, Jordan Kauffman offers an account of how architectural drawings—promoted by a network of galleries and collectors, exhibitions and events—emerged as aesthetic objects and ultimately attained status as important cultural and historical artifacts, and how this was both emblematic of changes in architecture and a catalyst for these changes. Kauffman traces moments of critical importance to the evolution of the perception of architectural drawings, beginning with exhibitions that featured architectural drawings displayed in ways that did not elucidate buildings but treated them as meaningful objects in their own right. When architectural drawings were seen as having intrinsic value, they became collectible, and Kauffman chronicles early collectors, galleries, and sales. He discusses three key exhibitions at the Leo Castelli Gallery in New York; other galleries around the world that specialized in architectural drawings; the founding of architecture museums that understood and collected drawings as important cultural and historical artifacts; and the effect of the new significance of architectural drawings on architecture and architectural history. Drawing on interviews with more than forty people directly involved with the events described and on extensive archival research, Kauffman shows how architectural drawings became the driving force in architectural debate in an era of change.
We are in the second decade of the 21st century and, as with most things, the distinction between digital and analogue has become tired and inappropriate. This is also true in the world of architectural drawing, which paradoxically is enjoying a renaissance supported by the graphic dexterity of the computer. This new fecundity has produced a contemporary glut of stunning architectural drawings and representations that could rival the most recent outpouring of architectural vision in the 1960s, 1970s and 1980s. Indeed, there is much to learn by comparing the then and the now. The contemporary drawing is often about its ability to describe the change, fluctuations and mutability of architecture in relation to the virtual/real 21st-century continuum of architectural space. Times have changed, and the status of the architectural drawing must change with them. This reassessment is well overdue, and this edition of AD will be the catalyst for such re-examination. Features the work of: Pascal Bronner, Bryan Cantley, Peter Cook, Perry Kulper, CJ Lim, Tom Noonan, Dan Slavinsky, Neil Spiller, Peter Wilson, Nancy Wolf, Lebbeus Woods and Mas Yendo. Contributors include: Nic Clear, Mark Garcia, Simon Herron and Mark Morris.
Book Synopsis Drawing Architecture by :
Download or read book Drawing Architecture written by and published by John Wiley & Sons. This book was released on 2013-10-18 with total page 136 pages. Available in PDF, EPUB and Kindle. Book excerpt: We are in the second decade of the 21st century and, as with most things, the distinction between digital and analogue has become tired and inappropriate. This is also true in the world of architectural drawing, which paradoxically is enjoying a renaissance supported by the graphic dexterity of the computer. This new fecundity has produced a contemporary glut of stunning architectural drawings and representations that could rival the most recent outpouring of architectural vision in the 1960s, 1970s and 1980s. Indeed, there is much to learn by comparing the then and the now. The contemporary drawing is often about its ability to describe the change, fluctuations and mutability of architecture in relation to the virtual/real 21st-century continuum of architectural space. Times have changed, and the status of the architectural drawing must change with them. This reassessment is well overdue, and this edition of AD will be the catalyst for such re-examination. Features the work of: Pascal Bronner, Bryan Cantley, Peter Cook, Perry Kulper, CJ Lim, Tom Noonan, Dan Slavinsky, Neil Spiller, Peter Wilson, Nancy Wolf, Lebbeus Woods and Mas Yendo. Contributors include: Nic Clear, Mark Garcia, Simon Herron and Mark Morris.
Drawing is an important means to analyse information and develop rigorous arguments both conceptually and visually. Going beyond the how-to drawing manual, this book provides an instrumental approach to drawing, especially computer-generated drawings; it outlines how drawings should be used to convey clear and analytical information in the process of design, as well as the communication and discussion of a project. In depth examples are provided how to communicate effectively. The final section demonstrates how to transform case-studies, directly connecting an analytical approach with the design process.
Book Synopsis Drawing Architecture and the Urban by : Sam Jacoby
Download or read book Drawing Architecture and the Urban written by Sam Jacoby and published by John Wiley & Sons. This book was released on 2016-04-25 with total page 340 pages. Available in PDF, EPUB and Kindle. Book excerpt: Drawing is an important means to analyse information and develop rigorous arguments both conceptually and visually. Going beyond the how-to drawing manual, this book provides an instrumental approach to drawing, especially computer-generated drawings; it outlines how drawings should be used to convey clear and analytical information in the process of design, as well as the communication and discussion of a project. In depth examples are provided how to communicate effectively. The final section demonstrates how to transform case-studies, directly connecting an analytical approach with the design process.
The Death of Drawing explores the causes and effects of the epochal shift from drawing to computation as the chief design and communication medium in architecture. Drawing both framed the thinking of architects and organized the design and construction process to place architects at its center. Its displacement by building information modeling (BIM) and computational design recasts both the terms in which architects think and their role in building production. Author David Ross Scheer explains that, whereas drawing allowed architects to represent ideas in form, BIM and computational design simulate experience, making building behavior or performance the primary object of design. The author explores many ways in which this displacement is affecting architecture: the dominance of performance criteria in the evaluation of design decisions; the blurring of the separation of design and construction; the undermining of architects’ authority over their projects by automated information sharing; the elimination of the human body as the common foundation of design and experience; the transformation of the meaning of geometry when it is performed by computers; the changing nature of design when it requires computation or is done by a digitally-enabled collaboration. Throughout the book, Scheer examines both the theoretical bases and the practical consequences of these changes. The Death of Drawing is a clear-eyed account of the reasons for and consequences of the displacement of drawing by computational media in architecture. Its aim is to give architects the ability to assess the impact of digital media on their own work and to see both the challenges and opportunities of this historic moment in the history of their discipline.
Book Synopsis The Death of Drawing by : David Ross Scheer
Download or read book The Death of Drawing written by David Ross Scheer and published by Routledge. This book was released on 2014-06-05 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Death of Drawing explores the causes and effects of the epochal shift from drawing to computation as the chief design and communication medium in architecture. Drawing both framed the thinking of architects and organized the design and construction process to place architects at its center. Its displacement by building information modeling (BIM) and computational design recasts both the terms in which architects think and their role in building production. Author David Ross Scheer explains that, whereas drawing allowed architects to represent ideas in form, BIM and computational design simulate experience, making building behavior or performance the primary object of design. The author explores many ways in which this displacement is affecting architecture: the dominance of performance criteria in the evaluation of design decisions; the blurring of the separation of design and construction; the undermining of architects’ authority over their projects by automated information sharing; the elimination of the human body as the common foundation of design and experience; the transformation of the meaning of geometry when it is performed by computers; the changing nature of design when it requires computation or is done by a digitally-enabled collaboration. Throughout the book, Scheer examines both the theoretical bases and the practical consequences of these changes. The Death of Drawing is a clear-eyed account of the reasons for and consequences of the displacement of drawing by computational media in architecture. Its aim is to give architects the ability to assess the impact of digital media on their own work and to see both the challenges and opportunities of this historic moment in the history of their discipline.
The gold-standard design and documentation reference for students Architectural Graphic Standards, Student Edition condenses key information from the definitive industry reference to provide students with a powerful learning resource. Covering design and documentation for a variety of projects, this book offers extensive visuals backed by expert discussion to prepare students for work in a modern professional practice. This new 12th edition has been significantly updated to provide the latest information on important architectural developments and movements, with detailed coverage of sustainability, economy, technology, and more alongside current building standards and best practices. The companion website features sample curricula, student exercises, and classroom projects to aid the understanding of developing designers, and links to additional resources include professional associations, manufacturers' websites, and architectural articles to help students stay up-to-date as the field continues to evolve. Architectural Graphic Standards is the gold-standard reference for practicing architects, engineers, and builders; this Student Edition introduces key elements in a way that's relevant to the budding designer, along with ancillary materials that facilitate internalization. Delve into the design and documentation process for building materials and elements, as used in today's real-world practice Discover the latest advances in sustainability, digital fabrication, building information modeling, and more Learn the building standards and best practices for a wide variety of architectural details Examine thousands of illustrations, richly detailed graphics, PowerPoint slides, and links to additional resources Simply "knowing" graphic and documentation standards is not enough; future architects and engineers must develop an instinctual understanding and reflexive use of much of this material. Architectural Graphic Standards, Student Edition provides the depth and breadth of coverage they need, and the expert guidance that will help them succeed.
Book Synopsis Architectural Graphic Standards by : American Institute of Architects
Download or read book Architectural Graphic Standards written by American Institute of Architects and published by John Wiley & Sons. This book was released on 2017-03-16 with total page 688 pages. Available in PDF, EPUB and Kindle. Book excerpt: The gold-standard design and documentation reference for students Architectural Graphic Standards, Student Edition condenses key information from the definitive industry reference to provide students with a powerful learning resource. Covering design and documentation for a variety of projects, this book offers extensive visuals backed by expert discussion to prepare students for work in a modern professional practice. This new 12th edition has been significantly updated to provide the latest information on important architectural developments and movements, with detailed coverage of sustainability, economy, technology, and more alongside current building standards and best practices. The companion website features sample curricula, student exercises, and classroom projects to aid the understanding of developing designers, and links to additional resources include professional associations, manufacturers' websites, and architectural articles to help students stay up-to-date as the field continues to evolve. Architectural Graphic Standards is the gold-standard reference for practicing architects, engineers, and builders; this Student Edition introduces key elements in a way that's relevant to the budding designer, along with ancillary materials that facilitate internalization. Delve into the design and documentation process for building materials and elements, as used in today's real-world practice Discover the latest advances in sustainability, digital fabrication, building information modeling, and more Learn the building standards and best practices for a wide variety of architectural details Examine thousands of illustrations, richly detailed graphics, PowerPoint slides, and links to additional resources Simply "knowing" graphic and documentation standards is not enough; future architects and engineers must develop an instinctual understanding and reflexive use of much of this material. Architectural Graphic Standards, Student Edition provides the depth and breadth of coverage they need, and the expert guidance that will help them succeed.
Drawing Futures brings together international designers and artists for speculations in contemporary drawing for art and architecture.Despite numerous developments in technological manufacture and computational design that provide new grounds for designers, the act of drawing still plays a central role as a vehicle for speculation. There is a rich and long history of drawing tied to innovations in technology as well as to revolutions in our philosophical understanding of the world. In reflection of a society now underpinned by computational networks and interfaces allowing hitherto unprecedented views of the world, the changing status of the drawing and its representation as a political act demands a platform for reflection and innovation. Drawing Futures will present a compendium of projects, writings and interviews that critically reassess the act of drawing and where its future may lie.Drawing Futures focuses on the discussion of how the field of drawing may expand synchronously alongside technological and computational developments. The book coincides with an international conference of the same name, taking place at The Bartlett School of Architecture, UCL, in November 2016. Bringing together practitioners from many creative fields, the book discusses how drawing is changing in relation to new technologies for the production and dissemination of ideas.
Book Synopsis Drawing Futures by : Bob Sheil
Download or read book Drawing Futures written by Bob Sheil and published by UCL Press. This book was released on 2016-11-11 with total page 147 pages. Available in PDF, EPUB and Kindle. Book excerpt: Drawing Futures brings together international designers and artists for speculations in contemporary drawing for art and architecture.Despite numerous developments in technological manufacture and computational design that provide new grounds for designers, the act of drawing still plays a central role as a vehicle for speculation. There is a rich and long history of drawing tied to innovations in technology as well as to revolutions in our philosophical understanding of the world. In reflection of a society now underpinned by computational networks and interfaces allowing hitherto unprecedented views of the world, the changing status of the drawing and its representation as a political act demands a platform for reflection and innovation. Drawing Futures will present a compendium of projects, writings and interviews that critically reassess the act of drawing and where its future may lie.Drawing Futures focuses on the discussion of how the field of drawing may expand synchronously alongside technological and computational developments. The book coincides with an international conference of the same name, taking place at The Bartlett School of Architecture, UCL, in November 2016. Bringing together practitioners from many creative fields, the book discusses how drawing is changing in relation to new technologies for the production and dissemination of ideas.
Book Synopsis Architectural Rendering by : Albert O. Halse
Download or read book Architectural Rendering written by Albert O. Halse and published by . This book was released on 2011-10-01 with total page 306 pages. Available in PDF, EPUB and Kindle. Book excerpt:
