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E.T.A. Hoffmann (1776-1822) was a man of diversified talents, an artist, composer, conductor, critic, jurist, and writer. Although he is best known for his stories, he was a music critic and composer for years before he wrote his celebrated Tales. Hoffmann has long been considered an extremely important force in the shaping of musical romanticism, yet this volume is the first adequate documentation of his influence. Because much of the primary material upon which the study is based, has not previously been available in English, the author has chosen an unusual but especially appropriate format, in which translations of Hoffmann's writings and the author's critical commentary alternate. This book not only fills a unique gap in the history of the Romantic Movement by showing the effect of Hoffmann's writings on the early phases of musical romanticism in Germany, but also presents an over-all picture of romanticism in its incipient years.
Book Synopsis E. T. A. Hoffmann and Music by : R. Murray Schafer
Download or read book E. T. A. Hoffmann and Music written by R. Murray Schafer and published by Toronto ; Buffalo : University of Toronto Press. This book was released on 1975 with total page 228 pages. Available in PDF, EPUB and Kindle. Book excerpt: E.T.A. Hoffmann (1776-1822) was a man of diversified talents, an artist, composer, conductor, critic, jurist, and writer. Although he is best known for his stories, he was a music critic and composer for years before he wrote his celebrated Tales. Hoffmann has long been considered an extremely important force in the shaping of musical romanticism, yet this volume is the first adequate documentation of his influence. Because much of the primary material upon which the study is based, has not previously been available in English, the author has chosen an unusual but especially appropriate format, in which translations of Hoffmann's writings and the author's critical commentary alternate. This book not only fills a unique gap in the history of the Romantic Movement by showing the effect of Hoffmann's writings on the early phases of musical romanticism in Germany, but also presents an over-all picture of romanticism in its incipient years.
This book offers a long-awaited opportunity to assess the thought and influence of one of the most famous of all writers on music and the musical links with his fiction. Containing the first complete appearance in English of Kreisleriana, it reveals a masterpiece of imaginative writing and whose profound humour and irony can now be fully appreciated.
Book Synopsis E. T. A. Hoffmann's Musical Writings by : E. T. A. Hoffmann
Download or read book E. T. A. Hoffmann's Musical Writings written by E. T. A. Hoffmann and published by Cambridge University Press. This book was released on 2003 with total page 500 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book offers a long-awaited opportunity to assess the thought and influence of one of the most famous of all writers on music and the musical links with his fiction. Containing the first complete appearance in English of Kreisleriana, it reveals a masterpiece of imaginative writing and whose profound humour and irony can now be fully appreciated.
Whilst E.T.A. Hoffmann (1776-1822) is most widely known as the author of fantastic tales, he was also prolific as a music critic, productive as a composer, and active as a conductor. This book examines Hoffmann's aesthetic thought within the broader context of the history of ideas of the late-18th and early-19th centuries, and explores the relationship between his musical aesthetics and compositional practice. The first three chapters consider his ideas about creativity and aesthetic appreciation in relation to the thought of other German romantic theorists, discussing the central tenets of his musical aesthetic - the idea of a 'religion of art', of the composer as a 'genius', and the listener as a 'passive genius'. In particular the relationship between the multifaceted thought of Hoffmann and Friedrich Schleiermacher is explored, providing some insight into the way in which diverse intellectual traditions converged in early-19th-century Germany.
Book Synopsis E.T.A. Hoffmann's Musical Aesthetics by : Abigail Chantler
Download or read book E.T.A. Hoffmann's Musical Aesthetics written by Abigail Chantler and published by Ashgate Publishing, Ltd.. This book was released on 2006 with total page 222 pages. Available in PDF, EPUB and Kindle. Book excerpt: Whilst E.T.A. Hoffmann (1776-1822) is most widely known as the author of fantastic tales, he was also prolific as a music critic, productive as a composer, and active as a conductor. This book examines Hoffmann's aesthetic thought within the broader context of the history of ideas of the late-18th and early-19th centuries, and explores the relationship between his musical aesthetics and compositional practice. The first three chapters consider his ideas about creativity and aesthetic appreciation in relation to the thought of other German romantic theorists, discussing the central tenets of his musical aesthetic - the idea of a 'religion of art', of the composer as a 'genius', and the listener as a 'passive genius'. In particular the relationship between the multifaceted thought of Hoffmann and Friedrich Schleiermacher is explored, providing some insight into the way in which diverse intellectual traditions converged in early-19th-century Germany.
John MacAuslan interprets four great Schumann works in the context of their literary connections and Romantic aesthetic concepts.
Book Synopsis Schumann's Music and E.T.A. Hoffmann's Fiction by : John MacAuslan
Download or read book Schumann's Music and E.T.A. Hoffmann's Fiction written by John MacAuslan and published by Cambridge University Press. This book was released on 2016-05-19 with total page 297 pages. Available in PDF, EPUB and Kindle. Book excerpt: John MacAuslan interprets four great Schumann works in the context of their literary connections and Romantic aesthetic concepts.
Book Synopsis E. T. A. Hoffmann and Music by : Raymond Murray Schafer
Download or read book E. T. A. Hoffmann and Music written by Raymond Murray Schafer and published by . This book was released on 1975 with total page 202 pages. Available in PDF, EPUB and Kindle. Book excerpt:
What does it mean to say that music is deeply moving? Or that music's aesthetic value derives from its deep structure? This study traces the widely employed trope of musical depth to its origins in German-language music criticism and analysis. From the Romantic aesthetics of E. T. A. Hoffmann to the modernist theories of Arnold Schoenberg, metaphors of depth attest to the cross-pollination of music with discourses ranging from theology, geology and poetics to psychology, philosophy and economics. The book demonstrates that the persistence of depth metaphors in musicology and music theory today is an outgrowth of their essential role in articulating and transmitting Germanic cultural values. While musical depth metaphors have historically served to communicate German nationalist sentiments, Watkins shows that an appreciation for the broad connotations of those metaphors opens up exciting new avenues for interpretation.
Book Synopsis Metaphors of Depth in German Musical Thought by : Holly Watkins
Download or read book Metaphors of Depth in German Musical Thought written by Holly Watkins and published by Cambridge University Press. This book was released on 2011-09-01 with total page 351 pages. Available in PDF, EPUB and Kindle. Book excerpt: What does it mean to say that music is deeply moving? Or that music's aesthetic value derives from its deep structure? This study traces the widely employed trope of musical depth to its origins in German-language music criticism and analysis. From the Romantic aesthetics of E. T. A. Hoffmann to the modernist theories of Arnold Schoenberg, metaphors of depth attest to the cross-pollination of music with discourses ranging from theology, geology and poetics to psychology, philosophy and economics. The book demonstrates that the persistence of depth metaphors in musicology and music theory today is an outgrowth of their essential role in articulating and transmitting Germanic cultural values. While musical depth metaphors have historically served to communicate German nationalist sentiments, Watkins shows that an appreciation for the broad connotations of those metaphors opens up exciting new avenues for interpretation.
The essays in this volume address a very broad range of E. T. A. Hoffmann's most significant works, examining them through the lens of "transgression." His writings, perhaps more than those of any other German Romantic, portrayed the "dark side" of existence, which the following essays investigate for an Anglophone audience.
Book Synopsis E.T.A. Hoffmann by : Christopher R. Clason
Download or read book E.T.A. Hoffmann written by Christopher R. Clason and published by Romantic Reconfigurations Stud. This book was released on 2018 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: The essays in this volume address a very broad range of E. T. A. Hoffmann's most significant works, examining them through the lens of "transgression." His writings, perhaps more than those of any other German Romantic, portrayed the "dark side" of existence, which the following essays investigate for an Anglophone audience.
Ten of Hoffmann's greatest tales, enormously popular in Europe but rarely seen in the United States: "The Golden Flower Pot," "Automata," "Nutcracker and the King of Mice," "The Sand Man," and 6 others.
Book Synopsis The Best Tales of Hoffmann by : E. T. A. Hoffmann
Download or read book The Best Tales of Hoffmann written by E. T. A. Hoffmann and published by Courier Corporation. This book was released on 2012-08-13 with total page 480 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ten of Hoffmann's greatest tales, enormously popular in Europe but rarely seen in the United States: "The Golden Flower Pot," "Automata," "Nutcracker and the King of Mice," "The Sand Man," and 6 others.
Councillor Krespel is an eccentric violin maker who lives with the mysterious Antonia. Considered to have the most beautiful singing voice the town has ever heard; she has only sung once in her life. Krespel is renowned for making the finest violins in the world, but never sells any and plays each violin he makes only once. What is the dark secret behind this odd couple’s behaviour? This classic short horror story was written by the famous German Romantic author E.T.A. Hoffmann and is perfect for fans of authors H.P. Lovecraft and Neil Gaiman. Ernst Theodor Wilhelm Hoffmann (1776-1822), better known as E. T. A. Hoffmann, was a German Romantic author of fantasy and gothic horror. He was also a composer, music critic, draftsman and caricaturist. Hoffmann's stories inspired several famous operatic composers, including Richard Wagner, Jacques Offenbach and Léo Delibes. He is also the author of the novella ‘The Nutcracker and the Mouse King’, on which Tchaikovsky’s famous ballet, ‘The Nutcracker’ is based. The story also inspired the film ‘The Nutcracker and the Four Realms’ (2018), starring Keira Knightley, Morgan Freeman, Helen Mirren.
Book Synopsis The Cremona Violin by : E.T.A. Hoffmann
Download or read book The Cremona Violin written by E.T.A. Hoffmann and published by Lindhardt og Ringhof. This book was released on 2022-05-16 with total page 48 pages. Available in PDF, EPUB and Kindle. Book excerpt: Councillor Krespel is an eccentric violin maker who lives with the mysterious Antonia. Considered to have the most beautiful singing voice the town has ever heard; she has only sung once in her life. Krespel is renowned for making the finest violins in the world, but never sells any and plays each violin he makes only once. What is the dark secret behind this odd couple’s behaviour? This classic short horror story was written by the famous German Romantic author E.T.A. Hoffmann and is perfect for fans of authors H.P. Lovecraft and Neil Gaiman. Ernst Theodor Wilhelm Hoffmann (1776-1822), better known as E. T. A. Hoffmann, was a German Romantic author of fantasy and gothic horror. He was also a composer, music critic, draftsman and caricaturist. Hoffmann's stories inspired several famous operatic composers, including Richard Wagner, Jacques Offenbach and Léo Delibes. He is also the author of the novella ‘The Nutcracker and the Mouse King’, on which Tchaikovsky’s famous ballet, ‘The Nutcracker’ is based. The story also inspired the film ‘The Nutcracker and the Four Realms’ (2018), starring Keira Knightley, Morgan Freeman, Helen Mirren.
What is music, and why does it move us? From Pythagoras to the present, writers have struggled to isolate the essence of "pure" or "absolute" music in ways that also account for its profound effect. In Absolute Music: The History of an Idea, Mark Evan Bonds traces the history of these efforts across more than two millennia, paying special attention to the relationship between music's essence and its qualities of form, expression, beauty, autonomy, as well as its perceived capacity to disclose philosophical truths. The core of this book focuses on the period between 1850 and 1945. Although the idea of pure music is as old as antiquity, the term "absolute music" is itself relatively recent. It was Richard Wagner who coined the term, in 1846, and he used it as a pejorative in his efforts to expose the limitations of purely instrumental music. For Wagner, music that was "absolute" was isolated, detached from the world, sterile. His contemporary, the Viennese critic Eduard Hanslick, embraced this quality of isolation as a guarantor of purity. Only pure, absolute music, he argued, could realize the highest potential of the art. Bonds reveals how and why perceptions of absolute music changed so radically between the 1850s and 1920s. When it first appeared, "absolute music" was a new term applied to old music, but by the early decades of the twentieth century, it had become-paradoxically--an old term associated with the new music of modernists like Schoenberg and Stravinsky. Bonds argues that the key developments in this shift lay not in discourse about music but rather the visual arts. The growing prestige of abstraction and form in painting at the turn of the twentieth century-line and color, as opposed to object-helped move the idea of purely abstract, absolute music to the cutting edge of musical modernism. By carefully tracing the evolution of absolute music from Ancient Greece through the Middle Ages to the twentieth-century, Bonds not only provides the first comprehensive history of this pivotal concept but also provokes new thoughts on the essence of music and how essence has been used to explain music's effect. A long awaited book from one of the most respected senior scholars in the field, Absolute Music will be essential reading for anyone interested in the history, theory, and aesthetics of music.
Book Synopsis Absolute Music by : Mark Evan Bonds
Download or read book Absolute Music written by Mark Evan Bonds and published by Oxford University Press. This book was released on 2014-05-09 with total page 400 pages. Available in PDF, EPUB and Kindle. Book excerpt: What is music, and why does it move us? From Pythagoras to the present, writers have struggled to isolate the essence of "pure" or "absolute" music in ways that also account for its profound effect. In Absolute Music: The History of an Idea, Mark Evan Bonds traces the history of these efforts across more than two millennia, paying special attention to the relationship between music's essence and its qualities of form, expression, beauty, autonomy, as well as its perceived capacity to disclose philosophical truths. The core of this book focuses on the period between 1850 and 1945. Although the idea of pure music is as old as antiquity, the term "absolute music" is itself relatively recent. It was Richard Wagner who coined the term, in 1846, and he used it as a pejorative in his efforts to expose the limitations of purely instrumental music. For Wagner, music that was "absolute" was isolated, detached from the world, sterile. His contemporary, the Viennese critic Eduard Hanslick, embraced this quality of isolation as a guarantor of purity. Only pure, absolute music, he argued, could realize the highest potential of the art. Bonds reveals how and why perceptions of absolute music changed so radically between the 1850s and 1920s. When it first appeared, "absolute music" was a new term applied to old music, but by the early decades of the twentieth century, it had become-paradoxically--an old term associated with the new music of modernists like Schoenberg and Stravinsky. Bonds argues that the key developments in this shift lay not in discourse about music but rather the visual arts. The growing prestige of abstraction and form in painting at the turn of the twentieth century-line and color, as opposed to object-helped move the idea of purely abstract, absolute music to the cutting edge of musical modernism. By carefully tracing the evolution of absolute music from Ancient Greece through the Middle Ages to the twentieth-century, Bonds not only provides the first comprehensive history of this pivotal concept but also provokes new thoughts on the essence of music and how essence has been used to explain music's effect. A long awaited book from one of the most respected senior scholars in the field, Absolute Music will be essential reading for anyone interested in the history, theory, and aesthetics of music.
