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Early Cinema in Russia and its Cultural Reception

Author: Yuri Tsivian

Publisher: Routledge

Published: 2005-08-12

Total Pages: 542

ISBN-13: 113491038X

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In Early Cinema in Russia and its Cultural Reception Yuri Tsivian examines the development of cinematic form and culture in Russia, from its late nineteenth-century beginnings as a fairground attraction to the early post-Revolutionary years. Tsivian traces the changing perceptions of cinema and its social transition from a modernist invention to a national art form. He explores reactions to the earliest films, from actors, novelists, poets, writers, and journalists. His richly detailed study of the physical elements of cinematic performance includes the architecture and illumination of the cinema foyer, the speed of projection and film acoustics. In contrast to standard film histories, this book focuses on reflected images: rather than discussing films and film-makers, it features the historical film-goer and early writings on film. Early Cinema in Russia and its Cultural Reception presents a vivid and changing picture of cinema culture in Russia in the twilight of the tsarist era and the first decades of the twentieth century. Tsivian's study expands the whole context of reception studies and opens up questions about reception relevant to other national cinemas.

Book Synopsis Early Cinema in Russia and its Cultural Reception by : Yuri Tsivian

Download or read book Early Cinema in Russia and its Cultural Reception written by Yuri Tsivian and published by Routledge. This book was released on 2005-08-12 with total page 542 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Early Cinema in Russia and its Cultural Reception Yuri Tsivian examines the development of cinematic form and culture in Russia, from its late nineteenth-century beginnings as a fairground attraction to the early post-Revolutionary years. Tsivian traces the changing perceptions of cinema and its social transition from a modernist invention to a national art form. He explores reactions to the earliest films, from actors, novelists, poets, writers, and journalists. His richly detailed study of the physical elements of cinematic performance includes the architecture and illumination of the cinema foyer, the speed of projection and film acoustics. In contrast to standard film histories, this book focuses on reflected images: rather than discussing films and film-makers, it features the historical film-goer and early writings on film. Early Cinema in Russia and its Cultural Reception presents a vivid and changing picture of cinema culture in Russia in the twilight of the tsarist era and the first decades of the twentieth century. Tsivian's study expands the whole context of reception studies and opens up questions about reception relevant to other national cinemas.

Early Cinema in Russia and Its Cultural Reception

Author: Yuri Tsivian

Publisher:

Published: 2013

Total Pages: 0

ISBN-13: 9780415726542

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First Published in 1994. Routledge is an imprint of Taylor & Francis, an informa company.

Book Synopsis Early Cinema in Russia and Its Cultural Reception by : Yuri Tsivian

Download or read book Early Cinema in Russia and Its Cultural Reception written by Yuri Tsivian and published by . This book was released on 2013 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: First Published in 1994. Routledge is an imprint of Taylor & Francis, an informa company.

Early Cinema in Russia and Its Cultural Reception

Author: Ûrij Gavriilovič Civ'ân

Publisher:

Published: 2014

Total Pages: 273

ISBN-13: 9780415838658

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Book Synopsis Early Cinema in Russia and Its Cultural Reception by : Ûrij Gavriilovič Civ'ân

Download or read book Early Cinema in Russia and Its Cultural Reception written by Ûrij Gavriilovič Civ'ân and published by . This book was released on 2014 with total page 273 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Early Cinema in Russia and Its Cultural Reception

Author: Yuri Tsivian

Publisher: Routledge

Published: 2005-08-12

Total Pages: 239

ISBN-13: 1134910398

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Book Synopsis Early Cinema in Russia and Its Cultural Reception by : Yuri Tsivian

Download or read book Early Cinema in Russia and Its Cultural Reception written by Yuri Tsivian and published by Routledge. This book was released on 2005-08-12 with total page 239 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Early Cinema in Russia and its Cultural Reception Yuri Tsivian examines the development of cinematic form and culture in Russia, from its late nineteenth-century beginnings as a fairground attraction to the early post-Revolutionary years. Tsivian traces the changing perceptions of cinema and its social transition from a modernist invention to a national art form. He explores reactions to the earliest films, from actors, novelists, poets, writers, and journalists. His richly detailed study of the physical elements of cinematic performance includes the architecture and illumination of the cinema foyer, the speed of projection and film acoustics. In contrast to standard film histories, this book focuses on reflected images: rather than discussing films and film-makers, it features the historical film-goer and early writings on film. Early Cinema in Russia and its Cultural Reception presents a vivid and changing picture of cinema culture in Russia in the twilight of the tsarist era and the first decades of the twentieth century. Tsivian's study expands the whole context of reception studies and opens up questions about reception relevant to other national cinemas.

Early Cinema and the "National"

Author: Richard Abel

Publisher: Indiana University Press

Published: 2008-12-17

Total Pages: 362

ISBN-13: 0861969154

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Essays on “how motion pictures in the first two decades of the 20th century constructed ‘communities of nationality’ . . . recommended.” —Choice While many studies have been written on national cinemas, Early Cinema and the “National” is the first anthology to focus on the concept of national film culture from a wide methodological spectrum of interests, including not only visual and narrative forms, but also international geopolitics, exhibition and marketing practices, and pressing linkages to national imageries. The essays in this richly illustrated landmark anthology are devoted to reconsidering the nation as a framing category for writing cinema history. Many of the 34 contributors show that concepts of a national identity played a role in establishing the parameters of cinema’s early development, from technological change to discourses of stardom, from emerging genres to intertitling practices. Yet, as others attest, national meanings could often become knotty in other contexts, when concepts of nationhood were contested in relation to colonial/imperial histories and regional configurations. Early Cinema and the “National” takes stock of a formative moment in cinema history, tracing the beginnings of the process whereby nations learned to imagine themselves through moving images.

Book Synopsis Early Cinema and the "National" by : Richard Abel

Download or read book Early Cinema and the "National" written by Richard Abel and published by Indiana University Press. This book was released on 2008-12-17 with total page 362 pages. Available in PDF, EPUB and Kindle. Book excerpt: Essays on “how motion pictures in the first two decades of the 20th century constructed ‘communities of nationality’ . . . recommended.” —Choice While many studies have been written on national cinemas, Early Cinema and the “National” is the first anthology to focus on the concept of national film culture from a wide methodological spectrum of interests, including not only visual and narrative forms, but also international geopolitics, exhibition and marketing practices, and pressing linkages to national imageries. The essays in this richly illustrated landmark anthology are devoted to reconsidering the nation as a framing category for writing cinema history. Many of the 34 contributors show that concepts of a national identity played a role in establishing the parameters of cinema’s early development, from technological change to discourses of stardom, from emerging genres to intertitling practices. Yet, as others attest, national meanings could often become knotty in other contexts, when concepts of nationhood were contested in relation to colonial/imperial histories and regional configurations. Early Cinema and the “National” takes stock of a formative moment in cinema history, tracing the beginnings of the process whereby nations learned to imagine themselves through moving images.

Ostrannenie

Author: Annie van den Oever

Publisher: Amsterdam University Press

Published: 2010

Total Pages: 281

ISBN-13: 9089640797

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Summary: Defamiliarisation or ostrannenie, the artistic technique of forcing the audience to see common things in an unfamiliar or strange way, in order to enhance perception of the familiar, ihas become one of the central concept of modern artistic practice, ranging over movements including Dada, postmodernism, epic theatre, and science fiction, as well as our response to arts. Coined by the Soviet literary critic Victor Shklovskii in 1917, ostrannenie has come to resonate deeply in film studies, where it entered into dialogue with the French philosopher Derrida's concept of differance, bordering on 'differing' and 'deferring'. Striking, provocative and incisive, the essays of the distinguished film scholars in this volume recall the range and depth of a concept that since 1917 changed the trajectory of theoretical inquiry.

Book Synopsis Ostrannenie by : Annie van den Oever

Download or read book Ostrannenie written by Annie van den Oever and published by Amsterdam University Press. This book was released on 2010 with total page 281 pages. Available in PDF, EPUB and Kindle. Book excerpt: Summary: Defamiliarisation or ostrannenie, the artistic technique of forcing the audience to see common things in an unfamiliar or strange way, in order to enhance perception of the familiar, ihas become one of the central concept of modern artistic practice, ranging over movements including Dada, postmodernism, epic theatre, and science fiction, as well as our response to arts. Coined by the Soviet literary critic Victor Shklovskii in 1917, ostrannenie has come to resonate deeply in film studies, where it entered into dialogue with the French philosopher Derrida's concept of differance, bordering on 'differing' and 'deferring'. Striking, provocative and incisive, the essays of the distinguished film scholars in this volume recall the range and depth of a concept that since 1917 changed the trajectory of theoretical inquiry.

Viktor Shklovsky’s Heritage in Literature, Arts, and Philosophy

Author: Slav N. Gratchev

Publisher: Lexington Books

Published: 2019-07-01

Total Pages: 308

ISBN-13: 1498597939

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This unique book examines the heritage and enduring relevance of Viktor Shklovsky's work from a wide range of international perspectives. The essays articulate Shklovsky's impact through various lenses including literature, literary theory, film, art theory, and philosophy from the early-1920s to the mid-1970s.

Book Synopsis Viktor Shklovsky’s Heritage in Literature, Arts, and Philosophy by : Slav N. Gratchev

Download or read book Viktor Shklovsky’s Heritage in Literature, Arts, and Philosophy written by Slav N. Gratchev and published by Lexington Books. This book was released on 2019-07-01 with total page 308 pages. Available in PDF, EPUB and Kindle. Book excerpt: This unique book examines the heritage and enduring relevance of Viktor Shklovsky's work from a wide range of international perspectives. The essays articulate Shklovsky's impact through various lenses including literature, literary theory, film, art theory, and philosophy from the early-1920s to the mid-1970s.

Uncanny Bodies

Author: Robert Spadoni

Publisher: Univ of California Press

Published: 2007-09-04

Total Pages: 204

ISBN-13: 0520940709

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In 1931 Universal Pictures released Dracula and Frankenstein, two films that inaugurated the horror genre in Hollywood cinema. These films appeared directly on the heels of Hollywood's transition to sound film. Uncanny Bodies argues that the coming of sound inspired more in these massively influential horror movies than screams, creaking doors, and howling wolves. A close examination of the historical reception of films of the transition period reveals that sound films could seem to their earliest viewers unreal and ghostly. By comparing this audience impression to the first sound horror films, Robert Spadoni makes a case for understanding film viewing as a force that can powerfully shape both the minutest aspects of individual films and the broadest sweep of film production trends, and for seeing aftereffects of the temporary weirdness of sound film deeply etched in the basic character of one of our most enduring film genres.

Book Synopsis Uncanny Bodies by : Robert Spadoni

Download or read book Uncanny Bodies written by Robert Spadoni and published by Univ of California Press. This book was released on 2007-09-04 with total page 204 pages. Available in PDF, EPUB and Kindle. Book excerpt: In 1931 Universal Pictures released Dracula and Frankenstein, two films that inaugurated the horror genre in Hollywood cinema. These films appeared directly on the heels of Hollywood's transition to sound film. Uncanny Bodies argues that the coming of sound inspired more in these massively influential horror movies than screams, creaking doors, and howling wolves. A close examination of the historical reception of films of the transition period reveals that sound films could seem to their earliest viewers unreal and ghostly. By comparing this audience impression to the first sound horror films, Robert Spadoni makes a case for understanding film viewing as a force that can powerfully shape both the minutest aspects of individual films and the broadest sweep of film production trends, and for seeing aftereffects of the temporary weirdness of sound film deeply etched in the basic character of one of our most enduring film genres.

Encyclopedia of Early Cinema

Author: Richard Abel

Publisher: Taylor & Francis

Published: 2005

Total Pages: 824

ISBN-13: 0415234409

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One-volume reference work on the first twenty-five years of the cinema's international emergence from the early 1890s to the mid-1910s.

Book Synopsis Encyclopedia of Early Cinema by : Richard Abel

Download or read book Encyclopedia of Early Cinema written by Richard Abel and published by Taylor & Francis. This book was released on 2005 with total page 824 pages. Available in PDF, EPUB and Kindle. Book excerpt: One-volume reference work on the first twenty-five years of the cinema's international emergence from the early 1890s to the mid-1910s.

Early Cinema in Asia

Author: Nick Deocampo

Publisher: Indiana University Press

Published: 2017-10-09

Total Pages: 404

ISBN-13: 0253034442

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Early Cinema in Asia explores how cinema became a popular medium in the world's largest and most diverse continent. Beginning with the end of Asia's colonial period in the 19th century, contributors to this volume document the struggle by pioneering figures to introduce the medium of film to the vast continent, overcoming geographic, technological, and cultural difficulties. As an early form of globalization, film's arrival and phenomenal growth throughout various Asian countries penetrated not only colonial territories but also captivated collective states of imagination. With the coming of the 20th century, the medium that began as mere entertainment became a means for communicating many of the cultural identities of the region's ethnic nationalities, as they turned their favorite pastime into an expression of their cherished national cultures. Covering diverse locations, including China, India, Japan, Philippines, Malaysia, Thailand, Iran, and the countries of the Pacific Islands, contributors to this volume reveal the story of early cinema in Asia, helping us to understand the first seeds of a medium that has since grown deep roots in the region.

Book Synopsis Early Cinema in Asia by : Nick Deocampo

Download or read book Early Cinema in Asia written by Nick Deocampo and published by Indiana University Press. This book was released on 2017-10-09 with total page 404 pages. Available in PDF, EPUB and Kindle. Book excerpt: Early Cinema in Asia explores how cinema became a popular medium in the world's largest and most diverse continent. Beginning with the end of Asia's colonial period in the 19th century, contributors to this volume document the struggle by pioneering figures to introduce the medium of film to the vast continent, overcoming geographic, technological, and cultural difficulties. As an early form of globalization, film's arrival and phenomenal growth throughout various Asian countries penetrated not only colonial territories but also captivated collective states of imagination. With the coming of the 20th century, the medium that began as mere entertainment became a means for communicating many of the cultural identities of the region's ethnic nationalities, as they turned their favorite pastime into an expression of their cherished national cultures. Covering diverse locations, including China, India, Japan, Philippines, Malaysia, Thailand, Iran, and the countries of the Pacific Islands, contributors to this volume reveal the story of early cinema in Asia, helping us to understand the first seeds of a medium that has since grown deep roots in the region.