Electroacoustic Music in East Asia

Electroacoustic Music in East Asia

Author: Marc Battier

Publisher: Routledge

Published: 2020-06-09

Total Pages: 194

ISBN-13: 1000449165

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This book illuminates the development of electronic and computer music in East Asia, presented by authors from these countries and territories (China, Japan, Korea, and Taiwan). The scholars bring forward the cultural complexities and conflicts involved in their diverse encounters with new music technology and modern aesthetics. How electronic music attracted the interest of composers from East Asia is quite varied – while composers and artists in Japan delved into new sounds and music techniques and fostered electronic music quite early on; political, sociological, and artistic conditions pre-empted the adoption of electronic music techniques in China until the last two decades of the twentieth century. Korean and Taiwanese perspectives contribute to this rare opportunity to re-examine, under a radically different set of cultural preconditions, the sweeping musical transformation that similarly consumed the West. Special light is shed on prominent composers, such as Sukhi Kang, Toshiro Mayuzumi, Toru Takemitsu, and Xiaofu Zhang. Recent trends and new directions which are observed in these countries are also addressed, and the volume shows how the modern fusion of music and technology is triangulated by a depth of culture and other social forces. This book was originally published as a special issue of Contemporary Music Review.


Book Synopsis Electroacoustic Music in East Asia by : Marc Battier

Download or read book Electroacoustic Music in East Asia written by Marc Battier and published by Routledge. This book was released on 2020-06-09 with total page 194 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book illuminates the development of electronic and computer music in East Asia, presented by authors from these countries and territories (China, Japan, Korea, and Taiwan). The scholars bring forward the cultural complexities and conflicts involved in their diverse encounters with new music technology and modern aesthetics. How electronic music attracted the interest of composers from East Asia is quite varied – while composers and artists in Japan delved into new sounds and music techniques and fostered electronic music quite early on; political, sociological, and artistic conditions pre-empted the adoption of electronic music techniques in China until the last two decades of the twentieth century. Korean and Taiwanese perspectives contribute to this rare opportunity to re-examine, under a radically different set of cultural preconditions, the sweeping musical transformation that similarly consumed the West. Special light is shed on prominent composers, such as Sukhi Kang, Toshiro Mayuzumi, Toru Takemitsu, and Xiaofu Zhang. Recent trends and new directions which are observed in these countries are also addressed, and the volume shows how the modern fusion of music and technology is triangulated by a depth of culture and other social forces. This book was originally published as a special issue of Contemporary Music Review.

Electroacoustic Music in East Asia

Electroacoustic Music in East Asia

Author: Marc Battier

Publisher: Routledge

Published: 2020-06-09

Total Pages: 174

ISBN-13: 1000458660

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This book illuminates the development of electronic and computer music in East Asia, presented by authors from these countries and territories (China, Japan, Korea, and Taiwan). The scholars bring forward the cultural complexities and conflicts involved in their diverse encounters with new music technology and modern aesthetics. How electronic music attracted the interest of composers from East Asia is quite varied – while composers and artists in Japan delved into new sounds and music techniques and fostered electronic music quite early on; political, sociological, and artistic conditions pre-empted the adoption of electronic music techniques in China until the last two decades of the twentieth century. Korean and Taiwanese perspectives contribute to this rare opportunity to re-examine, under a radically different set of cultural preconditions, the sweeping musical transformation that similarly consumed the West. Special light is shed on prominent composers, such as Sukhi Kang, Toshiro Mayuzumi, Toru Takemitsu, and Xiaofu Zhang. Recent trends and new directions which are observed in these countries are also addressed, and the volume shows how the modern fusion of music and technology is triangulated by a depth of culture and other social forces. This book was originally published as a special issue of Contemporary Music Review.


Book Synopsis Electroacoustic Music in East Asia by : Marc Battier

Download or read book Electroacoustic Music in East Asia written by Marc Battier and published by Routledge. This book was released on 2020-06-09 with total page 174 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book illuminates the development of electronic and computer music in East Asia, presented by authors from these countries and territories (China, Japan, Korea, and Taiwan). The scholars bring forward the cultural complexities and conflicts involved in their diverse encounters with new music technology and modern aesthetics. How electronic music attracted the interest of composers from East Asia is quite varied – while composers and artists in Japan delved into new sounds and music techniques and fostered electronic music quite early on; political, sociological, and artistic conditions pre-empted the adoption of electronic music techniques in China until the last two decades of the twentieth century. Korean and Taiwanese perspectives contribute to this rare opportunity to re-examine, under a radically different set of cultural preconditions, the sweeping musical transformation that similarly consumed the West. Special light is shed on prominent composers, such as Sukhi Kang, Toshiro Mayuzumi, Toru Takemitsu, and Xiaofu Zhang. Recent trends and new directions which are observed in these countries are also addressed, and the volume shows how the modern fusion of music and technology is triangulated by a depth of culture and other social forces. This book was originally published as a special issue of Contemporary Music Review.

Teaching Electronic Music

Teaching Electronic Music

Author: Blake Stevens

Publisher: Routledge

Published: 2021-08-16

Total Pages: 229

ISBN-13: 1000417271

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Teaching Electronic Music: Cultural, Creative, and Analytical Perspectives offers innovative and practical techniques for teaching electronic music in a wide range of classroom settings. Across a dozen essays, an array of contributors—including practitioners in musicology, art history, ethnomusicology, music theory, performance, and composition—reflect on the challenges of teaching electronic music, highlighting pedagogical strategies while addressing questions such as: What can instructors do to expand and diversify musical knowledge? Can the study of electronic music foster critical reflection on technology? What are the implications of a digital culture that allows so many to be producers of music? How can instructors engage students in creative experimentation with sound? Electronic music presents unique possibilities and challenges to instructors of music history courses, calling for careful attention to creative curricula, historiographies, repertoires, and practices. Teaching Electronic Music features practical models of instruction as well as paths for further inquiry, identifying untapped methodological directions with broad interest and wide applicability.


Book Synopsis Teaching Electronic Music by : Blake Stevens

Download or read book Teaching Electronic Music written by Blake Stevens and published by Routledge. This book was released on 2021-08-16 with total page 229 pages. Available in PDF, EPUB and Kindle. Book excerpt: Teaching Electronic Music: Cultural, Creative, and Analytical Perspectives offers innovative and practical techniques for teaching electronic music in a wide range of classroom settings. Across a dozen essays, an array of contributors—including practitioners in musicology, art history, ethnomusicology, music theory, performance, and composition—reflect on the challenges of teaching electronic music, highlighting pedagogical strategies while addressing questions such as: What can instructors do to expand and diversify musical knowledge? Can the study of electronic music foster critical reflection on technology? What are the implications of a digital culture that allows so many to be producers of music? How can instructors engage students in creative experimentation with sound? Electronic music presents unique possibilities and challenges to instructors of music history courses, calling for careful attention to creative curricula, historiographies, repertoires, and practices. Teaching Electronic Music features practical models of instruction as well as paths for further inquiry, identifying untapped methodological directions with broad interest and wide applicability.

The Routledge Research Companion to Electronic Music: Reaching out with Technology

The Routledge Research Companion to Electronic Music: Reaching out with Technology

Author: Simon Emmerson

Publisher: Routledge

Published: 2018-05-16

Total Pages: 358

ISBN-13: 131704360X

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The theme of this Research Companion is 'connectivity and the global reach of electroacoustic music and sonic arts made with technology'. The possible scope of such a companion in the field of electronic music has changed radically over the last 30 years. The definitions of the field itself are now broader - there is no clear boundary between 'electronic music' and 'sound art'. Also, what was previously an apparently simple divide between 'art' and 'popular' practices is now not easy or helpful to make, and there is a rich cluster of streams of practice with many histories, including world music traditions. This leads in turn to a steady undermining of a primarily Euro-American enterprise in the second half of the twentieth century. Telecommunications technology, most importantly the development of the internet in the final years of the century, has made materials, practices and experiences ubiquitous and apparently universally available - though some contributions to this volume reassert the influence and importance of local cultural practice. Research in this field is now increasingly multi-disciplinary. Technological developments are embedded in practices which may be musical, social, individual and collective. The contributors to this companion embrace technological, scientific, aesthetic, historical and social approaches and a host of hybrids – but, most importantly, they try to show how these join up. Thus the intention has been to allow a wide variety of new practices to have voice – unified through ideas of 'reaching out' and 'connecting together' – and in effect showing that there is emerging a different kind of 'global music'.


Book Synopsis The Routledge Research Companion to Electronic Music: Reaching out with Technology by : Simon Emmerson

Download or read book The Routledge Research Companion to Electronic Music: Reaching out with Technology written by Simon Emmerson and published by Routledge. This book was released on 2018-05-16 with total page 358 pages. Available in PDF, EPUB and Kindle. Book excerpt: The theme of this Research Companion is 'connectivity and the global reach of electroacoustic music and sonic arts made with technology'. The possible scope of such a companion in the field of electronic music has changed radically over the last 30 years. The definitions of the field itself are now broader - there is no clear boundary between 'electronic music' and 'sound art'. Also, what was previously an apparently simple divide between 'art' and 'popular' practices is now not easy or helpful to make, and there is a rich cluster of streams of practice with many histories, including world music traditions. This leads in turn to a steady undermining of a primarily Euro-American enterprise in the second half of the twentieth century. Telecommunications technology, most importantly the development of the internet in the final years of the century, has made materials, practices and experiences ubiquitous and apparently universally available - though some contributions to this volume reassert the influence and importance of local cultural practice. Research in this field is now increasingly multi-disciplinary. Technological developments are embedded in practices which may be musical, social, individual and collective. The contributors to this companion embrace technological, scientific, aesthetic, historical and social approaches and a host of hybrids – but, most importantly, they try to show how these join up. Thus the intention has been to allow a wide variety of new practices to have voice – unified through ideas of 'reaching out' and 'connecting together' – and in effect showing that there is emerging a different kind of 'global music'.

Presence Through Sound

Presence Through Sound

Author: Keith Howard

Publisher: Routledge

Published: 2020-07-23

Total Pages: 191

ISBN-13: 1000095967

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Presence Through Sound narrates and analyses, through a range of case studies on selected musics of China, Japan, Korea, Taiwan, and Tibet, some of the many ways in which music and ‘place’ intersect and are interwoven with meaning in East Asia. It explores how place is significant to the many contexts in which music is made and experienced, especially in contemporary forms of longstanding traditions but also in other landscapes such as popular music and in the design of performance spaces. It shows how music creates and challenges borders, giving significance to geographical and cartographic spaces at local, national, and international levels, and illustrates how music is used to interpret relationships with ecology and environment, spirituality and community, and state and nation. The volume brings together scholars from Australia, China, Denmark, Japan, Korea, Taiwan, and the UK, each of whom explores a specific genre or topic in depth. Each nuanced account finds distinct and at times different aspects to be significant but, in demonstrating the ability of music to mediate the construction of place and by showing how those who create and consume music use it to inhabit the intimate, and to project themselves out into their surroundings, each points to interconnections across the region and beyond with respect to perception, conception, expression, and interpretation. In Presence Through Sound, ethnomusicology meets anthropology, literature, linguistics, area studies, and – particularly pertinent to East Asia in the twenty-first century – local musicologies. The volume serves a broad academic readership and provides an essential resource for all those interested in East Asia.


Book Synopsis Presence Through Sound by : Keith Howard

Download or read book Presence Through Sound written by Keith Howard and published by Routledge. This book was released on 2020-07-23 with total page 191 pages. Available in PDF, EPUB and Kindle. Book excerpt: Presence Through Sound narrates and analyses, through a range of case studies on selected musics of China, Japan, Korea, Taiwan, and Tibet, some of the many ways in which music and ‘place’ intersect and are interwoven with meaning in East Asia. It explores how place is significant to the many contexts in which music is made and experienced, especially in contemporary forms of longstanding traditions but also in other landscapes such as popular music and in the design of performance spaces. It shows how music creates and challenges borders, giving significance to geographical and cartographic spaces at local, national, and international levels, and illustrates how music is used to interpret relationships with ecology and environment, spirituality and community, and state and nation. The volume brings together scholars from Australia, China, Denmark, Japan, Korea, Taiwan, and the UK, each of whom explores a specific genre or topic in depth. Each nuanced account finds distinct and at times different aspects to be significant but, in demonstrating the ability of music to mediate the construction of place and by showing how those who create and consume music use it to inhabit the intimate, and to project themselves out into their surroundings, each points to interconnections across the region and beyond with respect to perception, conception, expression, and interpretation. In Presence Through Sound, ethnomusicology meets anthropology, literature, linguistics, area studies, and – particularly pertinent to East Asia in the twenty-first century – local musicologies. The volume serves a broad academic readership and provides an essential resource for all those interested in East Asia.

Half Sound, Half Philosophy

Half Sound, Half Philosophy

Author: Jing Wang

Publisher: Bloomsbury Publishing USA

Published: 2021-01-14

Total Pages: 240

ISBN-13: 150133350X

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From the late 1990s until today, China's sound practice has been developing in an increasingly globalized socio-political-aesthetic milieu, receiving attentions and investments from the art world, music industry and cultural institutes, with nevertheless, its unique acoustic philosophy remaining silent. This book traces the history of sound practice from contemporary Chinese visual art back in the 1980s, to electronic music, which was introduced as a target of critique in the 1950s, to electronic instrument building fever in the late 1970s and early 1980s, and to the origins of both academic and nonacademic electronic and experimental music activities. This expansive tracing of sound in the arts resonates with another goal of this book, to understand sound and its artistic practice through notions informed by Chinese qi-cosmology and qi-philosophy, including notions of resonance, shanshui (mountains-waters), huanghu (elusiveness and evasiveness), and distributed monumentality and anti-monumentality. By turning back to deep history to learn about the meaning and function of sound and listening in ancient China, the book offers a refreshing understanding of the British sinologist Joseph Needham's statement that “Chinese acoustics is acoustics of qi.” and expands existing conceptualization of sound art and contemporary music at large.


Book Synopsis Half Sound, Half Philosophy by : Jing Wang

Download or read book Half Sound, Half Philosophy written by Jing Wang and published by Bloomsbury Publishing USA. This book was released on 2021-01-14 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the late 1990s until today, China's sound practice has been developing in an increasingly globalized socio-political-aesthetic milieu, receiving attentions and investments from the art world, music industry and cultural institutes, with nevertheless, its unique acoustic philosophy remaining silent. This book traces the history of sound practice from contemporary Chinese visual art back in the 1980s, to electronic music, which was introduced as a target of critique in the 1950s, to electronic instrument building fever in the late 1970s and early 1980s, and to the origins of both academic and nonacademic electronic and experimental music activities. This expansive tracing of sound in the arts resonates with another goal of this book, to understand sound and its artistic practice through notions informed by Chinese qi-cosmology and qi-philosophy, including notions of resonance, shanshui (mountains-waters), huanghu (elusiveness and evasiveness), and distributed monumentality and anti-monumentality. By turning back to deep history to learn about the meaning and function of sound and listening in ancient China, the book offers a refreshing understanding of the British sinologist Joseph Needham's statement that “Chinese acoustics is acoustics of qi.” and expands existing conceptualization of sound art and contemporary music at large.

Locating East Asia in Western Art Music

Locating East Asia in Western Art Music

Author: Yayoi Uno Everett

Publisher: Wesleyan University Press

Published: 2004-02-12

Total Pages: 356

ISBN-13: 9780819566621

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How does a piece of music embody the sound of a different culture?


Book Synopsis Locating East Asia in Western Art Music by : Yayoi Uno Everett

Download or read book Locating East Asia in Western Art Music written by Yayoi Uno Everett and published by Wesleyan University Press. This book was released on 2004-02-12 with total page 356 pages. Available in PDF, EPUB and Kindle. Book excerpt: How does a piece of music embody the sound of a different culture?

The Language Electroacoustic Music

The Language Electroacoustic Music

Author: Simon Emmerson

Publisher: Springer

Published: 1986-12-03

Total Pages: 229

ISBN-13: 1349184926

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Since the inception of electroacoustic music in 1948, much has been written about technical developments. This book is one of the first to examine aesthetic issues central to this rapidly developing genre. It brings together composers from leading academic departments and studios in Britain, the United States, Canada and Paris with a wide range of approaches and opinions, resulting in a study which is likely to have a marked impact on current debates on the future of electroacoustic music. The book is divided into three sections. The first, Culture and Language, considers the relationship between music and the listener's perception and expectation. Materials and Lanugage looks at the types of materials available to composers and the way in which the internal structure of the sound can have implications for the overall structure of a piece. The final section, The Influence of New Technology, considers the relationship between computer systems and the music they are helping to create.


Book Synopsis The Language Electroacoustic Music by : Simon Emmerson

Download or read book The Language Electroacoustic Music written by Simon Emmerson and published by Springer. This book was released on 1986-12-03 with total page 229 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since the inception of electroacoustic music in 1948, much has been written about technical developments. This book is one of the first to examine aesthetic issues central to this rapidly developing genre. It brings together composers from leading academic departments and studios in Britain, the United States, Canada and Paris with a wide range of approaches and opinions, resulting in a study which is likely to have a marked impact on current debates on the future of electroacoustic music. The book is divided into three sections. The first, Culture and Language, considers the relationship between music and the listener's perception and expectation. Materials and Lanugage looks at the types of materials available to composers and the way in which the internal structure of the sound can have implications for the overall structure of a piece. The final section, The Influence of New Technology, considers the relationship between computer systems and the music they are helping to create.

Contemporary Music in East Asia

Contemporary Music in East Asia

Author: 오희숙

Publisher: Seoul National University Press

Published: 2014-01-01

Total Pages:

ISBN-13: 8952119428

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한국, 중국, 일본은 모두 서양음악을 수용하였고, 동시에 각 나라의 역사적 문화적 특수성으로 인해 그 지역 고유의 개성적인 음악문화를 형성하고 있다. 이 책에서는 유사한 역사를 가진 동시대의 음악들이 각국의 음악적, 사회문화적, 민족적 고유성과 결합되어 어떤 음악세계를 형성했으며, 지금 어떻게 나타나고 있는지, 또한 어떠한 방향으로 나아갈 것인지를 살펴보았다. 이러한 논의를 통해서 황병기·진은숙·호소카와·탄둔 등 한국, 일본, 중국의 대표적인 최근 작곡가와 그들의 음악 경향을 살펴보고, 동아시아 전반의 현대음악 경향을 시대적·역사적 맥락에서 설명하고 있다.


Book Synopsis Contemporary Music in East Asia by : 오희숙

Download or read book Contemporary Music in East Asia written by 오희숙 and published by Seoul National University Press. This book was released on 2014-01-01 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: 한국, 중국, 일본은 모두 서양음악을 수용하였고, 동시에 각 나라의 역사적 문화적 특수성으로 인해 그 지역 고유의 개성적인 음악문화를 형성하고 있다. 이 책에서는 유사한 역사를 가진 동시대의 음악들이 각국의 음악적, 사회문화적, 민족적 고유성과 결합되어 어떤 음악세계를 형성했으며, 지금 어떻게 나타나고 있는지, 또한 어떠한 방향으로 나아갈 것인지를 살펴보았다. 이러한 논의를 통해서 황병기·진은숙·호소카와·탄둔 등 한국, 일본, 중국의 대표적인 최근 작곡가와 그들의 음악 경향을 살펴보고, 동아시아 전반의 현대음악 경향을 시대적·역사적 맥락에서 설명하고 있다.

The Bloomsbury Handbook of Sound Art

The Bloomsbury Handbook of Sound Art

Author: Sanne Krogh Groth

Publisher: Bloomsbury Publishing USA

Published: 2020-02-20

Total Pages: 581

ISBN-13: 1501338803

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The Bloomsbury Handbook of Sound Art explores and delineates what Sound Art is in the 21st century. Sound artworks today embody the contemporary and transcultural trends towards the post-apocalyptic, a wide sensorial spectrum of sonic imaginaries as well as the decolonization and deinstitutionalization around the making of sound. Within the areas of musicology, art history, and, later, sound studies, Sound Art has evolved at least since the 1980s into a turbulant field of academic critique and aesthetic analysis. Summoning artists, researchers, curators, and critics, this volume takes note of and reflects the most recent shifts and drifts in Sound Art--rooted in sonic histories and implying future trajectories.


Book Synopsis The Bloomsbury Handbook of Sound Art by : Sanne Krogh Groth

Download or read book The Bloomsbury Handbook of Sound Art written by Sanne Krogh Groth and published by Bloomsbury Publishing USA. This book was released on 2020-02-20 with total page 581 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Bloomsbury Handbook of Sound Art explores and delineates what Sound Art is in the 21st century. Sound artworks today embody the contemporary and transcultural trends towards the post-apocalyptic, a wide sensorial spectrum of sonic imaginaries as well as the decolonization and deinstitutionalization around the making of sound. Within the areas of musicology, art history, and, later, sound studies, Sound Art has evolved at least since the 1980s into a turbulant field of academic critique and aesthetic analysis. Summoning artists, researchers, curators, and critics, this volume takes note of and reflects the most recent shifts and drifts in Sound Art--rooted in sonic histories and implying future trajectories.