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Essays on Boredom and Modernity

Author: Barbara Dalle Pezze

Publisher: Rodopi

Published: 2009

Total Pages: 232

ISBN-13: 9042025662

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The past thirty years saw a growing academic interest in the phenomenon of boredom. If initially the analyses were mostly a-historical, now the historicity of boredom is widely recognised, though often it is taken as evidence of its permanence as a constant "quality" of the human condition, expression of a metaphysical malady inherent to the fact of being human. New trends in the literature focus on the peculiar relationship between boredom and modernity and attempt to embrace the new social, cultural and political factors which provoked the epochal change of modernity and relate them to a change in the parameters of human experience and the crisis of subjectivity. The very changes that characterise modernity are the same that led to the "democratisation" of boredom: modernity and boredom are shown to be inextricably connected and inseparable. This volume aims at contributing to the growing body of literature on boredom with a number of essays which reflect on the connection of boredom and modernity and focus on particular texts, authors, or aspects of the phenomenon. The approach is multidisciplinary, in keeping with the pervasiveness of the phenomenon in our culture and societies, with essays reflecting on philosophy, literature, film, media and psychology.

Book Synopsis Essays on Boredom and Modernity by : Barbara Dalle Pezze

Download or read book Essays on Boredom and Modernity written by Barbara Dalle Pezze and published by Rodopi. This book was released on 2009 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: The past thirty years saw a growing academic interest in the phenomenon of boredom. If initially the analyses were mostly a-historical, now the historicity of boredom is widely recognised, though often it is taken as evidence of its permanence as a constant "quality" of the human condition, expression of a metaphysical malady inherent to the fact of being human. New trends in the literature focus on the peculiar relationship between boredom and modernity and attempt to embrace the new social, cultural and political factors which provoked the epochal change of modernity and relate them to a change in the parameters of human experience and the crisis of subjectivity. The very changes that characterise modernity are the same that led to the "democratisation" of boredom: modernity and boredom are shown to be inextricably connected and inseparable. This volume aims at contributing to the growing body of literature on boredom with a number of essays which reflect on the connection of boredom and modernity and focus on particular texts, authors, or aspects of the phenomenon. The approach is multidisciplinary, in keeping with the pervasiveness of the phenomenon in our culture and societies, with essays reflecting on philosophy, literature, film, media and psychology.

On Boredom

Author: Rye Dag Holmboe

Publisher: UCL Press

Published: 2021-04-22

Total Pages: 166

ISBN-13: 1787359468

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What do we mean when we say that we are bored? Or when we find a subject boring? Contributors to On Boredom: Essays in art and writing, which include artists, art historians, psychoanalysts and a novelist, examine boredom in its manifold and uncertain reality. Each part of the book takes up a crucial moment in the history of boredom and presents it in a new light, taking the reader from the trials of the consulting room to the experience of hysteria in the nineteenth century. The book pays particular attention to boredom’s relationship with the sudden and rapid advances in technology that have occurred in recent decades, specifically technologies of communication, surveillance and automation. On Boredom is idiosyncratic for its combination of image and text, and the artworks included in its pages – by Mathew Hale, Martin Creed and Susan Morris – help turn this volume into a material expression of boredom itself. With other contributions from Josh Cohen, Briony Fer, Anouchka Grose, Rye Dag Holmboe, Margaret Iversen, Tom McCarthy and Michael Newman, the book will appeal to readers in the fields of art history, literature, cultural studies and visual culture, from undergraduate students to professional artists working in new media.

Book Synopsis On Boredom by : Rye Dag Holmboe

Download or read book On Boredom written by Rye Dag Holmboe and published by UCL Press. This book was released on 2021-04-22 with total page 166 pages. Available in PDF, EPUB and Kindle. Book excerpt: What do we mean when we say that we are bored? Or when we find a subject boring? Contributors to On Boredom: Essays in art and writing, which include artists, art historians, psychoanalysts and a novelist, examine boredom in its manifold and uncertain reality. Each part of the book takes up a crucial moment in the history of boredom and presents it in a new light, taking the reader from the trials of the consulting room to the experience of hysteria in the nineteenth century. The book pays particular attention to boredom’s relationship with the sudden and rapid advances in technology that have occurred in recent decades, specifically technologies of communication, surveillance and automation. On Boredom is idiosyncratic for its combination of image and text, and the artworks included in its pages – by Mathew Hale, Martin Creed and Susan Morris – help turn this volume into a material expression of boredom itself. With other contributions from Josh Cohen, Briony Fer, Anouchka Grose, Rye Dag Holmboe, Margaret Iversen, Tom McCarthy and Michael Newman, the book will appeal to readers in the fields of art history, literature, cultural studies and visual culture, from undergraduate students to professional artists working in new media.

Overload and Boredom

Author: Orrin Klapp

Publisher: Praeger

Published: 1986-02-21

Total Pages: 192

ISBN-13:

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This series of essays explores the impact of information on the quality of life in modern society. Addressing the significance of boredom as an indicator of overloads of information, Klapp argues that the information society has become boring in spite of itself. He contends that constant inundation with information has led to nothing less than the attrition of meaning. Redundancy and noise, Klapp asserts, have replaced resonance and variety in the modern world. The information society has become entropic rather than progressive and a deficit in the quality of life has resulted. The author expands upon these problems of the information society; identifying their origins, addressing their implications, and examining the social placebos and temporary remedies currently employed in dealing with them. Finally, he offers his conclusions and suggests ways in which modern man might address the loss in human potential and perhaps find a remedy for culturally symptomatic boredom.

Book Synopsis Overload and Boredom by : Orrin Klapp

Download or read book Overload and Boredom written by Orrin Klapp and published by Praeger. This book was released on 1986-02-21 with total page 192 pages. Available in PDF, EPUB and Kindle. Book excerpt: This series of essays explores the impact of information on the quality of life in modern society. Addressing the significance of boredom as an indicator of overloads of information, Klapp argues that the information society has become boring in spite of itself. He contends that constant inundation with information has led to nothing less than the attrition of meaning. Redundancy and noise, Klapp asserts, have replaced resonance and variety in the modern world. The information society has become entropic rather than progressive and a deficit in the quality of life has resulted. The author expands upon these problems of the information society; identifying their origins, addressing their implications, and examining the social placebos and temporary remedies currently employed in dealing with them. Finally, he offers his conclusions and suggests ways in which modern man might address the loss in human potential and perhaps find a remedy for culturally symptomatic boredom.

The Culture of Boredom

Author:

Publisher: BRILL

Published: 2020-04-28

Total Pages: 324

ISBN-13: 900442749X

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Culture of Boredom is a collection of essays by well-known specialists reflecting from philosophical, literary, and artistic perspectives. The goal is to clarify the background of boredom, and to explore its representation through forgotten cross-cutting narratives.

Book Synopsis The Culture of Boredom by :

Download or read book The Culture of Boredom written by and published by BRILL. This book was released on 2020-04-28 with total page 324 pages. Available in PDF, EPUB and Kindle. Book excerpt: Culture of Boredom is a collection of essays by well-known specialists reflecting from philosophical, literary, and artistic perspectives. The goal is to clarify the background of boredom, and to explore its representation through forgotten cross-cutting narratives.

Henri Lefebvre, Boredom, and Everyday Life

Author: Patrick Gamsby

Publisher: Rowman & Littlefield

Published: 2022-09-23

Total Pages: 287

ISBN-13: 1666900982

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Henri Lefebvre, Boredom, and Everyday Life culls together the scattered fragments of Henri Lefebvre’s (1901–1991) unrealized sociology of boredom. In assembling these fragments, sprinkled through Lefebvre’s vast oeuvre, Patrick Gamsby constructs the core elements of Lefebvre’s latent theory of boredom. Themes of time (modernity, everyday), space (urban, suburban), and mass culture (culture industry, industry culture) are explored throughout the book, unveiling a concealed dialectical movement at work with the experience of boredom. In analyzing the dialectic of boredom, Gamsby argues that Lefebvre’s project of a critique of everyday life is key for making sense of the linkages between boredom and everyday life in the modern world.

Book Synopsis Henri Lefebvre, Boredom, and Everyday Life by : Patrick Gamsby

Download or read book Henri Lefebvre, Boredom, and Everyday Life written by Patrick Gamsby and published by Rowman & Littlefield. This book was released on 2022-09-23 with total page 287 pages. Available in PDF, EPUB and Kindle. Book excerpt: Henri Lefebvre, Boredom, and Everyday Life culls together the scattered fragments of Henri Lefebvre’s (1901–1991) unrealized sociology of boredom. In assembling these fragments, sprinkled through Lefebvre’s vast oeuvre, Patrick Gamsby constructs the core elements of Lefebvre’s latent theory of boredom. Themes of time (modernity, everyday), space (urban, suburban), and mass culture (culture industry, industry culture) are explored throughout the book, unveiling a concealed dialectical movement at work with the experience of boredom. In analyzing the dialectic of boredom, Gamsby argues that Lefebvre’s project of a critique of everyday life is key for making sense of the linkages between boredom and everyday life in the modern world.

Experience Without Qualities

Author: Elizabeth S. Goodstein

Publisher:

Published: 2005

Total Pages: 488

ISBN-13:

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Tracing the emergence and evolution of the modern discourse on boredom in French and German literary, philosophical, and sociological texts, this book fills a gap in the intellectual and cultural history of European modernity.

Book Synopsis Experience Without Qualities by : Elizabeth S. Goodstein

Download or read book Experience Without Qualities written by Elizabeth S. Goodstein and published by . This book was released on 2005 with total page 488 pages. Available in PDF, EPUB and Kindle. Book excerpt: Tracing the emergence and evolution of the modern discourse on boredom in French and German literary, philosophical, and sociological texts, this book fills a gap in the intellectual and cultural history of European modernity.

Critique of Bored Reason

Author: Dmitri Nikulin

Publisher: Columbia University Press

Published: 2022-02-08

Total Pages: 195

ISBN-13: 023154815X

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Most of the core concepts of the Western philosophical tradition originate in antiquity. Yet boredom is strikingly absent from classical thought. In this philosophical study, Dmitri Nikulin explores the concept’s genealogy to argue that boredom is the mark of modernity. Nikulin contends that boredom is a specifically modern phenomenon. He provides a critical reconstruction of the concept of the modern subject as universal, rational, autonomous, and self-sufficient. Understanding itself in this way, this subject is at once the protagonist, playwright, director, and spectator of the staged drama of human existence. It is therefore inevitably monological, lonely, and alone, and can neither escape its own presence nor get rid of it. In other words, it is bored—and this boredom is the fundamental expression and symptom of the modern condition. Considering such thinkers as Descartes, Pascal, Kant, Kierkegaard, Kracauer, Heidegger, and Benjamin, Critique of Bored Reason places boredom on center stage in the philosophical critique of modernity. Nikulin also considers the alternative to the notion of the autonomous subject in the—nonbored and nonboring—dialogic and comic subject capable of shared existence with others.

Book Synopsis Critique of Bored Reason by : Dmitri Nikulin

Download or read book Critique of Bored Reason written by Dmitri Nikulin and published by Columbia University Press. This book was released on 2022-02-08 with total page 195 pages. Available in PDF, EPUB and Kindle. Book excerpt: Most of the core concepts of the Western philosophical tradition originate in antiquity. Yet boredom is strikingly absent from classical thought. In this philosophical study, Dmitri Nikulin explores the concept’s genealogy to argue that boredom is the mark of modernity. Nikulin contends that boredom is a specifically modern phenomenon. He provides a critical reconstruction of the concept of the modern subject as universal, rational, autonomous, and self-sufficient. Understanding itself in this way, this subject is at once the protagonist, playwright, director, and spectator of the staged drama of human existence. It is therefore inevitably monological, lonely, and alone, and can neither escape its own presence nor get rid of it. In other words, it is bored—and this boredom is the fundamental expression and symptom of the modern condition. Considering such thinkers as Descartes, Pascal, Kant, Kierkegaard, Kracauer, Heidegger, and Benjamin, Critique of Bored Reason places boredom on center stage in the philosophical critique of modernity. Nikulin also considers the alternative to the notion of the autonomous subject in the—nonbored and nonboring—dialogic and comic subject capable of shared existence with others.

Bored, Lonely, Angry, Stupid

Author: Luke Fernandez

Publisher: Harvard University Press

Published: 2020-07-07

Total Pages: 473

ISBN-13: 0674244729

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“Technologies have been shaping [our] emotional culture for more than a century, argue computer scientist Luke Fernandez and historian Susan Matt in this original study. Marshalling archival sources and interviews, they trace how norms (say, around loneliness) have shifted with technological change.” —Nature “A powerful story of how new forms of technology are continually integrated into the human experience...Anyone interested in seeing the digital age through a new perspective should be pleased with this rich account.” —Publishers Weekly Facebook makes us lonely. Selfies breed narcissism. On Twitter, hostility reigns. Pundits and psychologists warn that digital technologies substantially alter our emotional states, but in this lively look at our evolving feelings about technology since the advent of the telegraph, we learn that the gadgets we use don’t just affect how we feel—they can profoundly change our sense of self. When we say we’re bored, we don’t mean the same thing as a Victorian dandy. Could it be that political punditry has helped shape a new kind of anger? Luke Fernandez and Susan J. Matt take us back in time to consider how our feelings of loneliness, vanity, and anger have evolved in tandem with new technologies.

Book Synopsis Bored, Lonely, Angry, Stupid by : Luke Fernandez

Download or read book Bored, Lonely, Angry, Stupid written by Luke Fernandez and published by Harvard University Press. This book was released on 2020-07-07 with total page 473 pages. Available in PDF, EPUB and Kindle. Book excerpt: “Technologies have been shaping [our] emotional culture for more than a century, argue computer scientist Luke Fernandez and historian Susan Matt in this original study. Marshalling archival sources and interviews, they trace how norms (say, around loneliness) have shifted with technological change.” —Nature “A powerful story of how new forms of technology are continually integrated into the human experience...Anyone interested in seeing the digital age through a new perspective should be pleased with this rich account.” —Publishers Weekly Facebook makes us lonely. Selfies breed narcissism. On Twitter, hostility reigns. Pundits and psychologists warn that digital technologies substantially alter our emotional states, but in this lively look at our evolving feelings about technology since the advent of the telegraph, we learn that the gadgets we use don’t just affect how we feel—they can profoundly change our sense of self. When we say we’re bored, we don’t mean the same thing as a Victorian dandy. Could it be that political punditry has helped shape a new kind of anger? Luke Fernandez and Susan J. Matt take us back in time to consider how our feelings of loneliness, vanity, and anger have evolved in tandem with new technologies.

Opera, Emotion, and the Antipodes Volume I

Author: Jane W. Davidson

Publisher: Routledge

Published: 2020-12-29

Total Pages: 253

ISBN-13: 1000299864

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There can be little doubt that opera and emotion are inextricably linked. From dramatic plots driven by energetic producers and directors to the conflicts and triumphs experienced by all associated with opera’s staging to the reactions and critiques of audience members, emotion is omnipresent in opera. Yet few contemplate the impact that the customary cultural practices of specific times and places have upon opera’s ability to move emotions. Taking Australia as a case study, this two-volume collection of extended essays demonstrates that emotional experiences, discourses, displays and expressions do not share universal significance but are at least partly produced, defined, and regulated by culture. Spanning approximately 170 years of opera production in Australia, the authors show how the emotions associated with the specific cultural context of a nation steeped in egalitarian aspirations and marked by increasing levels of multiculturalism have adjusted to changing cultural and social contexts across time. Volume I adopts an historical, predominantly nineteenth-century perspective, while Volume II applies historical, musicological, and ethnological approaches to discuss subsequent Australian operas and opera productions through to the twenty-first century. With final chapters pulling threads from the two volumes together, Opera, Emotion, and the Antipodes establishes a model for constructing emotion history from multiple disciplinary perspectives.

Book Synopsis Opera, Emotion, and the Antipodes Volume I by : Jane W. Davidson

Download or read book Opera, Emotion, and the Antipodes Volume I written by Jane W. Davidson and published by Routledge. This book was released on 2020-12-29 with total page 253 pages. Available in PDF, EPUB and Kindle. Book excerpt: There can be little doubt that opera and emotion are inextricably linked. From dramatic plots driven by energetic producers and directors to the conflicts and triumphs experienced by all associated with opera’s staging to the reactions and critiques of audience members, emotion is omnipresent in opera. Yet few contemplate the impact that the customary cultural practices of specific times and places have upon opera’s ability to move emotions. Taking Australia as a case study, this two-volume collection of extended essays demonstrates that emotional experiences, discourses, displays and expressions do not share universal significance but are at least partly produced, defined, and regulated by culture. Spanning approximately 170 years of opera production in Australia, the authors show how the emotions associated with the specific cultural context of a nation steeped in egalitarian aspirations and marked by increasing levels of multiculturalism have adjusted to changing cultural and social contexts across time. Volume I adopts an historical, predominantly nineteenth-century perspective, while Volume II applies historical, musicological, and ethnological approaches to discuss subsequent Australian operas and opera productions through to the twenty-first century. With final chapters pulling threads from the two volumes together, Opera, Emotion, and the Antipodes establishes a model for constructing emotion history from multiple disciplinary perspectives.