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Since Plato and Aristotle’s declaration of the essence of literature as imitation, western narrative has been traditionally discussed in mimetic terms. Marginalized fantasy- the deliberate from reality – has become the hidden face of fiction, identified by most critics as a minor genre. First published in 1984, this book rejects generic definitions of fantasy, arguing that it is not a separate or even separable strain in literary practice, but rather an impulse as significant as that of mimesis. Together, fantasy and mimesis are the twin impulses behind literary creation. In an analysis that ranges from the Icelandic sagas to science fiction, from Malory to pulp romance, Kathryn Hume systematically examines the various ways in which fantasy and mimesis contribute to literary representations of reality. A detailed and comprehensive title, this reissue will be of particular value to undergraduate literature students with an interest in literary genres and the centrality of literature to the creative imagination.
Book Synopsis Fantasy and Mimesis (Routledge Revivals) by : Kathryn Hume
Download or read book Fantasy and Mimesis (Routledge Revivals) written by Kathryn Hume and published by Routledge. This book was released on 2014-08-01 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since Plato and Aristotle’s declaration of the essence of literature as imitation, western narrative has been traditionally discussed in mimetic terms. Marginalized fantasy- the deliberate from reality – has become the hidden face of fiction, identified by most critics as a minor genre. First published in 1984, this book rejects generic definitions of fantasy, arguing that it is not a separate or even separable strain in literary practice, but rather an impulse as significant as that of mimesis. Together, fantasy and mimesis are the twin impulses behind literary creation. In an analysis that ranges from the Icelandic sagas to science fiction, from Malory to pulp romance, Kathryn Hume systematically examines the various ways in which fantasy and mimesis contribute to literary representations of reality. A detailed and comprehensive title, this reissue will be of particular value to undergraduate literature students with an interest in literary genres and the centrality of literature to the creative imagination.
Since Plato and Aristotle’s declaration of the essence of literature as imitation, western narrative has been traditionally discussed in mimetic terms. Marginalized fantasy- the deliberate from reality – has become the hidden face of fiction, identified by most critics as a minor genre. First published in 1984, this book rejects generic definitions of fantasy, arguing that it is not a separate or even separable strain in literary practice, but rather an impulse as significant as that of mimesis. Together, fantasy and mimesis are the twin impulses behind literary creation. In an analysis that ranges from the Icelandic sagas to science fiction, from Malory to pulp romance, Kathryn Hume systematically examines the various ways in which fantasy and mimesis contribute to literary representations of reality. A detailed and comprehensive title, this reissue will be of particular value to undergraduate literature students with an interest in literary genres and the centrality of literature to the creative imagination.
Book Synopsis Fantasy and Mimesis (Routledge Revivals) by : Kathryn Hume
Download or read book Fantasy and Mimesis (Routledge Revivals) written by Kathryn Hume and published by Routledge. This book was released on 2014-08-01 with total page 242 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since Plato and Aristotle’s declaration of the essence of literature as imitation, western narrative has been traditionally discussed in mimetic terms. Marginalized fantasy- the deliberate from reality – has become the hidden face of fiction, identified by most critics as a minor genre. First published in 1984, this book rejects generic definitions of fantasy, arguing that it is not a separate or even separable strain in literary practice, but rather an impulse as significant as that of mimesis. Together, fantasy and mimesis are the twin impulses behind literary creation. In an analysis that ranges from the Icelandic sagas to science fiction, from Malory to pulp romance, Kathryn Hume systematically examines the various ways in which fantasy and mimesis contribute to literary representations of reality. A detailed and comprehensive title, this reissue will be of particular value to undergraduate literature students with an interest in literary genres and the centrality of literature to the creative imagination.
Book Synopsis Fantasy and Mimesis by : Kathryn Hume
Download or read book Fantasy and Mimesis written by Kathryn Hume and published by Methuen Publishing. This book was released on 1984 with total page 236 pages. Available in PDF, EPUB and Kindle. Book excerpt:
This study of German fiction about America in the nineteenth century concentrates in detail on three writers: Charles Sealsfield (Carl Postl, 1793-1864), an escaped Moravian monk who came to New Orleans in 1823 and wrote the first major German novels about the United States; Friedrich Gerstacker (1816-1872), who, among his many experiences in America as a young man, lived as a backwoodsman in Arkansas and who later produced a large body of fiction, travel reportage, and emigration advice; and Karl May (1842-1912), who, though he knew nothing about America beyond what he could read in books, wrote famous adventure stories set in an imaginary West and became the best-selling writer in the German language. Sammons provides biographies of the authors and discusses how each differs in their mimetic and ideological approach. He pays particular attention to how the authors address issues of race, gender and politics in the United States. Sammons interweaves his discussion of these three writers with excurses into the emergence of the German Western and anti-Americanism in German fiction.
Book Synopsis Ideology, Mimesis, Fantasy by : Jeffrey L. Sammons
Download or read book Ideology, Mimesis, Fantasy written by Jeffrey L. Sammons and published by University of North Carolina S. This book was released on 2020-05 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study of German fiction about America in the nineteenth century concentrates in detail on three writers: Charles Sealsfield (Carl Postl, 1793-1864), an escaped Moravian monk who came to New Orleans in 1823 and wrote the first major German novels about the United States; Friedrich Gerstacker (1816-1872), who, among his many experiences in America as a young man, lived as a backwoodsman in Arkansas and who later produced a large body of fiction, travel reportage, and emigration advice; and Karl May (1842-1912), who, though he knew nothing about America beyond what he could read in books, wrote famous adventure stories set in an imaginary West and became the best-selling writer in the German language. Sammons provides biographies of the authors and discusses how each differs in their mimetic and ideological approach. He pays particular attention to how the authors address issues of race, gender and politics in the United States. Sammons interweaves his discussion of these three writers with excurses into the emergence of the German Western and anti-Americanism in German fiction.
Download or read book Mimesis written by Erich Auerbach and published by . This book was released on 1991 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Representation is a concern crucial to the sciences and the arts alike. Scientists devote substantial time to devising and exploring representations of all kinds. From photographs and computer-generated images to diagrams, charts, and graphs; from scale models to abstract theories, representations are ubiquitous in, and central to, science. Likewise, after spending much of the twentieth century in proverbial exile as abstraction and Formalist aesthetics reigned supreme, representation has returned with a vengeance to contemporary visual art. Representational photography, video and ever-evolving forms of new media now figure prominently in the globalized art world, while this "return of the real" has re-energized problems of representation in the traditional media of painting and sculpture. If it ever really left, representation in the arts is certainly back. Central as they are to science and art, these representational concerns have been perceived as different in kind and as objects of separate intellectual traditions. Scientific modeling and theorizing have been topics of heated debate in twentieth century philosophy of science in the analytic tradition, while representation of the real and ideal has never moved far from the core humanist concerns of historians of Western art. Yet, both of these traditions have recently arrived at a similar impasse. Thinking about representation has polarized into oppositions between mimesis and convention. Advocates of mimesis understand some notion of mimicry (or similarity, resemblance or imitation) as the core of representation: something represents something else if, and only if, the former mimics the latter in some relevant way. Such mimetic views stand in stark contrast to conventionalist accounts of representation, which see voluntary and arbitrary stipulation as the core of representation. Occasional exceptions only serve to prove the rule that mimesis and convention govern current thinking about representation in both analytic philosophy of science and studies of visual art. This conjunction can hardly be dismissed as a matter of mere coincidence. In fact, researchers in philosophy of science and the history of art have increasingly found themselves trespassing into the domain of the other community, pilfering ideas and approaches to representation. Cognizant of the limitations of the accounts of representation available within the field, philosophers of science have begun to look outward toward the rich traditions of thinking about representation in the visual and literary arts. Simultaneously, scholars in art history and affiliated fields like visual studies have come to see images generated in scientific contexts as not merely interesting illustrations derived from "high art", but as sophisticated visualization techniques that dynamically challenge our received conceptions of representation and aesthetics. "Beyond Mimesis and Convention: Representation in Art and Science" is motivated by the conviction that we students of the sciences and arts are best served by confronting our mutual impasse and by recognizing the shared concerns that have necessitated our covert acts of kleptomania. Drawing leading contributors from the philosophy of science, the philosophy of literature, art history and visual studies, our volume takes its brief from our title. That is, these essays aim to put the evidence of science and of art to work in thinking about representation by offering third (or fourth, or fifth) ways beyond mimesis and convention. In so doing, our contributors explore a range of topics-fictionalism, exemplification, neuroaesthetics, approximate truth-that build upon and depart from ongoing conversations in philosophy of science and studies of visual art in ways that will be of interest to both interpretive communities. To put these contributions into context, the remainder of this introduction aims to survey how our communities have discretely arrived at a place wherein the perhaps-surprising collaboration between philosophy of science and art history has become not only salubrious, but a matter of necessity.
Book Synopsis Beyond Mimesis and Convention by : Roman Frigg
Download or read book Beyond Mimesis and Convention written by Roman Frigg and published by Springer Science & Business Media. This book was released on 2010-04-28 with total page 287 pages. Available in PDF, EPUB and Kindle. Book excerpt: Representation is a concern crucial to the sciences and the arts alike. Scientists devote substantial time to devising and exploring representations of all kinds. From photographs and computer-generated images to diagrams, charts, and graphs; from scale models to abstract theories, representations are ubiquitous in, and central to, science. Likewise, after spending much of the twentieth century in proverbial exile as abstraction and Formalist aesthetics reigned supreme, representation has returned with a vengeance to contemporary visual art. Representational photography, video and ever-evolving forms of new media now figure prominently in the globalized art world, while this "return of the real" has re-energized problems of representation in the traditional media of painting and sculpture. If it ever really left, representation in the arts is certainly back. Central as they are to science and art, these representational concerns have been perceived as different in kind and as objects of separate intellectual traditions. Scientific modeling and theorizing have been topics of heated debate in twentieth century philosophy of science in the analytic tradition, while representation of the real and ideal has never moved far from the core humanist concerns of historians of Western art. Yet, both of these traditions have recently arrived at a similar impasse. Thinking about representation has polarized into oppositions between mimesis and convention. Advocates of mimesis understand some notion of mimicry (or similarity, resemblance or imitation) as the core of representation: something represents something else if, and only if, the former mimics the latter in some relevant way. Such mimetic views stand in stark contrast to conventionalist accounts of representation, which see voluntary and arbitrary stipulation as the core of representation. Occasional exceptions only serve to prove the rule that mimesis and convention govern current thinking about representation in both analytic philosophy of science and studies of visual art. This conjunction can hardly be dismissed as a matter of mere coincidence. In fact, researchers in philosophy of science and the history of art have increasingly found themselves trespassing into the domain of the other community, pilfering ideas and approaches to representation. Cognizant of the limitations of the accounts of representation available within the field, philosophers of science have begun to look outward toward the rich traditions of thinking about representation in the visual and literary arts. Simultaneously, scholars in art history and affiliated fields like visual studies have come to see images generated in scientific contexts as not merely interesting illustrations derived from "high art", but as sophisticated visualization techniques that dynamically challenge our received conceptions of representation and aesthetics. "Beyond Mimesis and Convention: Representation in Art and Science" is motivated by the conviction that we students of the sciences and arts are best served by confronting our mutual impasse and by recognizing the shared concerns that have necessitated our covert acts of kleptomania. Drawing leading contributors from the philosophy of science, the philosophy of literature, art history and visual studies, our volume takes its brief from our title. That is, these essays aim to put the evidence of science and of art to work in thinking about representation by offering third (or fourth, or fifth) ways beyond mimesis and convention. In so doing, our contributors explore a range of topics-fictionalism, exemplification, neuroaesthetics, approximate truth-that build upon and depart from ongoing conversations in philosophy of science and studies of visual art in ways that will be of interest to both interpretive communities. To put these contributions into context, the remainder of this introduction aims to survey how our communities have discretely arrived at a place wherein the perhaps-surprising collaboration between philosophy of science and art history has become not only salubrious, but a matter of necessity.
Mimesis and Theory brings together twenty previously uncollected essays on literature and literary theory by one of the most important thinkers of the past thirty years.
Book Synopsis Mimesis and Theory by : René Girard
Download or read book Mimesis and Theory written by René Girard and published by Stanford University Press. This book was released on 2008 with total page 345 pages. Available in PDF, EPUB and Kindle. Book excerpt: Mimesis and Theory brings together twenty previously uncollected essays on literature and literary theory by one of the most important thinkers of the past thirty years.
Through a broad-ranging survey of the allegory, utopia, the historical novel and the epic in post-colonial literature, Jean-Pierre Durix proposes a critical reassessment of the theory of genres. He argues that, in the New Literatures which are often rooted in hybrid aesthetics, the often decried mimesis must be viewed from a completely different angle. Analysing texts by Gabriel García Márquez, Salman Rushdie, Alejo Carpentier, Wilson Harris and Edouard Glissant, he pleads for the redefinition of 'magic realism' if the term is to retain generic relevance.
Book Synopsis Mimesis, Genres and Post-Colonial Discourse by : J. Durix
Download or read book Mimesis, Genres and Post-Colonial Discourse written by J. Durix and published by Springer. This book was released on 1998-08-17 with total page 211 pages. Available in PDF, EPUB and Kindle. Book excerpt: Through a broad-ranging survey of the allegory, utopia, the historical novel and the epic in post-colonial literature, Jean-Pierre Durix proposes a critical reassessment of the theory of genres. He argues that, in the New Literatures which are often rooted in hybrid aesthetics, the often decried mimesis must be viewed from a completely different angle. Analysing texts by Gabriel García Márquez, Salman Rushdie, Alejo Carpentier, Wilson Harris and Edouard Glissant, he pleads for the redefinition of 'magic realism' if the term is to retain generic relevance.
The Fantasy Film provides a clear and compelling overview of this revitalized and explosively popular film genre. Includes analyses of a wide range of films, from early classics such as The Wizard of Oz and Harvey to Spiderman and Shrek, and blockbuster series such as The Lord of the Rings trilogy and The Harry Potter films Provides in-depth historical and critical overviews of the genre Fully illustrated with screen shots from key films
Book Synopsis The Fantasy Film by : Katherine A. Fowkes
Download or read book The Fantasy Film written by Katherine A. Fowkes and published by John Wiley & Sons. This book was released on 2010-01-26 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Fantasy Film provides a clear and compelling overview of this revitalized and explosively popular film genre. Includes analyses of a wide range of films, from early classics such as The Wizard of Oz and Harvey to Spiderman and Shrek, and blockbuster series such as The Lord of the Rings trilogy and The Harry Potter films Provides in-depth historical and critical overviews of the genre Fully illustrated with screen shots from key films
What is the soul of poetry? Perhaps the most influential answer comes from Aristotle's Poetics, in which the writer regarded poetry as an instance of mimesis, a kind of representation or simulation. However, despite the significance he gave the term, Aristotle's use of the word mimesis was far from unequivocal, and over the centuries that have followed this inconsistency has stimulated a wealth of interpretations and debate. Tracking Poetics from its birth in rhetorical studies to its reception across the centuries until romanticism, Mats Malm here examines the many different ways scholars--from Averroës to Schlegel--have understood mimesis, looking at how these various interpretations have led to very different definitions of the soul of poetry.
Book Synopsis The Soul of Poetry Redefined by : Mats Malm
Download or read book The Soul of Poetry Redefined written by Mats Malm and published by Museum Tusculanum Press. This book was released on 2012 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: What is the soul of poetry? Perhaps the most influential answer comes from Aristotle's Poetics, in which the writer regarded poetry as an instance of mimesis, a kind of representation or simulation. However, despite the significance he gave the term, Aristotle's use of the word mimesis was far from unequivocal, and over the centuries that have followed this inconsistency has stimulated a wealth of interpretations and debate. Tracking Poetics from its birth in rhetorical studies to its reception across the centuries until romanticism, Mats Malm here examines the many different ways scholars--from Averroës to Schlegel--have understood mimesis, looking at how these various interpretations have led to very different definitions of the soul of poetry.
