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This vintage book contains two pioneering volumes on the subject of film making by V.I. Pudovkin. Considered two of the most valuable manuals of the practice and theory of film making ever written, these texts will prove invaluable for the student or film enthusiast, and are not to be missed by discerning collectors of such literature. The chapters of this volume include: 'The Film Scenario and Its Theory', 'Film Director and Film Material', 'Types Instead of Actors', 'Close-Ups in Time', 'Asynchronism as a Principle of Sound Film', 'Rhythmic Problems in my First Sound Film', 'Notes and Appendices', 'Film Acting', et cetera. Vsevolod Illarionovich Pudovkin (1893 – 1953) was a Russian film director, screenwriter, and actor, famous for developing influential theories of montage. This volume is being republished now complete with a new prefatory biography of the author.
Book Synopsis Film Technique and Film Acting by : Vsevolod Illarionovich Pudovkin
Download or read book Film Technique and Film Acting written by Vsevolod Illarionovich Pudovkin and published by Read Books Ltd. This book was released on 2013-04-16 with total page 346 pages. Available in PDF, EPUB and Kindle. Book excerpt: This vintage book contains two pioneering volumes on the subject of film making by V.I. Pudovkin. Considered two of the most valuable manuals of the practice and theory of film making ever written, these texts will prove invaluable for the student or film enthusiast, and are not to be missed by discerning collectors of such literature. The chapters of this volume include: 'The Film Scenario and Its Theory', 'Film Director and Film Material', 'Types Instead of Actors', 'Close-Ups in Time', 'Asynchronism as a Principle of Sound Film', 'Rhythmic Problems in my First Sound Film', 'Notes and Appendices', 'Film Acting', et cetera. Vsevolod Illarionovich Pudovkin (1893 – 1953) was a Russian film director, screenwriter, and actor, famous for developing influential theories of montage. This volume is being republished now complete with a new prefatory biography of the author.
Book Synopsis Film Technique by : Всеволод Илларионович Пудовкин
Download or read book Film Technique written by Всеволод Илларионович Пудовкин and published by . This book was released on 1970 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
The #1 New York Times bestseller from “one of America’s most hilarious and provocative writers . . . a volatile brew of one-liners and vitriol” (Time). Renowned for his cranky conservative humor, P. J. O’Rourke runs hilariously amok in this book, tackling the death of communism; his frustration with sanctimonious liberals; and Saddam Hussein in a series of classic dispatches from his coverage of the 1991 Gulf War. On Kuwait City after the war, he comments, “It looked like all the worst rock bands in the world had stayed there at the same time.” On Saddam Hussein, O’Rourke muses: “He’s got chemical weapons filled with . . . with . . . chemicals. Maybe he’s got The Bomb. And missiles that can reach Riyadh, Tel Aviv, Spokane. Stock up on nonperishable foodstuffs. Grab those Diet Coke cans you were supposed to take to the recycling center and fill them with home heating oil. Bury the Hummel figurines in the yard. We’re all going to die. Details at eleven.” And on the plague of celebrity culture, he notes: “You can’t shame or humiliate modern celebrities. What used to be called shame and humiliation is now called publicity.” Mordant and utterly irreverent, this is a modern classic from one of our great political satirists, described by Christopher Buckley as being “like S. J. Perelman on acid.” “Mocking on the surface but serious beneath . . . When it comes to scouting the world for world-class absurdities, O’Rourke is the right man for the job.” —Los Angeles Times Book Review “The funniest writer in America.” —The Wall Street Journal
Book Synopsis Give War a Chance by : P. J. O'Rourke
Download or read book Give War a Chance written by P. J. O'Rourke and published by Open Road + Grove/Atlantic. This book was released on 2007-12-01 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: The #1 New York Times bestseller from “one of America’s most hilarious and provocative writers . . . a volatile brew of one-liners and vitriol” (Time). Renowned for his cranky conservative humor, P. J. O’Rourke runs hilariously amok in this book, tackling the death of communism; his frustration with sanctimonious liberals; and Saddam Hussein in a series of classic dispatches from his coverage of the 1991 Gulf War. On Kuwait City after the war, he comments, “It looked like all the worst rock bands in the world had stayed there at the same time.” On Saddam Hussein, O’Rourke muses: “He’s got chemical weapons filled with . . . with . . . chemicals. Maybe he’s got The Bomb. And missiles that can reach Riyadh, Tel Aviv, Spokane. Stock up on nonperishable foodstuffs. Grab those Diet Coke cans you were supposed to take to the recycling center and fill them with home heating oil. Bury the Hummel figurines in the yard. We’re all going to die. Details at eleven.” And on the plague of celebrity culture, he notes: “You can’t shame or humiliate modern celebrities. What used to be called shame and humiliation is now called publicity.” Mordant and utterly irreverent, this is a modern classic from one of our great political satirists, described by Christopher Buckley as being “like S. J. Perelman on acid.” “Mocking on the surface but serious beneath . . . When it comes to scouting the world for world-class absurdities, O’Rourke is the right man for the job.” —Los Angeles Times Book Review “The funniest writer in America.” —The Wall Street Journal
A renowned Soviet director discusses his theory of film as an artistic medium which must appeal to all senses and applies it to an analysis of sequences from his major movies.
Book Synopsis The Film Sense by : Sergei Eisenstein
Download or read book The Film Sense written by Sergei Eisenstein and published by Houghton Mifflin Harcourt. This book was released on 1947 with total page 316 pages. Available in PDF, EPUB and Kindle. Book excerpt: A renowned Soviet director discusses his theory of film as an artistic medium which must appeal to all senses and applies it to an analysis of sequences from his major movies.
A collection of previously published works on performance and stardom, examining the relationship between genre and performance, the position of the star within ideology, the construction of a semiotics of performance and stardom, the function of the actor within experimental or independent cinema, and the distinction between performance and everyday behavior. Annotation copyrighted by Book News, Inc., Portland, OR
Book Synopsis Star Texts by : Jeremy G. Butler
Download or read book Star Texts written by Jeremy G. Butler and published by Wayne State University Press. This book was released on 1991 with total page 388 pages. Available in PDF, EPUB and Kindle. Book excerpt: A collection of previously published works on performance and stardom, examining the relationship between genre and performance, the position of the star within ideology, the construction of a semiotics of performance and stardom, the function of the actor within experimental or independent cinema, and the distinction between performance and everyday behavior. Annotation copyrighted by Book News, Inc., Portland, OR
Lev Kuleshov (1899-1970) was the first aesthetic theorist of the cinema. An outstanding figure in the "montage" school, he was a key influence on Eisenstein and Pudovkin. Kuleshov was the first to see clearly that montage--the assemblage and alternation of shots--was the very essence and structure of cinematic expression, often overriding the significance of the content of the shots themselves. Deriving his insights from close study of American films (particularly D. W. Griffith's), Kuleshov used his experience in prerevolutionary Russian films and his wartime efforts in Soviet documentaries to conduct experiments in film acting and montage. He developed an editing method later referred to as the "Kuleshov effect" that juxtaposed shots to evoke new meanings from the combinations. In one experiment, he intercut identical shots of an actor's neutral face with shots of a bowl of soup, a child in a coffin, and a sunny landscape to evoke different emotional responses from the audience. Kuleshov also "synthesized" a nonexistent woman from close-ups of different parts of several women and created artificial landscapes by intercutting shots of locations separated by great distances. Kuleshov taught at the Soviet film school and was a well-known director of features, and Kuleshov on Film contains essays on both the theoretical and practical sides of filmmaking. Influenced by Futurism, Russian Formalism, and structural linguistics, Kuleshov's analysis can now be seen as semiotic, presaging studies of film as a system of signs. As a Marxist and structuralist, Kuleshov examined form and content with a materialist approach. The translator's extensive introduction discusses Kuleshov's use of signs, typage, and other structuralist concepts and places him in the development of semiotic thought. It also provides intriguing biographical detail on Kuleshov's conflicts with advocates of "socialist realism," who attempted to stamp out the artistic and theoretical innovations of the early revolutionary years, and establishes Kuleshov's position as one of the great figures in the evolution of film. Kuleshov on Film is essential reading for everyone seriously concerned with the cinema. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1974.
Book Synopsis Kuleshov on Film by : Lev Kuleshov
Download or read book Kuleshov on Film written by Lev Kuleshov and published by Univ of California Press. This book was released on 2024-07-26 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: Lev Kuleshov (1899-1970) was the first aesthetic theorist of the cinema. An outstanding figure in the "montage" school, he was a key influence on Eisenstein and Pudovkin. Kuleshov was the first to see clearly that montage--the assemblage and alternation of shots--was the very essence and structure of cinematic expression, often overriding the significance of the content of the shots themselves. Deriving his insights from close study of American films (particularly D. W. Griffith's), Kuleshov used his experience in prerevolutionary Russian films and his wartime efforts in Soviet documentaries to conduct experiments in film acting and montage. He developed an editing method later referred to as the "Kuleshov effect" that juxtaposed shots to evoke new meanings from the combinations. In one experiment, he intercut identical shots of an actor's neutral face with shots of a bowl of soup, a child in a coffin, and a sunny landscape to evoke different emotional responses from the audience. Kuleshov also "synthesized" a nonexistent woman from close-ups of different parts of several women and created artificial landscapes by intercutting shots of locations separated by great distances. Kuleshov taught at the Soviet film school and was a well-known director of features, and Kuleshov on Film contains essays on both the theoretical and practical sides of filmmaking. Influenced by Futurism, Russian Formalism, and structural linguistics, Kuleshov's analysis can now be seen as semiotic, presaging studies of film as a system of signs. As a Marxist and structuralist, Kuleshov examined form and content with a materialist approach. The translator's extensive introduction discusses Kuleshov's use of signs, typage, and other structuralist concepts and places him in the development of semiotic thought. It also provides intriguing biographical detail on Kuleshov's conflicts with advocates of "socialist realism," who attempted to stamp out the artistic and theoretical innovations of the early revolutionary years, and establishes Kuleshov's position as one of the great figures in the evolution of film. Kuleshov on Film is essential reading for everyone seriously concerned with the cinema. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1974.
Book Synopsis Film Technique and Film Acting by : V. I. Pudovkin
Download or read book Film Technique and Film Acting written by V. I. Pudovkin and published by . This book was released on 1970 with total page 388 pages. Available in PDF, EPUB and Kindle. Book excerpt:
A classic on the aesthetics of filmmaking from the pioneering Soviet director who made Battleship Potemkin. Though he completed only a half-dozen films, Sergei Eisenstein remains one of the great names in filmmaking, and is also renowned for his theory and analysis of the medium. Film Form collects twelve essays, written between 1928 and 1945, that demonstrate key points in the development of Eisenstein’s film theory and in particular his analysis of the sound-film medium. Edited, translated, and with an introduction by Jay Leyda, this volume allows modern-day film students and fans to gain insights from the man who produced classics such as Alexander Nevsky and Ivan the Terrible and created the renowned “Odessa Steps” sequence.
Book Synopsis Film Form by : Sergei Eisenstein
Download or read book Film Form written by Sergei Eisenstein and published by HMH. This book was released on 2014-06-17 with total page 303 pages. Available in PDF, EPUB and Kindle. Book excerpt: A classic on the aesthetics of filmmaking from the pioneering Soviet director who made Battleship Potemkin. Though he completed only a half-dozen films, Sergei Eisenstein remains one of the great names in filmmaking, and is also renowned for his theory and analysis of the medium. Film Form collects twelve essays, written between 1928 and 1945, that demonstrate key points in the development of Eisenstein’s film theory and in particular his analysis of the sound-film medium. Edited, translated, and with an introduction by Jay Leyda, this volume allows modern-day film students and fans to gain insights from the man who produced classics such as Alexander Nevsky and Ivan the Terrible and created the renowned “Odessa Steps” sequence.
The book brings together all key writings of Vsevolod Pudovkin - one of the classic directors of Russion cinema.
Book Synopsis Selected Essays by : Всеволод Илларионович Пудовкин
Download or read book Selected Essays written by Всеволод Илларионович Пудовкин and published by Seagull Books Pvt Ltd. This book was released on 2006 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt: The book brings together all key writings of Vsevolod Pudovkin - one of the classic directors of Russion cinema.
Book Synopsis Film Technique and Film Acting by : Vsevolod I. Pudovkin
Download or read book Film Technique and Film Acting written by Vsevolod I. Pudovkin and published by . This book was released on 2007 with total page 357 pages. Available in PDF, EPUB and Kindle. Book excerpt:
