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Author: Garth Jowett
Publisher: Butterworth-Heinemann
Published: 1976
Total Pages: 518
ISBN-13: 9780240517810
DOWNLOAD EBOOKDownload or read book Film, the Democratic Art written by Garth Jowett and published by Butterworth-Heinemann. This book was released on 1976 with total page 518 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author: Rochona Majumdar
Publisher: Columbia University Press
Published: 2021-10-12
Total Pages: 222
ISBN-13: 0231553900
DOWNLOAD EBOOKCo-Winner, 2023 Chidananda Dasgupta Award for the Best Writing on Cinema, Chidananda Dasgupta Memorial Trust Shortlisted, 2022 MSA Book Prize, Modernist Studies Association Longlisted, 2022 Moving Image Book Award, Kraszna-Krausz Foundation The project of Indian art cinema began in the years following independence in 1947, at once evoking the global reach of the term “art film” and speaking to the aspirations of the new nation-state. In this pioneering book, Rochona Majumdar examines key works of Indian art cinema to demonstrate how film emerged as a mode of doing history and that, in so doing, it anticipated some of the most influential insights of postcolonial thought. Majumdar details how filmmakers as well as a host of film societies and publications sought to foster a new cinematic culture for the new nation, fueled by enthusiasm for a future of progress and development. Good films would help make good citizens: art cinema would not only earn global prestige but also shape discerning individuals capable of exercising aesthetic and political judgment. During the 1960s, however, Satyajit Ray, Mrinal Sen, and Ritwik Ghatak—the leading figures of Indian art cinema—became disillusioned with the belief that film was integral to national development. Instead, Majumdar contends, their works captured the unresolvable contradictions of the postcolonial present, which pointed toward possible, yet unrealized futures. Analyzing the films of Ray, Sen, and Ghatak, and working through previously unexplored archives of film society publications, Majumdar offers a radical reinterpretation of Indian film history. Art Cinema and India’s Forgotten Futures offers sweeping new insights into film’s relationship with the postcolonial condition and its role in decolonial imaginations of the future.
Download or read book Art Cinema and India’s Forgotten Futures written by Rochona Majumdar and published by Columbia University Press. This book was released on 2021-10-12 with total page 222 pages. Available in PDF, EPUB and Kindle. Book excerpt: Co-Winner, 2023 Chidananda Dasgupta Award for the Best Writing on Cinema, Chidananda Dasgupta Memorial Trust Shortlisted, 2022 MSA Book Prize, Modernist Studies Association Longlisted, 2022 Moving Image Book Award, Kraszna-Krausz Foundation The project of Indian art cinema began in the years following independence in 1947, at once evoking the global reach of the term “art film” and speaking to the aspirations of the new nation-state. In this pioneering book, Rochona Majumdar examines key works of Indian art cinema to demonstrate how film emerged as a mode of doing history and that, in so doing, it anticipated some of the most influential insights of postcolonial thought. Majumdar details how filmmakers as well as a host of film societies and publications sought to foster a new cinematic culture for the new nation, fueled by enthusiasm for a future of progress and development. Good films would help make good citizens: art cinema would not only earn global prestige but also shape discerning individuals capable of exercising aesthetic and political judgment. During the 1960s, however, Satyajit Ray, Mrinal Sen, and Ritwik Ghatak—the leading figures of Indian art cinema—became disillusioned with the belief that film was integral to national development. Instead, Majumdar contends, their works captured the unresolvable contradictions of the postcolonial present, which pointed toward possible, yet unrealized futures. Analyzing the films of Ray, Sen, and Ghatak, and working through previously unexplored archives of film society publications, Majumdar offers a radical reinterpretation of Indian film history. Art Cinema and India’s Forgotten Futures offers sweeping new insights into film’s relationship with the postcolonial condition and its role in decolonial imaginations of the future.
Author: Ian Fraser
Publisher: Rowman & Littlefield
Published: 2018-01-15
Total Pages: 224
ISBN-13: 178348165X
DOWNLOAD EBOOKCritically examines how radical political theory and its application to film analysis can provide insight to the aesthetic self during political upheaval and conflict
Download or read book Political Theory and Film written by Ian Fraser and published by Rowman & Littlefield. This book was released on 2018-01-15 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: Critically examines how radical political theory and its application to film analysis can provide insight to the aesthetic self during political upheaval and conflict
Author: Mira Liehm
Publisher: Univ of California Press
Published: 1980-01-01
Total Pages: 482
ISBN-13: 9780520041288
DOWNLOAD EBOOKDownload or read book The Most Important Art written by Mira Liehm and published by Univ of California Press. This book was released on 1980-01-01 with total page 482 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author: Ian Jarvie
Publisher: Routledge
Published: 2003-09-02
Total Pages: 345
ISBN-13: 1135794650
DOWNLOAD EBOOKExamines the overlap between film and philosophy in three distinct ways: epistemological issues in film-making and viewing; aesthetic theory and film; and film as a medium of philosophical expression.
Download or read book Philosophy of the Film written by Ian Jarvie and published by Routledge. This book was released on 2003-09-02 with total page 345 pages. Available in PDF, EPUB and Kindle. Book excerpt: Examines the overlap between film and philosophy in three distinct ways: epistemological issues in film-making and viewing; aesthetic theory and film; and film as a medium of philosophical expression.
Author: Cynthia Lucia
Publisher: John Wiley & Sons
Published: 2015-06-25
Total Pages: 520
ISBN-13: 1118475119
DOWNLOAD EBOOKFrom the American underground film to the blockbuster superhero, this authoritative collection of introductory and specialized readings explores the core issues and developments in American cinematic history during the second half of the twentieth-century through the present day. Considers essential subjects that have shaped the American film industry—from the impact of television and CGI to the rise of independent and underground film; from the impact of the civil rights, feminist and LGBT movements to that of 9/11. Features a student-friendly structure dividing coverage into the periods 1960-1975, 1976-1990, and 1991 to the present day, each of which opens with an historical overview Brings together a rich and varied selection of contributions by established film scholars, combining broad historical, social, and political contexts with detailed analysis of individual films, including Midnight Cowboy, Nashville, Cat Ballou, Chicago, Back to the Future, Killer of Sheep, Daughters of the Dust, Nothing But a Man, Ali, Easy Rider, The Conversation, The Texas Chain Saw Massacre, Longtime Companion, The Matrix, The War Tapes, the Batman films, and selected avant-garde and documentary films, among many others. Additional online resources, such as sample syllabi, which include suggested readings and filmographies, for both general and specialized courses, will be available online. May be used alongside American Film History: Selected Readings, Origins to 1960 to provide an authoritative study of American cinema from its earliest days through the new millennium
Download or read book American Film History written by Cynthia Lucia and published by John Wiley & Sons. This book was released on 2015-06-25 with total page 520 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the American underground film to the blockbuster superhero, this authoritative collection of introductory and specialized readings explores the core issues and developments in American cinematic history during the second half of the twentieth-century through the present day. Considers essential subjects that have shaped the American film industry—from the impact of television and CGI to the rise of independent and underground film; from the impact of the civil rights, feminist and LGBT movements to that of 9/11. Features a student-friendly structure dividing coverage into the periods 1960-1975, 1976-1990, and 1991 to the present day, each of which opens with an historical overview Brings together a rich and varied selection of contributions by established film scholars, combining broad historical, social, and political contexts with detailed analysis of individual films, including Midnight Cowboy, Nashville, Cat Ballou, Chicago, Back to the Future, Killer of Sheep, Daughters of the Dust, Nothing But a Man, Ali, Easy Rider, The Conversation, The Texas Chain Saw Massacre, Longtime Companion, The Matrix, The War Tapes, the Batman films, and selected avant-garde and documentary films, among many others. Additional online resources, such as sample syllabi, which include suggested readings and filmographies, for both general and specialized courses, will be available online. May be used alongside American Film History: Selected Readings, Origins to 1960 to provide an authoritative study of American cinema from its earliest days through the new millennium
Author: Mark A. Reid
Publisher: Univ of California Press
Published: 1993-02-23
Total Pages: 194
ISBN-13: 9780520912847
DOWNLOAD EBOOKCan films about black characters, produced by white filmmakers, be considered "black films"? In answering this question, Mark Reid reassesses black film history, carefully distinguishing between films controlled by blacks and films that utilize black talent, but are controlled by whites. Previous black film criticism has "buried" the true black film industry, Reid says, by concentrating on films that are about, but not by, blacks. Reid's discussion of black independent films—defined as films that focus on the black community and that are written, directed, produced, and distributed by blacks—ranges from the earliest black involvement at the turn of the century up through the civil rights movement of the Sixties and the recent resurgence of feminism in black cultural production. His critical assessment of work by some black filmmakers such as Spike Lee notes how these films avoid dramatizations of sexism, homophobia, and classism within the black community. In the area of black commercial film controlled by whites, Reid considers three genres: African-American comedy, black family film, and black action film. He points out that even when these films use black writers and directors, a black perspective rarely surfaces. Reid's innovative critical approach, which transcends the "black-image" language of earlier studies—and at the same time redefines black film—makes an important contribution to film history. Certain to attract film scholars, this work will also appeal to anyone interested in African-American and Women's Studies.
Download or read book Redefining Black Film written by Mark A. Reid and published by Univ of California Press. This book was released on 1993-02-23 with total page 194 pages. Available in PDF, EPUB and Kindle. Book excerpt: Can films about black characters, produced by white filmmakers, be considered "black films"? In answering this question, Mark Reid reassesses black film history, carefully distinguishing between films controlled by blacks and films that utilize black talent, but are controlled by whites. Previous black film criticism has "buried" the true black film industry, Reid says, by concentrating on films that are about, but not by, blacks. Reid's discussion of black independent films—defined as films that focus on the black community and that are written, directed, produced, and distributed by blacks—ranges from the earliest black involvement at the turn of the century up through the civil rights movement of the Sixties and the recent resurgence of feminism in black cultural production. His critical assessment of work by some black filmmakers such as Spike Lee notes how these films avoid dramatizations of sexism, homophobia, and classism within the black community. In the area of black commercial film controlled by whites, Reid considers three genres: African-American comedy, black family film, and black action film. He points out that even when these films use black writers and directors, a black perspective rarely surfaces. Reid's innovative critical approach, which transcends the "black-image" language of earlier studies—and at the same time redefines black film—makes an important contribution to film history. Certain to attract film scholars, this work will also appeal to anyone interested in African-American and Women's Studies.
Author: Václav Havel
Publisher: Alfred A. Knopf
Published: 1997
Total Pages: 312
ISBN-13:
DOWNLOAD EBOOKThere is no shortage of politicians who make a habit of shooting from the hip, but it is much rarer to find one who speaks from the heart. Vaclav Havel knows no other way to speak, or to write. Both as a dissident and as a playwright it was his sworn purpose for many years to combat evil with nothing but truth. As president of Czechoslovakia, and now of the Czech Republic, he has clung to that habit, refusing to turn over either his conscience or his voice to political handlers and professional speechwriters. Instead he assumes the additional burden--for him, it is a distinct pleasure--of composing all of his oratory. Audiences from New York to New Delhi, Oslo to Tokyo, have been the luckier for his decision. This volume consists of thirty-five of these essays, written between the years 1990 and 1996, that manage to be both profoundly personal and profoundly political. Havel writes of totalitarianism, its miseries and the nonetheless difficult emergence from it. He describes how his country and the other postcommunist countries are learning democracy from scratch and are encountering obstacles from inside and out. He marvels at the single technology-driven civilization that envelops the globe, and the challenges this presents to multicultural realities. He invokes the duty of every person alive to prevent hatred and fear from derailing history ever again. He acknowledges "the advantage it is for doing a good job as president to know that I do not belong in the position and that I can at any moment, and justifiably, be removed from it." And he reminds us that--contrary to all appearances--common sense, moderation, responsibility, good taste, feeling, instinct, and conscience arenot alien to politics, but are the very key to its long-term success.
Download or read book The Art of the Impossible written by Václav Havel and published by Alfred A. Knopf. This book was released on 1997 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: There is no shortage of politicians who make a habit of shooting from the hip, but it is much rarer to find one who speaks from the heart. Vaclav Havel knows no other way to speak, or to write. Both as a dissident and as a playwright it was his sworn purpose for many years to combat evil with nothing but truth. As president of Czechoslovakia, and now of the Czech Republic, he has clung to that habit, refusing to turn over either his conscience or his voice to political handlers and professional speechwriters. Instead he assumes the additional burden--for him, it is a distinct pleasure--of composing all of his oratory. Audiences from New York to New Delhi, Oslo to Tokyo, have been the luckier for his decision. This volume consists of thirty-five of these essays, written between the years 1990 and 1996, that manage to be both profoundly personal and profoundly political. Havel writes of totalitarianism, its miseries and the nonetheless difficult emergence from it. He describes how his country and the other postcommunist countries are learning democracy from scratch and are encountering obstacles from inside and out. He marvels at the single technology-driven civilization that envelops the globe, and the challenges this presents to multicultural realities. He invokes the duty of every person alive to prevent hatred and fear from derailing history ever again. He acknowledges "the advantage it is for doing a good job as president to know that I do not belong in the position and that I can at any moment, and justifiably, be removed from it." And he reminds us that--contrary to all appearances--common sense, moderation, responsibility, good taste, feeling, instinct, and conscience arenot alien to politics, but are the very key to its long-term success.
Author: Christine Holmlund
Publisher: Routledge
Published: 2004-08-02
Total Pages: 322
ISBN-13: 113457620X
DOWNLOAD EBOOKFrom Easy Rider to The Blair Witch Project, this book is a comprehensive examination of the independent film scene. Exploring the uneasy relationship between independent films and the major studios, the contributors trace the changing ideas and definitions of independent cinema, and the diversity of independent film practices. They consider the ways in which indie films are marketed and distributed, and how new technologies such as video, cable and the internet, offered new opportunities for filmmakers to produce and market independent films. Turning to the work of key auteurs such as John Sayles and Haile Gerima, contributors ask whether independent filmmakers can also be stars, and consider how indie features like Boys Don't Cry and Shopping for Fangs address issues of gender, sexuality and ethnicity normally avoided by Hollywood. For all students of film studies and American studies, this cultural journey through independent film history will be an absolute must read.
Download or read book Contemporary American Independent Film written by Christine Holmlund and published by Routledge. This book was released on 2004-08-02 with total page 322 pages. Available in PDF, EPUB and Kindle. Book excerpt: From Easy Rider to The Blair Witch Project, this book is a comprehensive examination of the independent film scene. Exploring the uneasy relationship between independent films and the major studios, the contributors trace the changing ideas and definitions of independent cinema, and the diversity of independent film practices. They consider the ways in which indie films are marketed and distributed, and how new technologies such as video, cable and the internet, offered new opportunities for filmmakers to produce and market independent films. Turning to the work of key auteurs such as John Sayles and Haile Gerima, contributors ask whether independent filmmakers can also be stars, and consider how indie features like Boys Don't Cry and Shopping for Fangs address issues of gender, sexuality and ethnicity normally avoided by Hollywood. For all students of film studies and American studies, this cultural journey through independent film history will be an absolute must read.
Author: Tom Gunning
Publisher: University of Illinois Press
Published: 1994
Total Pages: 334
ISBN-13: 9780252063664
DOWNLOAD EBOOKThe legendary filmmaker D. W. Griffith directed nearly 200 films during 1908 and 1909, his first years with the Biograph Company. While those one-reel films are a testament to Griffith's inspired genius as a director, they also reflect a fundamental shift in film style from "cheap amusements" to movie storytelling complete with characters and narrative impetus. In this comprehensive historical investigation, drawing on films preserved by the Library of Congress and the Museum of Modern Art, Tom Gunning reveals that the remarkable cinematic changes between 1900 and 1915 were a response to the radical reorganization within the film industry and the evolving role of film in American society. The Motion Picture Patents Company, the newly formed Film Trust, had major economic aspirations. The newly emerging industry's quest for a middle-class audience triggered Griffith's early experiments in film editing and imagery. His unique solutions permanently shaped American narrative film.
Download or read book D.W. Griffith and the Origins of American Narrative Film written by Tom Gunning and published by University of Illinois Press. This book was released on 1994 with total page 334 pages. Available in PDF, EPUB and Kindle. Book excerpt: The legendary filmmaker D. W. Griffith directed nearly 200 films during 1908 and 1909, his first years with the Biograph Company. While those one-reel films are a testament to Griffith's inspired genius as a director, they also reflect a fundamental shift in film style from "cheap amusements" to movie storytelling complete with characters and narrative impetus. In this comprehensive historical investigation, drawing on films preserved by the Library of Congress and the Museum of Modern Art, Tom Gunning reveals that the remarkable cinematic changes between 1900 and 1915 were a response to the radical reorganization within the film industry and the evolving role of film in American society. The Motion Picture Patents Company, the newly formed Film Trust, had major economic aspirations. The newly emerging industry's quest for a middle-class audience triggered Griffith's early experiments in film editing and imagery. His unique solutions permanently shaped American narrative film.
