Focus: Music of South Africa

Focus: Music of South Africa

Author: Carol A. Muller

Publisher: Routledge

Published: 2010-04-15

Total Pages: 359

ISBN-13: 1135901821

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Focus: Music of South Africa provides an in-depth look at the full spectrum of South African music, a musical culture that epitomizes the enormous ethnic, religious, linguistic, class, and gender diversity of the nation itself. Drawing on extensive field and archival research, as well as her own personal experiences, noted ethnomusicologist and South African native Carol A. Muller looks at how South Africans have used music to express a sense of place in South Africa, on the African continent, and around the world. Part One, Creating Connections, provides introductory materials for the study of South African Music. Part Two, Musical Migrations, moves to a more focused overview of significant musical styles in twentieth-century South Africa -- particularly those known through world circuits. Part Three, Focusing In, takes the reader into the heart of two musical cultures with case studies on South African jazz and the music of the Zulu-language followers of Isaiah Shembe. The accompanying downloadable resources offer vivid examples of traditional, popular, and classical South African musical styles.


Book Synopsis Focus: Music of South Africa by : Carol A. Muller

Download or read book Focus: Music of South Africa written by Carol A. Muller and published by Routledge. This book was released on 2010-04-15 with total page 359 pages. Available in PDF, EPUB and Kindle. Book excerpt: Focus: Music of South Africa provides an in-depth look at the full spectrum of South African music, a musical culture that epitomizes the enormous ethnic, religious, linguistic, class, and gender diversity of the nation itself. Drawing on extensive field and archival research, as well as her own personal experiences, noted ethnomusicologist and South African native Carol A. Muller looks at how South Africans have used music to express a sense of place in South Africa, on the African continent, and around the world. Part One, Creating Connections, provides introductory materials for the study of South African Music. Part Two, Musical Migrations, moves to a more focused overview of significant musical styles in twentieth-century South Africa -- particularly those known through world circuits. Part Three, Focusing In, takes the reader into the heart of two musical cultures with case studies on South African jazz and the music of the Zulu-language followers of Isaiah Shembe. The accompanying downloadable resources offer vivid examples of traditional, popular, and classical South African musical styles.

Focus

Focus

Author: Carol Ann Muller

Publisher:

Published: 2008

Total Pages: 338

ISBN-13: 9780415348768

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For students of world music and world cultures, this authoritative work provides an in-depth survey of the full spectrum of black and white South African music. In 1986, Paul Simon's Graceland introduced millions to the sounds of South Africa. But Simon's album explores only a few of the many types of music originating within South Africa's border's a musical culture that epitomizes the enormous ethnic, religious, linguistic, class and gender diversity of the nation itself. The author looks at how South Africans (black and white) have used music to express a sense of place in South Africa, on the African continent, and around the world. Drawing on extensive field and archival research, as well as her own personal experiences, noted ethnomusicologist and South African native Carol A. Muller explores the range of sources that make music from South Africa related to, yet so distinct from, other music from the African continent and around the world. The accompanying CD offers vividexamples of traditional, popular, and classical South African musical styles.


Book Synopsis Focus by : Carol Ann Muller

Download or read book Focus written by Carol Ann Muller and published by . This book was released on 2008 with total page 338 pages. Available in PDF, EPUB and Kindle. Book excerpt: For students of world music and world cultures, this authoritative work provides an in-depth survey of the full spectrum of black and white South African music. In 1986, Paul Simon's Graceland introduced millions to the sounds of South Africa. But Simon's album explores only a few of the many types of music originating within South Africa's border's a musical culture that epitomizes the enormous ethnic, religious, linguistic, class and gender diversity of the nation itself. The author looks at how South Africans (black and white) have used music to express a sense of place in South Africa, on the African continent, and around the world. Drawing on extensive field and archival research, as well as her own personal experiences, noted ethnomusicologist and South African native Carol A. Muller explores the range of sources that make music from South Africa related to, yet so distinct from, other music from the African continent and around the world. The accompanying CD offers vividexamples of traditional, popular, and classical South African musical styles.

Focus

Focus

Author: Carol Ann Muller

Publisher: Taylor & Francis

Published: 2008

Total Pages: 359

ISBN-13: 041596069X

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First Published in 2008. Routledge is an imprint of Taylor & Francis, an informa company.


Book Synopsis Focus by : Carol Ann Muller

Download or read book Focus written by Carol Ann Muller and published by Taylor & Francis. This book was released on 2008 with total page 359 pages. Available in PDF, EPUB and Kindle. Book excerpt: First Published in 2008. Routledge is an imprint of Taylor & Francis, an informa company.

Focus: Music of South Africa

Focus: Music of South Africa

Author:

Publisher:

Published: 2008

Total Pages: 338

ISBN-13:

DOWNLOAD EBOOK


Book Synopsis Focus: Music of South Africa by :

Download or read book Focus: Music of South Africa written by and published by . This book was released on 2008 with total page 338 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Focus: Music of South Africa

Focus: Music of South Africa

Author: Carol A. Muller

Publisher: Routledge

Published: 2010-04-15

Total Pages: 359

ISBN-13: 113590183X

DOWNLOAD EBOOK

Focus: Music of South Africa provides an in-depth look at the full spectrum of South African music, a musical culture that epitomizes the enormous ethnic, religious, linguistic, class, and gender diversity of the nation itself. Drawing on extensive field and archival research, as well as her own personal experiences, noted ethnomusicologist and South African native Carol A. Muller looks at how South Africans have used music to express a sense of place in South Africa, on the African continent, and around the world. Part One, Creating Connections, provides introductory materials for the study of South African Music. Part Two, Musical Migrations, moves to a more focused overview of significant musical styles in twentieth-century South Africa -- particularly those known through world circuits. Part Three, Focusing In, takes the reader into the heart of two musical cultures with case studies on South African jazz and the music of the Zulu-language followers of Isaiah Shembe. The accompanying CD offers vivid examples of traditional, popular, and classical South African musical styles.


Book Synopsis Focus: Music of South Africa by : Carol A. Muller

Download or read book Focus: Music of South Africa written by Carol A. Muller and published by Routledge. This book was released on 2010-04-15 with total page 359 pages. Available in PDF, EPUB and Kindle. Book excerpt: Focus: Music of South Africa provides an in-depth look at the full spectrum of South African music, a musical culture that epitomizes the enormous ethnic, religious, linguistic, class, and gender diversity of the nation itself. Drawing on extensive field and archival research, as well as her own personal experiences, noted ethnomusicologist and South African native Carol A. Muller looks at how South Africans have used music to express a sense of place in South Africa, on the African continent, and around the world. Part One, Creating Connections, provides introductory materials for the study of South African Music. Part Two, Musical Migrations, moves to a more focused overview of significant musical styles in twentieth-century South Africa -- particularly those known through world circuits. Part Three, Focusing In, takes the reader into the heart of two musical cultures with case studies on South African jazz and the music of the Zulu-language followers of Isaiah Shembe. The accompanying CD offers vivid examples of traditional, popular, and classical South African musical styles.

The Drumcafé's Traditional Music of South Africa

The Drumcafé's Traditional Music of South Africa

Author: Laurie Levine

Publisher: Jacana Media

Published: 2005

Total Pages: 252

ISBN-13: 9781770090460

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Track list for accompanying CD: p. 266-273.


Book Synopsis The Drumcafé's Traditional Music of South Africa by : Laurie Levine

Download or read book The Drumcafé's Traditional Music of South Africa written by Laurie Levine and published by Jacana Media. This book was released on 2005 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt: Track list for accompanying CD: p. 266-273.

Music, Modernity, and the Global Imagination

Music, Modernity, and the Global Imagination

Author: Veit Erlmann

Publisher:

Published: 1999

Total Pages: 321

ISBN-13: 0195123670

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How do Western images of Africa and African representations of the West mirror each other? This study focuses on the tours of two black South African choirs in England and America in the 1890s, and the popularity of Ladysmith Black Mambazo since 1986.


Book Synopsis Music, Modernity, and the Global Imagination by : Veit Erlmann

Download or read book Music, Modernity, and the Global Imagination written by Veit Erlmann and published by . This book was released on 1999 with total page 321 pages. Available in PDF, EPUB and Kindle. Book excerpt: How do Western images of Africa and African representations of the West mirror each other? This study focuses on the tours of two black South African choirs in England and America in the 1890s, and the popularity of Ladysmith Black Mambazo since 1986.

Gender and Sexuality in South African Music

Gender and Sexuality in South African Music

Author: Chris Walton

Publisher: AFRICAN SUN MeDIA

Published: 2005-05-01

Total Pages: 103

ISBN-13: 1919980407

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During the past two decades, the study of sexuality and gender in music has become a decidedly mainstream activity. To be sure, music has long been obviously and intimately involved in matters pertaining to relations, both sexual and otherwise, between and amongst the sexes. Its use in courtship is the one that perhaps first comes to mind, this use being probably as old as music itself. This book contains all the papers presented at the conference by the same name.


Book Synopsis Gender and Sexuality in South African Music by : Chris Walton

Download or read book Gender and Sexuality in South African Music written by Chris Walton and published by AFRICAN SUN MeDIA. This book was released on 2005-05-01 with total page 103 pages. Available in PDF, EPUB and Kindle. Book excerpt: During the past two decades, the study of sexuality and gender in music has become a decidedly mainstream activity. To be sure, music has long been obviously and intimately involved in matters pertaining to relations, both sexual and otherwise, between and amongst the sexes. Its use in courtship is the one that perhaps first comes to mind, this use being probably as old as music itself. This book contains all the papers presented at the conference by the same name.

Sounding the Cape

Sounding the Cape

Author: Denis Martin

Publisher: African Minds

Published: 2013

Total Pages: 471

ISBN-13: 1920489827

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For several centuries Cape Town has accommodated a great variety of musical genres which have usually been associated with specific population groups living in and around the city. Musical styles and genres produced in Cape Town have therefore been assigned an "identity" which is first and foremost social. This volume tries to question the relationship established between musical styles and genres, and social - in this case pseudo-racial - identities. In Sounding the Cape, Denis-Constant Martin recomposes and examines through the theoretical prism of creolisation the history of music in Cape Town, deploying analytical tools borrowed from the most recent studies of identity configurations. He demonstrates that musical creation in the Mother City, and in South Africa, has always been nurtured by contacts, exchanges and innovations whatever the efforts made by racist powers to separate and divide people according to their origin. Musicians interviewed at the dawn of the 21st century confirm that mixture and blending characterise all Cape Town's musics. They also emphasise the importance of a rhythmic pattern particular to Cape Town, the ghoema beat, whose origins are obviously mixed. The study of music demonstrates that the history of Cape Town, and of South Africa as a whole, undeniably fostered creole societies. Yet, twenty years after the collapse of apartheid, these societies are still divided along lines that combine economic factors and "racial" categorisations. Martin concludes that, were music given a greater importance in educational and cultural policies, it could contribute to fighting these divisions and promote the notion of a nation that, in spite of the violence of racism and apartheid, has managed to invent a unique common culture.


Book Synopsis Sounding the Cape by : Denis Martin

Download or read book Sounding the Cape written by Denis Martin and published by African Minds. This book was released on 2013 with total page 471 pages. Available in PDF, EPUB and Kindle. Book excerpt: For several centuries Cape Town has accommodated a great variety of musical genres which have usually been associated with specific population groups living in and around the city. Musical styles and genres produced in Cape Town have therefore been assigned an "identity" which is first and foremost social. This volume tries to question the relationship established between musical styles and genres, and social - in this case pseudo-racial - identities. In Sounding the Cape, Denis-Constant Martin recomposes and examines through the theoretical prism of creolisation the history of music in Cape Town, deploying analytical tools borrowed from the most recent studies of identity configurations. He demonstrates that musical creation in the Mother City, and in South Africa, has always been nurtured by contacts, exchanges and innovations whatever the efforts made by racist powers to separate and divide people according to their origin. Musicians interviewed at the dawn of the 21st century confirm that mixture and blending characterise all Cape Town's musics. They also emphasise the importance of a rhythmic pattern particular to Cape Town, the ghoema beat, whose origins are obviously mixed. The study of music demonstrates that the history of Cape Town, and of South Africa as a whole, undeniably fostered creole societies. Yet, twenty years after the collapse of apartheid, these societies are still divided along lines that combine economic factors and "racial" categorisations. Martin concludes that, were music given a greater importance in educational and cultural policies, it could contribute to fighting these divisions and promote the notion of a nation that, in spite of the violence of racism and apartheid, has managed to invent a unique common culture.

Beyond Memory

Beyond Memory

Author: Max Mojapelo

Publisher: African Minds

Published: 2008

Total Pages: 377

ISBN-13: 1920299289

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South Africa possesses one of the richest popular music traditions in the world - from marabi to mbaqanga, from boeremusiek to bubblegum, from kwela to kwaito. Yet the risk that future generations of South Africans will not know their musical roots is very real. Of all the recordings made here since the 1930s, thousands have been lost for ever, for the powers-that-be never deemed them worthy of preservation. And if one peruses the books that exist on South African popular music, one still fi nds that their authors have on occasion jumped to conclusions that were not as foregone as they had assumed. Yet the fault lies not with them, rather in the fact that there has been precious little documentation in South Africa of who played what, or who recorded what, with whom, and when. This is true of all music-making in this country, though it is most striking in the musics of the black communities. Beyond Memory: Recording the History, Moments and Memories of South African Music is an invaluable publication because it offers a first-hand account of the South African music scene of the past decades from the pen of a man, Max Thamagana Mojapelo, who was situated in the very thick of things, thanks to his job as a deejay at the South African Broadcasting Corporation. This book - astonishing for the breadth of its coverage - is based on his diaries, on interviews he conducted and on numerous other sources, and we find in it not only the well-known names of recent South African music but a countless host of others whose contribution must be recorded if we and future generations are to gain an accurate picture of South African music history of the late 20th and early 21st centuries.


Book Synopsis Beyond Memory by : Max Mojapelo

Download or read book Beyond Memory written by Max Mojapelo and published by African Minds. This book was released on 2008 with total page 377 pages. Available in PDF, EPUB and Kindle. Book excerpt: South Africa possesses one of the richest popular music traditions in the world - from marabi to mbaqanga, from boeremusiek to bubblegum, from kwela to kwaito. Yet the risk that future generations of South Africans will not know their musical roots is very real. Of all the recordings made here since the 1930s, thousands have been lost for ever, for the powers-that-be never deemed them worthy of preservation. And if one peruses the books that exist on South African popular music, one still fi nds that their authors have on occasion jumped to conclusions that were not as foregone as they had assumed. Yet the fault lies not with them, rather in the fact that there has been precious little documentation in South Africa of who played what, or who recorded what, with whom, and when. This is true of all music-making in this country, though it is most striking in the musics of the black communities. Beyond Memory: Recording the History, Moments and Memories of South African Music is an invaluable publication because it offers a first-hand account of the South African music scene of the past decades from the pen of a man, Max Thamagana Mojapelo, who was situated in the very thick of things, thanks to his job as a deejay at the South African Broadcasting Corporation. This book - astonishing for the breadth of its coverage - is based on his diaries, on interviews he conducted and on numerous other sources, and we find in it not only the well-known names of recent South African music but a countless host of others whose contribution must be recorded if we and future generations are to gain an accurate picture of South African music history of the late 20th and early 21st centuries.