Fragmenting Modernisms

Fragmenting Modernisms

Author: Carolyn FitzGerald

Publisher: BRILL

Published: 2013-07-07

Total Pages: 362

ISBN-13: 9004250999

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In Fragmenting Modernisms, Carolyn FitzGerald traces the evolution of Chinese modernism during the War of Resistance against Japan (1937-45) and Chinese Civil War (1945-49) through a series of close readings of works of fiction, poetry, film, and visual art, produced in various locations throughout wartime China. Showing that the culture of this period was characterized by a high degree of formal looseness, she argues that such aesthetic fluidity was created in response to historical conditions of violence and widespread displacement. Moreover, she illustrates how the innovative formal experiments of uprooted writers and artists expanded the geographic and aesthetic boundaries of Chinese modernism far beyond the coastal cities of Shanghai and Beijing.


Book Synopsis Fragmenting Modernisms by : Carolyn FitzGerald

Download or read book Fragmenting Modernisms written by Carolyn FitzGerald and published by BRILL. This book was released on 2013-07-07 with total page 362 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Fragmenting Modernisms, Carolyn FitzGerald traces the evolution of Chinese modernism during the War of Resistance against Japan (1937-45) and Chinese Civil War (1945-49) through a series of close readings of works of fiction, poetry, film, and visual art, produced in various locations throughout wartime China. Showing that the culture of this period was characterized by a high degree of formal looseness, she argues that such aesthetic fluidity was created in response to historical conditions of violence and widespread displacement. Moreover, she illustrates how the innovative formal experiments of uprooted writers and artists expanded the geographic and aesthetic boundaries of Chinese modernism far beyond the coastal cities of Shanghai and Beijing.

Fragmenting modernism

Fragmenting modernism

Author: Sara Haslam

Publisher: Manchester University Press

Published: 2013-07-19

Total Pages: 411

ISBN-13: 1847795404

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This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. Fragmenting modernism' is about Ford Madox Ford, a hero of the modernist literary revolution. Ford is a fascinating and fundamental figure of the time; not only because as a friend and critic of Ezra Pound and Joseph Conrad, editor of the 'English Review', and author of 'The Good Soldier', he shaped the development of literary modernism. But as the grandson of Ford Madox Brown, and son of a German music critic, he also manifested formative links with mainland European culture and the visual arts. In Ford there is the chance to explore continuity in artistic life at the turn of the century, as well as the more commonly identified pattern of crisis in the time. The argument throughout is that modernism possesses more than one face. Setting Ford in his cultural and historical context, the opening chapter debates the concept of fragmentation in modernism; later chapters discuss the notion of the personal narrative, and war writing. Ford's literary technique is studied comparatively, and plot summaries of his major books ('The Good Soldier' and 'Parade's End') are provided, as is a brief biography. 'Fragmenting Modernism' will be useful for anyone studying the literature of the early twentieth century, impressionism or modernism in general terms, as well as for those who seek to investigate in detail one of the great polymorphous figures of the time.


Book Synopsis Fragmenting modernism by : Sara Haslam

Download or read book Fragmenting modernism written by Sara Haslam and published by Manchester University Press. This book was released on 2013-07-19 with total page 411 pages. Available in PDF, EPUB and Kindle. Book excerpt: This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. Fragmenting modernism' is about Ford Madox Ford, a hero of the modernist literary revolution. Ford is a fascinating and fundamental figure of the time; not only because as a friend and critic of Ezra Pound and Joseph Conrad, editor of the 'English Review', and author of 'The Good Soldier', he shaped the development of literary modernism. But as the grandson of Ford Madox Brown, and son of a German music critic, he also manifested formative links with mainland European culture and the visual arts. In Ford there is the chance to explore continuity in artistic life at the turn of the century, as well as the more commonly identified pattern of crisis in the time. The argument throughout is that modernism possesses more than one face. Setting Ford in his cultural and historical context, the opening chapter debates the concept of fragmentation in modernism; later chapters discuss the notion of the personal narrative, and war writing. Ford's literary technique is studied comparatively, and plot summaries of his major books ('The Good Soldier' and 'Parade's End') are provided, as is a brief biography. 'Fragmenting Modernism' will be useful for anyone studying the literature of the early twentieth century, impressionism or modernism in general terms, as well as for those who seek to investigate in detail one of the great polymorphous figures of the time.

Fragmenting Modernism

Fragmenting Modernism

Author: Sara Haslam

Publisher: Manchester University Press

Published: 2002

Total Pages: 262

ISBN-13: 9780719060557

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As a hero of the modernist literary revolution, Ford Madox Ford is a fascinating figure of the early 20th century. Haslam explores continuity and crisis in artistic life during the early 20th century through a study of Ford's work and life.


Book Synopsis Fragmenting Modernism by : Sara Haslam

Download or read book Fragmenting Modernism written by Sara Haslam and published by Manchester University Press. This book was released on 2002 with total page 262 pages. Available in PDF, EPUB and Kindle. Book excerpt: As a hero of the modernist literary revolution, Ford Madox Ford is a fascinating figure of the early 20th century. Haslam explores continuity and crisis in artistic life during the early 20th century through a study of Ford's work and life.

The Cambridge Companion to the City in Literature

The Cambridge Companion to the City in Literature

Author: Kevin R. McNamara

Publisher: Cambridge University Press

Published: 2014-10-06

Total Pages: 319

ISBN-13: 1107028035

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This Companion offers readers an accessible survey of the historical and symbolic relationships between literature and the city.


Book Synopsis The Cambridge Companion to the City in Literature by : Kevin R. McNamara

Download or read book The Cambridge Companion to the City in Literature written by Kevin R. McNamara and published by Cambridge University Press. This book was released on 2014-10-06 with total page 319 pages. Available in PDF, EPUB and Kindle. Book excerpt: This Companion offers readers an accessible survey of the historical and symbolic relationships between literature and the city.

Global Modernists on Modernism

Global Modernists on Modernism

Author: Alys Moody

Publisher: Bloomsbury Publishing

Published: 2020-01-23

Total Pages: 489

ISBN-13: 1474242332

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Winner of the Modernist Studies Association (MSA) Edited Volume Prize Bringing together works by writers from sub-Saharan Africa, Turkey, central Europe, the Muslim world, Asia, South America and Australia – many translated into English for the first time – this is the first collection of statements on modernism by writers, artists and practitioners from across the world. Annotated throughout, the texts are supported by critical essays from leading modernist scholars exploring major issues in the contemporary study of global modernism. Global Modernists on Modernism is an essential resource for students and scholars of modernism and world literature and one that opens up a dazzling new array of perspectives on the field.


Book Synopsis Global Modernists on Modernism by : Alys Moody

Download or read book Global Modernists on Modernism written by Alys Moody and published by Bloomsbury Publishing. This book was released on 2020-01-23 with total page 489 pages. Available in PDF, EPUB and Kindle. Book excerpt: Winner of the Modernist Studies Association (MSA) Edited Volume Prize Bringing together works by writers from sub-Saharan Africa, Turkey, central Europe, the Muslim world, Asia, South America and Australia – many translated into English for the first time – this is the first collection of statements on modernism by writers, artists and practitioners from across the world. Annotated throughout, the texts are supported by critical essays from leading modernist scholars exploring major issues in the contemporary study of global modernism. Global Modernists on Modernism is an essential resource for students and scholars of modernism and world literature and one that opens up a dazzling new array of perspectives on the field.

Fragmentary Modernism

Fragmentary Modernism

Author: Nora Goldschmidt

Publisher: Oxford University Press

Published: 2023-11-13

Total Pages: 239

ISBN-13: 0192678167

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Fragmentary Modernism begins from a simple observation: what has been called the 'apotheosis of the fragment' in the art and writing of modernism emerged hand in hand with a series of paradigm-shifting developments in classical scholarship, which brought an unprecedented number of fragmentary texts and objects from classical antiquity to light in modernity. Focusing primarily on the writers who came to define the Anglophone modernist canon — Ezra Pound, T.S. Eliot, Hilda Doolittle (H.D.), and Richard Aldington, and the artists like Jacob Epstein and Henri Gaudier-Brzeska with whom they were associated — the book plots the multiple networks of interaction between modernist practices of the fragment and the disciplines of classical scholarship. Some of the most radical writers and artists of the period can be shown to have engaged intensively with the fragments of Greek and Roman antiquity and their mediations by classical scholars. But the direction of influence also worked the other way: the modernist aesthetic of gaps, absence, and fracture came to shape how classical scholars and museum curators themselves interpreted and presented the fragments of the past to audiences in the present. From papyrology to philology, from epigraphy to archaeology, the 'classical fragment', as we still often see it today, emerged as the joint cultural production of classical scholarship and the literary and visual cultures of modernism.


Book Synopsis Fragmentary Modernism by : Nora Goldschmidt

Download or read book Fragmentary Modernism written by Nora Goldschmidt and published by Oxford University Press. This book was released on 2023-11-13 with total page 239 pages. Available in PDF, EPUB and Kindle. Book excerpt: Fragmentary Modernism begins from a simple observation: what has been called the 'apotheosis of the fragment' in the art and writing of modernism emerged hand in hand with a series of paradigm-shifting developments in classical scholarship, which brought an unprecedented number of fragmentary texts and objects from classical antiquity to light in modernity. Focusing primarily on the writers who came to define the Anglophone modernist canon — Ezra Pound, T.S. Eliot, Hilda Doolittle (H.D.), and Richard Aldington, and the artists like Jacob Epstein and Henri Gaudier-Brzeska with whom they were associated — the book plots the multiple networks of interaction between modernist practices of the fragment and the disciplines of classical scholarship. Some of the most radical writers and artists of the period can be shown to have engaged intensively with the fragments of Greek and Roman antiquity and their mediations by classical scholars. But the direction of influence also worked the other way: the modernist aesthetic of gaps, absence, and fracture came to shape how classical scholars and museum curators themselves interpreted and presented the fragments of the past to audiences in the present. From papyrology to philology, from epigraphy to archaeology, the 'classical fragment', as we still often see it today, emerged as the joint cultural production of classical scholarship and the literary and visual cultures of modernism.

Modernism

Modernism

Author: Ástráður Eysteinsson

Publisher: John Benjamins Publishing

Published: 2007

Total Pages: 584

ISBN-13: 9789027234544

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The two-volume work Modernism has been awarded the prestigious 2008 MSA Book Prize! Modernism has constituted one of the most prominent fields of literary studies for decades. While it was perhaps temporarily overshadowed by postmodernism, recent years have seen a resurgence of interest in modernism on both sides of the Atlantic. These volumes respond to a need for a collective and multifarious view of literary modernism in various genres, locations, and languages. Asking and responding to a wealth of theoretical, aesthetic, and historical questions, 65 scholars from several countries test the usefulness of the concept of modernism as they probe a variety of contexts, from individual texts to national literatures, from specific critical issues to broad cross-cultural concerns. While the chief emphasis of these volumes is on literary modernism, literature is seen as entering into diverse cultural and social contexts. These range from inter-art conjunctions to philosophical, environmental, urban, and political domains, including issues of race and space, gender and fashion, popular culture and trauma, science and exile, all of which have an urgent bearing on the poetics of modernity.


Book Synopsis Modernism by : Ástráður Eysteinsson

Download or read book Modernism written by Ástráður Eysteinsson and published by John Benjamins Publishing. This book was released on 2007 with total page 584 pages. Available in PDF, EPUB and Kindle. Book excerpt: The two-volume work Modernism has been awarded the prestigious 2008 MSA Book Prize! Modernism has constituted one of the most prominent fields of literary studies for decades. While it was perhaps temporarily overshadowed by postmodernism, recent years have seen a resurgence of interest in modernism on both sides of the Atlantic. These volumes respond to a need for a collective and multifarious view of literary modernism in various genres, locations, and languages. Asking and responding to a wealth of theoretical, aesthetic, and historical questions, 65 scholars from several countries test the usefulness of the concept of modernism as they probe a variety of contexts, from individual texts to national literatures, from specific critical issues to broad cross-cultural concerns. While the chief emphasis of these volumes is on literary modernism, literature is seen as entering into diverse cultural and social contexts. These range from inter-art conjunctions to philosophical, environmental, urban, and political domains, including issues of race and space, gender and fashion, popular culture and trauma, science and exile, all of which have an urgent bearing on the poetics of modernity.

Modernism After the Death of God

Modernism After the Death of God

Author: Stephen Kern

Publisher: Routledge

Published: 2017-11-22

Total Pages: 444

ISBN-13: 1351603175

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Modernism After the Death of God explores the work of seven influential modernists. Friedrich Nietzsche, James Joyce, D. H. Lawrence, André Gide, and Martin Heidegger criticized the destructive impact that they believed Christian sexual morality had had or threatened to have on their love life. Although not a Christian, Freud criticized the negative effect that Christian sexual morality had on his clinical subjects and on Western civilization, while Virginia Woolf condemned how her society was sanctioned by a patriarchal Christian authority. All seven worked to replace the loss or absence of Christian unity with non-Christian unifying projects in their respective fields of philosophy, psychiatry, or literature. The basic structure of their main contributions to modernist culture was a dynamic interaction of radical fragmentation necessitating radical unification that was always in process and never complete.


Book Synopsis Modernism After the Death of God by : Stephen Kern

Download or read book Modernism After the Death of God written by Stephen Kern and published by Routledge. This book was released on 2017-11-22 with total page 444 pages. Available in PDF, EPUB and Kindle. Book excerpt: Modernism After the Death of God explores the work of seven influential modernists. Friedrich Nietzsche, James Joyce, D. H. Lawrence, André Gide, and Martin Heidegger criticized the destructive impact that they believed Christian sexual morality had had or threatened to have on their love life. Although not a Christian, Freud criticized the negative effect that Christian sexual morality had on his clinical subjects and on Western civilization, while Virginia Woolf condemned how her society was sanctioned by a patriarchal Christian authority. All seven worked to replace the loss or absence of Christian unity with non-Christian unifying projects in their respective fields of philosophy, psychiatry, or literature. The basic structure of their main contributions to modernist culture was a dynamic interaction of radical fragmentation necessitating radical unification that was always in process and never complete.

Reading Fragments and Fragmentation in Modernist Literature

Reading Fragments and Fragmentation in Modernist Literature

Author: Rebecca Varley-Winter

Publisher:

Published: 2019-09

Total Pages: 0

ISBN-13: 9781845199609

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As a critical term, 'fragment' is more of a starting-point than a definition. 'Fragment' and 'fragmentation' have been used to describe damaged manuscripts; drafts; notes; subverted grammatical structures; the emergence of vers libre from formal verse; texts without linear plots; translations; quotations; and works titled 'Fragment' regardless of how formally complete they might appear. This book offers a phenomenological reading of modernist literary fragments, arguing that fragments create states of conflicted embodiment in which mind and body cannot cleanly separate. Drawing on the concept of aestheticism as an overstimulated body, each chapter connects fragments to experiences of physical and emotional ambiguity. The author introduces fragmentation as an aspect of what Julia Kristeva and Helene Cixous term 'ecriture feminine', and offers new readings of the texts that Stephane Mallarme struggled to finish.


Book Synopsis Reading Fragments and Fragmentation in Modernist Literature by : Rebecca Varley-Winter

Download or read book Reading Fragments and Fragmentation in Modernist Literature written by Rebecca Varley-Winter and published by . This book was released on 2019-09 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: As a critical term, 'fragment' is more of a starting-point than a definition. 'Fragment' and 'fragmentation' have been used to describe damaged manuscripts; drafts; notes; subverted grammatical structures; the emergence of vers libre from formal verse; texts without linear plots; translations; quotations; and works titled 'Fragment' regardless of how formally complete they might appear. This book offers a phenomenological reading of modernist literary fragments, arguing that fragments create states of conflicted embodiment in which mind and body cannot cleanly separate. Drawing on the concept of aestheticism as an overstimulated body, each chapter connects fragments to experiences of physical and emotional ambiguity. The author introduces fragmentation as an aspect of what Julia Kristeva and Helene Cixous term 'ecriture feminine', and offers new readings of the texts that Stephane Mallarme struggled to finish.

Social Fragmentation in Modernist English Literature

Social Fragmentation in Modernist English Literature

Author: Jan H. Hauptmann

Publisher: GRIN Verlag

Published: 2008-11

Total Pages: 30

ISBN-13: 3640215184

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Essay from the year 2006 in the subject English Language and Literature Studies - Literature, grade: 1,7, Queen's University Belfast, 6 entries in the bibliography, language: English, abstract: This essay will focus on two modernist works by Virginia WOOLF and E. M. FORSTER, which might in fact be regarded as very different concerning their subject matter and style. When FORSTER completed his fourth published novel Howards End in 1910, Europe was on the edge of the First World War, while WOOLF's novel Between the Acts - finished in November 1942 - was created under the impacts of fascism, the frightening force of the Second World War, and the Blitz in Great Britain. Despite a relatively long time span between these works, the novels are dealing with similar modernist aspects insofar as they are both considering the changes of a society under the influence of modern life, resulting in a social fragmentation caused by political developments within Europe. This paper will at first reveal the indications of social fragmentations worked into the novels and, secondly, find out if FORSTER and WOOLF are actually providing a solution to the upcoming problems within their artwork. The political tensions in FORSTER's Howards End predominantly arise between the characters of the Schlegels and the Wilcoxes, two middle class families with completely different social backgrounds. As the director of a rubber company with African holdings, Henry Wilcox is the epitome of British industrialism and imperialism, while the Schlegel sisters (Margaret and Helen) are representing quite the opposite.


Book Synopsis Social Fragmentation in Modernist English Literature by : Jan H. Hauptmann

Download or read book Social Fragmentation in Modernist English Literature written by Jan H. Hauptmann and published by GRIN Verlag. This book was released on 2008-11 with total page 30 pages. Available in PDF, EPUB and Kindle. Book excerpt: Essay from the year 2006 in the subject English Language and Literature Studies - Literature, grade: 1,7, Queen's University Belfast, 6 entries in the bibliography, language: English, abstract: This essay will focus on two modernist works by Virginia WOOLF and E. M. FORSTER, which might in fact be regarded as very different concerning their subject matter and style. When FORSTER completed his fourth published novel Howards End in 1910, Europe was on the edge of the First World War, while WOOLF's novel Between the Acts - finished in November 1942 - was created under the impacts of fascism, the frightening force of the Second World War, and the Blitz in Great Britain. Despite a relatively long time span between these works, the novels are dealing with similar modernist aspects insofar as they are both considering the changes of a society under the influence of modern life, resulting in a social fragmentation caused by political developments within Europe. This paper will at first reveal the indications of social fragmentations worked into the novels and, secondly, find out if FORSTER and WOOLF are actually providing a solution to the upcoming problems within their artwork. The political tensions in FORSTER's Howards End predominantly arise between the characters of the Schlegels and the Wilcoxes, two middle class families with completely different social backgrounds. As the director of a rubber company with African holdings, Henry Wilcox is the epitome of British industrialism and imperialism, while the Schlegel sisters (Margaret and Helen) are representing quite the opposite.