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The strange story of the Assyrian Reliefs in the Metropolitan Museum and the Hidden Masterpiece at Canford School. This volume includes previously unpublished photographs, illustrations from rare nineteenth century sources, and passages from the diary of Lady Charlotte Guest (cousin of Austen Henry Layard).
Book Synopsis From Nineveh to New York by : John Malcolm Russell
Download or read book From Nineveh to New York written by John Malcolm Russell and published by Yale University Press. This book was released on 1997-01-01 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: The strange story of the Assyrian Reliefs in the Metropolitan Museum and the Hidden Masterpiece at Canford School. This volume includes previously unpublished photographs, illustrations from rare nineteenth century sources, and passages from the diary of Lady Charlotte Guest (cousin of Austen Henry Layard).
Book Synopsis From Nineveh to Newyork. The Strange Story of the Assyrian Reliefs in the Metropolitan Museum and the Hidden Masterpiece at Canford School by : John Malcom Russell
Download or read book From Nineveh to Newyork. The Strange Story of the Assyrian Reliefs in the Metropolitan Museum and the Hidden Masterpiece at Canford School written by John Malcom Russell and published by . This book was released on 1997 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt:
The fabulous collections housed in the world's most famous museums are trophies from an imperial age. Yet the huge crowds that each year visit the British Museum in London, the Louvre in Paris, or the Metropolitan in New York have little idea that many of the objects on display were acquired by coercion or theft. Now the countries from which these treasures came would like them back. The Greek demand for the return of the Elgin Marbles is the tip of an iceberg that includes claims for the Benin Bronzes from Nigeria, sculpture from Turkey, scrolls and porcelain taken from the Chinese Summer Palace, textiles from Peru, the bust of Nefertiti, Native American sacred objects, and Aboriginal human remains. In Keeping Their Marbles, Tiffany Jenkins tells the bloody story of how western museums came to acquire these objects. She investigates why repatriation claims have soared in recent decades and demonstrates how it is the guilt and insecurity of the museums themselves that have stoked the demands for return. Contrary to the arguments of campaigners, she shows that sending artefacts back will not achieve the desired social change nor repair the wounds of history. Instead, this ground-breaking book makes the case for museums as centres of knowledge, demonstrating that no object has a single home, and no one culture owns culture.
Book Synopsis Keeping Their Marbles by : Tiffany Jenkins
Download or read book Keeping Their Marbles written by Tiffany Jenkins and published by Oxford University Press. This book was released on 2016-02-25 with total page 368 pages. Available in PDF, EPUB and Kindle. Book excerpt: The fabulous collections housed in the world's most famous museums are trophies from an imperial age. Yet the huge crowds that each year visit the British Museum in London, the Louvre in Paris, or the Metropolitan in New York have little idea that many of the objects on display were acquired by coercion or theft. Now the countries from which these treasures came would like them back. The Greek demand for the return of the Elgin Marbles is the tip of an iceberg that includes claims for the Benin Bronzes from Nigeria, sculpture from Turkey, scrolls and porcelain taken from the Chinese Summer Palace, textiles from Peru, the bust of Nefertiti, Native American sacred objects, and Aboriginal human remains. In Keeping Their Marbles, Tiffany Jenkins tells the bloody story of how western museums came to acquire these objects. She investigates why repatriation claims have soared in recent decades and demonstrates how it is the guilt and insecurity of the museums themselves that have stoked the demands for return. Contrary to the arguments of campaigners, she shows that sending artefacts back will not achieve the desired social change nor repair the wounds of history. Instead, this ground-breaking book makes the case for museums as centres of knowledge, demonstrating that no object has a single home, and no one culture owns culture.
Geoffrey Turner's definitive study of the mid-19th century excavations by the British Museum at the Assyrian site of Nineveh documents the complete history of these excavations and provides detailed reconstructions of the architecture and sculpture in the palace of Sennacherib.
Book Synopsis The British Museum’s Excavations at Nineveh, 1846–1855 by : Geoffrey Turner
Download or read book The British Museum’s Excavations at Nineveh, 1846–1855 written by Geoffrey Turner and published by BRILL. This book was released on 2020-10-12 with total page 814 pages. Available in PDF, EPUB and Kindle. Book excerpt: Geoffrey Turner's definitive study of the mid-19th century excavations by the British Museum at the Assyrian site of Nineveh documents the complete history of these excavations and provides detailed reconstructions of the architecture and sculpture in the palace of Sennacherib.
This book is a critical study of the role played by architecture and texts in promoting political and religious ideologies in the ancient world. It explains a palace as an element in royal propaganda seeking to influence social concepts about kingship, and a text about a temple as influencing social concepts about the relationship between God and human beings. Applying the methods of analysis developed in built environment studies, the author interprets the palace and temple building programs of Sennacherib, King of Assyria, and Solomon, King of Israel. The physical evidence for the palace and the verbal evidence for the temple are explained as presenting communicative icons intended to influence contemporary political and religious concepts. The volume concludes with innovative interpretations of the contributions of architectural and verbal icons to religious and political reform.
Book Synopsis Palace and Temple by : Clifford Mark McCormick
Download or read book Palace and Temple written by Clifford Mark McCormick and published by Walter de Gruyter. This book was released on 2012-10-24 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is a critical study of the role played by architecture and texts in promoting political and religious ideologies in the ancient world. It explains a palace as an element in royal propaganda seeking to influence social concepts about kingship, and a text about a temple as influencing social concepts about the relationship between God and human beings. Applying the methods of analysis developed in built environment studies, the author interprets the palace and temple building programs of Sennacherib, King of Assyria, and Solomon, King of Israel. The physical evidence for the palace and the verbal evidence for the temple are explained as presenting communicative icons intended to influence contemporary political and religious concepts. The volume concludes with innovative interpretations of the contributions of architectural and verbal icons to religious and political reform.
One of the best-known images of the ancient Near East is an intriguing nineteenth-century color lithograph reconstructing the throne room of an Assyrian palace. Executed shortly after the archaeological rediscovery of Assyria, a land theretofore known only from the Bible, it was published by the most famous among early excavators of Assyrian ruins, Austen Henry Layard. Over time and despite criticisms, the picture has shaped the understanding and reception of ancient Mesopotamian architecture and architectural decoration. Inside an Ancient Assyrian Palace studies this influential image in depth, both at the time of its creation in London in the eventful year 1848 and in terms of its afterlife. A hidden inscription reveals unsuspected contributions by the renowned architect-designer Owen Jones and his colleague the architect-Egyptologist Joseph Bonomi. Also unexpected is the involvement of an enigmatic German artist who later emigrated to America and whose previous career in Europe had been lost to scholarship. This book will be of interest to scholars and students of art history and the ancient Near East. It will also be of relevance to museum visitors and others interested in the ancient world in general, in the art of the nineteenth century, and in design and historical reconstruction.
Book Synopsis Inside an Ancient Assyrian Palace by : Ada Cohen
Download or read book Inside an Ancient Assyrian Palace written by Ada Cohen and published by University Press of New England. This book was released on 2016-10-04 with total page 106 pages. Available in PDF, EPUB and Kindle. Book excerpt: One of the best-known images of the ancient Near East is an intriguing nineteenth-century color lithograph reconstructing the throne room of an Assyrian palace. Executed shortly after the archaeological rediscovery of Assyria, a land theretofore known only from the Bible, it was published by the most famous among early excavators of Assyrian ruins, Austen Henry Layard. Over time and despite criticisms, the picture has shaped the understanding and reception of ancient Mesopotamian architecture and architectural decoration. Inside an Ancient Assyrian Palace studies this influential image in depth, both at the time of its creation in London in the eventful year 1848 and in terms of its afterlife. A hidden inscription reveals unsuspected contributions by the renowned architect-designer Owen Jones and his colleague the architect-Egyptologist Joseph Bonomi. Also unexpected is the involvement of an enigmatic German artist who later emigrated to America and whose previous career in Europe had been lost to scholarship. This book will be of interest to scholars and students of art history and the ancient Near East. It will also be of relevance to museum visitors and others interested in the ancient world in general, in the art of the nineteenth century, and in design and historical reconstruction.
In his examination of the excavation of ancient Assyria by Austen Henry Layard, Shawn Malley reveals how, by whom, and for what reasons the stones of Assyria were deployed during a brief but remarkably intense period of archaeological activity in the mid-nineteenth century. His book encompasses the archaeological practices and representations that originated in Layard's excavations, radiated outward by way of the British Museum and Layard's best-selling Nineveh and Its Remains (1849), and were then dispersed into the public domain of popular amusements. That the stones of Assyria resonated in debates far beyond the interests of religious and scientific groups is apparent in the prevalence of poetry, exhibitions, plays, and dioramas inspired by the excavation. Of particular note, correspondence involving high-ranking diplomatic personnel and museum officials demonstrates that the 'treasures' brought home to fill the British Museum served not only as signs of symbolic conquest, but also as covert means for extending Britain's political and economic influence in the Near East. Malley takes up issues of class and influence to show how the middle-class Layard's celebrity status both advanced and threatened aristocratic values. Tellingly, the excavations prompted disturbing questions about the perils of imperial rule that framed discussions of the social and political conditions which brought England to the brink of revolution in 1848 and resurfaced with a vengeance during the Crimean crisis. In the provocative conclusion of this meticulously documented and suggestive book, Malley points toward the striking parallels between the history of Britain's imperial investment in Mesopotamia and the contemporary geopolitical uses and abuses of Assyrian antiquity in post-invasion Iraq.
Book Synopsis From Archaeology to Spectacle in Victorian Britain by : Shawn Malley
Download or read book From Archaeology to Spectacle in Victorian Britain written by Shawn Malley and published by Routledge. This book was released on 2016-04-15 with total page 220 pages. Available in PDF, EPUB and Kindle. Book excerpt: In his examination of the excavation of ancient Assyria by Austen Henry Layard, Shawn Malley reveals how, by whom, and for what reasons the stones of Assyria were deployed during a brief but remarkably intense period of archaeological activity in the mid-nineteenth century. His book encompasses the archaeological practices and representations that originated in Layard's excavations, radiated outward by way of the British Museum and Layard's best-selling Nineveh and Its Remains (1849), and were then dispersed into the public domain of popular amusements. That the stones of Assyria resonated in debates far beyond the interests of religious and scientific groups is apparent in the prevalence of poetry, exhibitions, plays, and dioramas inspired by the excavation. Of particular note, correspondence involving high-ranking diplomatic personnel and museum officials demonstrates that the 'treasures' brought home to fill the British Museum served not only as signs of symbolic conquest, but also as covert means for extending Britain's political and economic influence in the Near East. Malley takes up issues of class and influence to show how the middle-class Layard's celebrity status both advanced and threatened aristocratic values. Tellingly, the excavations prompted disturbing questions about the perils of imperial rule that framed discussions of the social and political conditions which brought England to the brink of revolution in 1848 and resurfaced with a vengeance during the Crimean crisis. In the provocative conclusion of this meticulously documented and suggestive book, Malley points toward the striking parallels between the history of Britain's imperial investment in Mesopotamia and the contemporary geopolitical uses and abuses of Assyrian antiquity in post-invasion Iraq.
This Handbook provides a transnational reference point for critical engagements with the legacies of, and futures for, global archaeological collections. It challenges the common misconception that museum archaeology is simply a set of procedures for managing and exhibiting assemblages. Instead, this volume advances museum archaeology as an area of reflexive research and practice addressing the critical issues of what gets prioritized by and researched in museums, by whom, how, and why. Through twenty-eight chapters, authors problematize and suggest new ways of thinking about historic, contemporary, and future relationships between archaeological fieldwork and museums, as well as the array of institutional and cultural paradigms through which archaeological enquiries are mediated. Case studies embrace not just archaeological finds, but also archival field notes, photographic media, archaeological samples, and replicas. Throughout, museum activities are put into dialogue with other aspects of archaeological practice, with the aim of situating museum work within a more holistic archaeology that does not privilege excavation or field survey above other aspects of disciplinary engagement. These concerns will be grounded in the realities of museums internationally, including Latin America, Africa, Asia, Oceania, North America, and Europe. In so doing, the common heritage sector refrain 'best practice' is not assumed to solely emanate from developed countries or European philosophies, but instead is considered as emerging from and accommodated within local concerns and diverse museum cultures.
Book Synopsis The Oxford Handbook of Museum Archaeology by : Alice Stevenson
Download or read book The Oxford Handbook of Museum Archaeology written by Alice Stevenson and published by Oxford University Press. This book was released on 2022-09-22 with total page 625 pages. Available in PDF, EPUB and Kindle. Book excerpt: This Handbook provides a transnational reference point for critical engagements with the legacies of, and futures for, global archaeological collections. It challenges the common misconception that museum archaeology is simply a set of procedures for managing and exhibiting assemblages. Instead, this volume advances museum archaeology as an area of reflexive research and practice addressing the critical issues of what gets prioritized by and researched in museums, by whom, how, and why. Through twenty-eight chapters, authors problematize and suggest new ways of thinking about historic, contemporary, and future relationships between archaeological fieldwork and museums, as well as the array of institutional and cultural paradigms through which archaeological enquiries are mediated. Case studies embrace not just archaeological finds, but also archival field notes, photographic media, archaeological samples, and replicas. Throughout, museum activities are put into dialogue with other aspects of archaeological practice, with the aim of situating museum work within a more holistic archaeology that does not privilege excavation or field survey above other aspects of disciplinary engagement. These concerns will be grounded in the realities of museums internationally, including Latin America, Africa, Asia, Oceania, North America, and Europe. In so doing, the common heritage sector refrain 'best practice' is not assumed to solely emanate from developed countries or European philosophies, but instead is considered as emerging from and accommodated within local concerns and diverse museum cultures.
This book shows how, in unearthing biblical cities, archaeology transformed nineteenth-century thinking on the truth of Christianity and its role in modern cities.
Book Synopsis Cities of God by : David Gange
Download or read book Cities of God written by David Gange and published by Cambridge University Press. This book was released on 2013-10-17 with total page 377 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book shows how, in unearthing biblical cities, archaeology transformed nineteenth-century thinking on the truth of Christianity and its role in modern cities.
In 2015, the Islamic State released a video of men smashing sculptures in Iraq’s Mosul Museum as part of a mission to cleanse the world of idolatry. This book unpacks three key facets of that event: the status and power of images, the political importance of museums, and the efficacy of videos in furthering an ideological agenda through the internet. Beginning with the Islamic State’s claim that the smashed objects were idols of the “age of ignorance,” Aaron Tugendhaft questions whether there can be any political life without idolatry. He then explores the various roles Mesopotamian sculpture has played in European imperial competition, the development of artistic modernism, and the formation of Iraqi national identity, showing how this history reverberates in the choice of the Mosul Museum as performance stage. Finally, he compares the Islamic State’s production of images to the ways in which images circulated in ancient Assyria and asks how digitization has transformed politics in the age of social media. An elegant and accessibly written introduction to the complexities of such events, The Idols of ISIS is ideal for students and readers seeking a richer cultural perspective than the media usually provides.
Book Synopsis The Idols of ISIS by : Aaron Tugendhaft
Download or read book The Idols of ISIS written by Aaron Tugendhaft and published by University of Chicago Press. This book was released on 2020-11-06 with total page 126 pages. Available in PDF, EPUB and Kindle. Book excerpt: In 2015, the Islamic State released a video of men smashing sculptures in Iraq’s Mosul Museum as part of a mission to cleanse the world of idolatry. This book unpacks three key facets of that event: the status and power of images, the political importance of museums, and the efficacy of videos in furthering an ideological agenda through the internet. Beginning with the Islamic State’s claim that the smashed objects were idols of the “age of ignorance,” Aaron Tugendhaft questions whether there can be any political life without idolatry. He then explores the various roles Mesopotamian sculpture has played in European imperial competition, the development of artistic modernism, and the formation of Iraqi national identity, showing how this history reverberates in the choice of the Mosul Museum as performance stage. Finally, he compares the Islamic State’s production of images to the ways in which images circulated in ancient Assyria and asks how digitization has transformed politics in the age of social media. An elegant and accessibly written introduction to the complexities of such events, The Idols of ISIS is ideal for students and readers seeking a richer cultural perspective than the media usually provides.
