From The Underground Busking in London CHAPTER2 7 July 2005 London bombings

From The Underground Busking in London CHAPTER2 7 July 2005 London bombings

Author: Hideaki Domon

Publisher: 豊作パブリッシング

Published: 2012-11-18

Total Pages: 59

ISBN-13:

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From The Underground Buskingin London CHAPTER2 7 July 2005 London bombings How many people in Japan know what “busking” means? In Britain, busking is “to earn money by singing or playing a musical instrument in public places,” and singers or players are called “buskers.” Busking has thrived in the London Underground for many years, and has become an established part of the music culture. It gives the travelling public a brief and transient moment to unwind and enjoy music; it is also a tourist attraction at the same time. However, with the modernisation of stations and the increasing number of passengers, busking caused some problems, such as noise, jeopardising passengers’ safety, disputes between buskers, etc. So in 2003 the London Underground Authority introduced a licensing system which requires that anyone wanting to be a busker must pass an audition. Luckily, I was the first Japanese to acquire an official busking licence. This book is a record of my busking between April and November 2005, but other occurrences and anecdotes that took place before those eight months are also included. I hope you will enjoy the book - just like you enjoy listening to your favourite music time and time again! The diary of laughter with the tear of Mr. Domon who was basking in the same time at London Underground as the author "James Bowen" of the books "street cat named a bob".


Book Synopsis From The Underground Busking in London CHAPTER2 7 July 2005 London bombings by : Hideaki Domon

Download or read book From The Underground Busking in London CHAPTER2 7 July 2005 London bombings written by Hideaki Domon and published by 豊作パブリッシング. This book was released on 2012-11-18 with total page 59 pages. Available in PDF, EPUB and Kindle. Book excerpt: From The Underground Buskingin London CHAPTER2 7 July 2005 London bombings How many people in Japan know what “busking” means? In Britain, busking is “to earn money by singing or playing a musical instrument in public places,” and singers or players are called “buskers.” Busking has thrived in the London Underground for many years, and has become an established part of the music culture. It gives the travelling public a brief and transient moment to unwind and enjoy music; it is also a tourist attraction at the same time. However, with the modernisation of stations and the increasing number of passengers, busking caused some problems, such as noise, jeopardising passengers’ safety, disputes between buskers, etc. So in 2003 the London Underground Authority introduced a licensing system which requires that anyone wanting to be a busker must pass an audition. Luckily, I was the first Japanese to acquire an official busking licence. This book is a record of my busking between April and November 2005, but other occurrences and anecdotes that took place before those eight months are also included. I hope you will enjoy the book - just like you enjoy listening to your favourite music time and time again! The diary of laughter with the tear of Mr. Domon who was basking in the same time at London Underground as the author "James Bowen" of the books "street cat named a bob".

From The Underground Busking in London CHAPTER1 Buskers' Holy Land

From The Underground Busking in London CHAPTER1 Buskers' Holy Land

Author: Hideaki Domon

Publisher: 豊作パブリッシング

Published: 2012-11-18

Total Pages: 66

ISBN-13:

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How many people in Japan know what “busking” means? In Britain, busking is “to earn money by singing or playing a musical instrument in public places,” and singers or players are called “buskers.” Busking has thrived in the London Underground for many years, and has become an established part of the music culture. It gives the travelling public a brief and transient moment to unwind and enjoy music; it is also a tourist attraction at the same time. However, with the modernisation of stations and the increasing number of passengers, busking caused some problems, such as noise, jeopardising passengers’ safety, disputes between buskers, etc. So in 2003 the London Underground Authority introduced a licensing system which requires that anyone wanting to be a busker must pass an audition. Luckily, I was the first Japanese to acquire an official busking licence. This book is a record of my busking between April and November 2005, but other occurrences and anecdotes that took place before those eight months are also included. I hope you will enjoy the book - just like you enjoy listening to your favourite music time and time again! The diary of laughter with the tear of Mr. Domon who was basking in the same time at London Underground as the author "James Bowen" of the books "street cat named a bob". Hideaki Domon


Book Synopsis From The Underground Busking in London CHAPTER1 Buskers' Holy Land by : Hideaki Domon

Download or read book From The Underground Busking in London CHAPTER1 Buskers' Holy Land written by Hideaki Domon and published by 豊作パブリッシング. This book was released on 2012-11-18 with total page 66 pages. Available in PDF, EPUB and Kindle. Book excerpt: How many people in Japan know what “busking” means? In Britain, busking is “to earn money by singing or playing a musical instrument in public places,” and singers or players are called “buskers.” Busking has thrived in the London Underground for many years, and has become an established part of the music culture. It gives the travelling public a brief and transient moment to unwind and enjoy music; it is also a tourist attraction at the same time. However, with the modernisation of stations and the increasing number of passengers, busking caused some problems, such as noise, jeopardising passengers’ safety, disputes between buskers, etc. So in 2003 the London Underground Authority introduced a licensing system which requires that anyone wanting to be a busker must pass an audition. Luckily, I was the first Japanese to acquire an official busking licence. This book is a record of my busking between April and November 2005, but other occurrences and anecdotes that took place before those eight months are also included. I hope you will enjoy the book - just like you enjoy listening to your favourite music time and time again! The diary of laughter with the tear of Mr. Domon who was basking in the same time at London Underground as the author "James Bowen" of the books "street cat named a bob". Hideaki Domon

From The Underground Busking in London CHAPTER4 Busking of the Soul

From The Underground Busking in London CHAPTER4 Busking of the Soul

Author: Hideaki Domon

Publisher: 豊作パブリッシング

Published: 2012-11-18

Total Pages: 45

ISBN-13:

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From The Underground Buskingin London CHAPTER4 Busking of the Soul How many people in Japan know what “busking” means? In Britain, busking is “to earn money by singing or playing a musical instrument in public places,” and singers or players are called “buskers.” Busking has thrived in the London Underground for many years, and has become an established part of the music culture. It gives the travelling public a brief and transient moment to unwind and enjoy music; it is also a tourist attraction at the same time. However, with the modernisation of stations and the increasing number of passengers, busking caused some problems, such as noise, jeopardising passengers’ safety, disputes between buskers, etc. So in 2003 the London Underground Authority introduced a licensing system which requires that anyone wanting to be a busker must pass an audition. Luckily, I was the first Japanese to acquire an official busking licence. This book is a record of my busking between April and November 2005, but other occurrences and anecdotes that took place before those eight months are also included. I hope you will enjoy the book - just like you enjoy listening to your favourite music time and time again! The diary of laughter with the tear of Mr. Domon who was basking in the same time at London Underground as the author "James Bowen" of the books "street cat named a bob".


Book Synopsis From The Underground Busking in London CHAPTER4 Busking of the Soul by : Hideaki Domon

Download or read book From The Underground Busking in London CHAPTER4 Busking of the Soul written by Hideaki Domon and published by 豊作パブリッシング. This book was released on 2012-11-18 with total page 45 pages. Available in PDF, EPUB and Kindle. Book excerpt: From The Underground Buskingin London CHAPTER4 Busking of the Soul How many people in Japan know what “busking” means? In Britain, busking is “to earn money by singing or playing a musical instrument in public places,” and singers or players are called “buskers.” Busking has thrived in the London Underground for many years, and has become an established part of the music culture. It gives the travelling public a brief and transient moment to unwind and enjoy music; it is also a tourist attraction at the same time. However, with the modernisation of stations and the increasing number of passengers, busking caused some problems, such as noise, jeopardising passengers’ safety, disputes between buskers, etc. So in 2003 the London Underground Authority introduced a licensing system which requires that anyone wanting to be a busker must pass an audition. Luckily, I was the first Japanese to acquire an official busking licence. This book is a record of my busking between April and November 2005, but other occurrences and anecdotes that took place before those eight months are also included. I hope you will enjoy the book - just like you enjoy listening to your favourite music time and time again! The diary of laughter with the tear of Mr. Domon who was basking in the same time at London Underground as the author "James Bowen" of the books "street cat named a bob".

From The Underground Busking in London CHAPTER3 We Are The Champions!

From The Underground Busking in London CHAPTER3 We Are The Champions!

Author: Hideaki Domon

Publisher: 豊作パブリッシング

Published: 2012-11-18

Total Pages: 73

ISBN-13:

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From The Underground Buskingin London CHAPTER3 We Are The Champions! How many people in Japan know what “busking” means? In Britain, busking is “to earn money by singing or playing a musical instrument in public places,” and singers or players are called “buskers.” Busking has thrived in the London Underground for many years, and has become an established part of the music culture. It gives the travelling public a brief and transient moment to unwind and enjoy music; it is also a tourist attraction at the same time. However, with the modernisation of stations and the increasing number of passengers, busking caused some problems, such as noise, jeopardising passengers’ safety, disputes between buskers, etc. So in 2003 the London Underground Authority introduced a licensing system which requires that anyone wanting to be a busker must pass an audition. Luckily, I was the first Japanese to acquire an official busking licence. This book is a record of my busking between April and November 2005, but other occurrences and anecdotes that took place before those eight months are also included. I hope you will enjoy the book - just like you enjoy listening to your favourite music time and time again! The diary of laughter with the tear of Mr. Domon who was basking in the same time at London Underground as the author "James Bowen" of the books "street cat named a bob".


Book Synopsis From The Underground Busking in London CHAPTER3 We Are The Champions! by : Hideaki Domon

Download or read book From The Underground Busking in London CHAPTER3 We Are The Champions! written by Hideaki Domon and published by 豊作パブリッシング. This book was released on 2012-11-18 with total page 73 pages. Available in PDF, EPUB and Kindle. Book excerpt: From The Underground Buskingin London CHAPTER3 We Are The Champions! How many people in Japan know what “busking” means? In Britain, busking is “to earn money by singing or playing a musical instrument in public places,” and singers or players are called “buskers.” Busking has thrived in the London Underground for many years, and has become an established part of the music culture. It gives the travelling public a brief and transient moment to unwind and enjoy music; it is also a tourist attraction at the same time. However, with the modernisation of stations and the increasing number of passengers, busking caused some problems, such as noise, jeopardising passengers’ safety, disputes between buskers, etc. So in 2003 the London Underground Authority introduced a licensing system which requires that anyone wanting to be a busker must pass an audition. Luckily, I was the first Japanese to acquire an official busking licence. This book is a record of my busking between April and November 2005, but other occurrences and anecdotes that took place before those eight months are also included. I hope you will enjoy the book - just like you enjoy listening to your favourite music time and time again! The diary of laughter with the tear of Mr. Domon who was basking in the same time at London Underground as the author "James Bowen" of the books "street cat named a bob".

Édith Piaf

Édith Piaf

Author: David Looseley

Publisher: Liverpool University Press

Published: 2015-10-28

Total Pages: 322

ISBN-13: 1781388598

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The world-famous French singer Édith Piaf (1915-63) was never just a singer. This book suggests new ways of understanding her, her myth and her meanings over time at home and abroad, by proposing the notion of an ‘imagined’ Piaf.


Book Synopsis Édith Piaf by : David Looseley

Download or read book Édith Piaf written by David Looseley and published by Liverpool University Press. This book was released on 2015-10-28 with total page 322 pages. Available in PDF, EPUB and Kindle. Book excerpt: The world-famous French singer Édith Piaf (1915-63) was never just a singer. This book suggests new ways of understanding her, her myth and her meanings over time at home and abroad, by proposing the notion of an ‘imagined’ Piaf.

Developing a Sense of Place

Developing a Sense of Place

Author: Tamara Ashley

Publisher:

Published: 2020-10-07

Total Pages: 300

ISBN-13: 9781787357761

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Book Synopsis Developing a Sense of Place by : Tamara Ashley

Download or read book Developing a Sense of Place written by Tamara Ashley and published by . This book was released on 2020-10-07 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Gypsies and Travellers

Gypsies and Travellers

Author: Joanna Richardson

Publisher: Policy Press

Published: 2012

Total Pages: 273

ISBN-13: 1847428940

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Now more than ever the issues of accommodation, education, health care, employment, and social exclusion for British Gypsy and Traveller communities need to be addressed. This book looks at Gypsies and Travellers in British society, touching on topics such as media and political representation, power, justice, and the impact of European initiatives for inclusion. In doing so, it offers important new insights for students, academics, policy makers, journalists, service providers, and others working with these groups.


Book Synopsis Gypsies and Travellers by : Joanna Richardson

Download or read book Gypsies and Travellers written by Joanna Richardson and published by Policy Press. This book was released on 2012 with total page 273 pages. Available in PDF, EPUB and Kindle. Book excerpt: Now more than ever the issues of accommodation, education, health care, employment, and social exclusion for British Gypsy and Traveller communities need to be addressed. This book looks at Gypsies and Travellers in British society, touching on topics such as media and political representation, power, justice, and the impact of European initiatives for inclusion. In doing so, it offers important new insights for students, academics, policy makers, journalists, service providers, and others working with these groups.

Spaces of Vernacular Creativity

Spaces of Vernacular Creativity

Author: Tim Edensor

Publisher: Routledge

Published: 2009-10-29

Total Pages: 504

ISBN-13: 1134018444

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Creativity has become part of the language of regeneration experts, urban planners and government policy makers attempting to revive the economic and cultural life of cities in the 21st century. Concepts such as the creative class, the creative industries and bohemian cultural clusters have come to dominate thinking about how creativity can contribute to urban renewal. Spaces of Vernacular Creativity offers a critical perspective on the instrumental use of arts and creative practices for the purposes of urban regeneration or civic boosterism. Several important contributions are brought into one volume to examine the geography of locally embedded forms of arts and creative practice. There has been an explosion of interest in both academic and policy circles in the notion of creativity, and its role in economic development and urban regeneration. This book argues for a rethinking of what constitutes creativity, foregrounding non-economic values and practices, and the often marginal and everyday spaces in which creativity takes shape. Drawing on a range of geographic contexts including the U.S., Europe, Canada and Australia, the book explores a diverse array of creative practices ranging from art, music, and design to community gardening and anticapitalist resistance. The book examines working class, ethnic and non-elite forms of creativity, and a variety of creative spaces, including rural areas, suburbs and abandoned areas of the city. The authors argue for a broader and more inclusive conception of what constitutes creative practice, advocating for an approach that foregrounds economies of generosity, conviviality and activism. The book also explores the complexities and nuances that connect the local and the global and finally, the book provides a space for valuing alternative, marginal and displaced knowledges. Spaces of Vernacular Creativity provides an important contribution to the debates on the creative class and on the role of value of creative knowledge and skills. The book aims to contribute to contemporary academic debates regarding the development of post-industrial economies and the cognitive cultural economy. It will appeal to a wide range of disciplines including, geography, applied art, planning, cultural studies, sociology and urban studies, plus specialised programmes on creativity and cultural industries at Undergraduate and Postgraduate levels.


Book Synopsis Spaces of Vernacular Creativity by : Tim Edensor

Download or read book Spaces of Vernacular Creativity written by Tim Edensor and published by Routledge. This book was released on 2009-10-29 with total page 504 pages. Available in PDF, EPUB and Kindle. Book excerpt: Creativity has become part of the language of regeneration experts, urban planners and government policy makers attempting to revive the economic and cultural life of cities in the 21st century. Concepts such as the creative class, the creative industries and bohemian cultural clusters have come to dominate thinking about how creativity can contribute to urban renewal. Spaces of Vernacular Creativity offers a critical perspective on the instrumental use of arts and creative practices for the purposes of urban regeneration or civic boosterism. Several important contributions are brought into one volume to examine the geography of locally embedded forms of arts and creative practice. There has been an explosion of interest in both academic and policy circles in the notion of creativity, and its role in economic development and urban regeneration. This book argues for a rethinking of what constitutes creativity, foregrounding non-economic values and practices, and the often marginal and everyday spaces in which creativity takes shape. Drawing on a range of geographic contexts including the U.S., Europe, Canada and Australia, the book explores a diverse array of creative practices ranging from art, music, and design to community gardening and anticapitalist resistance. The book examines working class, ethnic and non-elite forms of creativity, and a variety of creative spaces, including rural areas, suburbs and abandoned areas of the city. The authors argue for a broader and more inclusive conception of what constitutes creative practice, advocating for an approach that foregrounds economies of generosity, conviviality and activism. The book also explores the complexities and nuances that connect the local and the global and finally, the book provides a space for valuing alternative, marginal and displaced knowledges. Spaces of Vernacular Creativity provides an important contribution to the debates on the creative class and on the role of value of creative knowledge and skills. The book aims to contribute to contemporary academic debates regarding the development of post-industrial economies and the cognitive cultural economy. It will appeal to a wide range of disciplines including, geography, applied art, planning, cultural studies, sociology and urban studies, plus specialised programmes on creativity and cultural industries at Undergraduate and Postgraduate levels.

Crossing the Line

Crossing the Line

Author: Svetlana Stephenson

Publisher: Dr. Svetlana Stephenson

Published: 2006

Total Pages: 189

ISBN-13: 0754618137

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This pioneering book is the first to explore the experiences of homeless people in Russia in the late Soviet period and during post-socialist transition. By using in-depth interviews, Svetlana Stephenson places the narratives within the framework of theoretical perspectives on social-spatial exclusion and advances the understanding of homelessness in Russia as an extreme case of social-territorial displacement.


Book Synopsis Crossing the Line by : Svetlana Stephenson

Download or read book Crossing the Line written by Svetlana Stephenson and published by Dr. Svetlana Stephenson. This book was released on 2006 with total page 189 pages. Available in PDF, EPUB and Kindle. Book excerpt: This pioneering book is the first to explore the experiences of homeless people in Russia in the late Soviet period and during post-socialist transition. By using in-depth interviews, Svetlana Stephenson places the narratives within the framework of theoretical perspectives on social-spatial exclusion and advances the understanding of homelessness in Russia as an extreme case of social-territorial displacement.

Sounding the Cape

Sounding the Cape

Author: Denis Martin

Publisher: African Minds

Published: 2013

Total Pages: 471

ISBN-13: 1920489827

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For several centuries Cape Town has accommodated a great variety of musical genres which have usually been associated with specific population groups living in and around the city. Musical styles and genres produced in Cape Town have therefore been assigned an "identity" which is first and foremost social. This volume tries to question the relationship established between musical styles and genres, and social - in this case pseudo-racial - identities. In Sounding the Cape, Denis-Constant Martin recomposes and examines through the theoretical prism of creolisation the history of music in Cape Town, deploying analytical tools borrowed from the most recent studies of identity configurations. He demonstrates that musical creation in the Mother City, and in South Africa, has always been nurtured by contacts, exchanges and innovations whatever the efforts made by racist powers to separate and divide people according to their origin. Musicians interviewed at the dawn of the 21st century confirm that mixture and blending characterise all Cape Town's musics. They also emphasise the importance of a rhythmic pattern particular to Cape Town, the ghoema beat, whose origins are obviously mixed. The study of music demonstrates that the history of Cape Town, and of South Africa as a whole, undeniably fostered creole societies. Yet, twenty years after the collapse of apartheid, these societies are still divided along lines that combine economic factors and "racial" categorisations. Martin concludes that, were music given a greater importance in educational and cultural policies, it could contribute to fighting these divisions and promote the notion of a nation that, in spite of the violence of racism and apartheid, has managed to invent a unique common culture.


Book Synopsis Sounding the Cape by : Denis Martin

Download or read book Sounding the Cape written by Denis Martin and published by African Minds. This book was released on 2013 with total page 471 pages. Available in PDF, EPUB and Kindle. Book excerpt: For several centuries Cape Town has accommodated a great variety of musical genres which have usually been associated with specific population groups living in and around the city. Musical styles and genres produced in Cape Town have therefore been assigned an "identity" which is first and foremost social. This volume tries to question the relationship established between musical styles and genres, and social - in this case pseudo-racial - identities. In Sounding the Cape, Denis-Constant Martin recomposes and examines through the theoretical prism of creolisation the history of music in Cape Town, deploying analytical tools borrowed from the most recent studies of identity configurations. He demonstrates that musical creation in the Mother City, and in South Africa, has always been nurtured by contacts, exchanges and innovations whatever the efforts made by racist powers to separate and divide people according to their origin. Musicians interviewed at the dawn of the 21st century confirm that mixture and blending characterise all Cape Town's musics. They also emphasise the importance of a rhythmic pattern particular to Cape Town, the ghoema beat, whose origins are obviously mixed. The study of music demonstrates that the history of Cape Town, and of South Africa as a whole, undeniably fostered creole societies. Yet, twenty years after the collapse of apartheid, these societies are still divided along lines that combine economic factors and "racial" categorisations. Martin concludes that, were music given a greater importance in educational and cultural policies, it could contribute to fighting these divisions and promote the notion of a nation that, in spite of the violence of racism and apartheid, has managed to invent a unique common culture.