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Author: Oliver Read
Publisher: Indianapolis : H. W. Sams
Published: 1976
Total Pages: 618
ISBN-13:
DOWNLOAD EBOOKDownload or read book From Tin Foil to Stereo written by Oliver Read and published by Indianapolis : H. W. Sams. This book was released on 1976 with total page 618 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book From Tin Foil to Stereo written by Oliver Read and published by . This book was released on 1977 with total page 550 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author: Oliver Read
Publisher: Indianapolis : H.W. Sams ; New York : Bobbs-Merrill
Published: 1959
Total Pages: 42
ISBN-13:
DOWNLOAD EBOOKDownload or read book From Tin Foil to Stereo written by Oliver Read and published by Indianapolis : H.W. Sams ; New York : Bobbs-Merrill. This book was released on 1959 with total page 42 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author: Oliver READ (and WELCH (Walter Leslie))
Publisher:
Published: 1959
Total Pages:
ISBN-13:
DOWNLOAD EBOOKDownload or read book From Tin Foil to Stereo. Evolution on the Phonograph, Etc. [With Illustrations.]. written by Oliver READ (and WELCH (Walter Leslie)) and published by . This book was released on 1959 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author: Walter Leslie Welch
Publisher:
Published: 1994
Total Pages: 212
ISBN-13: 9780813013176
DOWNLOAD EBOOKSince its first publication in 1959, From Tinfoil to Stereo has been regarded as the bible of record and phonograph collectors. It investigates the individuals, the companies, and the legal machinations that led to virtually every major development in the talking machine industry, up to the installation of sound on Hollywood stages and in movie theaters across the country. This edition contains many new photographs, most taken between 1888 and 1912, that have never appeared in any publication.
Download or read book From Tinfoil to Stereo written by Walter Leslie Welch and published by . This book was released on 1994 with total page 212 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since its first publication in 1959, From Tinfoil to Stereo has been regarded as the bible of record and phonograph collectors. It investigates the individuals, the companies, and the legal machinations that led to virtually every major development in the talking machine industry, up to the installation of sound on Hollywood stages and in movie theaters across the country. This edition contains many new photographs, most taken between 1888 and 1912, that have never appeared in any publication.
Author: Emily Thompson
Publisher: MIT Press
Published: 2004-09-17
Total Pages: 518
ISBN-13: 9780262701068
DOWNLOAD EBOOKA vibrant history of acoustical technology and aural culture in early-twentieth-century America. In this history of aural culture in early-twentieth-century America, Emily Thompson charts dramatic transformations in what people heard and how they listened. What they heard was a new kind of sound that was the product of modern technology. They listened as newly critical consumers of aural commodities. By examining the technologies that produced this sound, as well as the culture that enthusiastically consumed it, Thompson recovers a lost dimension of the Machine Age and deepens our understanding of the experience of change that characterized the era. Reverberation equations, sound meters, microphones, and acoustical tiles were deployed in places as varied as Boston's Symphony Hall, New York's office skyscrapers, and the soundstages of Hollywood. The control provided by these technologies, however, was applied in ways that denied the particularity of place, and the diverse spaces of modern America began to sound alike as a universal new sound predominated. Although this sound—clear, direct, efficient, and nonreverberant—had little to say about the physical spaces in which it was produced, it speaks volumes about the culture that created it. By listening to it, Thompson constructs a compelling new account of the experience of modernity in America.
Download or read book The Soundscape of Modernity written by Emily Thompson and published by MIT Press. This book was released on 2004-09-17 with total page 518 pages. Available in PDF, EPUB and Kindle. Book excerpt: A vibrant history of acoustical technology and aural culture in early-twentieth-century America. In this history of aural culture in early-twentieth-century America, Emily Thompson charts dramatic transformations in what people heard and how they listened. What they heard was a new kind of sound that was the product of modern technology. They listened as newly critical consumers of aural commodities. By examining the technologies that produced this sound, as well as the culture that enthusiastically consumed it, Thompson recovers a lost dimension of the Machine Age and deepens our understanding of the experience of change that characterized the era. Reverberation equations, sound meters, microphones, and acoustical tiles were deployed in places as varied as Boston's Symphony Hall, New York's office skyscrapers, and the soundstages of Hollywood. The control provided by these technologies, however, was applied in ways that denied the particularity of place, and the diverse spaces of modern America began to sound alike as a universal new sound predominated. Although this sound—clear, direct, efficient, and nonreverberant—had little to say about the physical spaces in which it was produced, it speaks volumes about the culture that created it. By listening to it, Thompson constructs a compelling new account of the experience of modernity in America.
Author: Paul Théberge
Publisher: Bloomsbury Publishing USA
Published: 2015-01-29
Total Pages: 298
ISBN-13: 1623565510
DOWNLOAD EBOOKStereo is everywhere. The whole culture and industry of music and sound became organized around the principle of stereophony during the twentieth century. But nothing about this-not the invention or acceptance or ubiquity of stereo-was inevitable. Nor did the aesthetic conventions, technological objects, and listening practices required to make sense of stereo emerge fully formed, out of the blue. This groundbreaking book uncovers the vast amount of work that has been required to make stereo seem natural, and which has been necessary to maintain stereo's place as a dominant mode of sound reproduction for over half a century. The essays contained within this book are thematically grouped under (Audio) Positions, Listening Cultures, and Multichannel Sound and Screen Media; the cumulative effect is to advance research in music, sound, and media studies and to build new bridges between the fields. With contributions from leading scholars across several disciplines, Living Stereo re-tells the history of twentieth-century aural and musical culture through the lens of stereophonic sound.
Download or read book Living Stereo written by Paul Théberge and published by Bloomsbury Publishing USA. This book was released on 2015-01-29 with total page 298 pages. Available in PDF, EPUB and Kindle. Book excerpt: Stereo is everywhere. The whole culture and industry of music and sound became organized around the principle of stereophony during the twentieth century. But nothing about this-not the invention or acceptance or ubiquity of stereo-was inevitable. Nor did the aesthetic conventions, technological objects, and listening practices required to make sense of stereo emerge fully formed, out of the blue. This groundbreaking book uncovers the vast amount of work that has been required to make stereo seem natural, and which has been necessary to maintain stereo's place as a dominant mode of sound reproduction for over half a century. The essays contained within this book are thematically grouped under (Audio) Positions, Listening Cultures, and Multichannel Sound and Screen Media; the cumulative effect is to advance research in music, sound, and media studies and to build new bridges between the fields. With contributions from leading scholars across several disciplines, Living Stereo re-tells the history of twentieth-century aural and musical culture through the lens of stereophonic sound.
Author: Robert Fink
Publisher: Oxford University Press
Published: 2018-09-18
Total Pages: 400
ISBN-13: 0199985251
DOWNLOAD EBOOKThe Relentless Pursuit of Tone: Timbre in Popular Music assembles a broad spectrum of contemporary perspectives on how "sound" functions in an equally wide array of popular music. Ranging from the twang of country banjoes and the sheen of hip-hop strings to the crunch of amplified guitars and the thump of subwoofers on the dance floor, this volume bridges the gap between timbre, our name for the purely acoustic characteristics of sound waves, and tone, an emergent musical construct that straddles the borderline between the perceptual and the political. Essays engage with the entire history of popular music as recorded sound, from the 1930s to the present day, under four large categories. "Genre" asks how sonic signatures define musical identities and publics; "Voice" considers the most naturalized musical instrument, the human voice, as racial and gendered signifier, as property or likeness, and as raw material for algorithmic perfection through software; "Instrument" tells stories of the way some iconic pop music machines-guitars, strings, synthesizers-got (or lost) their distinctive sounds; "Production" then puts it all together, asking structural questions about what happens in a recording studio, what is produced (sonic cartoons? rockist authenticity? empty space?) and what it all might mean.
Download or read book The Relentless Pursuit of Tone written by Robert Fink and published by Oxford University Press. This book was released on 2018-09-18 with total page 400 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Relentless Pursuit of Tone: Timbre in Popular Music assembles a broad spectrum of contemporary perspectives on how "sound" functions in an equally wide array of popular music. Ranging from the twang of country banjoes and the sheen of hip-hop strings to the crunch of amplified guitars and the thump of subwoofers on the dance floor, this volume bridges the gap between timbre, our name for the purely acoustic characteristics of sound waves, and tone, an emergent musical construct that straddles the borderline between the perceptual and the political. Essays engage with the entire history of popular music as recorded sound, from the 1930s to the present day, under four large categories. "Genre" asks how sonic signatures define musical identities and publics; "Voice" considers the most naturalized musical instrument, the human voice, as racial and gendered signifier, as property or likeness, and as raw material for algorithmic perfection through software; "Instrument" tells stories of the way some iconic pop music machines-guitars, strings, synthesizers-got (or lost) their distinctive sounds; "Production" then puts it all together, asking structural questions about what happens in a recording studio, what is produced (sonic cartoons? rockist authenticity? empty space?) and what it all might mean.
Author: Shawn VanCour
Publisher: Oxford University Press
Published: 2018
Total Pages: 257
ISBN-13: 0190497114
DOWNLOAD EBOOK"Long before the network era, radio writers and programmers developed methods and performance styles that were grounded in emerging audio technologies. Making Radio reveals radio as the missing link in the history of modern sound culture" -- source : éditeur.
Download or read book Making Radio written by Shawn VanCour and published by Oxford University Press. This book was released on 2018 with total page 257 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Long before the network era, radio writers and programmers developed methods and performance styles that were grounded in emerging audio technologies. Making Radio reveals radio as the missing link in the history of modern sound culture" -- source : éditeur.
Author: David Suisman
Publisher: University of Pennsylvania Press
Published: 2011-10-11
Total Pages: 319
ISBN-13: 081220686X
DOWNLOAD EBOOKDuring the twentieth century sound underwent a dramatic transformation as new technologies and social practices challenged conventional aural experience. As a result, sound functioned as a means to exert social, cultural, and political power in unprecedented and unexpected ways. The fleeting nature of sound has long made it a difficult topic for historical study, but innovative scholars have recently begun to analyze the sonic traces of the past using innovative approaches. Sound in the Age of Mechanical Reproduction investigates sound as part of the social construction of historical experience and as an element of the sensory relationship people have to the world, showing how hearing and listening can inform people's feelings, ideas, decisions, and actions. The essays in Sound in the Age of Mechanical Reproduction uncover the varying dimensions of sound in twentieth-century history. Together they connect a host of disparate concerns, from issues of gender and technology to contests over intellectual property and government regulation. Topics covered range from debates over listening practices and good citizenship in the 1930s, to Tokyo Rose and Axis radio propaganda during World War II, to CB-radio culture on the freeways of Los Angeles in the 1970s. These and other studies reveal the contingent nature of aural experience and demonstrate how a better grasp of the culture of sound can enhance our understanding of the past.
Download or read book Sound in the Age of Mechanical Reproduction written by David Suisman and published by University of Pennsylvania Press. This book was released on 2011-10-11 with total page 319 pages. Available in PDF, EPUB and Kindle. Book excerpt: During the twentieth century sound underwent a dramatic transformation as new technologies and social practices challenged conventional aural experience. As a result, sound functioned as a means to exert social, cultural, and political power in unprecedented and unexpected ways. The fleeting nature of sound has long made it a difficult topic for historical study, but innovative scholars have recently begun to analyze the sonic traces of the past using innovative approaches. Sound in the Age of Mechanical Reproduction investigates sound as part of the social construction of historical experience and as an element of the sensory relationship people have to the world, showing how hearing and listening can inform people's feelings, ideas, decisions, and actions. The essays in Sound in the Age of Mechanical Reproduction uncover the varying dimensions of sound in twentieth-century history. Together they connect a host of disparate concerns, from issues of gender and technology to contests over intellectual property and government regulation. Topics covered range from debates over listening practices and good citizenship in the 1930s, to Tokyo Rose and Axis radio propaganda during World War II, to CB-radio culture on the freeways of Los Angeles in the 1970s. These and other studies reveal the contingent nature of aural experience and demonstrate how a better grasp of the culture of sound can enhance our understanding of the past.
