Download Funerary Sculpture full books in PDF, epub, and Kindle. Read online Funerary Sculpture ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
"This illustrated catalogue presents fifty-nine Greek funerary monuments in the Antiquities collection of the Getty Museum. Spanning the Classical and Hellenistic periods, the sculptures typically show the deceased either alone or surrounded by family. Ranging from depictions of seated mothers and modest maidens to nude boys and armed warriors, this collection offers new insight into Greek art and society that will undoubtedly pique the interest of both scholars and the general public."--BOOK JACKET.
Book Synopsis Greek Funerary Sculpture by : Janet Burnett Grossman
Download or read book Greek Funerary Sculpture written by Janet Burnett Grossman and published by Getty Publications. This book was released on 2002-01-03 with total page 174 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This illustrated catalogue presents fifty-nine Greek funerary monuments in the Antiquities collection of the Getty Museum. Spanning the Classical and Hellenistic periods, the sculptures typically show the deceased either alone or surrounded by family. Ranging from depictions of seated mothers and modest maidens to nude boys and armed warriors, this collection offers new insight into Greek art and society that will undoubtedly pique the interest of both scholars and the general public."--BOOK JACKET.
Some of these sculptures were made for grand monumental tombs and commissioned by an urban, land-owning class with strong Hellenistic roots; others were made for smaller and less imposing monuments and commissioned by distinctly different clienteles from monasteries and towns, as well as by different socio-economic classes within the cities.".
Book Synopsis Late Antique Egyptian Funerary Sculpture by : Thelma K. Thomas
Download or read book Late Antique Egyptian Funerary Sculpture written by Thelma K. Thomas and published by Princeton University Press. This book was released on 2000 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt: Some of these sculptures were made for grand monumental tombs and commissioned by an urban, land-owning class with strong Hellenistic roots; others were made for smaller and less imposing monuments and commissioned by distinctly different clienteles from monasteries and towns, as well as by different socio-economic classes within the cities.".
During the Roman Empire lavish marble monuments to the dead were erected to decorate tombs and cemeteries. A group of these memorials, often so opulent that they required considerable economic sacrifice from the families who commissioned them, is catalogued in this volume.
Book Synopsis Roman Funerary Sculpture by : Guntram Koch
Download or read book Roman Funerary Sculpture written by Guntram Koch and published by Getty Publications. This book was released on 1988-11-10 with total page 142 pages. Available in PDF, EPUB and Kindle. Book excerpt: During the Roman Empire lavish marble monuments to the dead were erected to decorate tombs and cemeteries. A group of these memorials, often so opulent that they required considerable economic sacrifice from the families who commissioned them, is catalogued in this volume.
Funerary Sculpture is the first volume on sculpture from the Agora in over 50 years, bringing together all the sculpted funerary monuments of the Athenian Agora, Classical through Roman periods, which were discovered during excavation from 1931 through 2009. The wide chronological span allows the author to trace changes in funerary monuments, particularly the break in customs that took place in 317 B.C., and the revival of figured monuments in the Roman period. The study consists of three essays followed by a catalogue of 389 objects. The author places the Agora sculptural fragments within the greater context of Attic funerary sculpture, moving from a general to a specific treatment of the funerary sculpture. The first essay is an overview of the study of Attic types of sculpture; the second discusses the specific features of funerary sculpture from Athens and Attica; and the third examines the characteristics of the funerary sculptures found in the Agora, thereby forming an introduction to the catalogue that follows. The catalogue includes stelai and naiskoi with female and/or male figures, sirens, decorative anthemia, funerary vessels, lekythoi, loutrophoroi, animals, mensa, columnar monuments, and more. There are separate indexes of museums, names, demes, places, and findspots, as well as a general index.
Book Synopsis Funerary Sculpture by : Janet Burnett Grossman
Download or read book Funerary Sculpture written by Janet Burnett Grossman and published by American School of Classical Studies at Athens. This book was released on 2014-01-31 with total page 409 pages. Available in PDF, EPUB and Kindle. Book excerpt: Funerary Sculpture is the first volume on sculpture from the Agora in over 50 years, bringing together all the sculpted funerary monuments of the Athenian Agora, Classical through Roman periods, which were discovered during excavation from 1931 through 2009. The wide chronological span allows the author to trace changes in funerary monuments, particularly the break in customs that took place in 317 B.C., and the revival of figured monuments in the Roman period. The study consists of three essays followed by a catalogue of 389 objects. The author places the Agora sculptural fragments within the greater context of Attic funerary sculpture, moving from a general to a specific treatment of the funerary sculpture. The first essay is an overview of the study of Attic types of sculpture; the second discusses the specific features of funerary sculpture from Athens and Attica; and the third examines the characteristics of the funerary sculptures found in the Agora, thereby forming an introduction to the catalogue that follows. The catalogue includes stelai and naiskoi with female and/or male figures, sirens, decorative anthemia, funerary vessels, lekythoi, loutrophoroi, animals, mensa, columnar monuments, and more. There are separate indexes of museums, names, demes, places, and findspots, as well as a general index.
In eleventh-century China, both the living and the dead were treated to theatrical spectacles. Chambers designed for the deceased were ornamented with actors and theaters sculpted in stone, molded in clay, rendered in paint. Notably, the tombs were not commissioned for the scholars and officials who dominate the historical record of China but affluent farmers, merchants, clerics—people whose lives and deaths largely went unrecorded. Why did these elites furnish their burial chambers with vivid representations of actors and theatrical performances? Why did they pursue such distinctive tomb-making? In Theater of the Dead, Jeehee Hong maintains that the production and placement of these tomb images shed light on complex intersections of the visual, mortuary, and everyday worlds of China at the dawn of the second millennium. Assembling recent archaeological evidence and previously overlooked historical sources, Hong explores new elements in the cultural and religious lives of middle-period Chinese. Rather than treat theatrical tomb images as visual documents of early theater, she calls attention to two largely ignored and interlinked aspects: their complex visual forms and their symbolic roles in the mortuary context in which they were created and used. She introduces carefully selected examples that show visual and conceptual novelty in engendering and engaging dimensions of space within and beyond the tomb in specifically theatrical terms. These reveal surprising insights into the intricate relationship between the living and the dead. The overarching sense of theatricality conveys a densely socialized vision of death. Unlike earlier modes of representation in funerary art, which favored cosmological or ritual motifs and maintained a clear dichotomy between the two worlds, these visual practices show a growing interest in conceptualizing the sphere of the dead within the existing social framework. By materializing a “social turn,” this remarkable phenomenon constitutes a tangible symptom of middle-period Chinese attempting to socialize the sacred realm. Theater of the Dead is an original work that will contribute to bridging core issues in visual culture, history, religion, and drama and theater studies.
Book Synopsis Theater of the Dead by : Jeehee Hong
Download or read book Theater of the Dead written by Jeehee Hong and published by University of Hawaii Press. This book was released on 2016-05-31 with total page 249 pages. Available in PDF, EPUB and Kindle. Book excerpt: In eleventh-century China, both the living and the dead were treated to theatrical spectacles. Chambers designed for the deceased were ornamented with actors and theaters sculpted in stone, molded in clay, rendered in paint. Notably, the tombs were not commissioned for the scholars and officials who dominate the historical record of China but affluent farmers, merchants, clerics—people whose lives and deaths largely went unrecorded. Why did these elites furnish their burial chambers with vivid representations of actors and theatrical performances? Why did they pursue such distinctive tomb-making? In Theater of the Dead, Jeehee Hong maintains that the production and placement of these tomb images shed light on complex intersections of the visual, mortuary, and everyday worlds of China at the dawn of the second millennium. Assembling recent archaeological evidence and previously overlooked historical sources, Hong explores new elements in the cultural and religious lives of middle-period Chinese. Rather than treat theatrical tomb images as visual documents of early theater, she calls attention to two largely ignored and interlinked aspects: their complex visual forms and their symbolic roles in the mortuary context in which they were created and used. She introduces carefully selected examples that show visual and conceptual novelty in engendering and engaging dimensions of space within and beyond the tomb in specifically theatrical terms. These reveal surprising insights into the intricate relationship between the living and the dead. The overarching sense of theatricality conveys a densely socialized vision of death. Unlike earlier modes of representation in funerary art, which favored cosmological or ritual motifs and maintained a clear dichotomy between the two worlds, these visual practices show a growing interest in conceptualizing the sphere of the dead within the existing social framework. By materializing a “social turn,” this remarkable phenomenon constitutes a tangible symptom of middle-period Chinese attempting to socialize the sacred realm. Theater of the Dead is an original work that will contribute to bridging core issues in visual culture, history, religion, and drama and theater studies.
This book charts a significant aspect of European heritage: cemeteries. Cemeteries are nowadays considered as formal cultural sites and open-air museums attracting a great number of visitors; while cemetery records, memorial monuments, epitaph inscriptions and symbols provide useful data, attracting the interest of an increasing number of scholars from various disciplines and backgrounds. This collective volume consists of selected papers, presented at the ASCE (Association of Significant Cemeteries in Europe) Conference: “Ancient Greek Art and European Funerary Art” organized by the Harokopio University of Athens-Greece on October 5-7 2017, aiming to highlight various cultural aspects of cemeteries. The authors present funerary art and its classical origin, investigate theoretical and historical approaches, plan cultural and educational routes, design technological applications concerning the use of cemeteries as cultural sites, and propose multiple ways for promoting cemetery heritage and public engagement; while the majority of the papers is based on field and archival research and is accompanied by original images. The multicultural character of death heritage is highlighted through the variety of case-studies presented in this volume, introducing different perspectives and interpretations on art, history, heritage and cultural tourism, laying the groundwork for the public discussion on our common heritage as appeared in cemeteries, appealing to both the wider public and the academic community.
Book Synopsis Ancient Greek Art and European Funerary Art by : Evangelia Georgitsoyanni
Download or read book Ancient Greek Art and European Funerary Art written by Evangelia Georgitsoyanni and published by Cambridge Scholars Publishing. This book was released on 2019-11-21 with total page 470 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book charts a significant aspect of European heritage: cemeteries. Cemeteries are nowadays considered as formal cultural sites and open-air museums attracting a great number of visitors; while cemetery records, memorial monuments, epitaph inscriptions and symbols provide useful data, attracting the interest of an increasing number of scholars from various disciplines and backgrounds. This collective volume consists of selected papers, presented at the ASCE (Association of Significant Cemeteries in Europe) Conference: “Ancient Greek Art and European Funerary Art” organized by the Harokopio University of Athens-Greece on October 5-7 2017, aiming to highlight various cultural aspects of cemeteries. The authors present funerary art and its classical origin, investigate theoretical and historical approaches, plan cultural and educational routes, design technological applications concerning the use of cemeteries as cultural sites, and propose multiple ways for promoting cemetery heritage and public engagement; while the majority of the papers is based on field and archival research and is accompanied by original images. The multicultural character of death heritage is highlighted through the variety of case-studies presented in this volume, introducing different perspectives and interpretations on art, history, heritage and cultural tourism, laying the groundwork for the public discussion on our common heritage as appeared in cemeteries, appealing to both the wider public and the academic community.
Ancient Egyptian artists produced masterpieces and works of funerary art on a scale never seen before or since. This book is the first to discuss the artistic development of funerary scenes over the four hundred years of the New Kingdom, covering the different reigns of the period. It shows the sequence of events in the funeral processions and how they developed over the course of time. Moreover, it covers many different sites in the Theban necropolis, including scenes from many closed and unpublished tombs. This first-ever survey describes the pictorial drama that was the funeral procession, explores rare and unique scenes, and shows the echoes that remain from these ancient funerals in modern Egypt today.
Book Synopsis The Funerary Art of Ancient Egypt by : abeer el shahawy
Download or read book The Funerary Art of Ancient Egypt written by abeer el shahawy and published by American Univ in Cairo Press. This book was released on 2005 with total page 110 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ancient Egyptian artists produced masterpieces and works of funerary art on a scale never seen before or since. This book is the first to discuss the artistic development of funerary scenes over the four hundred years of the New Kingdom, covering the different reigns of the period. It shows the sequence of events in the funeral processions and how they developed over the course of time. Moreover, it covers many different sites in the Theban necropolis, including scenes from many closed and unpublished tombs. This first-ever survey describes the pictorial drama that was the funeral procession, explores rare and unique scenes, and shows the echoes that remain from these ancient funerals in modern Egypt today.
Situates the study of Roman sculpture within the fields of art history, classical archaeology, and Roman studies, presenting technical, scientific, literary, and theoretical approaches.
Book Synopsis The Oxford Handbook of Roman Sculpture by : Elise A. Friedland
Download or read book The Oxford Handbook of Roman Sculpture written by Elise A. Friedland and published by Oxford University Press, USA. This book was released on 2015 with total page 737 pages. Available in PDF, EPUB and Kindle. Book excerpt: Situates the study of Roman sculpture within the fields of art history, classical archaeology, and Roman studies, presenting technical, scientific, literary, and theoretical approaches.
Beyond Grief explores high-style funerary sculptures and their functions during the turn of the twentieth century. Many scholars have overlooked these monuments, viewing them as mere oddities, a part of an individual artist's oeuvre, a detail of a patron's biography, or local civic cemetery history. This volume considers them in terms of their wider context and shifting use as objects of consolation, power, and multisensory mystery and wonder. Art historian Cynthia Mills traces the stories of four families who memorialized their losses through sculpture. Henry Brooks Adams commissioned perhaps the most famous American cemetery monument of all, the Adams Memorial in Washington, D.C. The bronze figure was designed by Augustus Saint-Gaudens, who became the nation’s foremost sculptor. Another innovative bronze monument featured the Milmore brothers, who had worked together as sculptors in the Boston area. Artist Frank Duveneck composed a recumbent portrait of his wife following her early death in Paris; in Rome, the aging William Wetmore Story made an angel of grief his last work as a symbol of his sheer desolation after his wife’s death. Through these incredible monuments Mills explores questions like: Why did new forms--many of them now produced in bronze rather than stone and placed in architectural settings--arise just at this time, and how did they mesh or clash with the sensibilities of their era? Why was there a gap between the intention of these elite patrons and artists, whose lives were often intertwined in a closed circle, and the way some public audiences received them through the filter of the mass media? Beyond Grief traces the monuments' creation, influence, and reception in the hope that they will help us to understand the larger story: how survivors used cemetery memorials as a vehicle to mourn and remember, and how their meaning changed over time.
Book Synopsis Beyond Grief by : Cynthia Mills
Download or read book Beyond Grief written by Cynthia Mills and published by Smithsonian Institution. This book was released on 2014-09-23 with total page 419 pages. Available in PDF, EPUB and Kindle. Book excerpt: Beyond Grief explores high-style funerary sculptures and their functions during the turn of the twentieth century. Many scholars have overlooked these monuments, viewing them as mere oddities, a part of an individual artist's oeuvre, a detail of a patron's biography, or local civic cemetery history. This volume considers them in terms of their wider context and shifting use as objects of consolation, power, and multisensory mystery and wonder. Art historian Cynthia Mills traces the stories of four families who memorialized their losses through sculpture. Henry Brooks Adams commissioned perhaps the most famous American cemetery monument of all, the Adams Memorial in Washington, D.C. The bronze figure was designed by Augustus Saint-Gaudens, who became the nation’s foremost sculptor. Another innovative bronze monument featured the Milmore brothers, who had worked together as sculptors in the Boston area. Artist Frank Duveneck composed a recumbent portrait of his wife following her early death in Paris; in Rome, the aging William Wetmore Story made an angel of grief his last work as a symbol of his sheer desolation after his wife’s death. Through these incredible monuments Mills explores questions like: Why did new forms--many of them now produced in bronze rather than stone and placed in architectural settings--arise just at this time, and how did they mesh or clash with the sensibilities of their era? Why was there a gap between the intention of these elite patrons and artists, whose lives were often intertwined in a closed circle, and the way some public audiences received them through the filter of the mass media? Beyond Grief traces the monuments' creation, influence, and reception in the hope that they will help us to understand the larger story: how survivors used cemetery memorials as a vehicle to mourn and remember, and how their meaning changed over time.
Even before the upheaval of the Revolution, France sought a new formal language for a regenerated nation. Nowhere is this clearer than in its tombs, some among its most famous modern sculpture-rarely discussed as funerary projects. Unlike other art-historical studies of tombs, this one frames sculptural examples within the full spectrum of the material funerary arts of the period, along with architecture and landscape. This book further widens the standard scope to shed new and needed light on the interplay of the funerary arts, tomb cult, and the mentalities that shaped them in France, over a period famous for profound and often violent change. Suzanne Glover Lindsay also brings the abundant recent work on the body to the funerary arts and tomb cult for the first time, confronting cultural and aesthetic issues through her examination of a celebrated sculptural type, the recumbent effigy of the deceased in death. Using many unfamiliar period sources, this study reinterprets several famous tombs and funerals and introduces significant enterprises that are little known today to suggest the prominent place held by tomb cult in nineteenth-century France. Images of the tombs complement the text to underline sculpture's unique formal power in funerary mode.
Book Synopsis Funerary Arts and Tomb Cult by : SuzanneGlover Lindsay
Download or read book Funerary Arts and Tomb Cult written by SuzanneGlover Lindsay and published by Routledge. This book was released on 2017-07-05 with total page 277 pages. Available in PDF, EPUB and Kindle. Book excerpt: Even before the upheaval of the Revolution, France sought a new formal language for a regenerated nation. Nowhere is this clearer than in its tombs, some among its most famous modern sculpture-rarely discussed as funerary projects. Unlike other art-historical studies of tombs, this one frames sculptural examples within the full spectrum of the material funerary arts of the period, along with architecture and landscape. This book further widens the standard scope to shed new and needed light on the interplay of the funerary arts, tomb cult, and the mentalities that shaped them in France, over a period famous for profound and often violent change. Suzanne Glover Lindsay also brings the abundant recent work on the body to the funerary arts and tomb cult for the first time, confronting cultural and aesthetic issues through her examination of a celebrated sculptural type, the recumbent effigy of the deceased in death. Using many unfamiliar period sources, this study reinterprets several famous tombs and funerals and introduces significant enterprises that are little known today to suggest the prominent place held by tomb cult in nineteenth-century France. Images of the tombs complement the text to underline sculpture's unique formal power in funerary mode.
