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The book examines how gentility was portrayed at London's theatres during the early modern era.
Book Synopsis Gentility and the Comic Theatre of Late Stuart London by : Mark S. Dawson
Download or read book Gentility and the Comic Theatre of Late Stuart London written by Mark S. Dawson and published by Cambridge University Press. This book was released on 2005-06-17 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: The book examines how gentility was portrayed at London's theatres during the early modern era.
From 1695 to 1705, rival London theater companies based at Drury Lane and Lincoln's Inn Fields each mounted more than a hundred new productions while reviving stock plays by authors such as Shakespeare and Dryden. All included music. Kathryn Lowerre charts the interactions of the two companies from a musical perspective, emphasizing each company's new productions and their respective musical assets, including performers, composers, and musical materials. Lowerre also provides rich analysis of the relationship of music to genres including comedy, dramatick opera, and musical tragedy, and explores the migration of music from theater to theater, performer to performer, and from stage to street and back again. As Lowerre persuasively demonstrates, during this period, all theater was musical theater.
Book Synopsis Music and Musicians on the London Stage, 1695-1705 by : Kathryn Lowerre
Download or read book Music and Musicians on the London Stage, 1695-1705 written by Kathryn Lowerre and published by Routledge. This book was released on 2017-07-05 with total page 428 pages. Available in PDF, EPUB and Kindle. Book excerpt: From 1695 to 1705, rival London theater companies based at Drury Lane and Lincoln's Inn Fields each mounted more than a hundred new productions while reviving stock plays by authors such as Shakespeare and Dryden. All included music. Kathryn Lowerre charts the interactions of the two companies from a musical perspective, emphasizing each company's new productions and their respective musical assets, including performers, composers, and musical materials. Lowerre also provides rich analysis of the relationship of music to genres including comedy, dramatick opera, and musical tragedy, and explores the migration of music from theater to theater, performer to performer, and from stage to street and back again. As Lowerre persuasively demonstrates, during this period, all theater was musical theater.
From 1695 to 1705, rival London theater companies based at Drury Lane and Lincoln's Inn Fields each mounted more than a hundred new productions while reviving stock plays by authors such as Shakespeare and Dryden. All included music. Kathryn Lowerre charts the interactions of the two companies from a musical perspective, emphasizing each company's new productions and their respective musical assets, including performers, composers, and musical materials. Lowerre also provides rich analysis of the relationship of music to genres including comedy, dramatick opera, and musical tragedy, and explores the migration of music from theater to theater, performer to performer, and from stage to street and back again. As Lowerre persuasively demonstrates, during this period, all theater was musical theater.
Book Synopsis "Music and Musicians on the London Stage, 1695?705 " by : Kathryn Lowerre
Download or read book "Music and Musicians on the London Stage, 1695?705 " written by Kathryn Lowerre and published by Routledge. This book was released on 2017-07-05 with total page 497 pages. Available in PDF, EPUB and Kindle. Book excerpt: From 1695 to 1705, rival London theater companies based at Drury Lane and Lincoln's Inn Fields each mounted more than a hundred new productions while reviving stock plays by authors such as Shakespeare and Dryden. All included music. Kathryn Lowerre charts the interactions of the two companies from a musical perspective, emphasizing each company's new productions and their respective musical assets, including performers, composers, and musical materials. Lowerre also provides rich analysis of the relationship of music to genres including comedy, dramatick opera, and musical tragedy, and explores the migration of music from theater to theater, performer to performer, and from stage to street and back again. As Lowerre persuasively demonstrates, during this period, all theater was musical theater.
This book provides a taxonomy of prologues and epilogues with a corresponding appendix, and demonstrates through case studies of Anne Bracegirdle and Anne Oldfield how the study of prologues and epilogues enriches Restoration theater scholarship.
Book Synopsis Prologues and Epilogues of Restoration Theater by : Diana Solomon
Download or read book Prologues and Epilogues of Restoration Theater written by Diana Solomon and published by Rowman & Littlefield. This book was released on 2013 with total page 273 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book provides a taxonomy of prologues and epilogues with a corresponding appendix, and demonstrates through case studies of Anne Bracegirdle and Anne Oldfield how the study of prologues and epilogues enriches Restoration theater scholarship.
London and Literature, 1603–1901 brings together papers by scholars and researchers interested in British literature of the period covered. It will be of value to the many students and colleagues of the contributors, as well as people connected with or influenced by the work of Eiichi Hara. This volume covers literature from the beginning of the Jacobean period to the end of the Victorian era. It takes the city of London as its focus, and the chapters explore different aspects of the interaction of literature and place, covering works by major figures within the time period. This connection is doubly significant as the book is also a Festschrift to celebrate the career of Eiichi Hara, the most renowned Dickensian in Japan and a scholar with a particular interest in London. With a preface by Gerald Dickens, the great-great-grandson of Charles Dickens, and a foreword by Toru Sasaaki, President of the English Literary Society of Japan, London and Literature, 1603–1901, brings together leading scholars in the field of English literature to offer a series of valuable perspectives on the city and its artistic life.
Book Synopsis London and Literature, 1603-1901 by : Angela Kikue Davenport
Download or read book London and Literature, 1603-1901 written by Angela Kikue Davenport and published by Cambridge Scholars Publishing. This book was released on 2017-01-06 with total page 161 pages. Available in PDF, EPUB and Kindle. Book excerpt: London and Literature, 1603–1901 brings together papers by scholars and researchers interested in British literature of the period covered. It will be of value to the many students and colleagues of the contributors, as well as people connected with or influenced by the work of Eiichi Hara. This volume covers literature from the beginning of the Jacobean period to the end of the Victorian era. It takes the city of London as its focus, and the chapters explore different aspects of the interaction of literature and place, covering works by major figures within the time period. This connection is doubly significant as the book is also a Festschrift to celebrate the career of Eiichi Hara, the most renowned Dickensian in Japan and a scholar with a particular interest in London. With a preface by Gerald Dickens, the great-great-grandson of Charles Dickens, and a foreword by Toru Sasaaki, President of the English Literary Society of Japan, London and Literature, 1603–1901, brings together leading scholars in the field of English literature to offer a series of valuable perspectives on the city and its artistic life.
Ways of the World explores cosmopolitanism as it emerged during the Restoration and the role theater played in both memorializing and satirizing its implications and consequences. Rooted in the Stuart ambition to raise the status of England through two crucial investments—global traffic, including the slave trade, and cultural sophistication—this intensified global orientation led to the creation of global mercantile networks and to the rise of an urban British elite who drank Ethiopian coffee out of Asian porcelain at Ottoman-inspired coffeehouses. Restoration drama exposed cosmopolitanism's most embarrassing and troubling aspects, with such writers as Joseph Addison, Aphra Behn, John Dryden, and William Wycherley dramatizing the emotional and ethical dilemmas that imperial and commercial expansion brought to light. Altering standard narratives about Restoration drama, Laura J. Rosenthal shows how the reinvention of theater in this period—including technical innovations and the introduction of female performers—helped make possible performances that held the actions of the nation up for scrutiny, simultaneously indulging and ridiculing the violence and exploitation being perpetuated. In doing so, Ways of the World reveals an otherwise elusive consistency between Restoration genres (comedy, tragedy, heroic plays, and tragicomedy), disrupts conventional understandings of the rise and reception of early capitalism, and offers a fresh perspective on theatrical culture in the context of the shifting political realities of seventeenth- and eighteenth-century Britain.
Book Synopsis Ways of the World by : Laura J. Rosenthal
Download or read book Ways of the World written by Laura J. Rosenthal and published by Cornell University Press. This book was released on 2020-11-15 with total page 329 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ways of the World explores cosmopolitanism as it emerged during the Restoration and the role theater played in both memorializing and satirizing its implications and consequences. Rooted in the Stuart ambition to raise the status of England through two crucial investments—global traffic, including the slave trade, and cultural sophistication—this intensified global orientation led to the creation of global mercantile networks and to the rise of an urban British elite who drank Ethiopian coffee out of Asian porcelain at Ottoman-inspired coffeehouses. Restoration drama exposed cosmopolitanism's most embarrassing and troubling aspects, with such writers as Joseph Addison, Aphra Behn, John Dryden, and William Wycherley dramatizing the emotional and ethical dilemmas that imperial and commercial expansion brought to light. Altering standard narratives about Restoration drama, Laura J. Rosenthal shows how the reinvention of theater in this period—including technical innovations and the introduction of female performers—helped make possible performances that held the actions of the nation up for scrutiny, simultaneously indulging and ridiculing the violence and exploitation being perpetuated. In doing so, Ways of the World reveals an otherwise elusive consistency between Restoration genres (comedy, tragedy, heroic plays, and tragicomedy), disrupts conventional understandings of the rise and reception of early capitalism, and offers a fresh perspective on theatrical culture in the context of the shifting political realities of seventeenth- and eighteenth-century Britain.
In an exploration of antitheatrical incidents from the seventeenth to the twentieth century, Lisa A. Freeman demonstrates that at the heart of antitheatrical disputes lies a struggle over the character of the body politic that governs a nation and the bodies public that could be said to represent that nation.
Book Synopsis Antitheatricality and the Body Public by : Lisa A. Freeman
Download or read book Antitheatricality and the Body Public written by Lisa A. Freeman and published by University of Pennsylvania Press. This book was released on 2017-02-02 with total page 376 pages. Available in PDF, EPUB and Kindle. Book excerpt: In an exploration of antitheatrical incidents from the seventeenth to the twentieth century, Lisa A. Freeman demonstrates that at the heart of antitheatrical disputes lies a struggle over the character of the body politic that governs a nation and the bodies public that could be said to represent that nation.
In The Language of Fruit, Liz Bellamy explores how poets, playwrights, and novelists from the Restoration to the Romantic era represented fruit and fruit trees in a period that saw significant changes in cultivation techniques, the expansion of the range of available fruit varieties, and the transformation of the mechanisms for their exchange and distribution. Although her principal concern is with the representation of fruit within literary texts and genres, she nevertheless grounds her analysis in the consideration of what actually happened in the gardens and orchards of the past. As Bellamy progresses through sections devoted to specific literary genres, three central "characters" come to the fore: the apple, long a symbol of natural abundance, simplicity, and English integrity; the orange, associated with trade and exchange until its "naturalization" as a British resident; and the pineapple, often figured as a cossetted and exotic child of indulgence epitomizing extravagant luxury. She demonstrates how the portrayal of fruits within literary texts was complicated by symbolic associations derived from biblical and classical traditions, often identifying fruit with female temptation and sexual desire. Looking at seventeenth-century poetry, Restoration drama, eighteenth-century georgic, and the Romantic novel, as well as practical writings on fruit production and husbandry, Bellamy shows the ways in which the meanings and inflections that accumulated around different kinds of fruit related to contemporary concepts of gender, class, and race. Examining the intersection of literary tradition and horticultural innovation, The Language of Fruit traces how writers from Andrew Marvell to Jane Austen responded to the challenges posed by the evolving social, economic, and symbolic functions of fruit over the long eighteenth century.
Book Synopsis The Language of Fruit by : Liz Bellamy
Download or read book The Language of Fruit written by Liz Bellamy and published by University of Pennsylvania Press. This book was released on 2019-01-25 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: In The Language of Fruit, Liz Bellamy explores how poets, playwrights, and novelists from the Restoration to the Romantic era represented fruit and fruit trees in a period that saw significant changes in cultivation techniques, the expansion of the range of available fruit varieties, and the transformation of the mechanisms for their exchange and distribution. Although her principal concern is with the representation of fruit within literary texts and genres, she nevertheless grounds her analysis in the consideration of what actually happened in the gardens and orchards of the past. As Bellamy progresses through sections devoted to specific literary genres, three central "characters" come to the fore: the apple, long a symbol of natural abundance, simplicity, and English integrity; the orange, associated with trade and exchange until its "naturalization" as a British resident; and the pineapple, often figured as a cossetted and exotic child of indulgence epitomizing extravagant luxury. She demonstrates how the portrayal of fruits within literary texts was complicated by symbolic associations derived from biblical and classical traditions, often identifying fruit with female temptation and sexual desire. Looking at seventeenth-century poetry, Restoration drama, eighteenth-century georgic, and the Romantic novel, as well as practical writings on fruit production and husbandry, Bellamy shows the ways in which the meanings and inflections that accumulated around different kinds of fruit related to contemporary concepts of gender, class, and race. Examining the intersection of literary tradition and horticultural innovation, The Language of Fruit traces how writers from Andrew Marvell to Jane Austen responded to the challenges posed by the evolving social, economic, and symbolic functions of fruit over the long eighteenth century.
An accessible and engaging introduction to Restoration drama, this book looks at the texts, performances, playhouses and people of seventeenth-century theatre.
Book Synopsis Restoration Plays and Players by : David Roberts
Download or read book Restoration Plays and Players written by David Roberts and published by Cambridge University Press. This book was released on 2014-10-30 with total page 263 pages. Available in PDF, EPUB and Kindle. Book excerpt: An accessible and engaging introduction to Restoration drama, this book looks at the texts, performances, playhouses and people of seventeenth-century theatre.
Nicholas Rowe was the first Poet Laureate of the Georgian era. A fascinating and important yet largely overlooked figure in eighteenth-century literature, he is the ‘lost Augustan’. His plays are important both for the way they address the political and social concerns of the day and for reflecting a period in which the theatre was in crisis. This edition sets out to demonstrate Rowe’s mastery of the early eighteenth century theatre, especially his providing significant roles for women, and examines the political and historical stances of his plays. It also highlights his work as a translator, which was both innovative and deeply in tune with current practices as exemplified by John Dryden and Alexander Pope. This is the first scholarly edition of all Rowe’s plays and poems and is accompanied by 15 musical scores and 31 black and white illustrations. The first three volumes arrange his plays chronologically with the first volume presenting the early plays, The Ambitious Step-Mother, Tamerlane, and The Fair Penitent; the second volume the middle plays, The Biter, Ulysses, and The Royal Convert; and the third volume his late period plays, The Tragedy of Jane Shore and The Tragedy of the Lady Jane Grey. The subsequent volumes cover his translation of Lucan’s Pharsalia, described by Samuel Johnson as one of the greatest productions in English poetry, and his own original poetry — which was often composed for specific occasions. Each volume contains a newly written explanatory introduction which precedes the full edited text. Appendices covering dedications, prologues and epilogues, performance history, the related music and textual apparatus are also included. The edition comes with a consolidated bibliography for ease of reference.
Book Synopsis The Plays and Poems of Nicholas Rowe by : Stephen Bernard
Download or read book The Plays and Poems of Nicholas Rowe written by Stephen Bernard and published by Routledge. This book was released on 2020-06-14 with total page 1484 pages. Available in PDF, EPUB and Kindle. Book excerpt: Nicholas Rowe was the first Poet Laureate of the Georgian era. A fascinating and important yet largely overlooked figure in eighteenth-century literature, he is the ‘lost Augustan’. His plays are important both for the way they address the political and social concerns of the day and for reflecting a period in which the theatre was in crisis. This edition sets out to demonstrate Rowe’s mastery of the early eighteenth century theatre, especially his providing significant roles for women, and examines the political and historical stances of his plays. It also highlights his work as a translator, which was both innovative and deeply in tune with current practices as exemplified by John Dryden and Alexander Pope. This is the first scholarly edition of all Rowe’s plays and poems and is accompanied by 15 musical scores and 31 black and white illustrations. The first three volumes arrange his plays chronologically with the first volume presenting the early plays, The Ambitious Step-Mother, Tamerlane, and The Fair Penitent; the second volume the middle plays, The Biter, Ulysses, and The Royal Convert; and the third volume his late period plays, The Tragedy of Jane Shore and The Tragedy of the Lady Jane Grey. The subsequent volumes cover his translation of Lucan’s Pharsalia, described by Samuel Johnson as one of the greatest productions in English poetry, and his own original poetry — which was often composed for specific occasions. Each volume contains a newly written explanatory introduction which precedes the full edited text. Appendices covering dedications, prologues and epilogues, performance history, the related music and textual apparatus are also included. The edition comes with a consolidated bibliography for ease of reference.
