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This study of 20th-century American poet George Oppen promises to become a key resource for those interested not only in Oppen himself, but in the history of literary modernism. Drawing extensively on largely unpublished papers and presenting material that has not yet appeared in print, Peter Nicholls gives a detailed account of Oppen's life and work, enriched by close readings of many of his poems.
Book Synopsis George Oppen and the Fate of Modernism by : Peter Nicholls
Download or read book George Oppen and the Fate of Modernism written by Peter Nicholls and published by Oxford University Press. This book was released on 2007-10-25 with total page 235 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study of 20th-century American poet George Oppen promises to become a key resource for those interested not only in Oppen himself, but in the history of literary modernism. Drawing extensively on largely unpublished papers and presenting material that has not yet appeared in print, Peter Nicholls gives a detailed account of Oppen's life and work, enriched by close readings of many of his poems.
Regard for George Oppen's poetry has been growing steadily over the last decade. Peter Nicholls's study offers a timely opportunity to engage with a body of work which can be both luminously simple and intriguingly opaque. Nicholls charts Oppen's commitment to Marxism and his later explorations of a 'poetics of being' inspired by Heidegger and Existentialism, providing detailed accounts of each of the poet's books. He is the first critic to draw extensively on the Oppen archive, with its thousands of pages of largely unpublished notes and drafts for poems; in doing so, he is able to map the distinctive contours of Oppen's poetic thinking and to investigate the complex origins of many of his poems. Oppen emerges from this study as a writer of mercurial intensities for whom every poem constitutes a 'beginning again', a freeing of the mind from thoughts known in advance. A strikingly innovative and challenging poetics results from Oppen's attempt to avoid what he regards as the errors of the modernist avant-garde and to create instead a designedly 'impoverished' aesthetic which keeps poetry close to the grain of experience and to the political and ethical dilemmas it constantly poses.
Book Synopsis George Oppen and the Fate of Modernism by : Peter Nicholls
Download or read book George Oppen and the Fate of Modernism written by Peter Nicholls and published by OUP Oxford. This book was released on 2007-10-25 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: Regard for George Oppen's poetry has been growing steadily over the last decade. Peter Nicholls's study offers a timely opportunity to engage with a body of work which can be both luminously simple and intriguingly opaque. Nicholls charts Oppen's commitment to Marxism and his later explorations of a 'poetics of being' inspired by Heidegger and Existentialism, providing detailed accounts of each of the poet's books. He is the first critic to draw extensively on the Oppen archive, with its thousands of pages of largely unpublished notes and drafts for poems; in doing so, he is able to map the distinctive contours of Oppen's poetic thinking and to investigate the complex origins of many of his poems. Oppen emerges from this study as a writer of mercurial intensities for whom every poem constitutes a 'beginning again', a freeing of the mind from thoughts known in advance. A strikingly innovative and challenging poetics results from Oppen's attempt to avoid what he regards as the errors of the modernist avant-garde and to create instead a designedly 'impoverished' aesthetic which keeps poetry close to the grain of experience and to the political and ethical dilemmas it constantly poses.
"George Oppen's New Collected Poems gathers in one volume all of the poet's books published in his lifetime (1908-84), as well as his previously uncollected poems and a selection of his unpublished work." "Editor Michael Davidson has written an introduction to the poet's life and work and supplies generous notes that give readers a deeper understanding of the background of the individual books and references in the poems. Essayist Eliot Weinberger provides a personal remembrance of the poet in his preface, "Oppen Then." This new, revised paperback edition also includes an extraordinary CD of the poet reading from each of his poetry books. Culled from obscure, rarely heard recordings of Oppen when he was in New York, San Francisco, and London at different times in his life, the CD adds a unique dimension to the lifework of one of America's finest poets."--BOOK JACKET.
Book Synopsis New Collected Poems by : George Oppen
Download or read book New Collected Poems written by George Oppen and published by New Directions Publishing. This book was released on 2008 with total page 476 pages. Available in PDF, EPUB and Kindle. Book excerpt: "George Oppen's New Collected Poems gathers in one volume all of the poet's books published in his lifetime (1908-84), as well as his previously uncollected poems and a selection of his unpublished work." "Editor Michael Davidson has written an introduction to the poet's life and work and supplies generous notes that give readers a deeper understanding of the background of the individual books and references in the poems. Essayist Eliot Weinberger provides a personal remembrance of the poet in his preface, "Oppen Then." This new, revised paperback edition also includes an extraordinary CD of the poet reading from each of his poetry books. Culled from obscure, rarely heard recordings of Oppen when he was in New York, San Francisco, and London at different times in his life, the CD adds a unique dimension to the lifework of one of America's finest poets."--BOOK JACKET.
The wife of the American poet George Oppen tells of their experiences traveling throughout America and of their associations with the Communist Party.
Book Synopsis Meaning a Life by : Mary Oppen
Download or read book Meaning a Life written by Mary Oppen and published by David R. Godine Publisher. This book was released on 1978 with total page 226 pages. Available in PDF, EPUB and Kindle. Book excerpt: The wife of the American poet George Oppen tells of their experiences traveling throughout America and of their associations with the Communist Party.
This book examines the problems faced by innovative writers working in a late modernist era dominated by Joyce, Eliot and Pound.
Book Synopsis Modernism, the Market and the Institution of the New by : Rod Rosenquist
Download or read book Modernism, the Market and the Institution of the New written by Rod Rosenquist and published by Cambridge University Press. This book was released on 2009-01-08 with total page 223 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines the problems faced by innovative writers working in a late modernist era dominated by Joyce, Eliot and Pound.
Modernist poems are some of the twentieth-century's major cultural achievements, but they are also hard work to read. This wide-ranging introduction takes readers through modernism's most famous poems and some of its forgotten highlights to show why modernists thought difficulty and disorientation essential for poetry in the modern world. In-depth chapters on Pound, Eliot, Yeats and the American modernists outline how formal experiments take on the new world of mass media, democracies, total war and changing religious belief. Chapters on the avant-gardes and later modernism examine how their styles shift as they try to re-make the community of readers. Howarth explains in a clear and enjoyable way how to approach the forms, politics and cultural strategies of modernist poetry in English.
Book Synopsis The Cambridge Introduction to Modernist Poetry by : Peter Howarth
Download or read book The Cambridge Introduction to Modernist Poetry written by Peter Howarth and published by Cambridge University Press. This book was released on 2011-11-10 with total page 277 pages. Available in PDF, EPUB and Kindle. Book excerpt: Modernist poems are some of the twentieth-century's major cultural achievements, but they are also hard work to read. This wide-ranging introduction takes readers through modernism's most famous poems and some of its forgotten highlights to show why modernists thought difficulty and disorientation essential for poetry in the modern world. In-depth chapters on Pound, Eliot, Yeats and the American modernists outline how formal experiments take on the new world of mass media, democracies, total war and changing religious belief. Chapters on the avant-gardes and later modernism examine how their styles shift as they try to re-make the community of readers. Howarth explains in a clear and enjoyable way how to approach the forms, politics and cultural strategies of modernist poetry in English.
Expanding Authorship collects important essays by Peter Middleton that show the many ways in which, in a world of proliferating communications media, poetry-making is increasingly the work of agencies extending beyond that of a single, identifiable author. In four sections—Sound, Communities, Collaboration, and Complexity—Middleton demonstrates that this changing situation of poetry requires new understandings of the variations of authorship. He explores the internal divisions of lyric subjectivity, the vicissitudes of coauthorship and poetry networks, the creative role of editors and anthologists, and the ways in which the long poem can reveal the outer limits of authorship. Readers and scholars of Wallace Stevens, William Carlos Williams, George Oppen, Frank O’Hara, Robert Duncan, Robert Creeley, Jerome Rothenberg, Susan Howe, Lyn Hejinian, Nathaniel Mackey, and Rae Armantrout will find much to learn and enjoy in this groundbreaking volume.
Book Synopsis Expanding Authorship by : Peter Middleton
Download or read book Expanding Authorship written by Peter Middleton and published by University of New Mexico Press. This book was released on 2021-06-01 with total page 400 pages. Available in PDF, EPUB and Kindle. Book excerpt: Expanding Authorship collects important essays by Peter Middleton that show the many ways in which, in a world of proliferating communications media, poetry-making is increasingly the work of agencies extending beyond that of a single, identifiable author. In four sections—Sound, Communities, Collaboration, and Complexity—Middleton demonstrates that this changing situation of poetry requires new understandings of the variations of authorship. He explores the internal divisions of lyric subjectivity, the vicissitudes of coauthorship and poetry networks, the creative role of editors and anthologists, and the ways in which the long poem can reveal the outer limits of authorship. Readers and scholars of Wallace Stevens, William Carlos Williams, George Oppen, Frank O’Hara, Robert Duncan, Robert Creeley, Jerome Rothenberg, Susan Howe, Lyn Hejinian, Nathaniel Mackey, and Rae Armantrout will find much to learn and enjoy in this groundbreaking volume.
Grounded in a detailed and compelling account of the philosophy guiding such a project, Ma's book traces a continuity of thought and practice through the very different poetic work of objectivists Louis Zukofsky, George Oppen, Carl Rakosi, and John Cage and language poets Susan Howe, Lyn Hejinian, Bruce Andrews, and Charles Bernstein. His deft individual readings provide an opening into this notoriously difficult work, even as his larger critique reveals a new and clarifying perspective on American modernist and post-modernist avant-garde poetics. Ma shows how we cannot understand these poets according to the usual way of reading but must see how they deliberately use redundancy, unpredictability, and irrationality to undermine the meaning-oriented foundations of American modernism--and to force a new and different kind of reading."--Pub. desc.
Book Synopsis Poetry as Re-Reading by : Ming-Qian Ma
Download or read book Poetry as Re-Reading written by Ming-Qian Ma and published by Northwestern University Press. This book was released on 2008-08-20 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: Grounded in a detailed and compelling account of the philosophy guiding such a project, Ma's book traces a continuity of thought and practice through the very different poetic work of objectivists Louis Zukofsky, George Oppen, Carl Rakosi, and John Cage and language poets Susan Howe, Lyn Hejinian, Bruce Andrews, and Charles Bernstein. His deft individual readings provide an opening into this notoriously difficult work, even as his larger critique reveals a new and clarifying perspective on American modernist and post-modernist avant-garde poetics. Ma shows how we cannot understand these poets according to the usual way of reading but must see how they deliberately use redundancy, unpredictability, and irrationality to undermine the meaning-oriented foundations of American modernism--and to force a new and different kind of reading."--Pub. desc.
A ground-breaking analysis of the short form lineage in twentieth-century American poetry Proposes a new genealogy of 20th century and contemporary American verse Contains in-depth discussion of key American poets and movements Will appeal to graduates and scholars in both the modernist and contemporary fieldsReading a century of American poetry through the prism of short form, this book analyses the centrality of an aesthetic of brevity to American modernist verse. It begins with Imagism and devotes chapters to William Carlos Williams, George Oppen, Lorine Niedecker, Robert Creeley, Larry Eigner, Robert Grenier and Rae Armantrout. Montgomery combines his larger argument, which takes issue with epic-driven narratives of Modernist poetry, with sensitive and original readings of numerous short and short-lined poems. Suggesting a reappraisal of key movements as objectivism, Black Mountain poetry and Language Writing, he opens new lines of discussion around the major poets of the period
Book Synopsis Short Form American Poetry by : Montgomery Will Montgomery
Download or read book Short Form American Poetry written by Montgomery Will Montgomery and published by Edinburgh University Press. This book was released on 2020-06-18 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: A ground-breaking analysis of the short form lineage in twentieth-century American poetry Proposes a new genealogy of 20th century and contemporary American verse Contains in-depth discussion of key American poets and movements Will appeal to graduates and scholars in both the modernist and contemporary fieldsReading a century of American poetry through the prism of short form, this book analyses the centrality of an aesthetic of brevity to American modernist verse. It begins with Imagism and devotes chapters to William Carlos Williams, George Oppen, Lorine Niedecker, Robert Creeley, Larry Eigner, Robert Grenier and Rae Armantrout. Montgomery combines his larger argument, which takes issue with epic-driven narratives of Modernist poetry, with sensitive and original readings of numerous short and short-lined poems. Suggesting a reappraisal of key movements as objectivism, Black Mountain poetry and Language Writing, he opens new lines of discussion around the major poets of the period
"Late style" is a critical term routinely deployed to characterise the work of selected authors, composers, and creative artists as they enter their last phase of production--often, but not only, in old age. Taken at face value, this terminology merely points to a chronological division in the artist's oeuvre, "late" being the antonym of "early" or the third term in the triad "early-middle-late." However, almost from its inception, the idea of late style or late work has been freighted with aesthetic associations and expectations that promote it as a special episode in the artist's creative life. Late style is often characterized as the imaginative response made by exceptional talents to the imminence of their death. In their confrontation with death creative artists, critics claim, produce work that is by turns a determination to continue while strength remains, a summation of their life's work and a radical vision of the essence of their craft. And because this creative phenomenon is understood as primarily an existential response to a common fate, so late style is understood as something that transcends the particularities of place, time and medium. Critics seeking to understand late work regularly invoke the examples of Titian, Goethe, and Beethoven as exemplars of what constitutes late work, proposing that something unites the late style of authors, composers, and creative artists who otherwise would not be bracketed together and that lateness per se is a special order of creative work. The essays in this collection resist this position. Ranging across literature, the visual arts, music, and scientific work, the material assembled here looks closely at the material, biographical and other contexts in which the work was produced and seeks both to question the assumptions surrounding late style and to prompt a more critical understanding of the last works of writers, artists and composers.
Book Synopsis Late Style and Its Discontents by : Gordon McMullan
Download or read book Late Style and Its Discontents written by Gordon McMullan and published by Oxford University Press. This book was released on 2016 with total page 285 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Late style" is a critical term routinely deployed to characterise the work of selected authors, composers, and creative artists as they enter their last phase of production--often, but not only, in old age. Taken at face value, this terminology merely points to a chronological division in the artist's oeuvre, "late" being the antonym of "early" or the third term in the triad "early-middle-late." However, almost from its inception, the idea of late style or late work has been freighted with aesthetic associations and expectations that promote it as a special episode in the artist's creative life. Late style is often characterized as the imaginative response made by exceptional talents to the imminence of their death. In their confrontation with death creative artists, critics claim, produce work that is by turns a determination to continue while strength remains, a summation of their life's work and a radical vision of the essence of their craft. And because this creative phenomenon is understood as primarily an existential response to a common fate, so late style is understood as something that transcends the particularities of place, time and medium. Critics seeking to understand late work regularly invoke the examples of Titian, Goethe, and Beethoven as exemplars of what constitutes late work, proposing that something unites the late style of authors, composers, and creative artists who otherwise would not be bracketed together and that lateness per se is a special order of creative work. The essays in this collection resist this position. Ranging across literature, the visual arts, music, and scientific work, the material assembled here looks closely at the material, biographical and other contexts in which the work was produced and seeks both to question the assumptions surrounding late style and to prompt a more critical understanding of the last works of writers, artists and composers.
