Gestures of Seeing in Film, Video and Drawing

Gestures of Seeing in Film, Video and Drawing

Author: Asbjørn Grønstad

Publisher: Routledge

Published: 2016-06-23

Total Pages: 176

ISBN-13: 1317202031

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The first book of its kind, Gestures of Seeing in Film, Video and Drawing engages broadly with the often too neglected yet significant questions of gesture in visual culture. In our turbulent mediasphere where images – as lenses bearing on their own circumstances – are constantly mobilized to enact symbolic forms of warfare and where they get entangled in all kinds of cultural conflicts and controversies, a turn to the gestural life of images seems to promise a particularly pertinent avenue of intellectual inquiry. The complex gestures of the artwork remain an under-explored theoretical topos in contemporary visual culture studies. In visual art, the gestural appears to be that which intervenes between form and content, materiality and meaning. But as a conceptual force it also impinges upon the very process of seeing itself. As a critical and heuristic trope, the gestural galvanizes many of the most pertinent areas of inquiry in contemporary debates and scholarship in visual culture and related disciplines: ethics (images and their values and affects), aesthetics (from visual essentialism to transesthetics and synesthesia), ecology (iconoclastic gestures and spaces of conflict), and epistemology (questions of the archive, memory and documentation). Offering fresh perspectives on many of these areas, Gestures of Seeing in Film, Video and Drawing will be intensely awaited by readers from and across several disciplines, such as anthropology, linguistics, performance, theater, film and visual studies.


Book Synopsis Gestures of Seeing in Film, Video and Drawing by : Asbjørn Grønstad

Download or read book Gestures of Seeing in Film, Video and Drawing written by Asbjørn Grønstad and published by Routledge. This book was released on 2016-06-23 with total page 176 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first book of its kind, Gestures of Seeing in Film, Video and Drawing engages broadly with the often too neglected yet significant questions of gesture in visual culture. In our turbulent mediasphere where images – as lenses bearing on their own circumstances – are constantly mobilized to enact symbolic forms of warfare and where they get entangled in all kinds of cultural conflicts and controversies, a turn to the gestural life of images seems to promise a particularly pertinent avenue of intellectual inquiry. The complex gestures of the artwork remain an under-explored theoretical topos in contemporary visual culture studies. In visual art, the gestural appears to be that which intervenes between form and content, materiality and meaning. But as a conceptual force it also impinges upon the very process of seeing itself. As a critical and heuristic trope, the gestural galvanizes many of the most pertinent areas of inquiry in contemporary debates and scholarship in visual culture and related disciplines: ethics (images and their values and affects), aesthetics (from visual essentialism to transesthetics and synesthesia), ecology (iconoclastic gestures and spaces of conflict), and epistemology (questions of the archive, memory and documentation). Offering fresh perspectives on many of these areas, Gestures of Seeing in Film, Video and Drawing will be intensely awaited by readers from and across several disciplines, such as anthropology, linguistics, performance, theater, film and visual studies.

Gestures of Seeing in Film, Video and Drawing

Gestures of Seeing in Film, Video and Drawing

Author: Asbjørn Grønstad

Publisher: Routledge

Published: 2016-06-23

Total Pages: 199

ISBN-13: 1317202023

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The first book of its kind, Gestures of Seeing in Film, Video and Drawing engages broadly with the often too neglected yet significant questions of gesture in visual culture. In our turbulent mediasphere where images – as lenses bearing on their own circumstances – are constantly mobilized to enact symbolic forms of warfare and where they get entangled in all kinds of cultural conflicts and controversies, a turn to the gestural life of images seems to promise a particularly pertinent avenue of intellectual inquiry. The complex gestures of the artwork remain an under-explored theoretical topos in contemporary visual culture studies. In visual art, the gestural appears to be that which intervenes between form and content, materiality and meaning. But as a conceptual force it also impinges upon the very process of seeing itself. As a critical and heuristic trope, the gestural galvanizes many of the most pertinent areas of inquiry in contemporary debates and scholarship in visual culture and related disciplines: ethics (images and their values and affects), aesthetics (from visual essentialism to transesthetics and synesthesia), ecology (iconoclastic gestures and spaces of conflict), and epistemology (questions of the archive, memory and documentation). Offering fresh perspectives on many of these areas, Gestures of Seeing in Film, Video and Drawing will be intensely awaited by readers from and across several disciplines, such as anthropology, linguistics, performance, theater, film and visual studies.


Book Synopsis Gestures of Seeing in Film, Video and Drawing by : Asbjørn Grønstad

Download or read book Gestures of Seeing in Film, Video and Drawing written by Asbjørn Grønstad and published by Routledge. This book was released on 2016-06-23 with total page 199 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first book of its kind, Gestures of Seeing in Film, Video and Drawing engages broadly with the often too neglected yet significant questions of gesture in visual culture. In our turbulent mediasphere where images – as lenses bearing on their own circumstances – are constantly mobilized to enact symbolic forms of warfare and where they get entangled in all kinds of cultural conflicts and controversies, a turn to the gestural life of images seems to promise a particularly pertinent avenue of intellectual inquiry. The complex gestures of the artwork remain an under-explored theoretical topos in contemporary visual culture studies. In visual art, the gestural appears to be that which intervenes between form and content, materiality and meaning. But as a conceptual force it also impinges upon the very process of seeing itself. As a critical and heuristic trope, the gestural galvanizes many of the most pertinent areas of inquiry in contemporary debates and scholarship in visual culture and related disciplines: ethics (images and their values and affects), aesthetics (from visual essentialism to transesthetics and synesthesia), ecology (iconoclastic gestures and spaces of conflict), and epistemology (questions of the archive, memory and documentation). Offering fresh perspectives on many of these areas, Gestures of Seeing in Film, Video and Drawing will be intensely awaited by readers from and across several disciplines, such as anthropology, linguistics, performance, theater, film and visual studies.

How to Draw AMAZING Hands

How to Draw AMAZING Hands

Author: Karen Campbell

Publisher:

Published: 2020-02

Total Pages:

ISBN-13: 9781734053036

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Drawing hands is extraordinarily difficult, even for accomplished artists. This book teaches you a very simple and straightforward way to draw truly amazing, completely realistic-looking hands, and all in 6 simple steps! In her typical, laid back, easy-to-understand and conversational teaching style, Artist Karen Campbell once again makes it both easy and enjoyable for artists of all abilities to first understand and then successfully execute even the most hand difficult drawings in this book. Using a combination of humor and easy-to-follow steps, Karen teaches you ways to develop muscle memory, sharpen your observational skills, and draw and shade realistic hands in graphite. The 25 different hand gestures include a wide variety of poses from people of all ages (from babies to old men) so there is literally something in here for everyone. Artists of all abilities will also learn to successfully and easily create the look of those troublesome hand details that seem to always pop up like wrinkles, veins, creases, bumps, bones, tendons, arm hair, long nails and more...and all with just a handful of supplies! Never heard of Elephant Skin or The "Poodge" show up on people before? Well get ready, because not only are you about to learn what those are, you're about to learn how to draw them too!


Book Synopsis How to Draw AMAZING Hands by : Karen Campbell

Download or read book How to Draw AMAZING Hands written by Karen Campbell and published by . This book was released on 2020-02 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: Drawing hands is extraordinarily difficult, even for accomplished artists. This book teaches you a very simple and straightforward way to draw truly amazing, completely realistic-looking hands, and all in 6 simple steps! In her typical, laid back, easy-to-understand and conversational teaching style, Artist Karen Campbell once again makes it both easy and enjoyable for artists of all abilities to first understand and then successfully execute even the most hand difficult drawings in this book. Using a combination of humor and easy-to-follow steps, Karen teaches you ways to develop muscle memory, sharpen your observational skills, and draw and shade realistic hands in graphite. The 25 different hand gestures include a wide variety of poses from people of all ages (from babies to old men) so there is literally something in here for everyone. Artists of all abilities will also learn to successfully and easily create the look of those troublesome hand details that seem to always pop up like wrinkles, veins, creases, bumps, bones, tendons, arm hair, long nails and more...and all with just a handful of supplies! Never heard of Elephant Skin or The "Poodge" show up on people before? Well get ready, because not only are you about to learn what those are, you're about to learn how to draw them too!

Claes Oldenburg's Theater of Vision

Claes Oldenburg's Theater of Vision

Author: Nadja Rottner

Publisher: Taylor & Francis

Published: 2023-11-10

Total Pages: 317

ISBN-13: 1000998894

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In four chronologically organized chapters, this study traces the conceptual dependence and deep connectivity among Claes Oldenburg’s poetry, sculpture, films, and performance art between 1956 and 1965. This research-intensive book argues that Oldenburg’s art relies on machine vision and other metaphors to visualize the structure and image content of human thought as an artistic problem. Anchored in new oral history interviews and extensive archival material, it brings together understudied visual and concrete poetry, experimental films, fifteen group performances (commonly referred to as happenings), and a close analysis of his well-known installations of The Street (1960) and The Store (1961–62), effectively setting in place a reexamination of Oldenburg’s pop art from the street, store, home, and cinema years. The book will be of interest to scholars working in art history, film studies, performance studies, literature, intermedia studies, and media theory.


Book Synopsis Claes Oldenburg's Theater of Vision by : Nadja Rottner

Download or read book Claes Oldenburg's Theater of Vision written by Nadja Rottner and published by Taylor & Francis. This book was released on 2023-11-10 with total page 317 pages. Available in PDF, EPUB and Kindle. Book excerpt: In four chronologically organized chapters, this study traces the conceptual dependence and deep connectivity among Claes Oldenburg’s poetry, sculpture, films, and performance art between 1956 and 1965. This research-intensive book argues that Oldenburg’s art relies on machine vision and other metaphors to visualize the structure and image content of human thought as an artistic problem. Anchored in new oral history interviews and extensive archival material, it brings together understudied visual and concrete poetry, experimental films, fifteen group performances (commonly referred to as happenings), and a close analysis of his well-known installations of The Street (1960) and The Store (1961–62), effectively setting in place a reexamination of Oldenburg’s pop art from the street, store, home, and cinema years. The book will be of interest to scholars working in art history, film studies, performance studies, literature, intermedia studies, and media theory.

What Drawing and Painting Really Mean

What Drawing and Painting Really Mean

Author: Paul Crowther

Publisher: Taylor & Francis

Published: 2017-04-21

Total Pages: 189

ISBN-13: 1315311844

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Drawings and paintings are made, and the process of making creates unique meanings that transform our perception of space-time and our sense of finitude. By using a phenomenological approach, the understanding of art practice and its relation to particular historical and cultural contexts can be significantly enhanced.


Book Synopsis What Drawing and Painting Really Mean by : Paul Crowther

Download or read book What Drawing and Painting Really Mean written by Paul Crowther and published by Taylor & Francis. This book was released on 2017-04-21 with total page 189 pages. Available in PDF, EPUB and Kindle. Book excerpt: Drawings and paintings are made, and the process of making creates unique meanings that transform our perception of space-time and our sense of finitude. By using a phenomenological approach, the understanding of art practice and its relation to particular historical and cultural contexts can be significantly enhanced.

Site-Seeing Aesthetics

Site-Seeing Aesthetics

Author: Lene M. Johannessen

Publisher: BRILL

Published: 2020-11-30

Total Pages: 184

ISBN-13: 9004438009

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Site-Seeing Aesthetics: California Sojourns in Five Installations draws on multiple disciplines for a regional deep mapping and aesthetic analyses that in a kind of “literary chorography” read and write sites as multilayered scripts and performances.


Book Synopsis Site-Seeing Aesthetics by : Lene M. Johannessen

Download or read book Site-Seeing Aesthetics written by Lene M. Johannessen and published by BRILL. This book was released on 2020-11-30 with total page 184 pages. Available in PDF, EPUB and Kindle. Book excerpt: Site-Seeing Aesthetics: California Sojourns in Five Installations draws on multiple disciplines for a regional deep mapping and aesthetic analyses that in a kind of “literary chorography” read and write sites as multilayered scripts and performances.

Gesture and Film

Gesture and Film

Author: Nicholas Chare

Publisher: Routledge

Published: 2018-05-25

Total Pages: 192

ISBN-13: 1317479505

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Gesture has held a crucial role in cinema since its inception. In the absence of spoken words, early cinema frequently exploited the communicative potential of the gestures of actors. As this book demonstrates, gesture has continued to assume immense importance in film to the present day. This innovative book features essays by leading international scholars working in the fields of cinema, cultural and gender studies, examining modern and contemporary films from a variety of theoretical perspectives. This volume also includes contributions from an esteemed actor, and a world renowned psychologist working in the field of gesture, enabling a pioneering interdisciplinary dialogue around this exciting, emerging field of study. Drawing on philosophy, psychoanalysis and psychology, the essays think through gesture in film from a range of new angles, pointing out both its literal and abstract manifestations. Gesture is analysed in relation to animal/human relations, trauma and testimony, sexual difference, ethics and communitarian politics, through examples from both narrative and documentary cinema. This book was originally published as a special issue of the Journal for Cultural Research.


Book Synopsis Gesture and Film by : Nicholas Chare

Download or read book Gesture and Film written by Nicholas Chare and published by Routledge. This book was released on 2018-05-25 with total page 192 pages. Available in PDF, EPUB and Kindle. Book excerpt: Gesture has held a crucial role in cinema since its inception. In the absence of spoken words, early cinema frequently exploited the communicative potential of the gestures of actors. As this book demonstrates, gesture has continued to assume immense importance in film to the present day. This innovative book features essays by leading international scholars working in the fields of cinema, cultural and gender studies, examining modern and contemporary films from a variety of theoretical perspectives. This volume also includes contributions from an esteemed actor, and a world renowned psychologist working in the field of gesture, enabling a pioneering interdisciplinary dialogue around this exciting, emerging field of study. Drawing on philosophy, psychoanalysis and psychology, the essays think through gesture in film from a range of new angles, pointing out both its literal and abstract manifestations. Gesture is analysed in relation to animal/human relations, trauma and testimony, sexual difference, ethics and communitarian politics, through examples from both narrative and documentary cinema. This book was originally published as a special issue of the Journal for Cultural Research.

Exploring Text, Media, and Memory

Exploring Text, Media, and Memory

Author: Patrizia Lombardo

Publisher: Aarhus Universitetsforlag

Published: 2018-12-31

Total Pages: 560

ISBN-13: 8771845828

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Exploring Text, Media and Memory investigates the link between memory and media by asking a series of questions pertinent to our time: How do individual and collective memories blend? How do traumatic experiences from past events and catastrophic projections of the future reveal the human condition in the epoch of frenetic technological reproduction of works of art? How is the human body tied to narrations - and why? A group of international scholars tackle questions like these across art forms, media, and cultural history. In nineteen essays they argue that modern and contemporary literary texts and visual arts show how photography, film, tape recording, television, and internet are not just means of storing memory and information, but objects that we interact with every day - challenging static visions of places and the linear notions of past, present and future.


Book Synopsis Exploring Text, Media, and Memory by : Patrizia Lombardo

Download or read book Exploring Text, Media, and Memory written by Patrizia Lombardo and published by Aarhus Universitetsforlag. This book was released on 2018-12-31 with total page 560 pages. Available in PDF, EPUB and Kindle. Book excerpt: Exploring Text, Media and Memory investigates the link between memory and media by asking a series of questions pertinent to our time: How do individual and collective memories blend? How do traumatic experiences from past events and catastrophic projections of the future reveal the human condition in the epoch of frenetic technological reproduction of works of art? How is the human body tied to narrations - and why? A group of international scholars tackle questions like these across art forms, media, and cultural history. In nineteen essays they argue that modern and contemporary literary texts and visual arts show how photography, film, tape recording, television, and internet are not just means of storing memory and information, but objects that we interact with every day - challenging static visions of places and the linear notions of past, present and future.

Towards a Film Theory from Below

Towards a Film Theory from Below

Author: Jiri Anger

Publisher: Bloomsbury Publishing USA

Published: 2024-05-30

Total Pages: 233

ISBN-13:

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Operating between film theory, media philosophy, archival practice, and audiovisual research, Jiri Anger focuses on the relationship between figuration and materiality in early films, experimental found footage cinema, and video essays. Would it be possible to do film theory from below, through the perspective of moving-image objects, of their multifarious details and facets, however marginal, unintentional, or aleatory they might be? Could we treat scratches, stains, and shakes in archival footage as speculatively and aesthetically generative features? Do these material actors have the capacity to create “weird shapes” within the figurative image that decenter, distort, and transform the existing conceptual and methodological frameworks? Building on his theoretical as well as practical experience with the recently digitized corpus of the first Czech films, created by Jan Kríženecký between 1898 and 1911, the author demonstrates how technological defects and accidents in archival films shape their aesthetic function and our understanding of the materiality of film in the digital age. The specific clashes between the figurative and material spheres are understood through the concept of a “crack-up.” This term, developed by Francis Scott Fitzgerald and theoretically reimagined by Gilles Deleuze, allows us to capture the convoluted relationship between figuration and materiality as inherent to the medium of film, containing negativity and productivity, difference and simultaneity, contingency and fate, at the same time, even within the tiniest cinematic units.


Book Synopsis Towards a Film Theory from Below by : Jiri Anger

Download or read book Towards a Film Theory from Below written by Jiri Anger and published by Bloomsbury Publishing USA. This book was released on 2024-05-30 with total page 233 pages. Available in PDF, EPUB and Kindle. Book excerpt: Operating between film theory, media philosophy, archival practice, and audiovisual research, Jiri Anger focuses on the relationship between figuration and materiality in early films, experimental found footage cinema, and video essays. Would it be possible to do film theory from below, through the perspective of moving-image objects, of their multifarious details and facets, however marginal, unintentional, or aleatory they might be? Could we treat scratches, stains, and shakes in archival footage as speculatively and aesthetically generative features? Do these material actors have the capacity to create “weird shapes” within the figurative image that decenter, distort, and transform the existing conceptual and methodological frameworks? Building on his theoretical as well as practical experience with the recently digitized corpus of the first Czech films, created by Jan Kríženecký between 1898 and 1911, the author demonstrates how technological defects and accidents in archival films shape their aesthetic function and our understanding of the materiality of film in the digital age. The specific clashes between the figurative and material spheres are understood through the concept of a “crack-up.” This term, developed by Francis Scott Fitzgerald and theoretically reimagined by Gilles Deleuze, allows us to capture the convoluted relationship between figuration and materiality as inherent to the medium of film, containing negativity and productivity, difference and simultaneity, contingency and fate, at the same time, even within the tiniest cinematic units.

Art, Animals, and Experience

Art, Animals, and Experience

Author: Elizabeth Sutton

Publisher: Taylor & Francis

Published: 2017-04-21

Total Pages: 159

ISBN-13: 1315279444

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Cover -- Title -- Copyright -- Dedication -- Contents -- List of Figures -- List of Color Plates -- Acknowledgments -- 1 Relational Ethics and Aesthetics -- Being and Thinking with Art and Animals -- Between Presence and Absence -- An Ethical Art History -- 2 Dogged Flesh: Rembrandt's Presentation in the Temple, c. 1640 -- Real and Represented Dogs -- Rembrandt's Three R's: Radical, Reflective, Revelatory -- The Rhetoric of Etching -- Fleshly Experience -- Past Made Present -- 3 Glances with Wolves: Encounters with Little John and Joseph Beuys -- Entangled Encounters -- Seeing and Being with Little John -- Presencing Other Worlds -- Imaginative Empathy -- Gathering Together in the Gap -- 4 Glimpse into the Unknown: Contemporary Taxidermy and Photography -- Spaces Between: Yellow and Taza -- Respecting Unknowns -- Dominance, Submission, and Freedom: Inert and Progression of Regression -- Death and the Object (Ars longa vita brevis est) -- From Hierarchy to Horizontality -- 5 "We Are All Connected": Experiencing Art and Nature at Horseshoe Canyon -- Guided by Dogs and Children -- "We Are All Connected"--Dwelling with Dogs and Earth -- Accessing Histories with Attentive Care -- Art and Earth as Places of Emergence -- 6 Caring for Art and Animals -- Bibliography -- Index


Book Synopsis Art, Animals, and Experience by : Elizabeth Sutton

Download or read book Art, Animals, and Experience written by Elizabeth Sutton and published by Taylor & Francis. This book was released on 2017-04-21 with total page 159 pages. Available in PDF, EPUB and Kindle. Book excerpt: Cover -- Title -- Copyright -- Dedication -- Contents -- List of Figures -- List of Color Plates -- Acknowledgments -- 1 Relational Ethics and Aesthetics -- Being and Thinking with Art and Animals -- Between Presence and Absence -- An Ethical Art History -- 2 Dogged Flesh: Rembrandt's Presentation in the Temple, c. 1640 -- Real and Represented Dogs -- Rembrandt's Three R's: Radical, Reflective, Revelatory -- The Rhetoric of Etching -- Fleshly Experience -- Past Made Present -- 3 Glances with Wolves: Encounters with Little John and Joseph Beuys -- Entangled Encounters -- Seeing and Being with Little John -- Presencing Other Worlds -- Imaginative Empathy -- Gathering Together in the Gap -- 4 Glimpse into the Unknown: Contemporary Taxidermy and Photography -- Spaces Between: Yellow and Taza -- Respecting Unknowns -- Dominance, Submission, and Freedom: Inert and Progression of Regression -- Death and the Object (Ars longa vita brevis est) -- From Hierarchy to Horizontality -- 5 "We Are All Connected": Experiencing Art and Nature at Horseshoe Canyon -- Guided by Dogs and Children -- "We Are All Connected"--Dwelling with Dogs and Earth -- Accessing Histories with Attentive Care -- Art and Earth as Places of Emergence -- 6 Caring for Art and Animals -- Bibliography -- Index