Gielgoodies!

Gielgoodies!

Author: Jonathan Croall

Publisher: Bloomsbury Publishing

Published: 2015-10-22

Total Pages: 139

ISBN-13: 1849435863

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'A glorious compendium of John's scintillating irreverences and fabulous faux pas... He was one of the greatest of all theatrical personalities, and these utterly characteristic throwaway squibs bring him vividly back to life.' Simon Callow This delicious feast of "Gielgoodies", compiled by Gielgud's biographer, reveals a less well-known side to this celebrated man of the theatre: his lightning wit, his love of scandal and gossip, his wicked delight in putting down his fellow-artists, his relish of bawdy humour. Full of startling new material, drawn from many unpublished letters and Jonathan Croall's extensive interviews, the book also celebrates the man who dropped a thousand bricks. Gielgud's excruciating gaffes were legendary, and here are both the famous and the unknown, collected in all their glory. Whether committed backstage, in the wings or in rehearsals, on film sets or in television studios, they bring this merry and much-loved man vividly to life.


Book Synopsis Gielgoodies! by : Jonathan Croall

Download or read book Gielgoodies! written by Jonathan Croall and published by Bloomsbury Publishing. This book was released on 2015-10-22 with total page 139 pages. Available in PDF, EPUB and Kindle. Book excerpt: 'A glorious compendium of John's scintillating irreverences and fabulous faux pas... He was one of the greatest of all theatrical personalities, and these utterly characteristic throwaway squibs bring him vividly back to life.' Simon Callow This delicious feast of "Gielgoodies", compiled by Gielgud's biographer, reveals a less well-known side to this celebrated man of the theatre: his lightning wit, his love of scandal and gossip, his wicked delight in putting down his fellow-artists, his relish of bawdy humour. Full of startling new material, drawn from many unpublished letters and Jonathan Croall's extensive interviews, the book also celebrates the man who dropped a thousand bricks. Gielgud's excruciating gaffes were legendary, and here are both the famous and the unknown, collected in all their glory. Whether committed backstage, in the wings or in rehearsals, on film sets or in television studios, they bring this merry and much-loved man vividly to life.


Shakespeare and the Mediterranean

Shakespeare and the Mediterranean

Author: International Shakespeare Association. World Congress

Publisher: University of Delaware Press

Published: 2004

Total Pages: 476

ISBN-13: 9780874138160

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Shakespeare's career-long fascination with the Mediterranean made the association a natural one for this first World Shakespeare Congress of the Third Millennium. The plenary lectures and selected papers in this volume represent some of the best contemporary thought and writing on Shakespeare, in the ranging plenary lectures by Jonathan Bate on Shakespeare's islands and the Muslim connection, Michael Coveney's on the late Sir John Gielgud, Robert Ellrodt's on Shakespeare's sonnets and Montaigne's essays, Stephen Orgel's on Shakespeare's own Shylock, and Marina Warner's on Shakespeare's fairy-tale uses of magic. Also included in the volume's several sections are original pagers selected from special sessions and seminars by other distinguished writers, including Jean E. Howard, Gary Taylor, and Richard Wilson. Tom Clayton is Regents' Professor of English Language and Literature and chair of the Classical Civilization Program at the University of Minnesota. Susan Brock is Head of Library and Information Resources at the Shakespeare Birthplace Trust in Stratford-upon-Avon and Honorary Fellow of the Shakespeare Institute of the University of Birmingham. Vicente Fores is Associate Profe


Book Synopsis Shakespeare and the Mediterranean by : International Shakespeare Association. World Congress

Download or read book Shakespeare and the Mediterranean written by International Shakespeare Association. World Congress and published by University of Delaware Press. This book was released on 2004 with total page 476 pages. Available in PDF, EPUB and Kindle. Book excerpt: Shakespeare's career-long fascination with the Mediterranean made the association a natural one for this first World Shakespeare Congress of the Third Millennium. The plenary lectures and selected papers in this volume represent some of the best contemporary thought and writing on Shakespeare, in the ranging plenary lectures by Jonathan Bate on Shakespeare's islands and the Muslim connection, Michael Coveney's on the late Sir John Gielgud, Robert Ellrodt's on Shakespeare's sonnets and Montaigne's essays, Stephen Orgel's on Shakespeare's own Shylock, and Marina Warner's on Shakespeare's fairy-tale uses of magic. Also included in the volume's several sections are original pagers selected from special sessions and seminars by other distinguished writers, including Jean E. Howard, Gary Taylor, and Richard Wilson. Tom Clayton is Regents' Professor of English Language and Literature and chair of the Classical Civilization Program at the University of Minnesota. Susan Brock is Head of Library and Information Resources at the Shakespeare Birthplace Trust in Stratford-upon-Avon and Honorary Fellow of the Shakespeare Institute of the University of Birmingham. Vicente Fores is Associate Profe


How Good is David Mamet, Anyway?

How Good is David Mamet, Anyway?

Author: John Heilpern

Publisher: Routledge

Published: 2013-12-16

Total Pages: 322

ISBN-13: 1136691529

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First Published in 2000. Why do we go to the theater? There's a question! Or put it this way: Why, oh why, do we go to the theater? If we go to a movie and it isn't any good, well it's not the end of the world. We're usually quite content just the same. It passes the time. Though, as Samuel Beckett pointed out, the time would have passed anyway. But if we're disappointed at the theater, everything changes dramatically. We cannot while away the time at the theater. Time becomes precious. This is a collection of writings about the world of the theatre and includes pieces about Sir John Gielgud, Sir Ralph Richardson, Arthur Miller, Michael Bennett, Noel Coward, Barbra Streisand, Ralph Fiennes and more.


Book Synopsis How Good is David Mamet, Anyway? by : John Heilpern

Download or read book How Good is David Mamet, Anyway? written by John Heilpern and published by Routledge. This book was released on 2013-12-16 with total page 322 pages. Available in PDF, EPUB and Kindle. Book excerpt: First Published in 2000. Why do we go to the theater? There's a question! Or put it this way: Why, oh why, do we go to the theater? If we go to a movie and it isn't any good, well it's not the end of the world. We're usually quite content just the same. It passes the time. Though, as Samuel Beckett pointed out, the time would have passed anyway. But if we're disappointed at the theater, everything changes dramatically. We cannot while away the time at the theater. Time becomes precious. This is a collection of writings about the world of the theatre and includes pieces about Sir John Gielgud, Sir Ralph Richardson, Arthur Miller, Michael Bennett, Noel Coward, Barbra Streisand, Ralph Fiennes and more.


Noël Coward on (and in) Theatre

Noël Coward on (and in) Theatre

Author: Noël Coward

Publisher: Knopf

Published: 2021-11-02

Total Pages: 480

ISBN-13: 0525657967

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Noël Coward on theatre was as dazzling and entertaining as his masterful plays and lyrics. Here his ideas and opinions on the subject are brilliantly brought together in an extraordinary collection of commentary, lyrics, essays, and asides on everything having to do with the theatre and Coward's dazzling life in it. The book Noël Coward wanted, promised, threatened to write—and never did. Including essays, interviews, diary entries, verse, his views on his fellow playwrights: "My Colleague Will," Shaw, Wilde, Chekhov, Barrie, Maugham, Eliot, Osborne, Albee, Beckett, Miller, Williams, Rattigan, Pinter, and Shaffer. Coward on the critics—many of whom irritated him over the years but came to admire him: James Agate, Alexander Woollcott, Graham Greene, Kenneth Tynan among them. And on the plays he wrote, among them: The Vortex; Hay Fever; Private Lives; Design For Living; Blithe Spirit. Here is the Master on the producers who crossed his path: André Charlot, C. B. Cochran, Binkie Beaumont. And the actors in the Coward galaxy: John Gielgud, Laurence Olivier, Gertrude Lawrence, the Lunts, etc. . . . His views on the art of acting: auditions, rehearsals, learning the lines, clarity of delivery, timing, control, range, stage fright, fans, theater audiences, revivals, comedy, "the Method," plays with a "message," taste, construction, "Star Quality," etc. . . . And last, but Noël Coward least, his experience in, and thoughts on: revue, cabaret, television, and musical theater, Bitter Sweet, Conversation Piece, Pacific 1860, After the Ball, Ace of Clubs, Sail Away, The Girl Who Came to Supper, Words and Music, This Year of Grace, London Calling! . . . and much more. Ingeniously, deftly compiled, edited, and annotated by Barry Day, Coward authority and editor of The Noёl Coward Reader and The Letters of Noёl Coward.


Book Synopsis Noël Coward on (and in) Theatre by : Noël Coward

Download or read book Noël Coward on (and in) Theatre written by Noël Coward and published by Knopf. This book was released on 2021-11-02 with total page 480 pages. Available in PDF, EPUB and Kindle. Book excerpt: Noël Coward on theatre was as dazzling and entertaining as his masterful plays and lyrics. Here his ideas and opinions on the subject are brilliantly brought together in an extraordinary collection of commentary, lyrics, essays, and asides on everything having to do with the theatre and Coward's dazzling life in it. The book Noël Coward wanted, promised, threatened to write—and never did. Including essays, interviews, diary entries, verse, his views on his fellow playwrights: "My Colleague Will," Shaw, Wilde, Chekhov, Barrie, Maugham, Eliot, Osborne, Albee, Beckett, Miller, Williams, Rattigan, Pinter, and Shaffer. Coward on the critics—many of whom irritated him over the years but came to admire him: James Agate, Alexander Woollcott, Graham Greene, Kenneth Tynan among them. And on the plays he wrote, among them: The Vortex; Hay Fever; Private Lives; Design For Living; Blithe Spirit. Here is the Master on the producers who crossed his path: André Charlot, C. B. Cochran, Binkie Beaumont. And the actors in the Coward galaxy: John Gielgud, Laurence Olivier, Gertrude Lawrence, the Lunts, etc. . . . His views on the art of acting: auditions, rehearsals, learning the lines, clarity of delivery, timing, control, range, stage fright, fans, theater audiences, revivals, comedy, "the Method," plays with a "message," taste, construction, "Star Quality," etc. . . . And last, but Noël Coward least, his experience in, and thoughts on: revue, cabaret, television, and musical theater, Bitter Sweet, Conversation Piece, Pacific 1860, After the Ball, Ace of Clubs, Sail Away, The Girl Who Came to Supper, Words and Music, This Year of Grace, London Calling! . . . and much more. Ingeniously, deftly compiled, edited, and annotated by Barry Day, Coward authority and editor of The Noёl Coward Reader and The Letters of Noёl Coward.


The Oxford Book of Theatrical Anecdotes

The Oxford Book of Theatrical Anecdotes

Author: Gyles Brandreth

Publisher: Oxford University Press

Published: 2020-10-08

Total Pages: 511

ISBN-13: 0191066524

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This is the ultimate anthology of theatrical anecdotes, edited by lifelong theatre-lover Gyles Brandreth in the Oxford tradition, and covering every kind of theatrical story and experience from the age of Shakespeare and Marlowe to the age of Stoppard and Mamet, from Richard Burbage to Richard Briers, from Nell Gwynn to Daniel Day-Lewis, from Sarah Bernhardt to Judi Dench. Players, playwrights, prompters, producers—they all feature. The Oxford Book of Theatrical Anecdotes provides a comprehensive, revealing, and hugely entertaining portrait of the world of theatre across four hundred years. Many of the anecdotes are humorous: all have something pertinent and illuminating to say about an aspect of theatrical life—whether it is the art of playwriting, the craft of covering up missed cues, the drama of the First Night, the nightmare of touring, or the secret ingredients of star quality. Edmund Kean, Henry Irving, John Gielgud, Laurence Olivier, Ellen Terry, Edith Evans, Maggie Smith, Helen Mirren—the great 'names' are all here, of course, but there are tales of the unexpected, too—and the unknown. This is a book—presented in five acts, with a suitably anecdotal and personal prologue from Gyles Brandreth—where, once in a while, the understudy takes centre-stage and Gyles Brandreth treats triumph and disaster just the same, including stories from the tattiest touring companies as well as from Broadway, the West End and theatres, large and small, in Australia, India, and across Europe.


Book Synopsis The Oxford Book of Theatrical Anecdotes by : Gyles Brandreth

Download or read book The Oxford Book of Theatrical Anecdotes written by Gyles Brandreth and published by Oxford University Press. This book was released on 2020-10-08 with total page 511 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the ultimate anthology of theatrical anecdotes, edited by lifelong theatre-lover Gyles Brandreth in the Oxford tradition, and covering every kind of theatrical story and experience from the age of Shakespeare and Marlowe to the age of Stoppard and Mamet, from Richard Burbage to Richard Briers, from Nell Gwynn to Daniel Day-Lewis, from Sarah Bernhardt to Judi Dench. Players, playwrights, prompters, producers—they all feature. The Oxford Book of Theatrical Anecdotes provides a comprehensive, revealing, and hugely entertaining portrait of the world of theatre across four hundred years. Many of the anecdotes are humorous: all have something pertinent and illuminating to say about an aspect of theatrical life—whether it is the art of playwriting, the craft of covering up missed cues, the drama of the First Night, the nightmare of touring, or the secret ingredients of star quality. Edmund Kean, Henry Irving, John Gielgud, Laurence Olivier, Ellen Terry, Edith Evans, Maggie Smith, Helen Mirren—the great 'names' are all here, of course, but there are tales of the unexpected, too—and the unknown. This is a book—presented in five acts, with a suitably anecdotal and personal prologue from Gyles Brandreth—where, once in a while, the understudy takes centre-stage and Gyles Brandreth treats triumph and disaster just the same, including stories from the tattiest touring companies as well as from Broadway, the West End and theatres, large and small, in Australia, India, and across Europe.


Performing King Lear

Performing King Lear

Author: Jonathan Croall

Publisher: Bloomsbury Publishing

Published: 2015-10-22

Total Pages: 269

ISBN-13: 1474223877

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King Lear is arguably the most complex and demanding play in the whole of Shakespeare. Once thought impossible to stage, today it is performed with increasing frequency, both in Britain and America. It has been staged more often in the last fifty years than in the previous 350 years of its performance history, its bleak message clearly chiming in with the growing harshness, cruelty and violence of the modern world. Performing King Lear offers a very different and practical perspective from most studies of the play, being centred firmly on the reality of creation and performance. The book is based on Jonathan Croall's unique interviews with twenty of the most distinguished actors to have undertaken this daunting role during the last forty years, including Donald Sinden, Tim Pigott-Smith, Timothy West, Julian Glover, Oliver Ford Davies, Derek Jacobi, Christopher Plummer, Michael Pennington, Brian Cox and Simon Russell Beale. He has also talked to two dozen leading directors who have staged the play in London, Stratford and elsewhere. Among them are Nicholas Hytner, David Hare, Kenneth Branagh, Adrian Noble, Deborah Warner, Jonathan Miller and Dominic Dromgoole. Each reveals in precise and absorbing detail how they have dealt with the formidable challenge of interpreting and staging Shakespeare's great tragedy.


Book Synopsis Performing King Lear by : Jonathan Croall

Download or read book Performing King Lear written by Jonathan Croall and published by Bloomsbury Publishing. This book was released on 2015-10-22 with total page 269 pages. Available in PDF, EPUB and Kindle. Book excerpt: King Lear is arguably the most complex and demanding play in the whole of Shakespeare. Once thought impossible to stage, today it is performed with increasing frequency, both in Britain and America. It has been staged more often in the last fifty years than in the previous 350 years of its performance history, its bleak message clearly chiming in with the growing harshness, cruelty and violence of the modern world. Performing King Lear offers a very different and practical perspective from most studies of the play, being centred firmly on the reality of creation and performance. The book is based on Jonathan Croall's unique interviews with twenty of the most distinguished actors to have undertaken this daunting role during the last forty years, including Donald Sinden, Tim Pigott-Smith, Timothy West, Julian Glover, Oliver Ford Davies, Derek Jacobi, Christopher Plummer, Michael Pennington, Brian Cox and Simon Russell Beale. He has also talked to two dozen leading directors who have staged the play in London, Stratford and elsewhere. Among them are Nicholas Hytner, David Hare, Kenneth Branagh, Adrian Noble, Deborah Warner, Jonathan Miller and Dominic Dromgoole. Each reveals in precise and absorbing detail how they have dealt with the formidable challenge of interpreting and staging Shakespeare's great tragedy.


In Search of Gielgud

In Search of Gielgud

Author: Jonathan Croall

Publisher:

Published: 2014-02

Total Pages: 222

ISBN-13: 9781842890226

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While putting together his widely praised biography of the great classical actor, Jonathan Croall talked to more than a hundred actors, directors and designers. In Search of Gielgud: A Biographer's Tale is the diary he kept during his exhaustive research. In it he records their revealing personal memories, most of them previously unpublished, of Gielgud on stage, in rehearsal, and off duty. Among those he interviewed were stars such as Alec Guinness, John Mills, Dorothy Tutin, Dirk Bogarde, Richard Briers, Helen Mirren, Ian McKellen, Simon Russell Beale and Anna Carteret; playwrights Edward Albee, David Storey, Christopher Fry, Charles Wood and Hugh Whitemore; leading directors Peter Brook, Bill Gaskill and John Schlesinger; and designers Jocelyn Herbert, Tanya Moiseiwitsch, and Margaret Harris of Motley. The book also charts the many problems the author had to overcome to prevent the biography from being abandoned, notably a sustained attack by a rival biographer, the wayward behaviour of an elusive editor, and the unpredictable attitude to the book of Gielgud himself.


Book Synopsis In Search of Gielgud by : Jonathan Croall

Download or read book In Search of Gielgud written by Jonathan Croall and published by . This book was released on 2014-02 with total page 222 pages. Available in PDF, EPUB and Kindle. Book excerpt: While putting together his widely praised biography of the great classical actor, Jonathan Croall talked to more than a hundred actors, directors and designers. In Search of Gielgud: A Biographer's Tale is the diary he kept during his exhaustive research. In it he records their revealing personal memories, most of them previously unpublished, of Gielgud on stage, in rehearsal, and off duty. Among those he interviewed were stars such as Alec Guinness, John Mills, Dorothy Tutin, Dirk Bogarde, Richard Briers, Helen Mirren, Ian McKellen, Simon Russell Beale and Anna Carteret; playwrights Edward Albee, David Storey, Christopher Fry, Charles Wood and Hugh Whitemore; leading directors Peter Brook, Bill Gaskill and John Schlesinger; and designers Jocelyn Herbert, Tanya Moiseiwitsch, and Margaret Harris of Motley. The book also charts the many problems the author had to overcome to prevent the biography from being abandoned, notably a sustained attack by a rival biographer, the wayward behaviour of an elusive editor, and the unpredictable attitude to the book of Gielgud himself.


Luck and Circumstance

Luck and Circumstance

Author: Michael Lindsay-Hogg

Publisher: Knopf

Published: 2011

Total Pages: 290

ISBN-13: 0307594688

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The acclaimed director of such films as Brideshead Revisited shares the story of his youth and career, providing coverage of such topics as his childhood as the son of star Geraldine Fitzgerald, his relationships with Hollywood elite and the allegations that Orson Welles was his real father.


Book Synopsis Luck and Circumstance by : Michael Lindsay-Hogg

Download or read book Luck and Circumstance written by Michael Lindsay-Hogg and published by Knopf. This book was released on 2011 with total page 290 pages. Available in PDF, EPUB and Kindle. Book excerpt: The acclaimed director of such films as Brideshead Revisited shares the story of his youth and career, providing coverage of such topics as his childhood as the son of star Geraldine Fitzgerald, his relationships with Hollywood elite and the allegations that Orson Welles was his real father.


Upstage, Downstage, Cross

Upstage, Downstage, Cross

Author: Bill Thomas

Publisher: AuthorHouse

Published: 2012-06-01

Total Pages: 400

ISBN-13: 1468501925

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A book about a struggling actor who mumbles, tumbles, and fumbles his way through acting school and reperatory and touring theatre in England in the early 20th century A Book for Theatre Lovers This novel takes place in England in the early 20th century. It features numerous on-and-off stage adventures of an acting aspirants youth and theatrical encounters with a magician, stowing away on a shipload of touring actors, attending acting school, serving as an apprentice with the Birmingham and Liverpool Repertory Companies, and touring with a fit-up. It is an extraordinary, evolutionary education in theatre from the very basic stage movements to the plots of scores of contemporary productions, the characterizations of stage performers, chores of backstage crew, and problems and issues faced by Thespians of the time. Books may be obtained through the publisher, AuthorHouse; Amazon and Barnes & Noble and as an ebook or from the author at [email protected]. A Sample of Reviews Upstage, Downstage, Cross is, just like the title, a delightful and sparkling account of an English boys love affair with the theatre and his wacky and wild, albeit imaginative attempts to become an actor in spite of family opposition and his own unexpected limitations in the art of actingIf you are an aficionado or love English theatre, youll be riveted by the stories of the theatre in the period before WWWI, through the war and its aftermath. This was a period of transition from the days when there were dozens of theatre companies touring Britain and it was the entertainment of masses, to the beginning and then rise of the moving pictures that drew away the usual theatre audiences to the moviesThe style of the book is sparkling with wit and adventure and vignettes of the theatre. Bill Thomas writes in the wonderful tradition of English authors, although he does avoid the Dickensonsian downers. His story is populated with good people, which is a breath of fresh air. Pick up this book and enjoy. Adriana Renescu, Author Your affection for the Bard and English theatre shines through in every way. I particularly dig stowing away on the Lusitania Great StuffOne thing I learned is that I definitely dont want to be a stage manager. Much too hard. Your attention to detail is ever impressive. John Hall, former feature writer, Orange County Register I found your book a very insightful look into life in middle class England during the early 20th century. I enjoyed the way you incorporated a wealth of historical information into a delightful story of a young boy coming of age while pursuing his dreams of becoming an actor. ..I also learned much about the development of English theatre and the way the medium transitioned from the classical and vaudevillian to real life dramasOverall; I was greatly impressed by the depth of research evidenced in the novel regarding English theatre and its influence on society during that period of tumultuous change. John DeNizio, member, San Clemente Book Club he writes of a theatre world that no longer exists, but he captures the excitement of that era through his main character, who has a love for the theatre and lets nothing stand in his way to be an actor. Reading Bills book I realized I was being led by a master writer. His descriptions and detail can only come from one who has seen and retained what he saw and heard. His writing reveals a wit that has been fine tuned with a long and fruitful life. Herman Sillas, Attorney and writer.


Book Synopsis Upstage, Downstage, Cross by : Bill Thomas

Download or read book Upstage, Downstage, Cross written by Bill Thomas and published by AuthorHouse. This book was released on 2012-06-01 with total page 400 pages. Available in PDF, EPUB and Kindle. Book excerpt: A book about a struggling actor who mumbles, tumbles, and fumbles his way through acting school and reperatory and touring theatre in England in the early 20th century A Book for Theatre Lovers This novel takes place in England in the early 20th century. It features numerous on-and-off stage adventures of an acting aspirants youth and theatrical encounters with a magician, stowing away on a shipload of touring actors, attending acting school, serving as an apprentice with the Birmingham and Liverpool Repertory Companies, and touring with a fit-up. It is an extraordinary, evolutionary education in theatre from the very basic stage movements to the plots of scores of contemporary productions, the characterizations of stage performers, chores of backstage crew, and problems and issues faced by Thespians of the time. Books may be obtained through the publisher, AuthorHouse; Amazon and Barnes & Noble and as an ebook or from the author at [email protected]. A Sample of Reviews Upstage, Downstage, Cross is, just like the title, a delightful and sparkling account of an English boys love affair with the theatre and his wacky and wild, albeit imaginative attempts to become an actor in spite of family opposition and his own unexpected limitations in the art of actingIf you are an aficionado or love English theatre, youll be riveted by the stories of the theatre in the period before WWWI, through the war and its aftermath. This was a period of transition from the days when there were dozens of theatre companies touring Britain and it was the entertainment of masses, to the beginning and then rise of the moving pictures that drew away the usual theatre audiences to the moviesThe style of the book is sparkling with wit and adventure and vignettes of the theatre. Bill Thomas writes in the wonderful tradition of English authors, although he does avoid the Dickensonsian downers. His story is populated with good people, which is a breath of fresh air. Pick up this book and enjoy. Adriana Renescu, Author Your affection for the Bard and English theatre shines through in every way. I particularly dig stowing away on the Lusitania Great StuffOne thing I learned is that I definitely dont want to be a stage manager. Much too hard. Your attention to detail is ever impressive. John Hall, former feature writer, Orange County Register I found your book a very insightful look into life in middle class England during the early 20th century. I enjoyed the way you incorporated a wealth of historical information into a delightful story of a young boy coming of age while pursuing his dreams of becoming an actor. ..I also learned much about the development of English theatre and the way the medium transitioned from the classical and vaudevillian to real life dramasOverall; I was greatly impressed by the depth of research evidenced in the novel regarding English theatre and its influence on society during that period of tumultuous change. John DeNizio, member, San Clemente Book Club he writes of a theatre world that no longer exists, but he captures the excitement of that era through his main character, who has a love for the theatre and lets nothing stand in his way to be an actor. Reading Bills book I realized I was being led by a master writer. His descriptions and detail can only come from one who has seen and retained what he saw and heard. His writing reveals a wit that has been fine tuned with a long and fruitful life. Herman Sillas, Attorney and writer.


Gielgud

Gielgud

Author: Jonathan Croall

Publisher: Burns & Oates

Published: 2001

Total Pages: 618

ISBN-13:

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Based on interviews with over 100 friends and colleagues who worked with Gielgud, this biography covers Gielgud's childhood amongst his famous Terry relations, his early struggles as a young actor, his triumphs in Shakespeare at the Old Vic and his late flowering as an Oscar-winning film star.


Book Synopsis Gielgud by : Jonathan Croall

Download or read book Gielgud written by Jonathan Croall and published by Burns & Oates. This book was released on 2001 with total page 618 pages. Available in PDF, EPUB and Kindle. Book excerpt: Based on interviews with over 100 friends and colleagues who worked with Gielgud, this biography covers Gielgud's childhood amongst his famous Terry relations, his early struggles as a young actor, his triumphs in Shakespeare at the Old Vic and his late flowering as an Oscar-winning film star.