Godard and Sound

Godard and Sound

Author: Albertine Fox

Publisher: Bloomsbury Publishing

Published: 2017-12-18

Total Pages: 288

ISBN-13: 1786722747

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What happens when we listen to a film? How can we describe the relationship of sound to vision in cinema, and in turn our relationship as spectators with the audio-visual? Jean-Luc Godard understood the importance of the soundtrack in cinema and relied heavily on the impact of carefully constructed sound to produce innovative effects. For the first time, this book brings together his post-1979 multimedia works, and an analysis of their rich soundscapes.The book provides detailed critical discussions of feature-length films, shorts and videos, delving into Godard's inventive experiments with the cinematic soundtrack and offering new insights into his latest 3D films. By detailing the production contexts and philosophy behind Godard's idiosyncratic sound design, it provides an accessible route to understanding his complex use of music, speech and environmental sound, alongside the distorting effects of speed alteration and auditory excess. The book is framed by the concept of 'acoustic spectatorship': a way of cultivating active listening in the viewer.It also draws on ideas by leading sound theorists, philosophers, musicians, and poets, giving particular emphasis to the pioneering thought of French sound engineer and theorist, Pierre Schaeffer. Softening the boundaries between film studies, sound studies and musicology, Godard and Sound re-evaluates Godard's work from a sonic perspective, and will prove essential reading for those wishing to rebalance the importance of sound for the study of cinema.


Book Synopsis Godard and Sound by : Albertine Fox

Download or read book Godard and Sound written by Albertine Fox and published by Bloomsbury Publishing. This book was released on 2017-12-18 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: What happens when we listen to a film? How can we describe the relationship of sound to vision in cinema, and in turn our relationship as spectators with the audio-visual? Jean-Luc Godard understood the importance of the soundtrack in cinema and relied heavily on the impact of carefully constructed sound to produce innovative effects. For the first time, this book brings together his post-1979 multimedia works, and an analysis of their rich soundscapes.The book provides detailed critical discussions of feature-length films, shorts and videos, delving into Godard's inventive experiments with the cinematic soundtrack and offering new insights into his latest 3D films. By detailing the production contexts and philosophy behind Godard's idiosyncratic sound design, it provides an accessible route to understanding his complex use of music, speech and environmental sound, alongside the distorting effects of speed alteration and auditory excess. The book is framed by the concept of 'acoustic spectatorship': a way of cultivating active listening in the viewer.It also draws on ideas by leading sound theorists, philosophers, musicians, and poets, giving particular emphasis to the pioneering thought of French sound engineer and theorist, Pierre Schaeffer. Softening the boundaries between film studies, sound studies and musicology, Godard and Sound re-evaluates Godard's work from a sonic perspective, and will prove essential reading for those wishing to rebalance the importance of sound for the study of cinema.

Godard and Sound

Godard and Sound

Author: Albertine Fox

Publisher: Bloomsbury Publishing

Published: 2017-12-18

Total Pages: 288

ISBN-13: 1786732742

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What happens when we listen to a film? How can we describe the relationship of sound to vision in cinema, and in turn our relationship as spectators with the audio-visual? Jean-Luc Godard understood the importance of the soundtrack in cinema and relied heavily on the impact of carefully constructed sound to produce innovative effects. For the first time, this book brings together his post-1979 multimedia works, and an analysis of their rich soundscapes.The book provides detailed critical discussions of feature-length films, shorts and videos, delving into Godard's inventive experiments with the cinematic soundtrack and offering new insights into his latest 3D films. By detailing the production contexts and philosophy behind Godard's idiosyncratic sound design, it provides an accessible route to understanding his complex use of music, speech and environmental sound, alongside the distorting effects of speed alteration and auditory excess. The book is framed by the concept of 'acoustic spectatorship': a way of cultivating active listening in the viewer.It also draws on ideas by leading sound theorists, philosophers, musicians, and poets, giving particular emphasis to the pioneering thought of French sound engineer and theorist, Pierre Schaeffer. Softening the boundaries between film studies, sound studies and musicology, Godard and Sound re-evaluates Godard's work from a sonic perspective, and will prove essential reading for those wishing to rebalance the importance of sound for the study of cinema.


Book Synopsis Godard and Sound by : Albertine Fox

Download or read book Godard and Sound written by Albertine Fox and published by Bloomsbury Publishing. This book was released on 2017-12-18 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: What happens when we listen to a film? How can we describe the relationship of sound to vision in cinema, and in turn our relationship as spectators with the audio-visual? Jean-Luc Godard understood the importance of the soundtrack in cinema and relied heavily on the impact of carefully constructed sound to produce innovative effects. For the first time, this book brings together his post-1979 multimedia works, and an analysis of their rich soundscapes.The book provides detailed critical discussions of feature-length films, shorts and videos, delving into Godard's inventive experiments with the cinematic soundtrack and offering new insights into his latest 3D films. By detailing the production contexts and philosophy behind Godard's idiosyncratic sound design, it provides an accessible route to understanding his complex use of music, speech and environmental sound, alongside the distorting effects of speed alteration and auditory excess. The book is framed by the concept of 'acoustic spectatorship': a way of cultivating active listening in the viewer.It also draws on ideas by leading sound theorists, philosophers, musicians, and poets, giving particular emphasis to the pioneering thought of French sound engineer and theorist, Pierre Schaeffer. Softening the boundaries between film studies, sound studies and musicology, Godard and Sound re-evaluates Godard's work from a sonic perspective, and will prove essential reading for those wishing to rebalance the importance of sound for the study of cinema.

The Cambridge Companion to Film Music

The Cambridge Companion to Film Music

Author: Mervyn Cooke

Publisher: Cambridge University Press

Published: 2016-12-08

Total Pages: 439

ISBN-13: 1107094518

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A stimulating and unusually wide-ranging collection of essays overviewing ways in which music functions in film soundtracks.


Book Synopsis The Cambridge Companion to Film Music by : Mervyn Cooke

Download or read book The Cambridge Companion to Film Music written by Mervyn Cooke and published by Cambridge University Press. This book was released on 2016-12-08 with total page 439 pages. Available in PDF, EPUB and Kindle. Book excerpt: A stimulating and unusually wide-ranging collection of essays overviewing ways in which music functions in film soundtracks.

Metafilm Music in Jean-Luc Godard's Cinema

Metafilm Music in Jean-Luc Godard's Cinema

Author: Michael Baumgartner

Publisher: Oxford University Press

Published: 2022

Total Pages: 521

ISBN-13: 0190497157

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"This monograph explores the under-researched use of music in Jean-Luc Godard's films and video essays from the early 1960s to the late 1990s. While Godard is largely hailed as a leading innovator of visual montage, unique storytelling style, and ground-breaking cinematography, his achievements as a leading pioneer in sculpting complex soundtracks altering the familiar relationship between sound and image have been mainly overlooked. On these soundtracks, music assumes the unique role of metafilm music. Metafilm music self-consciously refers to its own role as film music and disrupts the primary function of film music as an essential filmic device creating cinematic illusion. The concept of metafilm music describes how Godard thinks with film music about film music. Metafilm music manifests itself in Godard's work in four distinct manners: as fragmentized musical cues; as the same fragment verbatim repeated several times; as extrapolated, short excerpts from classical or popular music; and as music mixed unusually loudly into the soundtrack. With a detailed analysis of these parameters, the book explores fragmented and repeated music as Godard's critique of the leitmotif technique. Godard further self-reflexively investigates genre-specific music in musical comedies, films noir, and melodramas, as well as prototypical film music as arguably its own musical genre. His last foray into metafilm music entails music-making as a metaphor for filmmaking. By thinking with music about the function of film music, Godard has created throughout his career multi-layered soundtracks which challenge the conventional norms of film music and sound"--


Book Synopsis Metafilm Music in Jean-Luc Godard's Cinema by : Michael Baumgartner

Download or read book Metafilm Music in Jean-Luc Godard's Cinema written by Michael Baumgartner and published by Oxford University Press. This book was released on 2022 with total page 521 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This monograph explores the under-researched use of music in Jean-Luc Godard's films and video essays from the early 1960s to the late 1990s. While Godard is largely hailed as a leading innovator of visual montage, unique storytelling style, and ground-breaking cinematography, his achievements as a leading pioneer in sculpting complex soundtracks altering the familiar relationship between sound and image have been mainly overlooked. On these soundtracks, music assumes the unique role of metafilm music. Metafilm music self-consciously refers to its own role as film music and disrupts the primary function of film music as an essential filmic device creating cinematic illusion. The concept of metafilm music describes how Godard thinks with film music about film music. Metafilm music manifests itself in Godard's work in four distinct manners: as fragmentized musical cues; as the same fragment verbatim repeated several times; as extrapolated, short excerpts from classical or popular music; and as music mixed unusually loudly into the soundtrack. With a detailed analysis of these parameters, the book explores fragmented and repeated music as Godard's critique of the leitmotif technique. Godard further self-reflexively investigates genre-specific music in musical comedies, films noir, and melodramas, as well as prototypical film music as arguably its own musical genre. His last foray into metafilm music entails music-making as a metaphor for filmmaking. By thinking with music about the function of film music, Godard has created throughout his career multi-layered soundtracks which challenge the conventional norms of film music and sound"--

New Wave Godard, Sound Practice and Conceptions of Noise

New Wave Godard, Sound Practice and Conceptions of Noise

Author: Alyssa Beaton

Publisher:

Published: 2015

Total Pages: 114

ISBN-13:

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The work of Modernist iconoclast Jean-Luc Godard is endlessly examined by scholars but rarely from a sound-centred perspective. However, the last thirty years has seen the growth of sound-centered research in cinema and media studies, challenging the authority of the visual in what is overwhelmingly an audio-visual medium. This thesis evaluates a selection of films within Godard’s New Wave corpus, spanning the years 1959-1967, to demonstrate that Godard’s treatment of sound challenges the spectator's understanding of film sound conventions in what becomes, over time, an explicitly political project. Understood chronologically, Godard’s work during this period is representative of a distinct transition from a place respecting conventional sound practices (including those favoured within nonfiction) to one reflecting a more analytical, politically inflected, anti-modernist position. This thesis highlights the ways in which Godard makes audible the materiality of the production process by way of unconventional editing tech- niques and the use of disparate recording styles. The result of these innovative approaches is an opening up of the cinematic soundscape to the sonic environments of Others and ‘othered sounds’ — sounds generally relegated to the background in a conventional film soundtrack, categorized as disruptions and noise (or suppressed altogether) yet revelatory in terms of their power to give voice to the socio-cultural and political contexts of Godard’s work.


Book Synopsis New Wave Godard, Sound Practice and Conceptions of Noise by : Alyssa Beaton

Download or read book New Wave Godard, Sound Practice and Conceptions of Noise written by Alyssa Beaton and published by . This book was released on 2015 with total page 114 pages. Available in PDF, EPUB and Kindle. Book excerpt: The work of Modernist iconoclast Jean-Luc Godard is endlessly examined by scholars but rarely from a sound-centred perspective. However, the last thirty years has seen the growth of sound-centered research in cinema and media studies, challenging the authority of the visual in what is overwhelmingly an audio-visual medium. This thesis evaluates a selection of films within Godard’s New Wave corpus, spanning the years 1959-1967, to demonstrate that Godard’s treatment of sound challenges the spectator's understanding of film sound conventions in what becomes, over time, an explicitly political project. Understood chronologically, Godard’s work during this period is representative of a distinct transition from a place respecting conventional sound practices (including those favoured within nonfiction) to one reflecting a more analytical, politically inflected, anti-modernist position. This thesis highlights the ways in which Godard makes audible the materiality of the production process by way of unconventional editing tech- niques and the use of disparate recording styles. The result of these innovative approaches is an opening up of the cinematic soundscape to the sonic environments of Others and ‘othered sounds’ — sounds generally relegated to the background in a conventional film soundtrack, categorized as disruptions and noise (or suppressed altogether) yet revelatory in terms of their power to give voice to the socio-cultural and political contexts of Godard’s work.

Where Film Meets Philosophy

Where Film Meets Philosophy

Author: Hunter Vaughan

Publisher: Columbia University Press

Published: 2013-01-01

Total Pages: 262

ISBN-13: 0231161328

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The formal techniques two classic French filmmakers developed to explore cinema's philosophical potential.


Book Synopsis Where Film Meets Philosophy by : Hunter Vaughan

Download or read book Where Film Meets Philosophy written by Hunter Vaughan and published by Columbia University Press. This book was released on 2013-01-01 with total page 262 pages. Available in PDF, EPUB and Kindle. Book excerpt: The formal techniques two classic French filmmakers developed to explore cinema's philosophical potential.

Godard

Godard

Author: Colin MacCabe

Publisher:

Published: 1980

Total Pages: 182

ISBN-13:

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This book provides an account of Godard's politic activities of the 60's until 80's and analyses how his politics affect his cinema with the addition of Laura Mulvey's in depth account of the feminist aspect of Godard's cinema.


Book Synopsis Godard by : Colin MacCabe

Download or read book Godard written by Colin MacCabe and published by . This book was released on 1980 with total page 182 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book provides an account of Godard's politic activities of the 60's until 80's and analyses how his politics affect his cinema with the addition of Laura Mulvey's in depth account of the feminist aspect of Godard's cinema.

Jean-Luc Godard, Cinema Historian

Jean-Luc Godard, Cinema Historian

Author: Michael Witt

Publisher: Indiana University Press

Published: 2013-11-07

Total Pages: 290

ISBN-13: 0253007305

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Originally released as a videographic experiment in film history, Jean-Luc Godard's Histoire(s) du cinéma has pioneered how we think about and narrate cinema history, and in how history is taught through cinema. In this stunningly illustrated volume, Michael Witt explores Godard's landmark work as both a specimen of an artist's vision and a philosophical statement on the history of film. Witt contextualizes Godard's theories and approaches to historiography and provides a guide to the wide-ranging cinematic, aesthetic, and cultural forces that shaped Godard's groundbreaking ideas on the history of cinema.


Book Synopsis Jean-Luc Godard, Cinema Historian by : Michael Witt

Download or read book Jean-Luc Godard, Cinema Historian written by Michael Witt and published by Indiana University Press. This book was released on 2013-11-07 with total page 290 pages. Available in PDF, EPUB and Kindle. Book excerpt: Originally released as a videographic experiment in film history, Jean-Luc Godard's Histoire(s) du cinéma has pioneered how we think about and narrate cinema history, and in how history is taught through cinema. In this stunningly illustrated volume, Michael Witt explores Godard's landmark work as both a specimen of an artist's vision and a philosophical statement on the history of film. Witt contextualizes Godard's theories and approaches to historiography and provides a guide to the wide-ranging cinematic, aesthetic, and cultural forces that shaped Godard's groundbreaking ideas on the history of cinema.

French film directors

French film directors

Author: Douglas Morrey

Publisher: Manchester University Press

Published: 2005-10-07

Total Pages: 294

ISBN-13: 9780719067594

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Morrey offers a new interpretation of one of the most innovative directors in the history of cinema, covering the whole of Godard's career from the French New Wave to the more recent triumphs of 'Histoire(s) du cinema' and 'Eloge de l'amour'.


Book Synopsis French film directors by : Douglas Morrey

Download or read book French film directors written by Douglas Morrey and published by Manchester University Press. This book was released on 2005-10-07 with total page 294 pages. Available in PDF, EPUB and Kindle. Book excerpt: Morrey offers a new interpretation of one of the most innovative directors in the history of cinema, covering the whole of Godard's career from the French New Wave to the more recent triumphs of 'Histoire(s) du cinema' and 'Eloge de l'amour'.

Jean-Luc Godard

Jean-Luc Godard

Author: Raymond Bellour

Publisher:

Published: 1992

Total Pages: 244

ISBN-13:

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Book Synopsis Jean-Luc Godard by : Raymond Bellour

Download or read book Jean-Luc Godard written by Raymond Bellour and published by . This book was released on 1992 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: