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Gothic Legacies

Author: Laura Cleaver

Publisher: Cambridge Scholars Publishing

Published: 2012-03-15

Total Pages: 315

ISBN-13: 1443838160

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As this exciting contribution to interdisciplinary studies in the arts shows, the art and architecture of the Middle Ages were reworked, reframed and reinterpreted in diverse ways from as early as the sixteenth century. In addition, the definition of “Gothic” art and architecture was used, questioned, and challenged in a range of literature from the Renaissance onwards. The diverse essays in Gothic Legacies: Four Centuries of Tradition and Innovation in Art and Architecture demonstrate that the Gothic spirit manifested itself in many visual forms, including furniture, set design, cathedrals, book illustration, and urban architecture. Edited by Laura Cleaver and Ayla Lepine, Gothic Legacies showcases new research by scholars who are united by an interest what “Gothic” could mean in particular contexts, and how it was used across different periods, cultures, and media. The book’s twelve essays are divided into thematic sections, which identify recurring themes in discussions of the “Gothic”. The authors explore debates around the understanding and use of spolia and ideas about heritage, the relationships between “Gothic” art and literature, and the invocation of concepts of the “Gothic” in opposition to other categorisations (notably Classicism and Modernism). In doing so they shed light on rich dialogues between the present and the past (real or imagined). Featuring interdisciplinary and international contributions from medieval and modern period scholars with fresh academic perspectives, this volume constitutes a valuable resource for anyone with an interest in how and why the art of the Middle Ages was to play such an important role in forming and revising personal, national, and international identities in subsequent works of art and architecture.

Book Synopsis Gothic Legacies by : Laura Cleaver

Download or read book Gothic Legacies written by Laura Cleaver and published by Cambridge Scholars Publishing. This book was released on 2012-03-15 with total page 315 pages. Available in PDF, EPUB and Kindle. Book excerpt: As this exciting contribution to interdisciplinary studies in the arts shows, the art and architecture of the Middle Ages were reworked, reframed and reinterpreted in diverse ways from as early as the sixteenth century. In addition, the definition of “Gothic” art and architecture was used, questioned, and challenged in a range of literature from the Renaissance onwards. The diverse essays in Gothic Legacies: Four Centuries of Tradition and Innovation in Art and Architecture demonstrate that the Gothic spirit manifested itself in many visual forms, including furniture, set design, cathedrals, book illustration, and urban architecture. Edited by Laura Cleaver and Ayla Lepine, Gothic Legacies showcases new research by scholars who are united by an interest what “Gothic” could mean in particular contexts, and how it was used across different periods, cultures, and media. The book’s twelve essays are divided into thematic sections, which identify recurring themes in discussions of the “Gothic”. The authors explore debates around the understanding and use of spolia and ideas about heritage, the relationships between “Gothic” art and literature, and the invocation of concepts of the “Gothic” in opposition to other categorisations (notably Classicism and Modernism). In doing so they shed light on rich dialogues between the present and the past (real or imagined). Featuring interdisciplinary and international contributions from medieval and modern period scholars with fresh academic perspectives, this volume constitutes a valuable resource for anyone with an interest in how and why the art of the Middle Ages was to play such an important role in forming and revising personal, national, and international identities in subsequent works of art and architecture.

Gothic Legacies

Author: Laura Cleaver

Publisher:

Published: 2012

Total Pages: 0

ISBN-13: 9781443837408

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As this exciting contribution to interdisciplinary studies in the arts shows, the art and architecture of the Middle Ages were reworked, reframed and reinterpreted in diverse ways from as early as the sixteenth century. In addition, the definition of â oeGothicâ art and architecture was used, questioned, and challenged in a range of literature from the Renaissance onwards. The diverse essays in Gothic Legacies: Four Centuries of Tradition and Innovation in Art and Architecture demonstrate that the Gothic spirit manifested itself in many visual forms, including furniture, set design, cathedrals, book illustration, and urban architecture. Edited by Laura Cleaver and Ayla Lepine, Gothic Legacies showcases new research by scholars who are united by an interest what â oeGothicâ could mean in particular contexts, and how it was used across different periods, cultures, and media. The bookâ (TM)s twelve essays are divided into thematic sections, which identify recurring themes in discussions of the â oeGothicâ . The authors explore debates around the understanding and use of spolia and ideas about heritage, the relationships between â oeGothicâ art and literature, and the invocation of concepts of the â oeGothicâ in opposition to other categorisations (notably Classicism and Modernism). In doing so they shed light on rich dialogues between the present and the past (real or imagined). Featuring interdisciplinary and international contributions from medieval and modern period scholars with fresh academic perspectives, this volume constitutes a valuable resource for anyone with an interest in how and why the art of the Middle Ages was to play such an important role in forming and revising personal, national, and international identities in subsequent works of art and architecture.

Book Synopsis Gothic Legacies by : Laura Cleaver

Download or read book Gothic Legacies written by Laura Cleaver and published by . This book was released on 2012 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: As this exciting contribution to interdisciplinary studies in the arts shows, the art and architecture of the Middle Ages were reworked, reframed and reinterpreted in diverse ways from as early as the sixteenth century. In addition, the definition of â oeGothicâ art and architecture was used, questioned, and challenged in a range of literature from the Renaissance onwards. The diverse essays in Gothic Legacies: Four Centuries of Tradition and Innovation in Art and Architecture demonstrate that the Gothic spirit manifested itself in many visual forms, including furniture, set design, cathedrals, book illustration, and urban architecture. Edited by Laura Cleaver and Ayla Lepine, Gothic Legacies showcases new research by scholars who are united by an interest what â oeGothicâ could mean in particular contexts, and how it was used across different periods, cultures, and media. The bookâ (TM)s twelve essays are divided into thematic sections, which identify recurring themes in discussions of the â oeGothicâ . The authors explore debates around the understanding and use of spolia and ideas about heritage, the relationships between â oeGothicâ art and literature, and the invocation of concepts of the â oeGothicâ in opposition to other categorisations (notably Classicism and Modernism). In doing so they shed light on rich dialogues between the present and the past (real or imagined). Featuring interdisciplinary and international contributions from medieval and modern period scholars with fresh academic perspectives, this volume constitutes a valuable resource for anyone with an interest in how and why the art of the Middle Ages was to play such an important role in forming and revising personal, national, and international identities in subsequent works of art and architecture.

Ghosts of the Gothic

Author: Judith Wilt

Publisher: Princeton University Press

Published: 2014-07-14

Total Pages: 325

ISBN-13: 1400857503

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In a fascinating study of what, during the last decade, rekindled an avid readership, Judith Wilt proposes a new theory of Gothic fiction that challenges its reputation as merely a formula to be outgrown or a stock of images for the creation of terror. Emphasizing instead its status as an enduring component of the imagination, she establishes the Gothic as the mothering" form for three other popular genres--detective, historical, and science fiction. Originally published in 1980. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Book Synopsis Ghosts of the Gothic by : Judith Wilt

Download or read book Ghosts of the Gothic written by Judith Wilt and published by Princeton University Press. This book was released on 2014-07-14 with total page 325 pages. Available in PDF, EPUB and Kindle. Book excerpt: In a fascinating study of what, during the last decade, rekindled an avid readership, Judith Wilt proposes a new theory of Gothic fiction that challenges its reputation as merely a formula to be outgrown or a stock of images for the creation of terror. Emphasizing instead its status as an enduring component of the imagination, she establishes the Gothic as the mothering" form for three other popular genres--detective, historical, and science fiction. Originally published in 1980. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Mexican Gothic

Author: Silvia Moreno-Garcia

Publisher: Del Rey

Published: 2020-06-30

Total Pages: 361

ISBN-13: 0525620796

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NEW YORK TIMES BESTSELLER • “It’s Lovecraft meets the Brontës in Latin America, and after a slow-burn start Mexican Gothic gets seriously weird.”—The Guardian IN DEVELOPMENT AS A HULU ORIGINAL LIMITED SERIES PRODUCED BY KELLY RIPA AND MARK CONSUELOS • ONE OF TIME’S 100 BEST MYSTERY AND THRILLER BOOKS OF ALL TIME • WINNER OF THE LOCUS AWARD • NOMINATED FOR THE BRAM STOKER AWARD ONE OF THE BEST BOOKS OF THE YEAR: The New Yorker, Vanity Fair, NPR, The Washington Post, Tordotcom, Marie Claire, Vox, Mashable, Men’s Health, Library Journal, Book Riot, LibraryReads An isolated mansion. A chillingly charismatic aristocrat. And a brave socialite drawn to expose their treacherous secrets. . . . From the author of Gods of Jade and Shadow comes “a terrifying twist on classic gothic horror” (Kirkus Reviews) set in glamorous 1950s Mexico. After receiving a frantic letter from her newly-wed cousin begging for someone to save her from a mysterious doom, Noemí Taboada heads to High Place, a distant house in the Mexican countryside. She’s not sure what she will find—her cousin’s husband, a handsome Englishman, is a stranger, and Noemí knows little about the region. Noemí is also an unlikely rescuer: She’s a glamorous debutante, and her chic gowns and perfect red lipstick are more suited for cocktail parties than amateur sleuthing. But she’s also tough and smart, with an indomitable will, and she is not afraid: Not of her cousin’s new husband, who is both menacing and alluring; not of his father, the ancient patriarch who seems to be fascinated by Noemí; and not even of the house itself, which begins to invade Noemi’s dreams with visions of blood and doom. Her only ally in this inhospitable abode is the family’s youngest son. Shy and gentle, he seems to want to help Noemí, but might also be hiding dark knowledge of his family’s past. For there are many secrets behind the walls of High Place. The family’s once colossal wealth and faded mining empire kept them from prying eyes, but as Noemí digs deeper she unearths stories of violence and madness. And Noemí, mesmerized by the terrifying yet seductive world of High Place, may soon find it impossible to ever leave this enigmatic house behind. “It’s as if a supernatural power compels us to turn the pages of the gripping Mexican Gothic.”—The Washington Post “Mexican Gothic is the perfect summer horror read, and marks Moreno-Garcia with her hypnotic and engaging prose as one of the genre’s most exciting talents.”—Nerdist “A period thriller as rich in suspense as it is in lush ’50s atmosphere.”—Entertainment Weekly

Book Synopsis Mexican Gothic by : Silvia Moreno-Garcia

Download or read book Mexican Gothic written by Silvia Moreno-Garcia and published by Del Rey. This book was released on 2020-06-30 with total page 361 pages. Available in PDF, EPUB and Kindle. Book excerpt: NEW YORK TIMES BESTSELLER • “It’s Lovecraft meets the Brontës in Latin America, and after a slow-burn start Mexican Gothic gets seriously weird.”—The Guardian IN DEVELOPMENT AS A HULU ORIGINAL LIMITED SERIES PRODUCED BY KELLY RIPA AND MARK CONSUELOS • ONE OF TIME’S 100 BEST MYSTERY AND THRILLER BOOKS OF ALL TIME • WINNER OF THE LOCUS AWARD • NOMINATED FOR THE BRAM STOKER AWARD ONE OF THE BEST BOOKS OF THE YEAR: The New Yorker, Vanity Fair, NPR, The Washington Post, Tordotcom, Marie Claire, Vox, Mashable, Men’s Health, Library Journal, Book Riot, LibraryReads An isolated mansion. A chillingly charismatic aristocrat. And a brave socialite drawn to expose their treacherous secrets. . . . From the author of Gods of Jade and Shadow comes “a terrifying twist on classic gothic horror” (Kirkus Reviews) set in glamorous 1950s Mexico. After receiving a frantic letter from her newly-wed cousin begging for someone to save her from a mysterious doom, Noemí Taboada heads to High Place, a distant house in the Mexican countryside. She’s not sure what she will find—her cousin’s husband, a handsome Englishman, is a stranger, and Noemí knows little about the region. Noemí is also an unlikely rescuer: She’s a glamorous debutante, and her chic gowns and perfect red lipstick are more suited for cocktail parties than amateur sleuthing. But she’s also tough and smart, with an indomitable will, and she is not afraid: Not of her cousin’s new husband, who is both menacing and alluring; not of his father, the ancient patriarch who seems to be fascinated by Noemí; and not even of the house itself, which begins to invade Noemi’s dreams with visions of blood and doom. Her only ally in this inhospitable abode is the family’s youngest son. Shy and gentle, he seems to want to help Noemí, but might also be hiding dark knowledge of his family’s past. For there are many secrets behind the walls of High Place. The family’s once colossal wealth and faded mining empire kept them from prying eyes, but as Noemí digs deeper she unearths stories of violence and madness. And Noemí, mesmerized by the terrifying yet seductive world of High Place, may soon find it impossible to ever leave this enigmatic house behind. “It’s as if a supernatural power compels us to turn the pages of the gripping Mexican Gothic.”—The Washington Post “Mexican Gothic is the perfect summer horror read, and marks Moreno-Garcia with her hypnotic and engaging prose as one of the genre’s most exciting talents.”—Nerdist “A period thriller as rich in suspense as it is in lush ’50s atmosphere.”—Entertainment Weekly

The Matrophobic Gothic and Its Legacy

Author: Deborah D. Rogers

Publisher: Peter Lang

Published: 2007

Total Pages: 182

ISBN-13: 9781433100451

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Although in recent years maternity has become a contested site of political discourse, the matrophobia that characterizes many mother-daughter bonds has hardly been theorized. This book defines matrophobia as fear of mothers, as fear of becoming a mother, and as fear of identification with and separation from the maternal body. Deborah D. Rogers argues that matrophobia is the central metaphor for women's relationships with each other within a patriarchal culture. Analyzing different contexts in which matrophobia problematizes feminism, this book begins with matrophobic discourse in eighteenth-century England. Significantly, the self-sacrificing construction of motherhood emerges at the same time as the novel, a genre that develops as a locus for the radical displacement of matrophobia. Coining the term «Matrophobic Gothic» to describe works in which inadequately mothered heroines reconcile with maternal figures that the narrative has repressed, Rogers focuses on this phenomenon in the works of Ann Radcliffe and Jane Austen. Her consideration of matrophobia extends to early modern male-authored texts, including Samuel Richardson's representation of maternity and Sir Walter Scott's exploration of gender roles and identity. These issues continue unabated in televised serial drama. All told, this book powerfully argues for the necessity of confronting the matrophobia at the heart of feminism.

Book Synopsis The Matrophobic Gothic and Its Legacy by : Deborah D. Rogers

Download or read book The Matrophobic Gothic and Its Legacy written by Deborah D. Rogers and published by Peter Lang. This book was released on 2007 with total page 182 pages. Available in PDF, EPUB and Kindle. Book excerpt: Although in recent years maternity has become a contested site of political discourse, the matrophobia that characterizes many mother-daughter bonds has hardly been theorized. This book defines matrophobia as fear of mothers, as fear of becoming a mother, and as fear of identification with and separation from the maternal body. Deborah D. Rogers argues that matrophobia is the central metaphor for women's relationships with each other within a patriarchal culture. Analyzing different contexts in which matrophobia problematizes feminism, this book begins with matrophobic discourse in eighteenth-century England. Significantly, the self-sacrificing construction of motherhood emerges at the same time as the novel, a genre that develops as a locus for the radical displacement of matrophobia. Coining the term «Matrophobic Gothic» to describe works in which inadequately mothered heroines reconcile with maternal figures that the narrative has repressed, Rogers focuses on this phenomenon in the works of Ann Radcliffe and Jane Austen. Her consideration of matrophobia extends to early modern male-authored texts, including Samuel Richardson's representation of maternity and Sir Walter Scott's exploration of gender roles and identity. These issues continue unabated in televised serial drama. All told, this book powerfully argues for the necessity of confronting the matrophobia at the heart of feminism.

Edinburgh Companion to Gothic and the Arts

Author: Punter David Punter

Publisher: Edinburgh University Press

Published: 2019-08-05

Total Pages: 831

ISBN-13: 1474432387

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Provides new definitions of the Gothic in a variety of artistic contexts Explores a range of Gothic from architecture through literature to music and the technological artsProvides an opportunity to hear new thinking from established scholars as well as showcasing work by new scholarsHighlights new definitions of the Gothic from a wide variety of perspectivesThe Gothic in all its artistic forms and ramifications is traced from the medieval to the twenty-first century. From architecture, painting and sculpture through music, ballet, opera and dance to installation art and the graphic novel, each of the 33 chapters reflects on and weighs in on the ways in which the Gothic is taken up in the art forms and modes under examination. An Introduction discusses Gothic as a changing cultural form across the centuries with deep psychological roots. This is followed by sections on: architectural arts; the visual arts; music and the performance arts; the literary arts; and media and cultural arts.

Book Synopsis Edinburgh Companion to Gothic and the Arts by : Punter David Punter

Download or read book Edinburgh Companion to Gothic and the Arts written by Punter David Punter and published by Edinburgh University Press. This book was released on 2019-08-05 with total page 831 pages. Available in PDF, EPUB and Kindle. Book excerpt: Provides new definitions of the Gothic in a variety of artistic contexts Explores a range of Gothic from architecture through literature to music and the technological artsProvides an opportunity to hear new thinking from established scholars as well as showcasing work by new scholarsHighlights new definitions of the Gothic from a wide variety of perspectivesThe Gothic in all its artistic forms and ramifications is traced from the medieval to the twenty-first century. From architecture, painting and sculpture through music, ballet, opera and dance to installation art and the graphic novel, each of the 33 chapters reflects on and weighs in on the ways in which the Gothic is taken up in the art forms and modes under examination. An Introduction discusses Gothic as a changing cultural form across the centuries with deep psychological roots. This is followed by sections on: architectural arts; the visual arts; music and the performance arts; the literary arts; and media and cultural arts.

Gothic to Goth

Author: Lynne Z. Bassett

Publisher: WADSWORTH ATHENEUM

Published: 2016

Total Pages: 0

ISBN-13: 9780918333285

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The Romantic aesthetic of the 1810 1860 period embraced the imagination combining history, nature, religion, and terror into a fascinating melange expressed in the clothing of the era and influencing fashion design to the present day"

Book Synopsis Gothic to Goth by : Lynne Z. Bassett

Download or read book Gothic to Goth written by Lynne Z. Bassett and published by WADSWORTH ATHENEUM. This book was released on 2016 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Romantic aesthetic of the 1810 1860 period embraced the imagination combining history, nature, religion, and terror into a fascinating melange expressed in the clothing of the era and influencing fashion design to the present day"

The Gothic's Gothic (Routledge Revivals)

Author: Benjamin Franklin Fisher IV

Publisher: Routledge

Published: 2016-05-05

Total Pages: 485

ISBN-13: 1317206592

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First published in 1988, this book aims to provide keys to the study of Gothicism in British and American literature. It gathers together much material that had not been cited in previous works of this kind and secondary works relevant to literary Gothicism — biographies, memoirs and graphic arts. Part one cites items pertaining to significant authors of Gothic works and part two consists of subject headings, offering information about broad topics that evolve from or that have been linked with Gothicism. Three indexes are also provided to expedite searches for the contents of the entries. This book will be of interest to students of literature.

Book Synopsis The Gothic's Gothic (Routledge Revivals) by : Benjamin Franklin Fisher IV

Download or read book The Gothic's Gothic (Routledge Revivals) written by Benjamin Franklin Fisher IV and published by Routledge. This book was released on 2016-05-05 with total page 485 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in 1988, this book aims to provide keys to the study of Gothicism in British and American literature. It gathers together much material that had not been cited in previous works of this kind and secondary works relevant to literary Gothicism — biographies, memoirs and graphic arts. Part one cites items pertaining to significant authors of Gothic works and part two consists of subject headings, offering information about broad topics that evolve from or that have been linked with Gothicism. Three indexes are also provided to expedite searches for the contents of the entries. This book will be of interest to students of literature.

Servants and the Gothic, 1764-1831

Author: Kathleen Hudson

Publisher: University of Wales Press

Published: 2018-12-14

Total Pages: 254

ISBN-13: 1786833409

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This volume provides readers with a comprehensive literary and historical basis for understanding servant characters and servant narratives in the early Gothic mode. Throughout the eighteenth and nineteenth centuries, servants were ‘othered’ figures whose voices had the potential to undermine socio-political and personal identity. This study recasts servant characters within the early Gothic mode as ‘narrators’ who verbally or non-verbally perform dialogue, moral insights and folkloric or gossip-based stories. Examining the development of servant narrative within the early Gothic mode, Servants and the Gothic outlines the socio-historical and literary influences which defined the servant voice during the eighteenth century, as well as identifying and expanding upon the ways in which servant narratives contributed to each author’s unique goals. It redefines servant narratives as a Gothic ‘performance’, a self-conscious self-examination of the ways in which a Gothic narrative impacts literary, social and personal identity.

Book Synopsis Servants and the Gothic, 1764-1831 by : Kathleen Hudson

Download or read book Servants and the Gothic, 1764-1831 written by Kathleen Hudson and published by University of Wales Press. This book was released on 2018-12-14 with total page 254 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume provides readers with a comprehensive literary and historical basis for understanding servant characters and servant narratives in the early Gothic mode. Throughout the eighteenth and nineteenth centuries, servants were ‘othered’ figures whose voices had the potential to undermine socio-political and personal identity. This study recasts servant characters within the early Gothic mode as ‘narrators’ who verbally or non-verbally perform dialogue, moral insights and folkloric or gossip-based stories. Examining the development of servant narrative within the early Gothic mode, Servants and the Gothic outlines the socio-historical and literary influences which defined the servant voice during the eighteenth century, as well as identifying and expanding upon the ways in which servant narratives contributed to each author’s unique goals. It redefines servant narratives as a Gothic ‘performance’, a self-conscious self-examination of the ways in which a Gothic narrative impacts literary, social and personal identity.