Graffiti 365

Graffiti 365

Author: Jay Edlin

Publisher: Harry N. Abrams

Published: 2011-10-01

Total Pages: 744

ISBN-13: 9780810997448

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Graffiti 365 delivers the first real insider's view into the contemporary graffiti and street-art scenes, as well as their antecedents. A fun, wide-ranging survey of the international graffiti movement, this book uses more than 600 rare, previously unpublished, or legendary images to introduce and describe important artists—from Blade to Banksy—and styles—from bubble to wild. Along the way, Graffiti 365 covers different eras, cities, legendary walls and crews, police and public responses to graffiti, and more. The author of Graffiti 365, J.SON, has been an artist and historian of the graffiti movement for decades—he started writing graffiti in 1973 and retired in 1984. Unparalleled in its breadth and depth of coverage, Graffiti 365 is a wide-angle snapshot of an entire movement.


Book Synopsis Graffiti 365 by : Jay Edlin

Download or read book Graffiti 365 written by Jay Edlin and published by Harry N. Abrams. This book was released on 2011-10-01 with total page 744 pages. Available in PDF, EPUB and Kindle. Book excerpt: Graffiti 365 delivers the first real insider's view into the contemporary graffiti and street-art scenes, as well as their antecedents. A fun, wide-ranging survey of the international graffiti movement, this book uses more than 600 rare, previously unpublished, or legendary images to introduce and describe important artists—from Blade to Banksy—and styles—from bubble to wild. Along the way, Graffiti 365 covers different eras, cities, legendary walls and crews, police and public responses to graffiti, and more. The author of Graffiti 365, J.SON, has been an artist and historian of the graffiti movement for decades—he started writing graffiti in 1973 and retired in 1984. Unparalleled in its breadth and depth of coverage, Graffiti 365 is a wide-angle snapshot of an entire movement.

Flip the Script

Flip the Script

Author: Christian P. Acker

Publisher: Gingko Press Editions

Published: 2013

Total Pages: 0

ISBN-13: 9781584234609

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Distinctive hand style lettering is an essential skill for artists and designers. Deftly executed hand crafted letter forms are a nearly forgotten art in an age of endless free fonts. Graffiti is one of the last reservoirs of highly refined, well-practiced penmanship. Within the pages of FLIP THE SCRIPT, the best hand styles are analysed, contextualising the work of graffiti writers from around America. Author Acker presents the various lettering samples in a clean organized format, giving the material a proper, formal treatment evoking classic typography books.


Book Synopsis Flip the Script by : Christian P. Acker

Download or read book Flip the Script written by Christian P. Acker and published by Gingko Press Editions. This book was released on 2013 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Distinctive hand style lettering is an essential skill for artists and designers. Deftly executed hand crafted letter forms are a nearly forgotten art in an age of endless free fonts. Graffiti is one of the last reservoirs of highly refined, well-practiced penmanship. Within the pages of FLIP THE SCRIPT, the best hand styles are analysed, contextualising the work of graffiti writers from around America. Author Acker presents the various lettering samples in a clean organized format, giving the material a proper, formal treatment evoking classic typography books.

Re-envisioning the Contemporary Art Canon

Re-envisioning the Contemporary Art Canon

Author: Ruth E Iskin

Publisher: Taylor & Francis

Published: 2016-12-08

Total Pages: 294

ISBN-13: 1317275047

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Re-envisioning the Contemporary Art Canon: Perspectives in a Global World seeks to dissect and interrogate the nature of the present-day art field, which has experienced dramatic shifts in the past 50 years. In discussions of the canon of art history, the notion of ‘inclusiveness’, both at the level of rhetoric and as a desired practice is on the rise and gradually replacing talk of ‘exclusion’, which dominated critiques of the canon up until two decades ago. The art field has dramatically, if insufficiently, changed in the half-century since the first protests and critiques of the exclusion of ‘others’ from the art canon. With increased globalization and shifting geopolitics, the art field is expanding beyond its Euro-American focus, as is particularly evident in the large-scale international biennales now held all over the globe. Are canons and counter-canons still relevant? Can they be re-envisioned rather than merely revised? Following an introduction that discusses these issues, thirteen newly commissioned essays present case studies of consecration in the contemporary art field, and three commissioned discussions present diverse positions on issues of the canon and consecration processes today. This volume will be of interest to instructors and students of contemporary art, art history, and museum and curatorial studies.


Book Synopsis Re-envisioning the Contemporary Art Canon by : Ruth E Iskin

Download or read book Re-envisioning the Contemporary Art Canon written by Ruth E Iskin and published by Taylor & Francis. This book was released on 2016-12-08 with total page 294 pages. Available in PDF, EPUB and Kindle. Book excerpt: Re-envisioning the Contemporary Art Canon: Perspectives in a Global World seeks to dissect and interrogate the nature of the present-day art field, which has experienced dramatic shifts in the past 50 years. In discussions of the canon of art history, the notion of ‘inclusiveness’, both at the level of rhetoric and as a desired practice is on the rise and gradually replacing talk of ‘exclusion’, which dominated critiques of the canon up until two decades ago. The art field has dramatically, if insufficiently, changed in the half-century since the first protests and critiques of the exclusion of ‘others’ from the art canon. With increased globalization and shifting geopolitics, the art field is expanding beyond its Euro-American focus, as is particularly evident in the large-scale international biennales now held all over the globe. Are canons and counter-canons still relevant? Can they be re-envisioned rather than merely revised? Following an introduction that discusses these issues, thirteen newly commissioned essays present case studies of consecration in the contemporary art field, and three commissioned discussions present diverse positions on issues of the canon and consecration processes today. This volume will be of interest to instructors and students of contemporary art, art history, and museum and curatorial studies.

Street Art World

Street Art World

Author: Alison Young

Publisher: Reaktion Books

Published: 2016-11-15

Total Pages: 371

ISBN-13: 178023709X

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Street art and graffiti are a familiar sight in all our cities. Giant murals commemorate historical events or proclaim the culture of a neighborhood, while tagged walls can function simultaneously as a claim to territory and a backdrop for an urban fashion shoot. Street Art World examines these divergent forms and functions of street art. This strikingly illustrated book explores every aspect of street art, from those who spray it into being to those who revel in it on Instagram, from its place under highway overpasses to one on the austere walls of high art museums. What exactly is street art? Is it the same as graffiti, or do they have different histories, meanings, and practitioners? Who makes it? Who buys it? Can it be exhibited at all, or does it always have to appear unsanctioned? Talking with artists, collectors, sellers, and buyers, author Alison Young reveals an energetic world of self-made artists who are simultaneously passionate about an authentic form of expression and ambivalent about the prospects of selling it to make a living—even a fabulously good one. Drawing on over twenty years of research, she juxtaposes the rise and fall of art markets against the vibrancy of the street and urban life, providing a rich history and new ways of contextualizing the words and images—some breathtakingly beautiful—that seem to appear overnight in cities around the world.


Book Synopsis Street Art World by : Alison Young

Download or read book Street Art World written by Alison Young and published by Reaktion Books. This book was released on 2016-11-15 with total page 371 pages. Available in PDF, EPUB and Kindle. Book excerpt: Street art and graffiti are a familiar sight in all our cities. Giant murals commemorate historical events or proclaim the culture of a neighborhood, while tagged walls can function simultaneously as a claim to territory and a backdrop for an urban fashion shoot. Street Art World examines these divergent forms and functions of street art. This strikingly illustrated book explores every aspect of street art, from those who spray it into being to those who revel in it on Instagram, from its place under highway overpasses to one on the austere walls of high art museums. What exactly is street art? Is it the same as graffiti, or do they have different histories, meanings, and practitioners? Who makes it? Who buys it? Can it be exhibited at all, or does it always have to appear unsanctioned? Talking with artists, collectors, sellers, and buyers, author Alison Young reveals an energetic world of self-made artists who are simultaneously passionate about an authentic form of expression and ambivalent about the prospects of selling it to make a living—even a fabulously good one. Drawing on over twenty years of research, she juxtaposes the rise and fall of art markets against the vibrancy of the street and urban life, providing a rich history and new ways of contextualizing the words and images—some breathtakingly beautiful—that seem to appear overnight in cities around the world.

Street Art Tel Aviv

Street Art Tel Aviv

Author:

Publisher: Liverpool University Press

Published: 2021-05-07

Total Pages: 257

ISBN-13: 1782847391

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Distinctly unique, Tel Aviv's street art represents a wide spectrum of cultural backgrounds and aesthetic sensibilities. Echoing the uncertainty that permeates Israel's daily existence, it possesses a rawness and energy found in few modern cities. Through more than 250 images, 14 artist profiles, and comprehensive research, Street Art Tel Aviv introduces the reader to an alternative visual culture that has developed and thrived at a time when the citys building exteriors are plentiful, and living and workspaces are still available to emerging artists. At the turn of the 21st century, Tel Aviv's gritty streets, particularly those in southern industrial neighbourhoods, began to host a motley array of spectral faces, uncanny figures and curious characters. Random graffiti, from scrawls on the walls to stylized letters, made their way into largely vacant spaces. Artistic renderings of band-aids, hearts and eggplants evolved into iconic city images. Poetic expressions and musings from the personal to the collective surfaced increasingly on Tel Aviv's flat facades. And while much of what is painted directly onto the walls avoids commenting on the city's precarious political state, the stencils that continue to surface often stealthily in the dark alert us to the citys seemingly irresolvable, ever-present external and internal conflicts. Street Art Tel Aviv also gives entry into Tel Aviv's Central Bus Station, Israel's largest indoor urban art gallery. Showcasing murals in a diverse range of styles, painted directly onto its walls by local, national and international artists since 2013, it is a favourite site for street art and contemporary art enthusiasts. Herewith the opportunity to explore this vibrant city's visual landscape at a time of transition for both the city itself and for this new visual art genre.


Book Synopsis Street Art Tel Aviv by :

Download or read book Street Art Tel Aviv written by and published by Liverpool University Press. This book was released on 2021-05-07 with total page 257 pages. Available in PDF, EPUB and Kindle. Book excerpt: Distinctly unique, Tel Aviv's street art represents a wide spectrum of cultural backgrounds and aesthetic sensibilities. Echoing the uncertainty that permeates Israel's daily existence, it possesses a rawness and energy found in few modern cities. Through more than 250 images, 14 artist profiles, and comprehensive research, Street Art Tel Aviv introduces the reader to an alternative visual culture that has developed and thrived at a time when the citys building exteriors are plentiful, and living and workspaces are still available to emerging artists. At the turn of the 21st century, Tel Aviv's gritty streets, particularly those in southern industrial neighbourhoods, began to host a motley array of spectral faces, uncanny figures and curious characters. Random graffiti, from scrawls on the walls to stylized letters, made their way into largely vacant spaces. Artistic renderings of band-aids, hearts and eggplants evolved into iconic city images. Poetic expressions and musings from the personal to the collective surfaced increasingly on Tel Aviv's flat facades. And while much of what is painted directly onto the walls avoids commenting on the city's precarious political state, the stencils that continue to surface often stealthily in the dark alert us to the citys seemingly irresolvable, ever-present external and internal conflicts. Street Art Tel Aviv also gives entry into Tel Aviv's Central Bus Station, Israel's largest indoor urban art gallery. Showcasing murals in a diverse range of styles, painted directly onto its walls by local, national and international artists since 2013, it is a favourite site for street art and contemporary art enthusiasts. Herewith the opportunity to explore this vibrant city's visual landscape at a time of transition for both the city itself and for this new visual art genre.

The Aura of the Word in the Early Age of Print (1450?600)

The Aura of the Word in the Early Age of Print (1450?600)

Author: Samuel Mareel

Publisher: Routledge

Published: 2017-07-05

Total Pages: 272

ISBN-13: 1351546090

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Did the invention of movable type change the way that the word was perceived in the early modern period? In his groundbreaking essay "The Work of Art in the Age of Mechanical Reproduction," the cultural critic Walter Benjamin argued that reproduction drains the image of its aura, by which he means the authority that a work of art obtains from its singularity and its embeddedness in a particular context. The central question in The Aura of the Word in the Early Age of Print (1450-1600) is whether the dissemination of text through print had a similar effect on the status of the word in the early modern period. In this volume, contributors from a variety of fields look at manifestations of the early modern word (in English, French, Latin, Dutch, German and Yiddish) as entities whose significance derived not simply from their semantic meaning but also from their relationship to their material support, to the physical context in which they are located and to the act of writing itself. Rather than viewing printed text as functional and lacking in materiality, contributors focus on how the placement of a text could affect its meaning and significance. The essays also consider the continued vitality of pre-printing-press kinds of text such as the illuminated manuscript; and how new practices, such as the veneration of handwriting, sprung up in the wake of the invention of movable type.


Book Synopsis The Aura of the Word in the Early Age of Print (1450?600) by : Samuel Mareel

Download or read book The Aura of the Word in the Early Age of Print (1450?600) written by Samuel Mareel and published by Routledge. This book was released on 2017-07-05 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: Did the invention of movable type change the way that the word was perceived in the early modern period? In his groundbreaking essay "The Work of Art in the Age of Mechanical Reproduction," the cultural critic Walter Benjamin argued that reproduction drains the image of its aura, by which he means the authority that a work of art obtains from its singularity and its embeddedness in a particular context. The central question in The Aura of the Word in the Early Age of Print (1450-1600) is whether the dissemination of text through print had a similar effect on the status of the word in the early modern period. In this volume, contributors from a variety of fields look at manifestations of the early modern word (in English, French, Latin, Dutch, German and Yiddish) as entities whose significance derived not simply from their semantic meaning but also from their relationship to their material support, to the physical context in which they are located and to the act of writing itself. Rather than viewing printed text as functional and lacking in materiality, contributors focus on how the placement of a text could affect its meaning and significance. The essays also consider the continued vitality of pre-printing-press kinds of text such as the illuminated manuscript; and how new practices, such as the veneration of handwriting, sprung up in the wake of the invention of movable type.

The Aura of the Word in the Early Age of Print (1450-1600)

The Aura of the Word in the Early Age of Print (1450-1600)

Author: Samuel Mareel

Publisher: Routledge

Published: 2017-07-05

Total Pages: 232

ISBN-13: 1351546104

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Did the invention of movable type change the way that the word was perceived in the early modern period? In his groundbreaking essay "The Work of Art in the Age of Mechanical Reproduction," the cultural critic Walter Benjamin argued that reproduction drains the image of its aura, by which he means the authority that a work of art obtains from its singularity and its embeddedness in a particular context. The central question in The Aura of the Word in the Early Age of Print (1450-1600) is whether the dissemination of text through print had a similar effect on the status of the word in the early modern period. In this volume, contributors from a variety of fields look at manifestations of the early modern word (in English, French, Latin, Dutch, German and Yiddish) as entities whose significance derived not simply from their semantic meaning but also from their relationship to their material support, to the physical context in which they are located and to the act of writing itself. Rather than viewing printed text as functional and lacking in materiality, contributors focus on how the placement of a text could affect its meaning and significance. The essays also consider the continued vitality of pre-printing-press kinds of text such as the illuminated manuscript; and how new practices, such as the veneration of handwriting, sprung up in the wake of the invention of movable type.


Book Synopsis The Aura of the Word in the Early Age of Print (1450-1600) by : Samuel Mareel

Download or read book The Aura of the Word in the Early Age of Print (1450-1600) written by Samuel Mareel and published by Routledge. This book was released on 2017-07-05 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: Did the invention of movable type change the way that the word was perceived in the early modern period? In his groundbreaking essay "The Work of Art in the Age of Mechanical Reproduction," the cultural critic Walter Benjamin argued that reproduction drains the image of its aura, by which he means the authority that a work of art obtains from its singularity and its embeddedness in a particular context. The central question in The Aura of the Word in the Early Age of Print (1450-1600) is whether the dissemination of text through print had a similar effect on the status of the word in the early modern period. In this volume, contributors from a variety of fields look at manifestations of the early modern word (in English, French, Latin, Dutch, German and Yiddish) as entities whose significance derived not simply from their semantic meaning but also from their relationship to their material support, to the physical context in which they are located and to the act of writing itself. Rather than viewing printed text as functional and lacking in materiality, contributors focus on how the placement of a text could affect its meaning and significance. The essays also consider the continued vitality of pre-printing-press kinds of text such as the illuminated manuscript; and how new practices, such as the veneration of handwriting, sprung up in the wake of the invention of movable type.

Len Lye

Len Lye

Author: Roger Horrocks

Publisher: Auckland University Press

Published: 2001

Total Pages: 510

ISBN-13: 9781869402471

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Lye was - in the words of poet Alistair Reid - 'the least boring person who ever lived'. Even after his death he continues to be a controversial figure as his plans for giant moving sculptures are at last being realised in New Zealand."--BOOK JACKET.


Book Synopsis Len Lye by : Roger Horrocks

Download or read book Len Lye written by Roger Horrocks and published by Auckland University Press. This book was released on 2001 with total page 510 pages. Available in PDF, EPUB and Kindle. Book excerpt: Lye was - in the words of poet Alistair Reid - 'the least boring person who ever lived'. Even after his death he continues to be a controversial figure as his plans for giant moving sculptures are at last being realised in New Zealand."--BOOK JACKET.

Early Modern English Marginalia

Early Modern English Marginalia

Author: Katherine Acheson

Publisher: Routledge

Published: 2018-12-17

Total Pages: 302

ISBN-13: 1351857258

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Marginalia in early modern and medieval texts – printed, handwrit- ten, drawn, scratched, colored, and pasted in – offer a glimpse of how people, as individuals and in groups, interacted with books and manu- scripts over often lengthy periods of time. The chapters in this volume build on earlier scholarship that established marginalia as an intellec- tual method (Grafton and Jardine), as records of reading motivated by cultural, social, theological, and personal inclinations (Brayman [Hackel] and Orgel), and as practices inspired by material affordances particular to the book and the pen (Fleming and Sherman). They further the study of the practices of marginalia as a mode – a set of ways in which material opportunities and practices overlap with intellectual, social, and personal motivations to make meaning in the world. They introduce us to a set of idiosyncratic examples such as the trace marks of objects left in books, deliberately or by accident; cut-and-pasted additions to printed volumes; a marriage depicted through shared book ownership. They reveal to us in case studies the unique value of mar- ginalia as evidence of phenomena as important and diverse as religious change, authorial self-invention, and the history of the literary canon. The chapters of this book go beyond the case study, however, and raise broad historical, cultural, and theoretical questions about the strange, marvelous, metamorphic thing we call the book, and the equally mul- tiplicitous, eccentric, and inscrutable beings who accompany them through history: readers and writers.


Book Synopsis Early Modern English Marginalia by : Katherine Acheson

Download or read book Early Modern English Marginalia written by Katherine Acheson and published by Routledge. This book was released on 2018-12-17 with total page 302 pages. Available in PDF, EPUB and Kindle. Book excerpt: Marginalia in early modern and medieval texts – printed, handwrit- ten, drawn, scratched, colored, and pasted in – offer a glimpse of how people, as individuals and in groups, interacted with books and manu- scripts over often lengthy periods of time. The chapters in this volume build on earlier scholarship that established marginalia as an intellec- tual method (Grafton and Jardine), as records of reading motivated by cultural, social, theological, and personal inclinations (Brayman [Hackel] and Orgel), and as practices inspired by material affordances particular to the book and the pen (Fleming and Sherman). They further the study of the practices of marginalia as a mode – a set of ways in which material opportunities and practices overlap with intellectual, social, and personal motivations to make meaning in the world. They introduce us to a set of idiosyncratic examples such as the trace marks of objects left in books, deliberately or by accident; cut-and-pasted additions to printed volumes; a marriage depicted through shared book ownership. They reveal to us in case studies the unique value of mar- ginalia as evidence of phenomena as important and diverse as religious change, authorial self-invention, and the history of the literary canon. The chapters of this book go beyond the case study, however, and raise broad historical, cultural, and theoretical questions about the strange, marvelous, metamorphic thing we call the book, and the equally mul- tiplicitous, eccentric, and inscrutable beings who accompany them through history: readers and writers.

Midnight Graffiti

Midnight Graffiti

Author: Stephen King

Publisher: Grand Central Publishing

Published: 1992

Total Pages: 388

ISBN-13: 9780446363075

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In the bestselling tradition of Dark Forces and Prime Evil, here is an anthology of cutting-edge horror fiction, with stories from the hottest writers around, including Stephen King, Dan Simmons, Nancy Collins, and Harlan Ellison. Reprinted from the critically-acclaimed, Hugo Award nominated Midnight Graffiti magazine.


Book Synopsis Midnight Graffiti by : Stephen King

Download or read book Midnight Graffiti written by Stephen King and published by Grand Central Publishing. This book was released on 1992 with total page 388 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the bestselling tradition of Dark Forces and Prime Evil, here is an anthology of cutting-edge horror fiction, with stories from the hottest writers around, including Stephen King, Dan Simmons, Nancy Collins, and Harlan Ellison. Reprinted from the critically-acclaimed, Hugo Award nominated Midnight Graffiti magazine.