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This collection of unique works by 150 Los Angeles graffiti and tattoo artists represents an unprecedented collaboration across the city’s diverse artistic landscape. Many graffiti artists carry sketchbooks, called black books, and they ask crew members and others whose work they admire to inscribe their books with lettering or drawings. A few years ago, the Getty Research Institute invited artists, including Angst, Axis, Big Sleeps, Chaz, Cre8, Defer, EyeOne, Fishe, Heaven, Hyde, Look, ManOne, and Prime, to consider the idea of a citywide graffiti black book. During visits to the Getty Center, the artists viewed rare books related to calligraphy and letterforms, including works by Albrecht Dürer and Leonardo da Vinci. The artists instantly recognized the connections to their own practices and were particularly drawn to a liber amicorum (book of friends), a form of autograph book popular in the seventeenth century. Passed from hand to hand, it was filled with signatures, poetry, and coats of arms, like a black book from another era. Inspired by this meeting of minds across centuries, these artists became both creators and curators, crafting their own pages and inviting others to contribute. Eventually 150 Los Angeles artists decorated 143 individual pages. These were bound together into an exquisite artists’ book that became known as the Getty Graffiti Black Book. This publication reproduces each page from the original artists’ book and recounts the story of an unprecedented collaboration across the diverse artistic landscape of Los Angeles.
Book Synopsis LA Graffiti Black Book by : David Brafman
Download or read book LA Graffiti Black Book written by David Brafman and published by Getty Publications. This book was released on 2021-04-13 with total page 178 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of unique works by 150 Los Angeles graffiti and tattoo artists represents an unprecedented collaboration across the city’s diverse artistic landscape. Many graffiti artists carry sketchbooks, called black books, and they ask crew members and others whose work they admire to inscribe their books with lettering or drawings. A few years ago, the Getty Research Institute invited artists, including Angst, Axis, Big Sleeps, Chaz, Cre8, Defer, EyeOne, Fishe, Heaven, Hyde, Look, ManOne, and Prime, to consider the idea of a citywide graffiti black book. During visits to the Getty Center, the artists viewed rare books related to calligraphy and letterforms, including works by Albrecht Dürer and Leonardo da Vinci. The artists instantly recognized the connections to their own practices and were particularly drawn to a liber amicorum (book of friends), a form of autograph book popular in the seventeenth century. Passed from hand to hand, it was filled with signatures, poetry, and coats of arms, like a black book from another era. Inspired by this meeting of minds across centuries, these artists became both creators and curators, crafting their own pages and inviting others to contribute. Eventually 150 Los Angeles artists decorated 143 individual pages. These were bound together into an exquisite artists’ book that became known as the Getty Graffiti Black Book. This publication reproduces each page from the original artists’ book and recounts the story of an unprecedented collaboration across the diverse artistic landscape of Los Angeles.
THE BOOK EVERY TEENAGER WILL WANT ...to hide from their parents. A group of high school students deal with sex, love, bullying, family and betrayal. (Edgy YA) Life is turned upside down for Ash Rata and Tiana Lilu after they skip school to take their relationship to the next level. When their family and friends find out, they are forced to deal with rumours, bullies, an overprotective brother and mortified parents. Amongst the turmoil Ash grows closer to his stepdad, learning to trust again after years of holding a grudge against his jailed father. But following a guys' night out together, Ash's life is shattered when he wakes up in hospital and learns his stepdad has done something unforgivable. Traumatised, he pushes everyone he loves away, terrified that they will discover what really happened that night. Set in the year 2000, ten years prior to Behind the Hood, Graffiti Heaven is the first in a series that follows Ash Rata's teenage years, a coming of age tale where both comedy and tragedy battle it out on a New Zealand stage.
Book Synopsis Graffiti Heaven by : Marita Ann Hansen
Download or read book Graffiti Heaven written by Marita Ann Hansen and published by Createspace Independent Pub. This book was released on 2012-08-01 with total page 362 pages. Available in PDF, EPUB and Kindle. Book excerpt: THE BOOK EVERY TEENAGER WILL WANT ...to hide from their parents. A group of high school students deal with sex, love, bullying, family and betrayal. (Edgy YA) Life is turned upside down for Ash Rata and Tiana Lilu after they skip school to take their relationship to the next level. When their family and friends find out, they are forced to deal with rumours, bullies, an overprotective brother and mortified parents. Amongst the turmoil Ash grows closer to his stepdad, learning to trust again after years of holding a grudge against his jailed father. But following a guys' night out together, Ash's life is shattered when he wakes up in hospital and learns his stepdad has done something unforgivable. Traumatised, he pushes everyone he loves away, terrified that they will discover what really happened that night. Set in the year 2000, ten years prior to Behind the Hood, Graffiti Heaven is the first in a series that follows Ash Rata's teenage years, a coming of age tale where both comedy and tragedy battle it out on a New Zealand stage.
A collection of work from preeminent pop surrealism artist Caia Koopman Among lowbrow and tattoo connoisseurs Santa Cruz-based Caia is recognized as one of the most talented artists working in California. Now with her recent first solo shows in L.A. and San Francisco, she is about to get much more recognition. It's not hard to see why. Her images are sexy but empowered, reference the best iconography from the world of tattoo (Day of the Dead and old school roses), and can be ironically very candypop-pink or have an alluring old-fashioned Art Nouveau quality. What they are is instantly very hip and very now. Raining Pink is a stunning collection of Caia's best work. With this, and recent features in Juxtapoz among others, her reputation is set to grow and grow.
Book Synopsis Inking the Borders of Heaven and Hell by : Ramon Maiden
Download or read book Inking the Borders of Heaven and Hell written by Ramon Maiden and published by . This book was released on 2016-07 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: A collection of work from preeminent pop surrealism artist Caia Koopman Among lowbrow and tattoo connoisseurs Santa Cruz-based Caia is recognized as one of the most talented artists working in California. Now with her recent first solo shows in L.A. and San Francisco, she is about to get much more recognition. It's not hard to see why. Her images are sexy but empowered, reference the best iconography from the world of tattoo (Day of the Dead and old school roses), and can be ironically very candypop-pink or have an alluring old-fashioned Art Nouveau quality. What they are is instantly very hip and very now. Raining Pink is a stunning collection of Caia's best work. With this, and recent features in Juxtapoz among others, her reputation is set to grow and grow.
Heaven's Fractal Net explores the uniquely useful geometrical forms found in nature and in cultures of the world. The visual shapes of fractals attract eyes with their fascinating beauty. They appear in images and designs with reiterated patterns whose parts are self-similar to the whole pattern--just as a fern frond is structured with smaller and smaller self-similar branches. The fractal-like imagery in religious architecture has been used to symbolize infinity, consciousness, vertigo, and wonder. In nature fractals serve as dynamic configurations for circulation, including the branching shapes of trees and lungs, rivers and nerves. A wealth of fractal examples is found in arts, symbols, and decorations. Heaven's Fractal Net is a book which explores self-similarities in worldwide cultures, providing a rich background for examining many geometrical shapes used by humanity, exploring processes of creativity in wisdom traditions, and delving into archetypal images in depth psychology. Fractals offer an organizing principle for many different kinds of hierarchies and composites, and in recent years "fractal" has become a familiar household word for a new yet ancient geometry.
Book Synopsis Heaven's Fractal Net by : William J. Jackson
Download or read book Heaven's Fractal Net written by William J. Jackson and published by Wipf and Stock Publishers. This book was released on 2022-09-26 with total page 343 pages. Available in PDF, EPUB and Kindle. Book excerpt: Heaven's Fractal Net explores the uniquely useful geometrical forms found in nature and in cultures of the world. The visual shapes of fractals attract eyes with their fascinating beauty. They appear in images and designs with reiterated patterns whose parts are self-similar to the whole pattern--just as a fern frond is structured with smaller and smaller self-similar branches. The fractal-like imagery in religious architecture has been used to symbolize infinity, consciousness, vertigo, and wonder. In nature fractals serve as dynamic configurations for circulation, including the branching shapes of trees and lungs, rivers and nerves. A wealth of fractal examples is found in arts, symbols, and decorations. Heaven's Fractal Net is a book which explores self-similarities in worldwide cultures, providing a rich background for examining many geometrical shapes used by humanity, exploring processes of creativity in wisdom traditions, and delving into archetypal images in depth psychology. Fractals offer an organizing principle for many different kinds of hierarchies and composites, and in recent years "fractal" has become a familiar household word for a new yet ancient geometry.
The first book by a respected journalist on Nearing Death Awareness—similar to Near-Death Experience—this “fascinating” (Kirkus Reviews) exploration brings “humor, sympathy, and keen critical intelligence to a topic that is all too often off-limits” (Ptolemy Tompkins, collaborator with Eben Alexander on Proof of Heaven). People everywhere carry with them extraordinary, deeply comforting experiences that arrived at the moment when they most needed relief: when they lost a loved one. These experiences can include clear messages from beyond, profound and vividly beautiful visions, mysterious connections and spiritual awareness, foreknowledge of a loved one’s passing—all of which evade explanation by science and logic. Most people keep these transcendent experiences secret for fear they will be discounted by hyperrational scrutiny. Yet these very common occurrences have the power to console, comfort, and even transform our understanding of life and death. Prompted by her family’s surprising, profound experiences around the death of her father and her sister, reporter Patricia Pearson sets out on an open-minded inquiry, a rare journalistic investigation of Nearing Death Awareness, which Anne Rice praises as “substantive, eloquent, and worthwhile.” Opening Heaven’s Door offers deeply affecting stories of messages from the dying and the dead in a fascinating work of investigative journalism, pointing to new scientific explanations that give these luminous moments the importance felt by those who experience them. Pearson also delves into out-of-body and near-death experiences, examining stories and research to make sense of these related but distinct categories. Challenging current assumptions about what we know and what we are still unable to explain, Opening Heaven’s Door will forever alter your perceptions of the nature of life and death.
Book Synopsis Opening Heaven's Door by : Patricia Pearson
Download or read book Opening Heaven's Door written by Patricia Pearson and published by Simon and Schuster. This book was released on 2014-05-13 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first book by a respected journalist on Nearing Death Awareness—similar to Near-Death Experience—this “fascinating” (Kirkus Reviews) exploration brings “humor, sympathy, and keen critical intelligence to a topic that is all too often off-limits” (Ptolemy Tompkins, collaborator with Eben Alexander on Proof of Heaven). People everywhere carry with them extraordinary, deeply comforting experiences that arrived at the moment when they most needed relief: when they lost a loved one. These experiences can include clear messages from beyond, profound and vividly beautiful visions, mysterious connections and spiritual awareness, foreknowledge of a loved one’s passing—all of which evade explanation by science and logic. Most people keep these transcendent experiences secret for fear they will be discounted by hyperrational scrutiny. Yet these very common occurrences have the power to console, comfort, and even transform our understanding of life and death. Prompted by her family’s surprising, profound experiences around the death of her father and her sister, reporter Patricia Pearson sets out on an open-minded inquiry, a rare journalistic investigation of Nearing Death Awareness, which Anne Rice praises as “substantive, eloquent, and worthwhile.” Opening Heaven’s Door offers deeply affecting stories of messages from the dying and the dead in a fascinating work of investigative journalism, pointing to new scientific explanations that give these luminous moments the importance felt by those who experience them. Pearson also delves into out-of-body and near-death experiences, examining stories and research to make sense of these related but distinct categories. Challenging current assumptions about what we know and what we are still unable to explain, Opening Heaven’s Door will forever alter your perceptions of the nature of life and death.
This monograph is devoted to small forms of engraving on stone. It summarises the archaeological material obtained during the course of excavations at the Rauchuvagytgyn I site in northern Cukotka (dated to 2500 years ago). The book analyses the content and semantics of the pictorial resources and ethnic identification is made.
Book Synopsis The Enigmatic World of Ancient Graffiti by : Margarita Kir’yak
Download or read book The Enigmatic World of Ancient Graffiti written by Margarita Kir’yak and published by Archaeopress Publishing Ltd. This book was released on 2015-11-30 with total page 166 pages. Available in PDF, EPUB and Kindle. Book excerpt: This monograph is devoted to small forms of engraving on stone. It summarises the archaeological material obtained during the course of excavations at the Rauchuvagytgyn I site in northern Cukotka (dated to 2500 years ago). The book analyses the content and semantics of the pictorial resources and ethnic identification is made.
Graffiti is a controversial subject and fraught with ambiguities and contradictions. However, the recent global success of artists such as Banksy, Melbourne’s booming graffiti tourism, and the rise of the ‘creative city’ discourse, have blurred the lines between what some regard as vandalism and some as public art. As such, graffiti has increasingly become part of mainstream culture and in some countries has been promoted as a contributor to the urban environment. Thus, as practices and perceptions of graffiti shift, so does our need to better understand the role of graffiti in our urban environments. Through a case study of the Maboneng precinct, this GCRO Occasional Paper investigates the contribution made by graffiti to tourism and public and private investment in the inner-city of Johannesburg. The paper uses visual and spatial analyses of graffiti in Maboneng’s development. The research shows the extent to which the Maboneng precinct is branded through urban aesthetics, including graffiti, and demonstrates that graffiti contributes to placemaking by creating meaningful or identifiable spaces. The analysis reveals graffiti’s aesthetic value in the urban environment: it signifies the redevelopment of Maboneng, distinguishes the area at a local level from surrounding spaces, and also projects a global aesthetic. Using this case study of Maboneng we hope to show how graffiti is leveraged in nurturing urban development, creative economies and tourism in the inner-city. The Occasional Paper is comprised of two parts. The first half of the paper aims to understand the role of graffiti in its urban context. A first section examines the history of graffiti, considering centuries-old traditions of markings on walls, the intersection of graffiti with the birth of hip hop culture and, in the South African context, the role of graffiti in anti-apartheid protest politics. A further section explores the spectrum of graffiti aesthetics, from text-based expressions to the murals of street art. A third section traces graffiti’s complicated relationship to the urban environment, with changing perceptions of graffiti: as vandalism, or a mode of urban dialogue, or a form of outdoor gallery. The sections in this first half of the paper explore the transitions graffiti has made over time and highlight the fluid nature of graffiti, both in space and in the way that it is conceived. They illustrate how graffiti, once perceived as synonymous with urban blight and decay, vandalism and crime, has over time gained a more legitimate social status, for example through commissioned murals or the work of famed international artists, in the process raising the question of who decides the aesthetic of the urban environment and who has a right to participate in the production of urban space. In the second half of the paper, we focus on a case study of Maboneng, in the City of Johannesburg. Maboneng is an area of redevelopment in Johannesburg’s inner city, established in 2009. The neighbourhood has transformed through investment in the public environment and the upgrading of dozens of buildings with a focus on the creative economy. Graffiti and street art are prevalent in the area and have contributed to the branding of the area as a creative space. Through a photographic essay and mapping, we analyse the spatial and visual elements of graffiti in Maboneng, exploring its various contradictions, themes, surfaces, and the media used to create it. The detailed mapping examines different types of graffiti, and their locality, density, scale and visibility. The case study shows, in detail, the relationship between graffiti and the local urban environment, but also how graffiti relates to larger processes of urban and economic development in the city.
Book Synopsis Where do we draw the line? by : Alexandra Parker
Download or read book Where do we draw the line? written by Alexandra Parker and published by Gauteng City Region Observatory (GCRO). This book was released on 2019-03-29 with total page 116 pages. Available in PDF, EPUB and Kindle. Book excerpt: Graffiti is a controversial subject and fraught with ambiguities and contradictions. However, the recent global success of artists such as Banksy, Melbourne’s booming graffiti tourism, and the rise of the ‘creative city’ discourse, have blurred the lines between what some regard as vandalism and some as public art. As such, graffiti has increasingly become part of mainstream culture and in some countries has been promoted as a contributor to the urban environment. Thus, as practices and perceptions of graffiti shift, so does our need to better understand the role of graffiti in our urban environments. Through a case study of the Maboneng precinct, this GCRO Occasional Paper investigates the contribution made by graffiti to tourism and public and private investment in the inner-city of Johannesburg. The paper uses visual and spatial analyses of graffiti in Maboneng’s development. The research shows the extent to which the Maboneng precinct is branded through urban aesthetics, including graffiti, and demonstrates that graffiti contributes to placemaking by creating meaningful or identifiable spaces. The analysis reveals graffiti’s aesthetic value in the urban environment: it signifies the redevelopment of Maboneng, distinguishes the area at a local level from surrounding spaces, and also projects a global aesthetic. Using this case study of Maboneng we hope to show how graffiti is leveraged in nurturing urban development, creative economies and tourism in the inner-city. The Occasional Paper is comprised of two parts. The first half of the paper aims to understand the role of graffiti in its urban context. A first section examines the history of graffiti, considering centuries-old traditions of markings on walls, the intersection of graffiti with the birth of hip hop culture and, in the South African context, the role of graffiti in anti-apartheid protest politics. A further section explores the spectrum of graffiti aesthetics, from text-based expressions to the murals of street art. A third section traces graffiti’s complicated relationship to the urban environment, with changing perceptions of graffiti: as vandalism, or a mode of urban dialogue, or a form of outdoor gallery. The sections in this first half of the paper explore the transitions graffiti has made over time and highlight the fluid nature of graffiti, both in space and in the way that it is conceived. They illustrate how graffiti, once perceived as synonymous with urban blight and decay, vandalism and crime, has over time gained a more legitimate social status, for example through commissioned murals or the work of famed international artists, in the process raising the question of who decides the aesthetic of the urban environment and who has a right to participate in the production of urban space. In the second half of the paper, we focus on a case study of Maboneng, in the City of Johannesburg. Maboneng is an area of redevelopment in Johannesburg’s inner city, established in 2009. The neighbourhood has transformed through investment in the public environment and the upgrading of dozens of buildings with a focus on the creative economy. Graffiti and street art are prevalent in the area and have contributed to the branding of the area as a creative space. Through a photographic essay and mapping, we analyse the spatial and visual elements of graffiti in Maboneng, exploring its various contradictions, themes, surfaces, and the media used to create it. The detailed mapping examines different types of graffiti, and their locality, density, scale and visibility. The case study shows, in detail, the relationship between graffiti and the local urban environment, but also how graffiti relates to larger processes of urban and economic development in the city.
This volume represents a forum for conservators, conservation scientists, artists and heritage managers. It includes the voices of many of the different partners involved in the complex task of preserving artworks: • The vital experience of artists who create murals and are sometimes asked to treat their creations; • Theoretical reflections on how to deal methodologically with conservation; • Scientific studies on the identification of constituent materials and/or on the development of procedures for their preservation; • The opinion of cultural managers; • The specific experiences of conservators. All of the above must have a voice in the difficult task of preserving such a challenging and changing heritage. Este volumen se plantea como un foro de encuentro entre conservadores restauradores, científicos, artistas y gestores del patrimonio. En él se incluye el trabajo de los diferentes interlocutores que participan en la compleja tarea de conservar una obra de arte: • La experiencia vital del artista creador de murales, que a veces es llamado para restaurar lo que ya hizo; • Las reflexiones teóricas sobre el modo de enfrentarnos metodológicamente a su conservación y restauración; • Los estudios científicos destinados a la identificación de materiales constitutivos o la puesta a punto de procedimientos para su conservación; • La opinión de quienes se encargan de su gestión; • Las experiencias concretas de conservadores restauradores. Todos ellos deben tener voz en la difícil tarea de conservar un patrimonio complejo y cambiante.
Book Synopsis Conservation Issues in Modern and Contemporary Murals by : Tom Learner
Download or read book Conservation Issues in Modern and Contemporary Murals written by Tom Learner and published by Cambridge Scholars Publishing. This book was released on 2015-09-04 with total page 555 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume represents a forum for conservators, conservation scientists, artists and heritage managers. It includes the voices of many of the different partners involved in the complex task of preserving artworks: • The vital experience of artists who create murals and are sometimes asked to treat their creations; • Theoretical reflections on how to deal methodologically with conservation; • Scientific studies on the identification of constituent materials and/or on the development of procedures for their preservation; • The opinion of cultural managers; • The specific experiences of conservators. All of the above must have a voice in the difficult task of preserving such a challenging and changing heritage. Este volumen se plantea como un foro de encuentro entre conservadores restauradores, científicos, artistas y gestores del patrimonio. En él se incluye el trabajo de los diferentes interlocutores que participan en la compleja tarea de conservar una obra de arte: • La experiencia vital del artista creador de murales, que a veces es llamado para restaurar lo que ya hizo; • Las reflexiones teóricas sobre el modo de enfrentarnos metodológicamente a su conservación y restauración; • Los estudios científicos destinados a la identificación de materiales constitutivos o la puesta a punto de procedimientos para su conservación; • La opinión de quienes se encargan de su gestión; • Las experiencias concretas de conservadores restauradores. Todos ellos deben tener voz en la difícil tarea de conservar un patrimonio complejo y cambiante.
A sweeping history of Los Angeles told through the lens of the many marginalized groups—from hobos to taggers—that have used the city’s walls as a channel for communication Graffiti written in storm drain tunnels, on neighborhood walls, and under bridges tells an underground and, until now, untold history of Los Angeles. Drawing on extensive research within the city’s urban landscape, Susan A. Phillips traces the hidden language of marginalized groups over the past century—from the early twentieth-century markings of hobos, soldiers, and Japanese internees to the later inscriptions of surfers, cholos, and punks. Whether describing daredevil kids, bored workers, or clandestine lovers, Phillips profiles the experiences of people who remain underrepresented in conventional histories, revealing the powerful role of graffiti as a venue for cultural expression. Graffiti aficionados might be surprised to learn that the earliest documented graffiti bubble letters appear not in 1970s New York but in 1920s Los Angeles. Or that the negative letterforms first carved at the turn of the century are still spray painted on walls today. With discussions of characters like Leon Ray Livingston (a.k.a. “A-No. 1”), credited with consolidating the entire system of hobo communication in the 1910s, and Kathy Zuckerman, better known as the surf icon “Gidget,” this lavishly illustrated book tells stories of small moments that collectively build into broad statements about power, memory, landscape, and history itself.
Book Synopsis The City Beneath by : Susan A. Phillips
Download or read book The City Beneath written by Susan A. Phillips and published by Yale University Press. This book was released on 2019-11-05 with total page 321 pages. Available in PDF, EPUB and Kindle. Book excerpt: A sweeping history of Los Angeles told through the lens of the many marginalized groups—from hobos to taggers—that have used the city’s walls as a channel for communication Graffiti written in storm drain tunnels, on neighborhood walls, and under bridges tells an underground and, until now, untold history of Los Angeles. Drawing on extensive research within the city’s urban landscape, Susan A. Phillips traces the hidden language of marginalized groups over the past century—from the early twentieth-century markings of hobos, soldiers, and Japanese internees to the later inscriptions of surfers, cholos, and punks. Whether describing daredevil kids, bored workers, or clandestine lovers, Phillips profiles the experiences of people who remain underrepresented in conventional histories, revealing the powerful role of graffiti as a venue for cultural expression. Graffiti aficionados might be surprised to learn that the earliest documented graffiti bubble letters appear not in 1970s New York but in 1920s Los Angeles. Or that the negative letterforms first carved at the turn of the century are still spray painted on walls today. With discussions of characters like Leon Ray Livingston (a.k.a. “A-No. 1”), credited with consolidating the entire system of hobo communication in the 1910s, and Kathy Zuckerman, better known as the surf icon “Gidget,” this lavishly illustrated book tells stories of small moments that collectively build into broad statements about power, memory, landscape, and history itself.
Book Synopsis Early Art of the Northern Far East by : Margarita Aleksandrovna Kirʹi︠a︡k
Download or read book Early Art of the Northern Far East written by Margarita Aleksandrovna Kirʹi︠a︡k and published by National Park Service Division of Publications. This book was released on 2007 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt:
