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Based on a small corpus of enigmatic satirical prints, so far ignored by art historians and historians of religion, this book traces covert debates on the shortcomings of early modern religious culture, and directions for reform, in the Dutch Republic.
Book Synopsis Graphic Satire and Religious Change by : Joke Spaans
Download or read book Graphic Satire and Religious Change written by Joke Spaans and published by BRILL. This book was released on 2011-06-22 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: Based on a small corpus of enigmatic satirical prints, so far ignored by art historians and historians of religion, this book traces covert debates on the shortcomings of early modern religious culture, and directions for reform, in the Dutch Republic.
This edited collection brings together literary scholars and art historians, and maps how satire became a less genre-driven and increasingly visual medium in the seventeenth through the early nineteenth century. Changing satire demonstrates how satire proliferated in various formats, and discusses a wide range of material from canonical authors like Swift to little known manuscript sources and prints. As the book emphasises, satire was a frame of reference for well-known authors and artists ranging from Milton to Bernini and Goya. It was moreover a broad European phenomenon: while the book focuses on English satire, it also considers France, Italy, The Netherlands and Spain, and discusses how satirical texts and artwork could move between countries and languages. In its wide sweep across time and formats, Changing satire brings out the importance that satire had as a transgressor of borders.
Book Synopsis Changing satire by : Cecilia Rosengren
Download or read book Changing satire written by Cecilia Rosengren and published by Manchester University Press. This book was released on 2022-04-12 with total page 532 pages. Available in PDF, EPUB and Kindle. Book excerpt: This edited collection brings together literary scholars and art historians, and maps how satire became a less genre-driven and increasingly visual medium in the seventeenth through the early nineteenth century. Changing satire demonstrates how satire proliferated in various formats, and discusses a wide range of material from canonical authors like Swift to little known manuscript sources and prints. As the book emphasises, satire was a frame of reference for well-known authors and artists ranging from Milton to Bernini and Goya. It was moreover a broad European phenomenon: while the book focuses on English satire, it also considers France, Italy, The Netherlands and Spain, and discusses how satirical texts and artwork could move between countries and languages. In its wide sweep across time and formats, Changing satire brings out the importance that satire had as a transgressor of borders.
The history of the relation between religion and Enlightenment has been virtually rewritten In recent decades. The idea of a fairly unidirectional ‘rise of paganism’, or ‘secularisation’, has been replaced by a much more variegated panorama of interlocking changes—not least in the nature of both religion and rationalism. This volume explores developments in various cultural fields—from lexicology to geographical exploration, and from philosophy and history to theology, media and the arts—involved in the transformation of worldviews in the decades around 1700. The main focus is on the Dutch Republic, where discussion culture was more inclusive than in most other countries, and where people from very different walks of life joined the conversation. Contributors include: Wiep van Bunge, Frank Daudeij, Martin Gierl, Albert Gootjes, Trudelien van ‘t Hof, Jonathan Israel, Henri Krop, Fred van Lieburg, Jaap Nieuwstraten, Joke Spaans, Jetze Touber, and Arthur Weststeijn.
Book Synopsis Enlightened Religion by : Joke Spaans
Download or read book Enlightened Religion written by Joke Spaans and published by BRILL. This book was released on 2019-03-25 with total page 390 pages. Available in PDF, EPUB and Kindle. Book excerpt: The history of the relation between religion and Enlightenment has been virtually rewritten In recent decades. The idea of a fairly unidirectional ‘rise of paganism’, or ‘secularisation’, has been replaced by a much more variegated panorama of interlocking changes—not least in the nature of both religion and rationalism. This volume explores developments in various cultural fields—from lexicology to geographical exploration, and from philosophy and history to theology, media and the arts—involved in the transformation of worldviews in the decades around 1700. The main focus is on the Dutch Republic, where discussion culture was more inclusive than in most other countries, and where people from very different walks of life joined the conversation. Contributors include: Wiep van Bunge, Frank Daudeij, Martin Gierl, Albert Gootjes, Trudelien van ‘t Hof, Jonathan Israel, Henri Krop, Fred van Lieburg, Jaap Nieuwstraten, Joke Spaans, Jetze Touber, and Arthur Weststeijn.
Political satire has been a primary weapon of the press since the eighteenth century and is still intimately associated with one of the most important values of western democratic society: the right of individuals to free speech. This study documents one of the most important moments in the history of printed political imagery, when political print became what we would recognise as modern political satire. Contrary to conventional historical and art historical narratives, which place the emergence of political satire in the news-driven coffee-house culture of eighteenth-century London, Meredith M. Hale locates the birth of the genre in the late seventeenth-century Netherlands in the contentious political milieu surrounding William III's invasion of England known as the 'Glorious Revolution'. The satires produced between 1688 and 1690 by the Dutch printmaker Romeyn de Hooghe on the events surrounding William III's campaigns against James II and Louis XIV establish many of the qualities that define the genre to this day: the transgression of bodily boundaries; the interdependence of text and image; the centrality of dialogic text to the generation of meaning; serialized production; and the emergence of the satirist as a primary participant in political discourse. This study, the first in-depth analysis of De Hooghe's satires since the nineteenth century, considers these prints as sites of cultural influence and negotiation, works that both reflected and helped to construct a new relationship between the government and the governed.
Book Synopsis The Birth of Modern Political Satire by : Meredith McNeill Hale
Download or read book The Birth of Modern Political Satire written by Meredith McNeill Hale and published by Oxford University Press. This book was released on 2020-09-02 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: Political satire has been a primary weapon of the press since the eighteenth century and is still intimately associated with one of the most important values of western democratic society: the right of individuals to free speech. This study documents one of the most important moments in the history of printed political imagery, when political print became what we would recognise as modern political satire. Contrary to conventional historical and art historical narratives, which place the emergence of political satire in the news-driven coffee-house culture of eighteenth-century London, Meredith M. Hale locates the birth of the genre in the late seventeenth-century Netherlands in the contentious political milieu surrounding William III's invasion of England known as the 'Glorious Revolution'. The satires produced between 1688 and 1690 by the Dutch printmaker Romeyn de Hooghe on the events surrounding William III's campaigns against James II and Louis XIV establish many of the qualities that define the genre to this day: the transgression of bodily boundaries; the interdependence of text and image; the centrality of dialogic text to the generation of meaning; serialized production; and the emergence of the satirist as a primary participant in political discourse. This study, the first in-depth analysis of De Hooghe's satires since the nineteenth century, considers these prints as sites of cultural influence and negotiation, works that both reflected and helped to construct a new relationship between the government and the governed.
This is an open access title available under the terms of a CC BY-NC-ND 4.0 International licence. It is free to read at Oxford Scholarship Online and offered as a free PDF download from OUP and selected open access locations. For victims of persecution around the world, attracting international media attention for their plight is often a matter of life and death. This study takes us back to the news revolution of seventeenth-century Europe, when people first discovered in the press a powerful new weapon to combat religiously inspired maltreatments, executions, and massacres. To affect and mobilize foreign audiences, confessional minorities and their advocates faced an acute dilemma, one that we still grapple with today: how to make people care about distant suffering? David de Boer argues that by answering this question, they laid the foundations of a humanitarian culture in Europe. As consuming news became an everyday practice for many Europeans, the Dutch Republic emerged as an international hub of printed protest against religious violence. De Boer traces how a diverse group of people, including Waldensians refugees, Huguenot ministers, Savoyard office holders, and many others, all sought access to the Dutch printing presses in their efforts to raise transnational solidarity for their cause. By generating public outrage, calling out rulers, and pressuring others to intervene, producers of printed opinion could have a profound impact on international relations. But crying out against persecution also meant navigating a fraught and dangerous political landscape, marked by confessional tension, volatile alliances, and incessant warfare. Opinion makers had to think carefully about the audiences they hoped to reach through pamphlets, periodicals, and newspapers. But they also had to reckon with the risk of reaching less sympathetic readers outside their target groups. By examining early modern publicity strategies, de Boer deepens our understanding of how people tried to shake off the spectre of religious violence that had haunted them for generations, and create more tolerant societies, governed by the rule of law, reason, and a sense of common humanity.
Book Synopsis The Early Modern Dutch Press in an Age of Religious Persecution by : David de Boer
Download or read book The Early Modern Dutch Press in an Age of Religious Persecution written by David de Boer and published by Oxford University Press. This book was released on 2023-08-29 with total page 225 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is an open access title available under the terms of a CC BY-NC-ND 4.0 International licence. It is free to read at Oxford Scholarship Online and offered as a free PDF download from OUP and selected open access locations. For victims of persecution around the world, attracting international media attention for their plight is often a matter of life and death. This study takes us back to the news revolution of seventeenth-century Europe, when people first discovered in the press a powerful new weapon to combat religiously inspired maltreatments, executions, and massacres. To affect and mobilize foreign audiences, confessional minorities and their advocates faced an acute dilemma, one that we still grapple with today: how to make people care about distant suffering? David de Boer argues that by answering this question, they laid the foundations of a humanitarian culture in Europe. As consuming news became an everyday practice for many Europeans, the Dutch Republic emerged as an international hub of printed protest against religious violence. De Boer traces how a diverse group of people, including Waldensians refugees, Huguenot ministers, Savoyard office holders, and many others, all sought access to the Dutch printing presses in their efforts to raise transnational solidarity for their cause. By generating public outrage, calling out rulers, and pressuring others to intervene, producers of printed opinion could have a profound impact on international relations. But crying out against persecution also meant navigating a fraught and dangerous political landscape, marked by confessional tension, volatile alliances, and incessant warfare. Opinion makers had to think carefully about the audiences they hoped to reach through pamphlets, periodicals, and newspapers. But they also had to reckon with the risk of reaching less sympathetic readers outside their target groups. By examining early modern publicity strategies, de Boer deepens our understanding of how people tried to shake off the spectre of religious violence that had haunted them for generations, and create more tolerant societies, governed by the rule of law, reason, and a sense of common humanity.
Satire is clearly one of today’s most controversial socio-cultural topics. In this edited volume, The Power of Satire, it is studied for the first time as a dynamic, discursive mode of performance with the power of crossing and contesting cultural boundaries. The collected essays reflect the fundamental shift from literary satire or straightforward literary rhetoric with a relatively limited societal impact, to satire’s multi-mediality in the transnational public space where it can cause intercultural clashes and negotiations on a large scale. An appropriate set of heuristic themes – space, target, rhetoric, media, time – serves as the analytical framework for the investigations and determines the organization of the book as a whole. The contributions, written by an international group of experts with diverse disciplinary backgrounds, manifest academic standards with a balance between theoretical analyses and evaluations on the one hand, and in-depth case studies on the other.
Book Synopsis The Power of Satire by : Marijke Meijer Drees
Download or read book The Power of Satire written by Marijke Meijer Drees and published by John Benjamins Publishing Company. This book was released on 2015-10-15 with total page 293 pages. Available in PDF, EPUB and Kindle. Book excerpt: Satire is clearly one of today’s most controversial socio-cultural topics. In this edited volume, The Power of Satire, it is studied for the first time as a dynamic, discursive mode of performance with the power of crossing and contesting cultural boundaries. The collected essays reflect the fundamental shift from literary satire or straightforward literary rhetoric with a relatively limited societal impact, to satire’s multi-mediality in the transnational public space where it can cause intercultural clashes and negotiations on a large scale. An appropriate set of heuristic themes – space, target, rhetoric, media, time – serves as the analytical framework for the investigations and determines the organization of the book as a whole. The contributions, written by an international group of experts with diverse disciplinary backgrounds, manifest academic standards with a balance between theoretical analyses and evaluations on the one hand, and in-depth case studies on the other.
Winner of the 2016 Religious Communication Association Book of the Year Award In God Mocks, Terry Lindvall ventures into the muddy and dangerous realm of religious satire, chronicling its evolution from the biblical wit and humor of the Hebrew prophets through the Roman Era and the Middle Ages all the way up to the present. He takes the reader on a journey through the work of Chaucer and his Canterbury Tales, Cervantes, Jonathan Swift, and Mark Twain, and ending with the mediated entertainment of modern wags like Stephen Colbert. Lindvall finds that there is a method to the madness of these mockers: true satire, he argues, is at its heart moral outrage expressed in laughter. But there are remarkable differences in how these religious satirists express their outrage.The changing costumes of religious satirists fit their times. The earthy coarse language of Martin Luther and Sir Thomas More during the carnival spirit of the late medieval period was refined with the enlightened wit of Alexander Pope. The sacrilege of Monty Python does not translate well to the ironic voices of Soren Kierkegaard. The religious satirist does not even need to be part of the community of faith. All he needs is an eye and ear for the folly and chicanery of religious poseurs. To follow the paths of the satirist, writes Lindvall, is to encounter the odd and peculiar treasures who are God’s mouthpieces. In God Mocks, he offers an engaging look at their religious use of humor toward moral ends.
Book Synopsis God Mocks by : Terry Lindvall
Download or read book God Mocks written by Terry Lindvall and published by NYU Press. This book was released on 2015-11-13 with total page 376 pages. Available in PDF, EPUB and Kindle. Book excerpt: Winner of the 2016 Religious Communication Association Book of the Year Award In God Mocks, Terry Lindvall ventures into the muddy and dangerous realm of religious satire, chronicling its evolution from the biblical wit and humor of the Hebrew prophets through the Roman Era and the Middle Ages all the way up to the present. He takes the reader on a journey through the work of Chaucer and his Canterbury Tales, Cervantes, Jonathan Swift, and Mark Twain, and ending with the mediated entertainment of modern wags like Stephen Colbert. Lindvall finds that there is a method to the madness of these mockers: true satire, he argues, is at its heart moral outrage expressed in laughter. But there are remarkable differences in how these religious satirists express their outrage.The changing costumes of religious satirists fit their times. The earthy coarse language of Martin Luther and Sir Thomas More during the carnival spirit of the late medieval period was refined with the enlightened wit of Alexander Pope. The sacrilege of Monty Python does not translate well to the ironic voices of Soren Kierkegaard. The religious satirist does not even need to be part of the community of faith. All he needs is an eye and ear for the folly and chicanery of religious poseurs. To follow the paths of the satirist, writes Lindvall, is to encounter the odd and peculiar treasures who are God’s mouthpieces. In God Mocks, he offers an engaging look at their religious use of humor toward moral ends.
The Kingdom of the Netherlands is a small, but heavily populated country with almost 17 million inhabitants. It is one of the last kingdoms in Europe and in 2015 it celebrated its 200 years anniversary. The Netherlands became a kingdom after the Napoleonic era. During this period it was transformed into a centralized state. Before those years it had been one of few republics in Europe for about two centuries. That state was a confederacy, which emerged in the 1580s during its independence struggle against the Spanish Habsburgs. Although the present state is still monarchial, the Netherlands functions as a modern constitutional democracy, in which the king’s position is almost comparable with a ceremonial presidency. The majority of the Dutch population, however, appreciates the hereditary political presence of the House of Orange-Nassau, regarding this dynasty as a symbol of national unity and connection with the country’s past. This third edition of Historical Dictionary of the Netherlands contains a chronology, an introduction, appendixes, and an extensive bibliography. The dictionary section has over 900 cross-referenced entries on important personalities, politics, economy, foreign relations, religion, and culture. This book is an excellent access point for students, researchers, and anyone wanting to know more about the Netherlands.
Book Synopsis Historical Dictionary of the Netherlands by : Joop W. Koopmans
Download or read book Historical Dictionary of the Netherlands written by Joop W. Koopmans and published by Rowman & Littlefield. This book was released on 2015-11-05 with total page 498 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Kingdom of the Netherlands is a small, but heavily populated country with almost 17 million inhabitants. It is one of the last kingdoms in Europe and in 2015 it celebrated its 200 years anniversary. The Netherlands became a kingdom after the Napoleonic era. During this period it was transformed into a centralized state. Before those years it had been one of few republics in Europe for about two centuries. That state was a confederacy, which emerged in the 1580s during its independence struggle against the Spanish Habsburgs. Although the present state is still monarchial, the Netherlands functions as a modern constitutional democracy, in which the king’s position is almost comparable with a ceremonial presidency. The majority of the Dutch population, however, appreciates the hereditary political presence of the House of Orange-Nassau, regarding this dynasty as a symbol of national unity and connection with the country’s past. This third edition of Historical Dictionary of the Netherlands contains a chronology, an introduction, appendixes, and an extensive bibliography. The dictionary section has over 900 cross-referenced entries on important personalities, politics, economy, foreign relations, religion, and culture. This book is an excellent access point for students, researchers, and anyone wanting to know more about the Netherlands.
This study explores the Cocceian-Voetian debate through the eyes of Francis Turretin (1623–1687). There is a dearth of research on Turretin's take on this debate, the author will parse out how Turretin adheres to the Voetianism of the Utrecht theologian Melchior Leydekker (1642–1721) while remaining conciliatory to the Cocceians. With Leydekker, Turretin argues that Christ's suretyship in the Old Testament is identical to what it is in the New Testament. As the Father decrees that Christ is the most perfect and certain fulfiller of God's promise, the ancients benefit from Christ's sacrifice as much as do the saints in the New. The sins of the elect must be fully forgiven regardless of the progress of redemption in history, for the faithful both in the Old and the New are saved by the same grace of Christ, the expromissor. At the same time, not only does Turretin leave out some of the controversial issues between the two parties, but he also tends to neutralize Leydekker's acid criticism of the extreme form of Cocceianism. This conciliatory gesture indicates that Turretin does not consider Cocceianism his archenemy. Seen in this light, Turretin can be viewed as a moderate and peaceful Voetian.
Book Synopsis Christ and the Old Covenant by : Gyeongcheol Gwon
Download or read book Christ and the Old Covenant written by Gyeongcheol Gwon and published by Vandenhoeck & Ruprecht. This book was released on 2018-12-03 with total page 163 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study explores the Cocceian-Voetian debate through the eyes of Francis Turretin (1623–1687). There is a dearth of research on Turretin's take on this debate, the author will parse out how Turretin adheres to the Voetianism of the Utrecht theologian Melchior Leydekker (1642–1721) while remaining conciliatory to the Cocceians. With Leydekker, Turretin argues that Christ's suretyship in the Old Testament is identical to what it is in the New Testament. As the Father decrees that Christ is the most perfect and certain fulfiller of God's promise, the ancients benefit from Christ's sacrifice as much as do the saints in the New. The sins of the elect must be fully forgiven regardless of the progress of redemption in history, for the faithful both in the Old and the New are saved by the same grace of Christ, the expromissor. At the same time, not only does Turretin leave out some of the controversial issues between the two parties, but he also tends to neutralize Leydekker's acid criticism of the extreme form of Cocceianism. This conciliatory gesture indicates that Turretin does not consider Cocceianism his archenemy. Seen in this light, Turretin can be viewed as a moderate and peaceful Voetian.
This volume contains articles on various aspects of literary imagination, with essays ranging from Petrarch to Voltaire, on the canon, with essays on western history as one of shifting cultural ideals, and on the Christian Middle Ages. The volume is a Festschrift for Burcht Pranger of the University of Amsterdam.
Book Synopsis How the West Was Won by :
Download or read book How the West Was Won written by and published by BRILL. This book was released on 2010-04-06 with total page 448 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume contains articles on various aspects of literary imagination, with essays ranging from Petrarch to Voltaire, on the canon, with essays on western history as one of shifting cultural ideals, and on the Christian Middle Ages. The volume is a Festschrift for Burcht Pranger of the University of Amsterdam.
