Grounding the Analysis of Cognitive Processes in Music Performance

Grounding the Analysis of Cognitive Processes in Music Performance

Author: Linda T. Kaastra

Publisher: Routledge

Published: 2020-10-25

Total Pages: 154

ISBN-13: 0429619162

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Through the systematic analysis of data from music rehearsals, lessons, and performances, this book develops a new conceptual framework for studying cognitive processes in musical activity. Grounding the Analysis of Cognitive Processes in Music Performance draws uniquely on dominant paradigms from the fields of cognitive science, ethnography, anthropology, psychology, and psycholinguistics to develop an ecologically valid framework for the analysis of cognitive processes during musical activity. By presenting a close analysis of activities including instrumental performance on the bassoon, lessons on the guitar, and a group rehearsal, chapters provide new insights into the person/instrument system, the musician’s use of informational resources, and the organization of perceptual experience during musical performance. Engaging in musical activity is shown to be a highly dynamic and collaborative process invoking tacit knowledge and coordination as musicians identify targets of focal awareness for themselves, their colleagues, and their students. Written by a cognitive scientist and classically trained bassoonist, this specialist text builds on two decades of music performance research; and will be of interest to researchers, academics, and postgraduate students in the fields of cognitive psychology and music psychology, as well as musicology, ethnomusicology, music theory, and performance science. Linda T. Kaastra has taught courses in cognitive science, music, and discourse studies at the University of British Columbia (UBC) and Simon Fraser University. She earned a PhD from UBC’s Individual Interdisciplinary Graduate Studies Program.


Book Synopsis Grounding the Analysis of Cognitive Processes in Music Performance by : Linda T. Kaastra

Download or read book Grounding the Analysis of Cognitive Processes in Music Performance written by Linda T. Kaastra and published by Routledge. This book was released on 2020-10-25 with total page 154 pages. Available in PDF, EPUB and Kindle. Book excerpt: Through the systematic analysis of data from music rehearsals, lessons, and performances, this book develops a new conceptual framework for studying cognitive processes in musical activity. Grounding the Analysis of Cognitive Processes in Music Performance draws uniquely on dominant paradigms from the fields of cognitive science, ethnography, anthropology, psychology, and psycholinguistics to develop an ecologically valid framework for the analysis of cognitive processes during musical activity. By presenting a close analysis of activities including instrumental performance on the bassoon, lessons on the guitar, and a group rehearsal, chapters provide new insights into the person/instrument system, the musician’s use of informational resources, and the organization of perceptual experience during musical performance. Engaging in musical activity is shown to be a highly dynamic and collaborative process invoking tacit knowledge and coordination as musicians identify targets of focal awareness for themselves, their colleagues, and their students. Written by a cognitive scientist and classically trained bassoonist, this specialist text builds on two decades of music performance research; and will be of interest to researchers, academics, and postgraduate students in the fields of cognitive psychology and music psychology, as well as musicology, ethnomusicology, music theory, and performance science. Linda T. Kaastra has taught courses in cognitive science, music, and discourse studies at the University of British Columbia (UBC) and Simon Fraser University. She earned a PhD from UBC’s Individual Interdisciplinary Graduate Studies Program.

Practical Musicology

Practical Musicology

Author: Simon Zagorski-Thomas

Publisher: Bloomsbury Publishing USA

Published: 2022-07-14

Total Pages: 249

ISBN-13: 1501357808

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Practical Musicology outlines a theoretical framework for studying a broad range of current musical practices and aims to provoke discussion about key issues in the rapidly expanding area of practical musicology: the study of how music is made. The book explores various forms of practice ranging from performance and composition to listening and dancing, from historically informed performances of Bach in the USA to Indonesian Dubstep or Australian musical theatre, and from Irish traditional music played by French musicians from Toulouse to Brazilian thrash metal or K-Pop. Drawing on neuroscience, cognitive psychology, ecological approaches in anthropology, and the social construction of technology and creativity, Zagorski-Thomas uses a series of case studies and examples to investigate how practice is already being studied and to suggest a principle for how it might continue to develop, based around the assertion that musicking cannot be treated as a culturally or ideologically neutral phenomenon.


Book Synopsis Practical Musicology by : Simon Zagorski-Thomas

Download or read book Practical Musicology written by Simon Zagorski-Thomas and published by Bloomsbury Publishing USA. This book was released on 2022-07-14 with total page 249 pages. Available in PDF, EPUB and Kindle. Book excerpt: Practical Musicology outlines a theoretical framework for studying a broad range of current musical practices and aims to provoke discussion about key issues in the rapidly expanding area of practical musicology: the study of how music is made. The book explores various forms of practice ranging from performance and composition to listening and dancing, from historically informed performances of Bach in the USA to Indonesian Dubstep or Australian musical theatre, and from Irish traditional music played by French musicians from Toulouse to Brazilian thrash metal or K-Pop. Drawing on neuroscience, cognitive psychology, ecological approaches in anthropology, and the social construction of technology and creativity, Zagorski-Thomas uses a series of case studies and examples to investigate how practice is already being studied and to suggest a principle for how it might continue to develop, based around the assertion that musicking cannot be treated as a culturally or ideologically neutral phenomenon.

Representational Change and the Use of Metaphors in Problem Solving

Representational Change and the Use of Metaphors in Problem Solving

Author: Benjamin Angerer

Publisher: Taylor & Francis

Published: 2023-07-07

Total Pages: 205

ISBN-13: 1000909751

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This book addresses a longstanding impasse in problem solving research: if structured mental representations of problems are required for solving them, how do those arise and, if needed, change? The book argues that established theories underestimate this question due to methodological requirements. Proposing to momentarily suspend these requirements, including the focus on well-defined puzzle tasks, the book suggests to alternatively conduct exploratory studies with more complex, open-ended problems. It presents a qualitative case study of participants working for several days on a mental paper folding task designed to challenge them to construct their own representations. Charting their use of gestures, metaphors, and ever more complex descriptions, it carefully traces the chronology of their thinking. Combining in-depth empirical investigation with theory-building, the book proposes a framework of problem solving that goes beyond established models, accommodating associative, motivational, and affective factors. This book will be of great interest to researchers, academics, and postgraduate students in the fields of cognitive science, psychology, philosophy of mind and cognition, and cognitive artificial intelligence.


Book Synopsis Representational Change and the Use of Metaphors in Problem Solving by : Benjamin Angerer

Download or read book Representational Change and the Use of Metaphors in Problem Solving written by Benjamin Angerer and published by Taylor & Francis. This book was released on 2023-07-07 with total page 205 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book addresses a longstanding impasse in problem solving research: if structured mental representations of problems are required for solving them, how do those arise and, if needed, change? The book argues that established theories underestimate this question due to methodological requirements. Proposing to momentarily suspend these requirements, including the focus on well-defined puzzle tasks, the book suggests to alternatively conduct exploratory studies with more complex, open-ended problems. It presents a qualitative case study of participants working for several days on a mental paper folding task designed to challenge them to construct their own representations. Charting their use of gestures, metaphors, and ever more complex descriptions, it carefully traces the chronology of their thinking. Combining in-depth empirical investigation with theory-building, the book proposes a framework of problem solving that goes beyond established models, accommodating associative, motivational, and affective factors. This book will be of great interest to researchers, academics, and postgraduate students in the fields of cognitive science, psychology, philosophy of mind and cognition, and cognitive artificial intelligence.

Generative Processes in Music

Generative Processes in Music

Author: John A. Sloboda

Publisher: Oxford University Press, USA

Published: 1988

Total Pages: 336

ISBN-13:

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This book draws together pioneering contributions to the study of the processes by which music is created. It redresses a balance in contemporary literature on the psychology of music which has, to date, concentrated mainly on receptive processes. The focus throughout is on empirical observation and the development of cognitive theory, with fascinating explorations of such topics as the generation of expression in musical performance, problems of synchrony in ensemble performance, improvisational skill in trained and untrained musicians, childrens' spontaneous notations for music, and formal constraints on compositional systems.


Book Synopsis Generative Processes in Music by : John A. Sloboda

Download or read book Generative Processes in Music written by John A. Sloboda and published by Oxford University Press, USA. This book was released on 1988 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book draws together pioneering contributions to the study of the processes by which music is created. It redresses a balance in contemporary literature on the psychology of music which has, to date, concentrated mainly on receptive processes. The focus throughout is on empirical observation and the development of cognitive theory, with fascinating explorations of such topics as the generation of expression in musical performance, problems of synchrony in ensemble performance, improvisational skill in trained and untrained musicians, childrens' spontaneous notations for music, and formal constraints on compositional systems.

Cognition and Music Performance

Cognition and Music Performance

Author: Gary Edward McPherson

Publisher: Frontiers Media SA

Published: 2022-07-05

Total Pages: 146

ISBN-13: 2889764990

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Book Synopsis Cognition and Music Performance by : Gary Edward McPherson

Download or read book Cognition and Music Performance written by Gary Edward McPherson and published by Frontiers Media SA. This book was released on 2022-07-05 with total page 146 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Individuality in music performance

Individuality in music performance

Author: Bruno Gingras

Publisher: Frontiers E-books

Published: 2014-10-22

Total Pages: 172

ISBN-13: 2889193071

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Humans are remarkably adept at identifying individuals on the basis of their facial features, or other traits such as gait or vocal timbre. Besides voice, another auditory medium capable of carrying identity information is music. Indeed, certain famous musicians, such as John Coltrane or Sonny Rollins, need only to play a few notes to be unequivocally recognized. Along with emotion and structural cues, artistic individuality seems to be a key element communicated in music performance. Yet, the means by which individuality is expressed in performance, as well as the cognitive processes employed by listeners to perceive identity cues, remain poorly elucidated. Other pertinent issues, including the connection between a performer’s technical competence and ability to convey a specific musical identity, as well as potential links between individuality and career-defining outcomes such as critical recognition and aesthetic appraisal, warrant further exploration. Quantitative approaches to the study of music performance have benefited greatly from MIDI technology and the application of computational methods, leading to the flourishing of empirical music performance research over the last few decades. More recently, neuroimaging techniques have provided valuable insights into the neural mechanisms involved in the cognitive processes of performing music. Nevertheless, this field continues to benefit greatly from qualitative approaches, given that the communication of affect and identity cues in music performance leads to a rich subjectivity of impressions that must be accounted for in order to lead to a greater understanding of this multifaceted phenomenon. The aim of this Research Topic is to provide a forum for interdisciplinary research broadly related to the expression and perception of individuality in music performance. Research methodology includes behavioral, psychophysiological, and neuroimaging techniques. Both quantitative and qualitative approaches are presented The scope of this Research Topic includes laboratory studies as well as studies in real-life performance settings and longitudinal studies on performers.


Book Synopsis Individuality in music performance by : Bruno Gingras

Download or read book Individuality in music performance written by Bruno Gingras and published by Frontiers E-books. This book was released on 2014-10-22 with total page 172 pages. Available in PDF, EPUB and Kindle. Book excerpt: Humans are remarkably adept at identifying individuals on the basis of their facial features, or other traits such as gait or vocal timbre. Besides voice, another auditory medium capable of carrying identity information is music. Indeed, certain famous musicians, such as John Coltrane or Sonny Rollins, need only to play a few notes to be unequivocally recognized. Along with emotion and structural cues, artistic individuality seems to be a key element communicated in music performance. Yet, the means by which individuality is expressed in performance, as well as the cognitive processes employed by listeners to perceive identity cues, remain poorly elucidated. Other pertinent issues, including the connection between a performer’s technical competence and ability to convey a specific musical identity, as well as potential links between individuality and career-defining outcomes such as critical recognition and aesthetic appraisal, warrant further exploration. Quantitative approaches to the study of music performance have benefited greatly from MIDI technology and the application of computational methods, leading to the flourishing of empirical music performance research over the last few decades. More recently, neuroimaging techniques have provided valuable insights into the neural mechanisms involved in the cognitive processes of performing music. Nevertheless, this field continues to benefit greatly from qualitative approaches, given that the communication of affect and identity cues in music performance leads to a rich subjectivity of impressions that must be accounted for in order to lead to a greater understanding of this multifaceted phenomenon. The aim of this Research Topic is to provide a forum for interdisciplinary research broadly related to the expression and perception of individuality in music performance. Research methodology includes behavioral, psychophysiological, and neuroimaging techniques. Both quantitative and qualitative approaches are presented The scope of this Research Topic includes laboratory studies as well as studies in real-life performance settings and longitudinal studies on performers.

Trends in World Music Analysis

Trends in World Music Analysis

Author: Lawrence Beaumont Shuster

Publisher: Routledge

Published: 2022-02-24

Total Pages: 356

ISBN-13: 1000535509

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This volume brings together a group of analytical chapters exploring traditional genres and styles of world music, capturing a vibrant and expanding field of research. These contributors, drawn from the forefront of researchers in world music analysis, seek to break down barriers and build bridges between scholarly disciplines, musical repertoires, and cultural traditions. Covering a wide range of genres, styles, and performers, the chapters bring to bear a variety of methodologies, including indigenous theoretical perspectives, Western music theory, and interdisciplinary techniques rooted in the cognitive and computational sciences. With contributors addressing music traditions from Africa, Asia, Europe, and the Americas, this volume captures the many current directions in the analysis of world music, offering a state of the fi eld and demonstrating the expansion of possibilities created by this area of research.


Book Synopsis Trends in World Music Analysis by : Lawrence Beaumont Shuster

Download or read book Trends in World Music Analysis written by Lawrence Beaumont Shuster and published by Routledge. This book was released on 2022-02-24 with total page 356 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume brings together a group of analytical chapters exploring traditional genres and styles of world music, capturing a vibrant and expanding field of research. These contributors, drawn from the forefront of researchers in world music analysis, seek to break down barriers and build bridges between scholarly disciplines, musical repertoires, and cultural traditions. Covering a wide range of genres, styles, and performers, the chapters bring to bear a variety of methodologies, including indigenous theoretical perspectives, Western music theory, and interdisciplinary techniques rooted in the cognitive and computational sciences. With contributors addressing music traditions from Africa, Asia, Europe, and the Americas, this volume captures the many current directions in the analysis of world music, offering a state of the fi eld and demonstrating the expansion of possibilities created by this area of research.

Music as Cognition

Music as Cognition

Author: Mary Louise Serafine

Publisher: Columbia University Press

Published: 1988-02-04

Total Pages: 266

ISBN-13: 9780231513326

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Music as Cognition


Book Synopsis Music as Cognition by : Mary Louise Serafine

Download or read book Music as Cognition written by Mary Louise Serafine and published by Columbia University Press. This book was released on 1988-02-04 with total page 266 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music as Cognition

Conceptualizing Music

Conceptualizing Music

Author: Lawrence M. Zbikowski

Publisher: Oxford University Press

Published: 2002-11-14

Total Pages: 377

ISBN-13: 0199881588

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This book shows how recent work in cognitive science, especially that developed by cognitive linguists and cognitive psychologists, can be used to explain how we understand music. The book focuses on three cognitive processes--categorization, cross-domain mapping, and the use of conceptual models--and explores the part these play in theories of musical organization. The first part of the book provides a detailed overview of the relevant work in cognitive science, framed around specific musical examples. The second part brings this perspective to bear on a number of issues with which music scholarship has often been occupied, including the emergence of musical syntax and its relationship to musical semiosis, the problem of musical ontology, the relationship between words and music in songs, and conceptions of musical form and musical hierarchy. The book will be of interest to music theorists, musicologists, and ethnomusicologists, as well as those with a professional or avocational interest in the application of work in cognitive science to humanistic principles.


Book Synopsis Conceptualizing Music by : Lawrence M. Zbikowski

Download or read book Conceptualizing Music written by Lawrence M. Zbikowski and published by Oxford University Press. This book was released on 2002-11-14 with total page 377 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book shows how recent work in cognitive science, especially that developed by cognitive linguists and cognitive psychologists, can be used to explain how we understand music. The book focuses on three cognitive processes--categorization, cross-domain mapping, and the use of conceptual models--and explores the part these play in theories of musical organization. The first part of the book provides a detailed overview of the relevant work in cognitive science, framed around specific musical examples. The second part brings this perspective to bear on a number of issues with which music scholarship has often been occupied, including the emergence of musical syntax and its relationship to musical semiosis, the problem of musical ontology, the relationship between words and music in songs, and conceptions of musical form and musical hierarchy. The book will be of interest to music theorists, musicologists, and ethnomusicologists, as well as those with a professional or avocational interest in the application of work in cognitive science to humanistic principles.

The Cognitive Neuroscience of Music

The Cognitive Neuroscience of Music

Author: Isabelle Peretz

Publisher: OUP Oxford

Published: 2003-07-10

Total Pages: 466

ISBN-13: 0191587141

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Music offers a unique opportunity to better understand the organization of the human brain. Like language, music exists in all human societies. Like language, music is a complex, rule-governed activity that seems specific to humans, and associated with a specific brain architecture. Yet unlike most other high-level functions of the human brain - and unlike language - music is a skill at which only a minority of people become proficient. The study of music as a major brain function has for some time been relatively neglected. Just recently, however, we have witnessed an explosion in research activities on music perception and performance and their correlates in the human brain. This volume brings together an outstanding collection of international authorities - from the fields of music, neuroscience, psychology, and neurology - to describe the amazing advances being made in understanding the complex relationship between music and the brain. Aimed at psychologists and neuroscientists, this is a book that will lay the foundations for a cognitive neuroscience of music.


Book Synopsis The Cognitive Neuroscience of Music by : Isabelle Peretz

Download or read book The Cognitive Neuroscience of Music written by Isabelle Peretz and published by OUP Oxford. This book was released on 2003-07-10 with total page 466 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music offers a unique opportunity to better understand the organization of the human brain. Like language, music exists in all human societies. Like language, music is a complex, rule-governed activity that seems specific to humans, and associated with a specific brain architecture. Yet unlike most other high-level functions of the human brain - and unlike language - music is a skill at which only a minority of people become proficient. The study of music as a major brain function has for some time been relatively neglected. Just recently, however, we have witnessed an explosion in research activities on music perception and performance and their correlates in the human brain. This volume brings together an outstanding collection of international authorities - from the fields of music, neuroscience, psychology, and neurology - to describe the amazing advances being made in understanding the complex relationship between music and the brain. Aimed at psychologists and neuroscientists, this is a book that will lay the foundations for a cognitive neuroscience of music.