Download Guerrilla Warfare For Business Comic Book Edition full books in PDF, epub, and Kindle. Read online Guerrilla Warfare For Business Comic Book Edition ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Why guerrilla warfare? Because business, all business - has to be built on grit, determination, resilience and the adaptability to survive. When you've learnt how to survive - only then can you grow and thrive.I'd like to share a mantra with you that I lived by virtually my entire life:If you fight you might lose, but if you don't fight - well then you've already lost.If you follow the five fighters steps outlined in this book you'll develop the mindset that will enable your business to survive and grow.It's about fighting the right way to win everyday. It's about arming your people with the practical tools to increase revenue, reduce costs and grow your market share.And it's about creating a vision to lead and inspire your people to come on that journey with us.
Book Synopsis Guerrilla Warfare for Business - Comic Book Edition by : Dimitri Livas
Download or read book Guerrilla Warfare for Business - Comic Book Edition written by Dimitri Livas and published by . This book was released on 2019-07-30 with total page 64 pages. Available in PDF, EPUB and Kindle. Book excerpt: Why guerrilla warfare? Because business, all business - has to be built on grit, determination, resilience and the adaptability to survive. When you've learnt how to survive - only then can you grow and thrive.I'd like to share a mantra with you that I lived by virtually my entire life:If you fight you might lose, but if you don't fight - well then you've already lost.If you follow the five fighters steps outlined in this book you'll develop the mindset that will enable your business to survive and grow.It's about fighting the right way to win everyday. It's about arming your people with the practical tools to increase revenue, reduce costs and grow your market share.And it's about creating a vision to lead and inspire your people to come on that journey with us.
This book contributes to a growing body of work celebrating the visual methods and tools that aid knowledge transfer and welcome new audiences to social science research. Visual research methodological milestones highlight a trajectory towards the adoption of more creative and artistic media. As such, the book is dedicated to exploring the creative potential of the comic book medium, and how it can assist the production and communication of scientific knowledge. The cultural blueprint of the comic book is examined, and the unique structure and grammar of the form deconstructed and adapted for research support. Along with two illustrated research comics, Toxic Play and 10 Business Days, the book offers readers numerous comic-based illustration activities and creative visual exercises to support data generation, foster conversational knowledge exchanges, facilitate inference, analysis, and interpretation, while nurturing the necessary skills to illustrate and create research comics. The book engages a diverse audience and is an illuminating read for visual novices, experts, and all in-betweeners.
Book Synopsis The Comic Book as Research Tool by : Stephen R. O'Sullivan
Download or read book The Comic Book as Research Tool written by Stephen R. O'Sullivan and published by Walter de Gruyter GmbH & Co KG. This book was released on 2023-11-06 with total page 242 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book contributes to a growing body of work celebrating the visual methods and tools that aid knowledge transfer and welcome new audiences to social science research. Visual research methodological milestones highlight a trajectory towards the adoption of more creative and artistic media. As such, the book is dedicated to exploring the creative potential of the comic book medium, and how it can assist the production and communication of scientific knowledge. The cultural blueprint of the comic book is examined, and the unique structure and grammar of the form deconstructed and adapted for research support. Along with two illustrated research comics, Toxic Play and 10 Business Days, the book offers readers numerous comic-based illustration activities and creative visual exercises to support data generation, foster conversational knowledge exchanges, facilitate inference, analysis, and interpretation, while nurturing the necessary skills to illustrate and create research comics. The book engages a diverse audience and is an illuminating read for visual novices, experts, and all in-betweeners.
This cutting-edge handbook brings together an international roster of scholars to examine many facets of comics and graphic novels. Contributor essays provide authoritative, up-to-date overviewsof the major topics and questions within comic studies, offering readers a truly global approach to understanding the field. Essays examine: the history of the temporal, geographical, and formal development of comics, including topics like art comics, manga, comix, and the comics code; issues such as authorship, ethics, adaptation, and translating comics connections between comics and other artistic media (drawing, caricature, film) as well as the linkages between comics and other academic fields like linguistics and philosophy; new perspectives on comics genres, from funny animal comics to war comics to romance comics and beyond. The Routledge Companion to Comics expertly organizes representative work from a range of disciplines, including media and cultural studies, literature, philosophy, and linguistics. More than an introduction to the study of comics, this book will serve as a crucial reference for anyone interested in pursuing research in the area, guiding students, scholars, and comics fans alike.
Book Synopsis The Routledge Companion to Comics by : Frank Bramlett
Download or read book The Routledge Companion to Comics written by Frank Bramlett and published by Routledge. This book was released on 2016-08-05 with total page 473 pages. Available in PDF, EPUB and Kindle. Book excerpt: This cutting-edge handbook brings together an international roster of scholars to examine many facets of comics and graphic novels. Contributor essays provide authoritative, up-to-date overviewsof the major topics and questions within comic studies, offering readers a truly global approach to understanding the field. Essays examine: the history of the temporal, geographical, and formal development of comics, including topics like art comics, manga, comix, and the comics code; issues such as authorship, ethics, adaptation, and translating comics connections between comics and other artistic media (drawing, caricature, film) as well as the linkages between comics and other academic fields like linguistics and philosophy; new perspectives on comics genres, from funny animal comics to war comics to romance comics and beyond. The Routledge Companion to Comics expertly organizes representative work from a range of disciplines, including media and cultural studies, literature, philosophy, and linguistics. More than an introduction to the study of comics, this book will serve as a crucial reference for anyone interested in pursuing research in the area, guiding students, scholars, and comics fans alike.
Learn and be inspired by the fascinating true stories behind 10leading lights in black enterprise today . . . * While she won't share the formulas for her world-renowned hotsauces, Vivian Gibson, CEO of The MillCreek Company, is glad toimpart her recipe for transforming a passion for cooking into amultimillion-dollar enterprise. * He went from sleeping in Central Park to heading a major filmproduction and syndication company. Get the details on how FrankMercado-Valdes's love of classic black films led to the creation ofthe African Heritage Network. * At only 34 years old, Alonzo Washington is head of his own comicbook publishing empire. Find out how this committed politicalactivist used his genius for cartooning to promote minority causesand make a fortune doing it. Discover the compelling true stories of how these and seven otherAfrican-American men and women beat the odds to become some oftoday's most successful black entrepreneurs.In a series of intimateprofiles, journalist/author Wendy Harris details the paths theytraveled, the obstacles they overcame, and the important lessonsthey learned along the way about what it takes to succeed inbusiness.
Book Synopsis Against All Odds by : Wendy Beech
Download or read book Against All Odds written by Wendy Beech and published by John Wiley & Sons. This book was released on 2002-03-14 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: Learn and be inspired by the fascinating true stories behind 10leading lights in black enterprise today . . . * While she won't share the formulas for her world-renowned hotsauces, Vivian Gibson, CEO of The MillCreek Company, is glad toimpart her recipe for transforming a passion for cooking into amultimillion-dollar enterprise. * He went from sleeping in Central Park to heading a major filmproduction and syndication company. Get the details on how FrankMercado-Valdes's love of classic black films led to the creation ofthe African Heritage Network. * At only 34 years old, Alonzo Washington is head of his own comicbook publishing empire. Find out how this committed politicalactivist used his genius for cartooning to promote minority causesand make a fortune doing it. Discover the compelling true stories of how these and seven otherAfrican-American men and women beat the odds to become some oftoday's most successful black entrepreneurs.In a series of intimateprofiles, journalist/author Wendy Harris details the paths theytraveled, the obstacles they overcame, and the important lessonsthey learned along the way about what it takes to succeed inbusiness.
Writer Marv Wolfman and artists Steve Erwin and Will Blyberg return and continue to define Slade Wilson as Deathstroke the TerminatorÑthe breakout character from the hit TV show ArrowÑin DEATHSTROKE THE TERMINATOR VOL. 3: NUCLEAR WINTER. The unthinkable is happening: Deathstroke the Terminator is dying. The serum that gave Slade Wilson his enhanced abilities seems to be killing him, and the CIA is still hunting him for crimes he didnÕt commit. With no one to turn to, he must seek out his former enemies/allies, the Titans. But what he discovers at Titans Tower could lead him to salvationÉor global nuclear war! Plus, Deathstroke must join forces with Peacemaker and the Huntress to stop the madman known as Kobra!! Collects DEATHSTROKE THE TERMINATOR #14-20 and SHOWCASE Õ93 #6-11!
Book Synopsis Deathstroke, the Terminator Vol. 3: Nuclear Winter by : Marv Wolfman
Download or read book Deathstroke, the Terminator Vol. 3: Nuclear Winter written by Marv Wolfman and published by DC Comics. This book was released on 2017-10-17 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt: Writer Marv Wolfman and artists Steve Erwin and Will Blyberg return and continue to define Slade Wilson as Deathstroke the TerminatorÑthe breakout character from the hit TV show ArrowÑin DEATHSTROKE THE TERMINATOR VOL. 3: NUCLEAR WINTER. The unthinkable is happening: Deathstroke the Terminator is dying. The serum that gave Slade Wilson his enhanced abilities seems to be killing him, and the CIA is still hunting him for crimes he didnÕt commit. With no one to turn to, he must seek out his former enemies/allies, the Titans. But what he discovers at Titans Tower could lead him to salvationÉor global nuclear war! Plus, Deathstroke must join forces with Peacemaker and the Huntress to stop the madman known as Kobra!! Collects DEATHSTROKE THE TERMINATOR #14-20 and SHOWCASE Õ93 #6-11!
This book illustrates the relations between information technology and organization, and in particular, between business organizations and the recent revolution in military affairs that has been called 'information warfare'.
Book Synopsis Information Warfare in Business by : Iain Munro
Download or read book Information Warfare in Business written by Iain Munro and published by Routledge. This book was released on 2004-12 with total page 200 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book illustrates the relations between information technology and organization, and in particular, between business organizations and the recent revolution in military affairs that has been called 'information warfare'.
Traces the development of the comic book, looks at publishers and genres, and discusses industry trends.
Book Synopsis The Comic Book in America by : Mike Benton
Download or read book The Comic Book in America written by Mike Benton and published by Taylor Publishing Company (TX). This book was released on 1989 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt: Traces the development of the comic book, looks at publishers and genres, and discusses industry trends.
Business and warfare have more in common that most people think. The Art of Business Warfare applies military techniques to the business world. It outlines how businesses can use the military principles preemption, dislocation, and disruption to outmaneuver their competition. In addition, before conducting an operation, the military has four primary areas it must address: personnel, intelligence, operations, and logistics. Companies must also manage these four areas. While The Art of Business Warfare won't show you how to call in artillery fire on your competition, it will show you how to coordinate you business departments and improve your business operations.
Book Synopsis The Art of Business Warfare by : David W. Leppanen
Download or read book The Art of Business Warfare written by David W. Leppanen and published by iUniverse. This book was released on 2000-12-01 with total page 132 pages. Available in PDF, EPUB and Kindle. Book excerpt: Business and warfare have more in common that most people think. The Art of Business Warfare applies military techniques to the business world. It outlines how businesses can use the military principles preemption, dislocation, and disruption to outmaneuver their competition. In addition, before conducting an operation, the military has four primary areas it must address: personnel, intelligence, operations, and logistics. Companies must also manage these four areas. While The Art of Business Warfare won't show you how to call in artillery fire on your competition, it will show you how to coordinate you business departments and improve your business operations.
Popular culture is a central part of everyday life to many Americans. Personalities such as Elvis Presley, Oprah Winfrey, and Michael Jordan are more recognizable to many people than are most elected officials. With Amusement for All is the first comprehensive history of two centuries of mass entertainment in the United States, covering everything from the penny press to Playboy, the NBA to NASCAR, big band to hip hop, and other topics including film, comics, television, sports, dance, and music. Paying careful attention to matters of race, gender, class, technology, economics, and politics, LeRoy Ashby emphasizes the complex ways in which popular culture simultaneously reflects and transforms American culture, revealing that the world of entertainment constantly evolves as it tries to meet the demands of a diverse audience. Trends in popular entertainment often reveal the tensions between competing ideologies, appetites, and values in American society. For example, in the late nineteenth century, Americans embraced "self-made men" such as John D. Rockefeller and Andrew Carnegie: the celebrities of the day were circus tycoons P.T. Barnum and James A. Bailey, Wild West star "Buffalo Bill" Cody, professional baseball organizer Albert Spalding, and prizefighter John L. Sullivan. At the same time, however, several female performers challenged traditional notions of weak, frail Victorian women. Adah Isaacs Menken astonished crowds by wearing tights that made her appear nude while performing dangerous stunts on horseback, and the shows of the voluptuous burlesque group British Blondes often centered on provocative images of female sexual power and dominance. Ashby describes how history and politics frequently influence mainstream entertainment. When Native Americans, blacks, and other non-whites appeared in the nineteenth-century circuses and Wild West shows, it was often to perpetuate demeaning racial stereotypes—crowds jeered Sitting Bull at Cody's shows. By the early twentieth century, however, black minstrel acts reveled in racial tensions, reinforcing stereotypes while at the same time satirizing them and mocking racist attitudes before a predominantly white audience. Decades later, Red Foxx and Richard Pryor's profane comedy routines changed American entertainment. The raw ethnic material of Pryor's short-lived television show led to a series of African-American sitcoms in the 1980s that presented common American experiences—from family life to college life—with black casts. Mainstream entertainment has often co-opted and sanitized fringe amusements in an ongoing process of redefining the cultural center and its boundaries. Social control and respectability vied with the bold, erotic, sensational, and surprising, as entrepreneurs sought to manipulate the vagaries of the market, control shifting public appetites, and capitalize on campaigns to protect public morals. Rock 'n Roll was one such fringe culture; in the 1950s, Elvis blurred gender norms with his androgynous style and challenged conventions of public decency with his sexually-charged performances. By the end of the 1960s, Bob Dylan introduced the social consciousness of folk music into the rock scene, and The Beatles embraced hippie counter-culture. Don McLean's 1971 anthem "American Pie" served as an epitaph for rock's political core, which had been replaced by the spectacle of hard rock acts such as Kiss and Alice Cooper. While Rock 'n Roll did not lose its ability to shock, in less than three decades it became part of the established order that it had originally sought to challenge. With Amusement for All provides the context to what Americans have done for fun since 1830, showing the reciprocal nature of the relationships between social, political, economic, and cultural forces and the way in which the entertainment world has reflected, refracted, or reinforced the values those forces represent in America.
Book Synopsis With Amusement for All by : LeRoy Ashby
Download or read book With Amusement for All written by LeRoy Ashby and published by University Press of Kentucky. This book was released on 2006-05-12 with total page 475 pages. Available in PDF, EPUB and Kindle. Book excerpt: Popular culture is a central part of everyday life to many Americans. Personalities such as Elvis Presley, Oprah Winfrey, and Michael Jordan are more recognizable to many people than are most elected officials. With Amusement for All is the first comprehensive history of two centuries of mass entertainment in the United States, covering everything from the penny press to Playboy, the NBA to NASCAR, big band to hip hop, and other topics including film, comics, television, sports, dance, and music. Paying careful attention to matters of race, gender, class, technology, economics, and politics, LeRoy Ashby emphasizes the complex ways in which popular culture simultaneously reflects and transforms American culture, revealing that the world of entertainment constantly evolves as it tries to meet the demands of a diverse audience. Trends in popular entertainment often reveal the tensions between competing ideologies, appetites, and values in American society. For example, in the late nineteenth century, Americans embraced "self-made men" such as John D. Rockefeller and Andrew Carnegie: the celebrities of the day were circus tycoons P.T. Barnum and James A. Bailey, Wild West star "Buffalo Bill" Cody, professional baseball organizer Albert Spalding, and prizefighter John L. Sullivan. At the same time, however, several female performers challenged traditional notions of weak, frail Victorian women. Adah Isaacs Menken astonished crowds by wearing tights that made her appear nude while performing dangerous stunts on horseback, and the shows of the voluptuous burlesque group British Blondes often centered on provocative images of female sexual power and dominance. Ashby describes how history and politics frequently influence mainstream entertainment. When Native Americans, blacks, and other non-whites appeared in the nineteenth-century circuses and Wild West shows, it was often to perpetuate demeaning racial stereotypes—crowds jeered Sitting Bull at Cody's shows. By the early twentieth century, however, black minstrel acts reveled in racial tensions, reinforcing stereotypes while at the same time satirizing them and mocking racist attitudes before a predominantly white audience. Decades later, Red Foxx and Richard Pryor's profane comedy routines changed American entertainment. The raw ethnic material of Pryor's short-lived television show led to a series of African-American sitcoms in the 1980s that presented common American experiences—from family life to college life—with black casts. Mainstream entertainment has often co-opted and sanitized fringe amusements in an ongoing process of redefining the cultural center and its boundaries. Social control and respectability vied with the bold, erotic, sensational, and surprising, as entrepreneurs sought to manipulate the vagaries of the market, control shifting public appetites, and capitalize on campaigns to protect public morals. Rock 'n Roll was one such fringe culture; in the 1950s, Elvis blurred gender norms with his androgynous style and challenged conventions of public decency with his sexually-charged performances. By the end of the 1960s, Bob Dylan introduced the social consciousness of folk music into the rock scene, and The Beatles embraced hippie counter-culture. Don McLean's 1971 anthem "American Pie" served as an epitaph for rock's political core, which had been replaced by the spectacle of hard rock acts such as Kiss and Alice Cooper. While Rock 'n Roll did not lose its ability to shock, in less than three decades it became part of the established order that it had originally sought to challenge. With Amusement for All provides the context to what Americans have done for fun since 1830, showing the reciprocal nature of the relationships between social, political, economic, and cultural forces and the way in which the entertainment world has reflected, refracted, or reinforced the values those forces represent in America.
In the late 1980s, billionaire financier Ronald Perelman bought Marvel Entertain. -- creator of Captain Amer., the Incredible Hulk, Spider-Man, the X-Men, & other super-heroes. After he took the co. public, Marvel's market value ballooned to $3 bil. Perelman took advantage of the company's inflated valuation by selling junk bonds, pocketing $500 mil., while Marvel's debt rose to $600 mil. And then the comic-book & trading-card markets collapsed. Corp. raider Carl Icahn sank a fortune into Marvel's bonds in an effort to wrest away control of Marvel. As the competing tycoons went head-to-head, Ike Perlmutter & Avi Arad, two entrepreneurs who ran Toy Biz, planed to take control themselves. Perelman declared bankruptcy, & the comic wars began. Illustrated.
Book Synopsis Comic Wars by : Dan Raviv
Download or read book Comic Wars written by Dan Raviv and published by . This book was released on 2002-01-30 with total page 305 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the late 1980s, billionaire financier Ronald Perelman bought Marvel Entertain. -- creator of Captain Amer., the Incredible Hulk, Spider-Man, the X-Men, & other super-heroes. After he took the co. public, Marvel's market value ballooned to $3 bil. Perelman took advantage of the company's inflated valuation by selling junk bonds, pocketing $500 mil., while Marvel's debt rose to $600 mil. And then the comic-book & trading-card markets collapsed. Corp. raider Carl Icahn sank a fortune into Marvel's bonds in an effort to wrest away control of Marvel. As the competing tycoons went head-to-head, Ike Perlmutter & Avi Arad, two entrepreneurs who ran Toy Biz, planed to take control themselves. Perelman declared bankruptcy, & the comic wars began. Illustrated.