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What happens when Roger Thunderbluster, the greatest movie producer in the world, and Natasha Levertov, the greatest dance teacher in the world, try to make Gwendolyn and Omar stars? Will the movie be a hit? Can the two pigs really dance and sing?
Book Synopsis Gwendolyn Goes Hollywood by : David Rottenberg
Download or read book Gwendolyn Goes Hollywood written by David Rottenberg and published by . This book was released on 2011-10-20 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: What happens when Roger Thunderbluster, the greatest movie producer in the world, and Natasha Levertov, the greatest dance teacher in the world, try to make Gwendolyn and Omar stars? Will the movie be a hit? Can the two pigs really dance and sing?
Gwendolyn wants to be a ballerina while Omar wants to be on the football team. The only problem is, they are both pigs.
Book Synopsis Gwendolyn, the Graceful Pig by : David Rottenberg
Download or read book Gwendolyn, the Graceful Pig written by David Rottenberg and published by . This book was released on 2008-10 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Gwendolyn wants to be a ballerina while Omar wants to be on the football team. The only problem is, they are both pigs.
They are shot on high-definition digital cameras—with computer-generated effects added in postproduction—and transmitted to theaters, websites, and video-on-demand networks worldwide. They are viewed on laptop, iPod, and cell phone screens. They are movies in the 21st century—the product of digital technologies that have revolutionized media production, content distribution, and the experience of moviegoing itself. 21st-Century Hollywood introduces readers to these global transformations and describes the decisive roles that Hollywood is playing in determining the digital future for world cinema. It offers clear, concise explanations of a major paradigm shift that continues to reshape our relationship to the moving image. Filled with numerous detailed examples, the book will both educate and entertain film students and movie fans alike.
Book Synopsis 21st-Century Hollywood by : Wheeler Winston Dixon
Download or read book 21st-Century Hollywood written by Wheeler Winston Dixon and published by Rutgers University Press. This book was released on 2011-08-31 with total page 233 pages. Available in PDF, EPUB and Kindle. Book excerpt: They are shot on high-definition digital cameras—with computer-generated effects added in postproduction—and transmitted to theaters, websites, and video-on-demand networks worldwide. They are viewed on laptop, iPod, and cell phone screens. They are movies in the 21st century—the product of digital technologies that have revolutionized media production, content distribution, and the experience of moviegoing itself. 21st-Century Hollywood introduces readers to these global transformations and describes the decisive roles that Hollywood is playing in determining the digital future for world cinema. It offers clear, concise explanations of a major paradigm shift that continues to reshape our relationship to the moving image. Filled with numerous detailed examples, the book will both educate and entertain film students and movie fans alike.
With more than 250 images, new information on international cinema—especially Polish, Chinese, Russian, Canadian, and Iranian filmmakers—an expanded section on African-American filmmakers, updated discussions of new works by major American directors, and a new section on the rise of comic book movies and computer generated special effects, this is the most up to date resource for film history courses in the twenty-first century.
Book Synopsis A Short History of Film, Third Edition by : Wheeler Winston Dixon
Download or read book A Short History of Film, Third Edition written by Wheeler Winston Dixon and published by Rutgers University Press. This book was released on 2018-03-30 with total page 558 pages. Available in PDF, EPUB and Kindle. Book excerpt: With more than 250 images, new information on international cinema—especially Polish, Chinese, Russian, Canadian, and Iranian filmmakers—an expanded section on African-American filmmakers, updated discussions of new works by major American directors, and a new section on the rise of comic book movies and computer generated special effects, this is the most up to date resource for film history courses in the twenty-first century.
Have you ever wanted to climb into a time machine and visit Hollywood during its heyday? Hollywood, 1939: When Tinseltown begins to woo wunderkind Orson Welles, he stashes himself at the Chateau Marmont until he's ready to make his splashy entrance. But gossip columnist Kathryn Massey knows he's there. Kathryn has been on the outs with Hollywood since her ill-fated move to Life, but now that she's back at the Hollywood Reporter, she's desperate to find the Next Big Thing. Scooping Welles' secret retreat would put her back on the map, but by the time she hears rumors about his dangerous new movie, she's fallen prey to his charms. She needs to repair her reputation, find out if Welles will take on the tycoon, and extricate herself from an affair with a man whose kisses make her melt like milk chocolate. Hollywood writers are only as good as their last screen credit, but Marcus Adler is still scrambling for his first. His Strange Cargo will star Clark Gable after Gone with the Wind wraps, but Machiavellian studio politics mean Marcus' name might not make it to the screen. It's time to play No More Mr. Nice Guy. Opportunity knocks when his boss challenges the writing department to outdo "The Adventures of Robin Hood," and Marcus is confident--until the love of his life bursts back onto the scene. How can he write another word until he knows for once and for all whether he and Ramon Navarro will be together? And to make matters worse, it seems like someone in town is trying to sabotage him. Everyone knows if you haven't made it in Hollywood by the time you're thirty, it's curtains . . . and Gwendolyn Brick is starting to panic. She's considering moving to a naval base in the Philippines with her baby brother, but she wants to give Hollywood one last go before she gives up. When she saves Twentieth Century Fox honcho Daryl F. Zanuck from an appalling fate at a poker game that goes awry, he rewards her with a chance at a role in a major movie. Gwendolyn needs to win before her ship sets sail. When William Randolph Hearst realizes Citizen Kane is based on him, he won't be happy--and when Hearst isn't happy, nobody's safe. Marcus, Kathryn, and Gwendolyn need to go for broke, and the clock is ticking. Citizen Hollywood is the third in Martin Turnbull's series of historical novels set during Hollywood's golden age. Hollywood's Garden of Allah novels: Book 1: "The Garden on Sunset" Book 2: "The Trouble with Scarlett" Book 3: "Citizen Hollywood" Book 4: "Searchlights and Shadows" Book 5: "Reds in the Beds" Book 6: "Twisted Boulevard" Book 7: "Tinseltown Confidential" Book 8: "City of Myths" Book 9: "Closing Credits" Martin Turnbull's Garden of Allah novels have been optioned for the screen by film & television producer, Tabrez Noorani.
Book Synopsis Citizen Hollywood by : Martin Turnbull
Download or read book Citizen Hollywood written by Martin Turnbull and published by Createspace Independent Publishing Platform. This book was released on 2014-01-17 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Have you ever wanted to climb into a time machine and visit Hollywood during its heyday? Hollywood, 1939: When Tinseltown begins to woo wunderkind Orson Welles, he stashes himself at the Chateau Marmont until he's ready to make his splashy entrance. But gossip columnist Kathryn Massey knows he's there. Kathryn has been on the outs with Hollywood since her ill-fated move to Life, but now that she's back at the Hollywood Reporter, she's desperate to find the Next Big Thing. Scooping Welles' secret retreat would put her back on the map, but by the time she hears rumors about his dangerous new movie, she's fallen prey to his charms. She needs to repair her reputation, find out if Welles will take on the tycoon, and extricate herself from an affair with a man whose kisses make her melt like milk chocolate. Hollywood writers are only as good as their last screen credit, but Marcus Adler is still scrambling for his first. His Strange Cargo will star Clark Gable after Gone with the Wind wraps, but Machiavellian studio politics mean Marcus' name might not make it to the screen. It's time to play No More Mr. Nice Guy. Opportunity knocks when his boss challenges the writing department to outdo "The Adventures of Robin Hood," and Marcus is confident--until the love of his life bursts back onto the scene. How can he write another word until he knows for once and for all whether he and Ramon Navarro will be together? And to make matters worse, it seems like someone in town is trying to sabotage him. Everyone knows if you haven't made it in Hollywood by the time you're thirty, it's curtains . . . and Gwendolyn Brick is starting to panic. She's considering moving to a naval base in the Philippines with her baby brother, but she wants to give Hollywood one last go before she gives up. When she saves Twentieth Century Fox honcho Daryl F. Zanuck from an appalling fate at a poker game that goes awry, he rewards her with a chance at a role in a major movie. Gwendolyn needs to win before her ship sets sail. When William Randolph Hearst realizes Citizen Kane is based on him, he won't be happy--and when Hearst isn't happy, nobody's safe. Marcus, Kathryn, and Gwendolyn need to go for broke, and the clock is ticking. Citizen Hollywood is the third in Martin Turnbull's series of historical novels set during Hollywood's golden age. Hollywood's Garden of Allah novels: Book 1: "The Garden on Sunset" Book 2: "The Trouble with Scarlett" Book 3: "Citizen Hollywood" Book 4: "Searchlights and Shadows" Book 5: "Reds in the Beds" Book 6: "Twisted Boulevard" Book 7: "Tinseltown Confidential" Book 8: "City of Myths" Book 9: "Closing Credits" Martin Turnbull's Garden of Allah novels have been optioned for the screen by film & television producer, Tabrez Noorani.
There are many short stories and books written with an inspirational storyline. Which also includes the Holy Bible They are hard to believe written so that the reader follows the guidelines like an educational premise. Thus, the belief of the reader only last a certain amount of time, leaving them with a cycle of disappointment. Falling Through The Cracks is a fiction trilogy dealing with events of characters during their daily lives. The book is based on a female main character in her 50's who fights sobriety over a five year period after her husband dies from a heart attack. She is surrounded by friends who try to help her. She follows their lead off and on for several months, then goes into relapse. Finally she falls in love with her husband's best friend and they plan their marriage.
Book Synopsis Falling Through the Cracks by : Gwendolyn Bernhard
Download or read book Falling Through the Cracks written by Gwendolyn Bernhard and published by AuthorHouse. This book was released on 2013-02 with total page 97 pages. Available in PDF, EPUB and Kindle. Book excerpt: There are many short stories and books written with an inspirational storyline. Which also includes the Holy Bible They are hard to believe written so that the reader follows the guidelines like an educational premise. Thus, the belief of the reader only last a certain amount of time, leaving them with a cycle of disappointment. Falling Through The Cracks is a fiction trilogy dealing with events of characters during their daily lives. The book is based on a female main character in her 50's who fights sobriety over a five year period after her husband dies from a heart attack. She is surrounded by friends who try to help her. She follows their lead off and on for several months, then goes into relapse. Finally she falls in love with her husband's best friend and they plan their marriage.
An in-depth study of the CIA’s collaboration with Hollywood since the mid-1990s, and the important and troubling questions it creates. What’s your impression of the CIA? A bumbling agency that can’t protect its own spies? A rogue organization prone to covert operations and assassinations? Or a dedicated public service that advances the interests of the United States? Astute TV and movie viewers may have noticed that the CIA’s image in popular media has spanned this entire range, with a decided shift to more positive portrayals in recent years. But what very few people know is that the Central Intelligence Agency has been actively engaged in shaping the content of film and television, especially since it established an entertainment industry liaison program in the mid-1990s. The CIA in Hollywood offers the first full-scale investigation of the relationship between the Agency and the film and television industries. Tricia Jenkins draws on numerous interviews with the CIA’s public affairs staff, operations officers, and historians, as well as with Hollywood technical consultants, producers, and screenwriters who have worked with the Agency, to uncover the nature of the CIA’s role in Hollywood. In particular, she delves into the Agency’s and its officers’ involvement in the production of The Agency, In the Company of Spies, Alias, The Recruit, The Sum of All Fears, Enemy of the State, Syriana, The Good Shepherd, and more. Her research reveals the significant influence that the CIA now wields in Hollywood and raises important and troubling questions about the ethics and legality of a government agency using popular media to manipulate its public image. “Fascinating, highly readable . . . Overall, Jenkins’s work is fresh and original, and demonstrates sound scholarship. The author has a passion for the topic that translates to vibrant writing. It is also a concise as well as entertaining look at an aspect of the CIA—its media relations with Hollywood—of which little is known. Enthusiastically written and incorporating effective, illustrative case studies, The CIA in Hollywood is definitely recommended to students of film, media relations, the CIA, and U.S. interagency relations.” —H-War
Book Synopsis The CIA in Hollywood by : Tricia Jenkins
Download or read book The CIA in Hollywood written by Tricia Jenkins and published by Univ of TX + ORM. This book was released on 2016-03-08 with total page 301 pages. Available in PDF, EPUB and Kindle. Book excerpt: An in-depth study of the CIA’s collaboration with Hollywood since the mid-1990s, and the important and troubling questions it creates. What’s your impression of the CIA? A bumbling agency that can’t protect its own spies? A rogue organization prone to covert operations and assassinations? Or a dedicated public service that advances the interests of the United States? Astute TV and movie viewers may have noticed that the CIA’s image in popular media has spanned this entire range, with a decided shift to more positive portrayals in recent years. But what very few people know is that the Central Intelligence Agency has been actively engaged in shaping the content of film and television, especially since it established an entertainment industry liaison program in the mid-1990s. The CIA in Hollywood offers the first full-scale investigation of the relationship between the Agency and the film and television industries. Tricia Jenkins draws on numerous interviews with the CIA’s public affairs staff, operations officers, and historians, as well as with Hollywood technical consultants, producers, and screenwriters who have worked with the Agency, to uncover the nature of the CIA’s role in Hollywood. In particular, she delves into the Agency’s and its officers’ involvement in the production of The Agency, In the Company of Spies, Alias, The Recruit, The Sum of All Fears, Enemy of the State, Syriana, The Good Shepherd, and more. Her research reveals the significant influence that the CIA now wields in Hollywood and raises important and troubling questions about the ethics and legality of a government agency using popular media to manipulate its public image. “Fascinating, highly readable . . . Overall, Jenkins’s work is fresh and original, and demonstrates sound scholarship. The author has a passion for the topic that translates to vibrant writing. It is also a concise as well as entertaining look at an aspect of the CIA—its media relations with Hollywood—of which little is known. Enthusiastically written and incorporating effective, illustrative case studies, The CIA in Hollywood is definitely recommended to students of film, media relations, the CIA, and U.S. interagency relations.” —H-War
Death of the Moguls is a detailed assessment of the last days of the “rulers of film.” Wheeler Winston Dixon examines the careers of such moguls as Harry Cohn at Columbia, Louis B. Mayer at MGM, Jack L. Warner at Warner Brothers, Adolph Zukor at Paramount, and Herbert J. Yates at Republic in the dying days of their once-mighty empires. He asserts that the sheer force of personality and business acumen displayed by these moguls made the studios successful; their deaths or departures hastened the studios’ collapse. Almost none had a plan for leadership succession; they simply couldn't imagine a world in which they didn’t reign supreme. Covering 20th Century-Fox, Selznick International Pictures, Metro-Goldwyn-Mayer, Paramount Pictures, RKO Radio Pictures, Warner Brothers, Universal Pictures, Republic Pictures, Monogram Pictures and Columbia Pictures, Dixon briefly introduces the studios and their respective bosses in the late 1940s, just before the collapse, then chronicles the last productions from the studios and their eventual demise in the late 1950s and early 1960s. He details such game-changing factors as the de Havilland decision, which made actors free agents; the Consent Decree, which forced the studios to get rid of their theaters; how the moguls dealt with their collapsing empires in the television era; and the end of the conventional studio assembly line, where producers had rosters of directors, writers, and actors under their command. Complemented by rare, behind-the-scenes stills, Death of the Moguls is a compelling narrative of the end of the studio system at each of the Hollywood majors as television, the de Havilland decision, and the Consent Decree forced studios to slash payrolls, make the shift to color, 3D, and CinemaScope in desperate last-ditch efforts to save their kingdoms. The aftermath for some was the final switch to television production and, in some cases, the distribution of independent film.
Book Synopsis Death of the Moguls by : Wheeler Winston Dixon
Download or read book Death of the Moguls written by Wheeler Winston Dixon and published by Rutgers University Press. This book was released on 2012-08-28 with total page 281 pages. Available in PDF, EPUB and Kindle. Book excerpt: Death of the Moguls is a detailed assessment of the last days of the “rulers of film.” Wheeler Winston Dixon examines the careers of such moguls as Harry Cohn at Columbia, Louis B. Mayer at MGM, Jack L. Warner at Warner Brothers, Adolph Zukor at Paramount, and Herbert J. Yates at Republic in the dying days of their once-mighty empires. He asserts that the sheer force of personality and business acumen displayed by these moguls made the studios successful; their deaths or departures hastened the studios’ collapse. Almost none had a plan for leadership succession; they simply couldn't imagine a world in which they didn’t reign supreme. Covering 20th Century-Fox, Selznick International Pictures, Metro-Goldwyn-Mayer, Paramount Pictures, RKO Radio Pictures, Warner Brothers, Universal Pictures, Republic Pictures, Monogram Pictures and Columbia Pictures, Dixon briefly introduces the studios and their respective bosses in the late 1940s, just before the collapse, then chronicles the last productions from the studios and their eventual demise in the late 1950s and early 1960s. He details such game-changing factors as the de Havilland decision, which made actors free agents; the Consent Decree, which forced the studios to get rid of their theaters; how the moguls dealt with their collapsing empires in the television era; and the end of the conventional studio assembly line, where producers had rosters of directors, writers, and actors under their command. Complemented by rare, behind-the-scenes stills, Death of the Moguls is a compelling narrative of the end of the studio system at each of the Hollywood majors as television, the de Havilland decision, and the Consent Decree forced studios to slash payrolls, make the shift to color, 3D, and CinemaScope in desperate last-ditch efforts to save their kingdoms. The aftermath for some was the final switch to television production and, in some cases, the distribution of independent film.
Until now, there hasn't been one single-volume authoritative reference work on the history of women in film, highlighting nearly every woman filmmaker from the dawn of cinema including Alice Guy (France, 1896), Chantal Akerman (Belgium), Penny Marshall (U.S.), and Sally Potter (U.K.). Every effort has been made to include every kind of woman filmmaker: commercial and mainstream, avant-garde, and minority, and to give a complete cross-section of the work of these remarkable women. Scholars and students of film, popular culture, Women's Studies, and International Studies, as well as film buffs will learn much from this work. The Dictionary covers the careers of nearly 200 women filmmakers, giving vital statistics where available, listings of films directed by these women, and selected bibliographies for further reading. This is a one-volume, one-stop resource, a comprehensive, up-to-date guide that is absolutely essential for any course offering an overview or survey of women's cinema. It offers not only all available statistics, but critical evaluations of the filmmakers' work as well. In order to keep the length manageable, this volume focuses on women who direct fictional narrative films, with occasional forays into the area of the documentary and is limited to film production rather than video production.
Book Synopsis Women Film Directors by : Gwendolyn A. Foster
Download or read book Women Film Directors written by Gwendolyn A. Foster and published by Bloomsbury Publishing USA. This book was released on 1995-11-14 with total page 489 pages. Available in PDF, EPUB and Kindle. Book excerpt: Until now, there hasn't been one single-volume authoritative reference work on the history of women in film, highlighting nearly every woman filmmaker from the dawn of cinema including Alice Guy (France, 1896), Chantal Akerman (Belgium), Penny Marshall (U.S.), and Sally Potter (U.K.). Every effort has been made to include every kind of woman filmmaker: commercial and mainstream, avant-garde, and minority, and to give a complete cross-section of the work of these remarkable women. Scholars and students of film, popular culture, Women's Studies, and International Studies, as well as film buffs will learn much from this work. The Dictionary covers the careers of nearly 200 women filmmakers, giving vital statistics where available, listings of films directed by these women, and selected bibliographies for further reading. This is a one-volume, one-stop resource, a comprehensive, up-to-date guide that is absolutely essential for any course offering an overview or survey of women's cinema. It offers not only all available statistics, but critical evaluations of the filmmakers' work as well. In order to keep the length manageable, this volume focuses on women who direct fictional narrative films, with occasional forays into the area of the documentary and is limited to film production rather than video production.
Brings together key writings on American avant-garde cinema to explore the long tradition of underground filmmaking from its origins in the 1920s to the work of contemporary film and video artists.
Book Synopsis Experimental Cinema by : Wheeler W. Dixon
Download or read book Experimental Cinema written by Wheeler W. Dixon and published by Psychology Press. This book was released on 2002 with total page 372 pages. Available in PDF, EPUB and Kindle. Book excerpt: Brings together key writings on American avant-garde cinema to explore the long tradition of underground filmmaking from its origins in the 1920s to the work of contemporary film and video artists.
