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"Hanslick im Kontext / Hanslick in Context" umfasst Beiträge von internationalen ExpertInnen, die sich mit Eduard Hanslick und seinen Schriften unter vielfältigen Gesichtspunkten auseinandersetzen. In den Essays wird der Kontext zwischen Hanslicks zentraler Abhandlung "Vom Musikalisch-Schönen" und möglichen Vorläufern (Leibniz, Michaelis, Nägeli etc.) sowie umliegenden Diskursen untersucht. "Close Readings" des Traktats machen wesentliche Begriffe (Arabeske, Form, Schönheit) und Konzepte (Aufführung, Performanz, Funktionalität) zum Thema. Zudem erforschen und analysieren die BeiträgerInnen Hanslicks Verhältnis zur Musikpsychologie und Kunstgeschichte, sein Verständnis des Religions-Begriffes sowie seine Vorlesungen. Mit Beiträgen von Mark Evan Bonds, Thomas Grey, Nicole Grimes, Andrea Korenjak, Christoph Landerer, Manos Perrakis, Anthony Pryer, Lee Rothfarb, Andrea Singer, Markéta Štědronská , Werner Telesko, Alexander Wilfing und Nick Zangwill
Book Synopsis Hanslick im Kontext / Hanslick in Context by : Alexander Wilfing
Download or read book Hanslick im Kontext / Hanslick in Context written by Alexander Wilfing and published by Hollitzer Wissenschaftsverlag. This book was released on 2020-11-24 with total page 306 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Hanslick im Kontext / Hanslick in Context" umfasst Beiträge von internationalen ExpertInnen, die sich mit Eduard Hanslick und seinen Schriften unter vielfältigen Gesichtspunkten auseinandersetzen. In den Essays wird der Kontext zwischen Hanslicks zentraler Abhandlung "Vom Musikalisch-Schönen" und möglichen Vorläufern (Leibniz, Michaelis, Nägeli etc.) sowie umliegenden Diskursen untersucht. "Close Readings" des Traktats machen wesentliche Begriffe (Arabeske, Form, Schönheit) und Konzepte (Aufführung, Performanz, Funktionalität) zum Thema. Zudem erforschen und analysieren die BeiträgerInnen Hanslicks Verhältnis zur Musikpsychologie und Kunstgeschichte, sein Verständnis des Religions-Begriffes sowie seine Vorlesungen. Mit Beiträgen von Mark Evan Bonds, Thomas Grey, Nicole Grimes, Andrea Korenjak, Christoph Landerer, Manos Perrakis, Anthony Pryer, Lee Rothfarb, Andrea Singer, Markéta Štědronská , Werner Telesko, Alexander Wilfing und Nick Zangwill
Sacred and Secular Intersections in Music of the Long Nineteenth Century: Church, Stage, and Concert Hall explores interconnections of the sacred and the secular in music and aesthetic debates of the long nineteenth century. The essays in this volume view the category of the sacred not as a monolithic attribute that applies only to music written for and performed in a religious ritual. Rather, the “sacred” is viewed as a functional as well as a topical category that enhances the discourse of cross-pollination of musical vocabularies between sacred and secular compositions, church and concert music. Using a variety of methodological approaches, the contributors articulate how sacred and religious identities coalesce, reconcile, fuse, or intersect in works from the long nineteenth century that traverse an array of genres and compositional styles.
Book Synopsis Sacred and Secular Intersections in Music of the Long Nineteenth Century by : Eftychia Papanikolaou
Download or read book Sacred and Secular Intersections in Music of the Long Nineteenth Century written by Eftychia Papanikolaou and published by Rowman & Littlefield. This book was released on 2022-06-21 with total page 439 pages. Available in PDF, EPUB and Kindle. Book excerpt: Sacred and Secular Intersections in Music of the Long Nineteenth Century: Church, Stage, and Concert Hall explores interconnections of the sacred and the secular in music and aesthetic debates of the long nineteenth century. The essays in this volume view the category of the sacred not as a monolithic attribute that applies only to music written for and performed in a religious ritual. Rather, the “sacred” is viewed as a functional as well as a topical category that enhances the discourse of cross-pollination of musical vocabularies between sacred and secular compositions, church and concert music. Using a variety of methodological approaches, the contributors articulate how sacred and religious identities coalesce, reconcile, fuse, or intersect in works from the long nineteenth century that traverse an array of genres and compositional styles.
Book Synopsis The collected musical criticism of Eduard Hanslick by : Eduard Hanslick
Download or read book The collected musical criticism of Eduard Hanslick written by Eduard Hanslick and published by . This book was released on 1971 with total page 359 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Rethinking Hanslick: Music, Formalism, and Expression is the first extensive English-language study devoted to Eduard Hanslick--a seminal figure in nineteenth-century musical life. Bringing together eminent scholars from several disciplines, this volume examines Hanslick's contribution to the aesthetics and philosophy of music and looks anew at his literary interests. The essays embrace ways of thinking about Hanslick's writings that go beyond the polarities that have long marked discussion of his work such as form/expression, absolute/program music, objectivity/subjectivity, and formalist/hermeneutic criticism. This approach takes into consideration both Hanslick's important On the Musically Beautiful and his critical and autobiographical writings, demonstrating Hanslick's rich insights into the context in which a musical work is composed, performed, and received. Rethinking Hanslick serves as an invaluable companion to Hanslick's prodigious scholarship and criticism, deepening our understanding of the major themes and ideas of one of the most influential music critics of the nineteenth century. Contributors: David Brodbeck, James Deaville, Chantal Frankenbach, Lauren Freede, Marion Gerards, Dana Gooley, Nicole Grimes, David Kasunic, David Larkin, Fred Everett Maus, Timothy R. McKinney, Nina Noeske, Anthony Pryer, Felix Wörner Nicole Grimes is Marie Curie Fellow at University College Dublin (UCD) and the University of California, Irvine. Siobhán Donovan is a college lecturer at the School of Languages and Literatures, UCD. Wolfgang Marx is a senior lecturer at the School of Music, UCD.
Book Synopsis Rethinking Hanslick by : Nicole Grimes
Download or read book Rethinking Hanslick written by Nicole Grimes and published by University Rochester Press. This book was released on 2013 with total page 378 pages. Available in PDF, EPUB and Kindle. Book excerpt: Rethinking Hanslick: Music, Formalism, and Expression is the first extensive English-language study devoted to Eduard Hanslick--a seminal figure in nineteenth-century musical life. Bringing together eminent scholars from several disciplines, this volume examines Hanslick's contribution to the aesthetics and philosophy of music and looks anew at his literary interests. The essays embrace ways of thinking about Hanslick's writings that go beyond the polarities that have long marked discussion of his work such as form/expression, absolute/program music, objectivity/subjectivity, and formalist/hermeneutic criticism. This approach takes into consideration both Hanslick's important On the Musically Beautiful and his critical and autobiographical writings, demonstrating Hanslick's rich insights into the context in which a musical work is composed, performed, and received. Rethinking Hanslick serves as an invaluable companion to Hanslick's prodigious scholarship and criticism, deepening our understanding of the major themes and ideas of one of the most influential music critics of the nineteenth century. Contributors: David Brodbeck, James Deaville, Chantal Frankenbach, Lauren Freede, Marion Gerards, Dana Gooley, Nicole Grimes, David Kasunic, David Larkin, Fred Everett Maus, Timothy R. McKinney, Nina Noeske, Anthony Pryer, Felix Wörner Nicole Grimes is Marie Curie Fellow at University College Dublin (UCD) and the University of California, Irvine. Siobhán Donovan is a college lecturer at the School of Languages and Literatures, UCD. Wolfgang Marx is a senior lecturer at the School of Music, UCD.
Eduard Hanslick's On the Musically Beautiful (Vom Musikalisch-Schönen, 1854), written and published before the author turned 30, is a watershed document in the history of aesthetics, and of thought about music generally. The notion of "absolute music," which lies at the heart of the treatise, is now more than ever at the center of discussions about music, particularly that of the Classic and Romantic eras. Rothfarb and Landerer's translation includes three introductory essays offering fresh perspectives on Hanslick, and on the origins, publications, and translation history of his treatise, as well as its central concepts and philosophical underpinnings. The volume also includes thorough annotations, a readers' guide, a glossary of important terms and concepts, and an appendix, which comprises the original opening of Chapter 1, substantially rewritten in subsequent editions, as well as the original ending of the treatise that was excised by Hanslick in later editions. The book's ideas, cogently and often wittily expressed, are mandatory reading for anyone interested in eighteenth and nineteenth-century music and its cultural and intellectual background.
Book Synopsis Eduard Hanslick's On the Musically Beautiful by : Lee Rothfarb
Download or read book Eduard Hanslick's On the Musically Beautiful written by Lee Rothfarb and published by Oxford University Press. This book was released on 2018-06-29 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: Eduard Hanslick's On the Musically Beautiful (Vom Musikalisch-Schönen, 1854), written and published before the author turned 30, is a watershed document in the history of aesthetics, and of thought about music generally. The notion of "absolute music," which lies at the heart of the treatise, is now more than ever at the center of discussions about music, particularly that of the Classic and Romantic eras. Rothfarb and Landerer's translation includes three introductory essays offering fresh perspectives on Hanslick, and on the origins, publications, and translation history of his treatise, as well as its central concepts and philosophical underpinnings. The volume also includes thorough annotations, a readers' guide, a glossary of important terms and concepts, and an appendix, which comprises the original opening of Chapter 1, substantially rewritten in subsequent editions, as well as the original ending of the treatise that was excised by Hanslick in later editions. The book's ideas, cogently and often wittily expressed, are mandatory reading for anyone interested in eighteenth and nineteenth-century music and its cultural and intellectual background.
What is music, and why does it move us? From Pythagoras to the present, writers have struggled to isolate the essence of "pure" or "absolute" music in ways that also account for its profound effect. In Absolute Music: The History of an Idea, Mark Evan Bonds traces the history of these efforts across more than two millennia, paying special attention to the relationship between music's essence and its qualities of form, expression, beauty, autonomy, as well as its perceived capacity to disclose philosophical truths. The core of this book focuses on the period between 1850 and 1945. Although the idea of pure music is as old as antiquity, the term "absolute music" is itself relatively recent. It was Richard Wagner who coined the term, in 1846, and he used it as a pejorative in his efforts to expose the limitations of purely instrumental music. For Wagner, music that was "absolute" was isolated, detached from the world, sterile. His contemporary, the Viennese critic Eduard Hanslick, embraced this quality of isolation as a guarantor of purity. Only pure, absolute music, he argued, could realize the highest potential of the art. Bonds reveals how and why perceptions of absolute music changed so radically between the 1850s and 1920s. When it first appeared, "absolute music" was a new term applied to old music, but by the early decades of the twentieth century, it had become-paradoxically--an old term associated with the new music of modernists like Schoenberg and Stravinsky. Bonds argues that the key developments in this shift lay not in discourse about music but rather the visual arts. The growing prestige of abstraction and form in painting at the turn of the twentieth century-line and color, as opposed to object-helped move the idea of purely abstract, absolute music to the cutting edge of musical modernism. By carefully tracing the evolution of absolute music from Ancient Greece through the Middle Ages to the twentieth-century, Bonds not only provides the first comprehensive history of this pivotal concept but also provokes new thoughts on the essence of music and how essence has been used to explain music's effect. A long awaited book from one of the most respected senior scholars in the field, Absolute Music will be essential reading for anyone interested in the history, theory, and aesthetics of music.
Book Synopsis Absolute Music by : Mark Evan Bonds
Download or read book Absolute Music written by Mark Evan Bonds and published by Oxford University Press. This book was released on 2014-05-09 with total page 400 pages. Available in PDF, EPUB and Kindle. Book excerpt: What is music, and why does it move us? From Pythagoras to the present, writers have struggled to isolate the essence of "pure" or "absolute" music in ways that also account for its profound effect. In Absolute Music: The History of an Idea, Mark Evan Bonds traces the history of these efforts across more than two millennia, paying special attention to the relationship between music's essence and its qualities of form, expression, beauty, autonomy, as well as its perceived capacity to disclose philosophical truths. The core of this book focuses on the period between 1850 and 1945. Although the idea of pure music is as old as antiquity, the term "absolute music" is itself relatively recent. It was Richard Wagner who coined the term, in 1846, and he used it as a pejorative in his efforts to expose the limitations of purely instrumental music. For Wagner, music that was "absolute" was isolated, detached from the world, sterile. His contemporary, the Viennese critic Eduard Hanslick, embraced this quality of isolation as a guarantor of purity. Only pure, absolute music, he argued, could realize the highest potential of the art. Bonds reveals how and why perceptions of absolute music changed so radically between the 1850s and 1920s. When it first appeared, "absolute music" was a new term applied to old music, but by the early decades of the twentieth century, it had become-paradoxically--an old term associated with the new music of modernists like Schoenberg and Stravinsky. Bonds argues that the key developments in this shift lay not in discourse about music but rather the visual arts. The growing prestige of abstraction and form in painting at the turn of the twentieth century-line and color, as opposed to object-helped move the idea of purely abstract, absolute music to the cutting edge of musical modernism. By carefully tracing the evolution of absolute music from Ancient Greece through the Middle Ages to the twentieth-century, Bonds not only provides the first comprehensive history of this pivotal concept but also provokes new thoughts on the essence of music and how essence has been used to explain music's effect. A long awaited book from one of the most respected senior scholars in the field, Absolute Music will be essential reading for anyone interested in the history, theory, and aesthetics of music.
Book Synopsis Hanslick Im Kontext / Hanslick in Context by : Alexander Wilfing
Download or read book Hanslick Im Kontext / Hanslick in Context written by Alexander Wilfing and published by . This book was released on 2020-08-20 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Mahler in Context explores the institutions, artists, thinkers, cultural movements, socio-political conditions, and personal relationships that shaped Mahler's creative output. Focusing on the contexts surrounding the artist, the collection provides a sense of the complex crosscurrents against which Mahler was reacting as conductor, composer, and human being. Topics explored include his youth and training, performing career, creative activity, spiritual and philosophical influences, and his reception after his death. Together, this collection of specially commissioned essays offers a wide-ranging investigation of the ecology surrounding Mahler as a composer and a fuller appreciation of the topics that occupied his mind as he conceived his works. Readers will benefit from engagement with lesser known dimensions of Mahler's life. Through this broader contextual approach, this book will serve as a valuable and unique resource for students, scholars, and a general readership.
Book Synopsis Mahler in Context by : Charles Youmans
Download or read book Mahler in Context written by Charles Youmans and published by Cambridge University Press. This book was released on 2020-11-19 with total page 561 pages. Available in PDF, EPUB and Kindle. Book excerpt: Mahler in Context explores the institutions, artists, thinkers, cultural movements, socio-political conditions, and personal relationships that shaped Mahler's creative output. Focusing on the contexts surrounding the artist, the collection provides a sense of the complex crosscurrents against which Mahler was reacting as conductor, composer, and human being. Topics explored include his youth and training, performing career, creative activity, spiritual and philosophical influences, and his reception after his death. Together, this collection of specially commissioned essays offers a wide-ranging investigation of the ecology surrounding Mahler as a composer and a fuller appreciation of the topics that occupied his mind as he conceived his works. Readers will benefit from engagement with lesser known dimensions of Mahler's life. Through this broader contextual approach, this book will serve as a valuable and unique resource for students, scholars, and a general readership.
Book Synopsis The Collected Musical Criticism of Eduard Hanslick by : Eduard Hanslick
Download or read book The Collected Musical Criticism of Eduard Hanslick written by Eduard Hanslick and published by . This book was released on 1971 with total page 369 pages. Available in PDF, EPUB and Kindle. Book excerpt:
A collection of essays revealing how operetta spread across borders and became popular on the musical stages of the world.
Book Synopsis The Cambridge Companion to Operetta by : Anastasia Belina
Download or read book The Cambridge Companion to Operetta written by Anastasia Belina and published by Cambridge University Press. This book was released on 2019-12-05 with total page 347 pages. Available in PDF, EPUB and Kindle. Book excerpt: A collection of essays revealing how operetta spread across borders and became popular on the musical stages of the world.