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HEY YO ! YO SOY! 40 YEARS OF NUYORICAN STREET POETRY, A BILINGUAL EDITION (English/Spanish) is a 386-page collection, comprised of three previously published books, "Casting Long Shadows" (1970), "Have You Seen Liberation" (1971), and "Street Poetry & Other Poems" (1972), consist of stories about growing up Puerto Rican in New York City’s El Barrio. Melendez has long been considered one of the founders of the Nuyorican Movement and the political, intellectual and linguistic topics he approaches in his work remain extremely relevant to this day. Forward by Samuel Diaz and Carmen M. Pietri-Diaz; Translator's notes by Adam Wier; Introduction by Sandra Maria Esteves; and Afterword by Jaime "Shaggy" Flores. Also includes historical photos of and an in-depth interview of Melendez. HEY YO! YO SOY! 40 YEARS OF NUYORICAN STREET POETRY, A BILINGUAL EDITION is a collection to be devoured as a single sustained narrative, from the first page to the last; a worthy addition in anyone’s library.
Book Synopsis Hey Yo ! Yo Soy! 40 Years Of Nuyorican Street Poetry, A Bilingual Edition by : Jesus Papoleto Melendez
Download or read book Hey Yo ! Yo Soy! 40 Years Of Nuyorican Street Poetry, A Bilingual Edition written by Jesus Papoleto Melendez and published by 2Leaf Press. This book was released on 2013-12-02 with total page 515 pages. Available in PDF, EPUB and Kindle. Book excerpt: HEY YO ! YO SOY! 40 YEARS OF NUYORICAN STREET POETRY, A BILINGUAL EDITION (English/Spanish) is a 386-page collection, comprised of three previously published books, "Casting Long Shadows" (1970), "Have You Seen Liberation" (1971), and "Street Poetry & Other Poems" (1972), consist of stories about growing up Puerto Rican in New York City’s El Barrio. Melendez has long been considered one of the founders of the Nuyorican Movement and the political, intellectual and linguistic topics he approaches in his work remain extremely relevant to this day. Forward by Samuel Diaz and Carmen M. Pietri-Diaz; Translator's notes by Adam Wier; Introduction by Sandra Maria Esteves; and Afterword by Jaime "Shaggy" Flores. Also includes historical photos of and an in-depth interview of Melendez. HEY YO! YO SOY! 40 YEARS OF NUYORICAN STREET POETRY, A BILINGUAL EDITION is a collection to be devoured as a single sustained narrative, from the first page to the last; a worthy addition in anyone’s library.
HEY YO! YO SOY! 40 YEARS OF NUYORICAN STREET POETRY, A BILINGUAL EDITION is a 386-page collection, comprised of three previously published books, CASTING LONG SHADOWS (1970), HAVE YOU SEEN LIBERATION (1971), and STREET POETRY & OTHER POEMS (1972), that consist of stories about growing up Puerto Rican in New York City's El Barrio. Melendez has long been considered one of the founders of the Nuyorican Movement and the political, intellectual and linguistic topics he approaches in his work remain extremely relevant to this day.
Book Synopsis 40 Años de Poesía Nuyorriqueña de la Calle, Edición Bilingüe by : Jesús Papoleto Meléndez
Download or read book 40 Años de Poesía Nuyorriqueña de la Calle, Edición Bilingüe written by Jesús Papoleto Meléndez and published by Nuyorican World. This book was released on 2012 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: HEY YO! YO SOY! 40 YEARS OF NUYORICAN STREET POETRY, A BILINGUAL EDITION is a 386-page collection, comprised of three previously published books, CASTING LONG SHADOWS (1970), HAVE YOU SEEN LIBERATION (1971), and STREET POETRY & OTHER POEMS (1972), that consist of stories about growing up Puerto Rican in New York City's El Barrio. Melendez has long been considered one of the founders of the Nuyorican Movement and the political, intellectual and linguistic topics he approaches in his work remain extremely relevant to this day.
Introduction to the second edition by Jaime A. Estades, Esq. with Additional Comments by Jesús Papoleto Meléndez and Translations by Carolina Fung Feng. Edited by Gabrielle David and Kevin E. Tobar Pesantez and Head Translator, Adam Wier. Introduction by Sandra Mara Esteves, Foreword by Samuel Diaz Carrion and Carmen M. Pietri-Diaz, and an Afterword by Jamie "Shaggy" Flores.HEY YO! YO SOY! 50 YEARS OF NUYORICAN STREET POETRY, A BILINGUAL EDITION by Jesús Papoleto Meléndez is a second edition that celebrates the tenth anniversary of its publication in 2012. With a title update that reflects the tenth anniversary, HEY YO! YO SOY! is comprised of three previously published books, CASTING LONG SHADOWS (1970), HAVE YOU SEEN LIBERATION (1971), and STREET POETRY & OTHER POEMS (1972), that consist of stories about growing up Puerto Rican in New York City's El Barrio. Meléndez has long been considered one of the founders of the Nuyorican Movement and the political, intellectual and linguistic topics he approaches in his work remain extremely relevant to this day.This tenth anniversary edition offers a special introduction by professor, activist, attorney, and sociologist Jaime A. Estades, who surveys Meléndez' career in a sociological framework, including a new perspective of his body of work. The poet Meléndez discusses HEY YO! YO SOY! and provides a historical survey of the Nuyorican landscape and its existence today. Original translations by Adam Wier, Carolina Fung Feng, and Marjorie González. Additional translations by Carolina Fung Feng.
Book Synopsis Hey Yo! Yo Soy! by : Jesús Papoleto Meléndez
Download or read book Hey Yo! Yo Soy! written by Jesús Papoleto Meléndez and published by . This book was released on 2022-10 with total page 425 pages. Available in PDF, EPUB and Kindle. Book excerpt: Introduction to the second edition by Jaime A. Estades, Esq. with Additional Comments by Jesús Papoleto Meléndez and Translations by Carolina Fung Feng. Edited by Gabrielle David and Kevin E. Tobar Pesantez and Head Translator, Adam Wier. Introduction by Sandra Mara Esteves, Foreword by Samuel Diaz Carrion and Carmen M. Pietri-Diaz, and an Afterword by Jamie "Shaggy" Flores.HEY YO! YO SOY! 50 YEARS OF NUYORICAN STREET POETRY, A BILINGUAL EDITION by Jesús Papoleto Meléndez is a second edition that celebrates the tenth anniversary of its publication in 2012. With a title update that reflects the tenth anniversary, HEY YO! YO SOY! is comprised of three previously published books, CASTING LONG SHADOWS (1970), HAVE YOU SEEN LIBERATION (1971), and STREET POETRY & OTHER POEMS (1972), that consist of stories about growing up Puerto Rican in New York City's El Barrio. Meléndez has long been considered one of the founders of the Nuyorican Movement and the political, intellectual and linguistic topics he approaches in his work remain extremely relevant to this day.This tenth anniversary edition offers a special introduction by professor, activist, attorney, and sociologist Jaime A. Estades, who surveys Meléndez' career in a sociological framework, including a new perspective of his body of work. The poet Meléndez discusses HEY YO! YO SOY! and provides a historical survey of the Nuyorican landscape and its existence today. Original translations by Adam Wier, Carolina Fung Feng, and Marjorie González. Additional translations by Carolina Fung Feng.
Since the 1960s, Nuyorican poets have explored and performed Puerto Rican identity both on and off the page. Emerging within and alongside the civil rights movements of the 1960s, the foundational Nuyorican writers sought to counter the ethnic/racial and institutional invisibility of New York City Puerto Ricans by documenting the reality of their communities in innovative and sometimes challenging ways. Since then, Nuyorican poetry has entered the U.S. Latino literary canon and has gained prominence in light of the spoken-word revival of the past two decades, a movement spearheaded by the Nuyorican Poetry Slams of the 1990s. Today, Nuyorican poetry engages with contemporary social issues such as the commodification of the body, the institutionalization of poetry, the gentrification of the barrio, and the national and global marketing of identity. What has not changed is a continued shared investment in a poetics that links the written word and the performing body. The first book-length study specifically devoted to Nuyorican poetry, In Visible Movement is unique in its historical and formal breadth, ranging from the foundational poets of the 1960s and 1970s to a variety of contemporary poets emerging in and around the Nuyorican Poets Cafe “slam” scene of the 1990s and early 2000s. It also unearths a largely unknown corpus of poetry performances, reading over forty years of Nuyorican poetry at the intersection of the printed and performed word, underscoring the poetry’s links to vernacular and Afro-Puerto Rican performance cultures, from the island’s oral poets to the New York sounds and rhythms of Latin boogaloo, salsa, and hip-hop. With depth and insight, Urayoán Noel analyzes various canonical Nuyorican poems by poets such as Pedro Pietri, Victor Hernández Cruz, Miguel Algarín, Miguel Piñero, Sandra María Esteves, and Tato Laviera. He discusses historically overlooked poets such as Lorraine Sutton, innovative poets typically read outside the Nuyorican tradition such as Frank Lima and Edwin Torres, and a younger generation of Nuyorican-identified poets including Willie Perdomo, María Teresa Mariposa Fernández, and Emanuel Xavier, whose work has received only limited critical consideration. The result is a stunning reflection of how New York Puerto Rican poets have addressed the complexity of identity amid diaspora for over forty years.
Book Synopsis In Visible Movement by : Urayoan Noel
Download or read book In Visible Movement written by Urayoan Noel and published by University of Iowa Press. This book was released on 2014-05-01 with total page 269 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since the 1960s, Nuyorican poets have explored and performed Puerto Rican identity both on and off the page. Emerging within and alongside the civil rights movements of the 1960s, the foundational Nuyorican writers sought to counter the ethnic/racial and institutional invisibility of New York City Puerto Ricans by documenting the reality of their communities in innovative and sometimes challenging ways. Since then, Nuyorican poetry has entered the U.S. Latino literary canon and has gained prominence in light of the spoken-word revival of the past two decades, a movement spearheaded by the Nuyorican Poetry Slams of the 1990s. Today, Nuyorican poetry engages with contemporary social issues such as the commodification of the body, the institutionalization of poetry, the gentrification of the barrio, and the national and global marketing of identity. What has not changed is a continued shared investment in a poetics that links the written word and the performing body. The first book-length study specifically devoted to Nuyorican poetry, In Visible Movement is unique in its historical and formal breadth, ranging from the foundational poets of the 1960s and 1970s to a variety of contemporary poets emerging in and around the Nuyorican Poets Cafe “slam” scene of the 1990s and early 2000s. It also unearths a largely unknown corpus of poetry performances, reading over forty years of Nuyorican poetry at the intersection of the printed and performed word, underscoring the poetry’s links to vernacular and Afro-Puerto Rican performance cultures, from the island’s oral poets to the New York sounds and rhythms of Latin boogaloo, salsa, and hip-hop. With depth and insight, Urayoán Noel analyzes various canonical Nuyorican poems by poets such as Pedro Pietri, Victor Hernández Cruz, Miguel Algarín, Miguel Piñero, Sandra María Esteves, and Tato Laviera. He discusses historically overlooked poets such as Lorraine Sutton, innovative poets typically read outside the Nuyorican tradition such as Frank Lima and Edwin Torres, and a younger generation of Nuyorican-identified poets including Willie Perdomo, María Teresa Mariposa Fernández, and Emanuel Xavier, whose work has received only limited critical consideration. The result is a stunning reflection of how New York Puerto Rican poets have addressed the complexity of identity amid diaspora for over forty years.
Bum Rush the Page is a groundbreaking collection, capturing the best new work from the poets who have brought fresh energy, life, and relevance to American poetry. “Here is a democratic orchestration of voices and visions, poets of all ages, ethnicities, and geographic locations coming together to create a dialogue and to jam–not slam. This is our mouth on paper, our hearts on our sleeves, our refusal to shut up and swallow our silence. These poems are tough, honest, astute, perceptive, lyrical, blunt, sad, funny, heartbreaking, and true. They shout, they curse, they whisper, and sing. But most of all, they tell it like it is.” –Tony Medina, from the Introduction
Book Synopsis Bum Rush the Page by : Tony Medina
Download or read book Bum Rush the Page written by Tony Medina and published by Crown. This book was released on 2009-04-23 with total page 322 pages. Available in PDF, EPUB and Kindle. Book excerpt: Bum Rush the Page is a groundbreaking collection, capturing the best new work from the poets who have brought fresh energy, life, and relevance to American poetry. “Here is a democratic orchestration of voices and visions, poets of all ages, ethnicities, and geographic locations coming together to create a dialogue and to jam–not slam. This is our mouth on paper, our hearts on our sleeves, our refusal to shut up and swallow our silence. These poems are tough, honest, astute, perceptive, lyrical, blunt, sad, funny, heartbreaking, and true. They shout, they curse, they whisper, and sing. But most of all, they tell it like it is.” –Tony Medina, from the Introduction
Offers a comprehensive overview of the most important authors, movements, genres, and historical turning points in Latino literature. More than 60 million Latinos currently live in the United States. Yet contributions from writers who trace their heritage to the Caribbean, Central and South America, and Mexico have and continue to be overlooked by critics and general audiences alike. Latino Literature: An Encyclopedia for Students gathers the best from these authors and presents them to readers in an informed and accessible way. Intended to be a useful resource for students, this volume introduces the key figures and genres central to Latino literature. Entries are written by prominent and emerging scholars and are comprehensive in their coverage of the 19th, 20th, and 21st centuries. Different critical approaches inform and interpret the myriad complexities of Latino literary production over the last several hundred years. Finally, detailed historical and cultural accounts of Latino diasporas also enrich readers' understandings of the writings that have and continue to be influenced by changes in cultural geography, providing readers with the information they need to appreciate a body of work that will continue to flourish in and alongside Latino communities.
Book Synopsis Latino Literature by : Christina Soto van der Plas
Download or read book Latino Literature written by Christina Soto van der Plas and published by Bloomsbury Publishing USA. This book was released on 2023-03-31 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt: Offers a comprehensive overview of the most important authors, movements, genres, and historical turning points in Latino literature. More than 60 million Latinos currently live in the United States. Yet contributions from writers who trace their heritage to the Caribbean, Central and South America, and Mexico have and continue to be overlooked by critics and general audiences alike. Latino Literature: An Encyclopedia for Students gathers the best from these authors and presents them to readers in an informed and accessible way. Intended to be a useful resource for students, this volume introduces the key figures and genres central to Latino literature. Entries are written by prominent and emerging scholars and are comprehensive in their coverage of the 19th, 20th, and 21st centuries. Different critical approaches inform and interpret the myriad complexities of Latino literary production over the last several hundred years. Finally, detailed historical and cultural accounts of Latino diasporas also enrich readers' understandings of the writings that have and continue to be influenced by changes in cultural geography, providing readers with the information they need to appreciate a body of work that will continue to flourish in and alongside Latino communities.
LAST OF THE PO’RICANS Y OTROS AFRO-ARTIFACTS, the debut poetry collection of Not4Prophet, provides an incredible verbal and musical profusion of poetry that reflects the cultural landscapes of the perpetual islands of Puerto Rican and New York City through the eyes of a Puerto Rican born in Ponce, living in El Barrio/East Harlem and the South Bronx. As he elaborates this “otherness,” which includes the hassles of poverty, racial pride and racial discord, Not4Prophet pays homage to the old school cats from the Nuyorican and Black Arts movements. Written in free verse and layered with cultural and historical references, LAST OF THE PO’RICANS breaks boundaries and challenges us with iconic imagery and word play that dares to speak of the unspeakable.. With graphics by Vagabond and an introduction by Tony Medina.
Book Synopsis Last of the Po’ Ricans y Otros Afro-Artifacts by : Not4Prophet
Download or read book Last of the Po’ Ricans y Otros Afro-Artifacts written by Not4Prophet and published by 2Leaf Press. This book was released on 2015-07-13 with total page 176 pages. Available in PDF, EPUB and Kindle. Book excerpt: LAST OF THE PO’RICANS Y OTROS AFRO-ARTIFACTS, the debut poetry collection of Not4Prophet, provides an incredible verbal and musical profusion of poetry that reflects the cultural landscapes of the perpetual islands of Puerto Rican and New York City through the eyes of a Puerto Rican born in Ponce, living in El Barrio/East Harlem and the South Bronx. As he elaborates this “otherness,” which includes the hassles of poverty, racial pride and racial discord, Not4Prophet pays homage to the old school cats from the Nuyorican and Black Arts movements. Written in free verse and layered with cultural and historical references, LAST OF THE PO’RICANS breaks boundaries and challenges us with iconic imagery and word play that dares to speak of the unspeakable.. With graphics by Vagabond and an introduction by Tony Medina.
INCESSANT BEAUTY is a feast for the senses and the mind. Ana Rossetti (from Cádiz, Spain), who began her literary career in the late seventies soon after dictator Francisco Franco’s death in 1975, is an award winning poet and writer. She became prominent among the many women poets who used the lifting of censorship to produce a fresh, often daring, body of poetry. INCESSANT BEAUTY offers to an English-speaking audience a first glimpse into Rossetti’s eclectic and voracious symbolic universe. Editor and translator Carmela Ferradáns has selected poems that offer a wide range of themes and poetic registers that span more than thirty years. Presented in chronological order, they vary from the playful, often cheeky, early poems for which she is well-known, to the more brooding meditations on transcendental human qualities, to the latest festive celebrations of the poetic word itself. In INCESSANT BEAUTY, Rossetti maps out displacement and exile in the fringes of the heart, bringing solidarity with one another to the core of our shared humanity.
Book Synopsis Incessant Beauty, A Bilingual Anthology by : Ana Rossetti
Download or read book Incessant Beauty, A Bilingual Anthology written by Ana Rossetti and published by 2Leaf Press. This book was released on 2015-07-13 with total page 189 pages. Available in PDF, EPUB and Kindle. Book excerpt: INCESSANT BEAUTY is a feast for the senses and the mind. Ana Rossetti (from Cádiz, Spain), who began her literary career in the late seventies soon after dictator Francisco Franco’s death in 1975, is an award winning poet and writer. She became prominent among the many women poets who used the lifting of censorship to produce a fresh, often daring, body of poetry. INCESSANT BEAUTY offers to an English-speaking audience a first glimpse into Rossetti’s eclectic and voracious symbolic universe. Editor and translator Carmela Ferradáns has selected poems that offer a wide range of themes and poetic registers that span more than thirty years. Presented in chronological order, they vary from the playful, often cheeky, early poems for which she is well-known, to the more brooding meditations on transcendental human qualities, to the latest festive celebrations of the poetic word itself. In INCESSANT BEAUTY, Rossetti maps out displacement and exile in the fringes of the heart, bringing solidarity with one another to the core of our shared humanity.
BIRDS ON THE KISWAR TREE by Peruvian Andean poet Odi Gonzales presents poems that sing in the voices of native birds and speak through the devout, but subversive, Quechua artists of Peru’s colonial era. Their religious art provides the imagery for these astounding poems. In the Eden painted by one anonymous artist, Andean kiswar trees grow, native ñukchu flowers bloom, llamas graze, and parrots perch in the trees, and in out-of-the-way nooks of Andean churches, rebel angels hide, armed with harquebuses. Canvas by canvas, poem by poem, Gonzales gives us a poetry collection as a living and talking museum in which the Quechua artists of Peru’s past demonstrate both their sincere Christian faith and their opposition to the Spanish destruction of the Inca empire. Originally published in Peru in 2005 as La Escuela de Cusco (The School of Cusco), BIRDS ON THE KISWAR TREE stands as an elegant and richly imagined tribute to these indigenous and mestizo artists. By extension, it shows how artists may put forth their views when prevailing circumstances make outward protest a perilous option.
Book Synopsis Birds on the Kiswar Tree by : Odi Gonzales
Download or read book Birds on the Kiswar Tree written by Odi Gonzales and published by 2Leaf Press. This book was released on 2015-07-13 with total page 155 pages. Available in PDF, EPUB and Kindle. Book excerpt: BIRDS ON THE KISWAR TREE by Peruvian Andean poet Odi Gonzales presents poems that sing in the voices of native birds and speak through the devout, but subversive, Quechua artists of Peru’s colonial era. Their religious art provides the imagery for these astounding poems. In the Eden painted by one anonymous artist, Andean kiswar trees grow, native ñukchu flowers bloom, llamas graze, and parrots perch in the trees, and in out-of-the-way nooks of Andean churches, rebel angels hide, armed with harquebuses. Canvas by canvas, poem by poem, Gonzales gives us a poetry collection as a living and talking museum in which the Quechua artists of Peru’s past demonstrate both their sincere Christian faith and their opposition to the Spanish destruction of the Inca empire. Originally published in Peru in 2005 as La Escuela de Cusco (The School of Cusco), BIRDS ON THE KISWAR TREE stands as an elegant and richly imagined tribute to these indigenous and mestizo artists. By extension, it shows how artists may put forth their views when prevailing circumstances make outward protest a perilous option.
IMAGINARIUM: SIGHTINGS, GALLERIES, SIGHTLINES, A. Robert Lee’s latest collection of poetry, turns on two connecting keynotes: imagination and sight. Across a broad canvas each of its sequences explores the ways we go about imagining as much as seeing reality. Sightings, which opens the book, turns upon a dozen or so celebrated paintings, among them J.M.W. Turner and Frida Kahlo. Galleriesextends the usual meaning of the term to include vantage-points like a French archeological cave, a Bosphorus Straits crossing and a Tokyo station. Sightlines frames a run of personal encounters within the heights and widths of buildings and landscapes – whether different Metro stations, or a major Japanese waterfall or Memphis’s Beale Street. IMAGINARIUM explores yet other kinds of seeing, including poems that use bird flight as metaphors of imagination, airplane travel and its larger meanings of self-journey, Science Fiction film and the envisioning of other worlds, a roster of US photography, and imagination itself as a process to be imagined. In sum the reader is invited into a two-way exchange, imagination as seeing, seeing as imagination.
Book Synopsis Imaginarium: Sightings, Galleries, Sightlines by : A. Robert Lee
Download or read book Imaginarium: Sightings, Galleries, Sightlines written by A. Robert Lee and published by 2Leaf Press. This book was released on 2015-07-13 with total page 153 pages. Available in PDF, EPUB and Kindle. Book excerpt: IMAGINARIUM: SIGHTINGS, GALLERIES, SIGHTLINES, A. Robert Lee’s latest collection of poetry, turns on two connecting keynotes: imagination and sight. Across a broad canvas each of its sequences explores the ways we go about imagining as much as seeing reality. Sightings, which opens the book, turns upon a dozen or so celebrated paintings, among them J.M.W. Turner and Frida Kahlo. Galleriesextends the usual meaning of the term to include vantage-points like a French archeological cave, a Bosphorus Straits crossing and a Tokyo station. Sightlines frames a run of personal encounters within the heights and widths of buildings and landscapes – whether different Metro stations, or a major Japanese waterfall or Memphis’s Beale Street. IMAGINARIUM explores yet other kinds of seeing, including poems that use bird flight as metaphors of imagination, airplane travel and its larger meanings of self-journey, Science Fiction film and the envisioning of other worlds, a roster of US photography, and imagination itself as a process to be imagined. In sum the reader is invited into a two-way exchange, imagination as seeing, seeing as imagination.
