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Book Synopsis A New History of Painting in Italy by : Joseph Archer Crowe
Download or read book A New History of Painting in Italy written by Joseph Archer Crowe and published by . This book was released on 1866 with total page 760 pages. Available in PDF, EPUB and Kindle. Book excerpt:
"Focuses primarliy on the social and historical context in which art was made and used"--Bibliographic essay (p. 326).
Book Synopsis Art in Renaissance Italy, 1350-1500 by : Evelyn S. Welch
Download or read book Art in Renaissance Italy, 1350-1500 written by Evelyn S. Welch and published by Oxford University Press, USA. This book was released on 2000 with total page 356 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Focuses primarliy on the social and historical context in which art was made and used"--Bibliographic essay (p. 326).
Book Synopsis A History of Painting in Italy, Umbria, Florence and Siena, from the Second to the Sixteenth Century: Early Christian art by : Joseph Archer Crowe
Download or read book A History of Painting in Italy, Umbria, Florence and Siena, from the Second to the Sixteenth Century: Early Christian art written by Joseph Archer Crowe and published by . This book was released on 1903 with total page 354 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The History of Painting in Italy: The schools of Bologna, Ferrara, Genoa, and piedmont, with indexes by : Luigi Antonio Lanzi
Download or read book The History of Painting in Italy: The schools of Bologna, Ferrara, Genoa, and piedmont, with indexes written by Luigi Antonio Lanzi and published by . This book was released on 1847 with total page 514 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The History of Painting in Italy: The indexes by : Luigi Antonio Lanzi
Download or read book The History of Painting in Italy: The indexes written by Luigi Antonio Lanzi and published by . This book was released on 1828 with total page 230 pages. Available in PDF, EPUB and Kindle. Book excerpt:
I have frequently heard the lovers of art express a doubt whether the Roman School possesses the same inherent right to that distinctive appellation as the schools of Florence, Bologna, and Venice. Those of the latter cities were, indeed, founded by their respective citizens, and supported through a long course of ages; while the Roman School, it may be said, could boast only of Giulio Romano and Sacchi, and a few others, natives of Rome, who taught, and left scholars there. The other artists who flourished there were either natives of the cities of the Roman state, or from other parts of Italy, some of whom established themselves in Rome, and others, after the close of their labours there, returned and died in their native places. But this question is, if I mistake not, rather a dispute of words than of things, and similar to those objections advanced by the peripatetic sophists against the modern philosophy; insisting that they abuse the meaning of their words, and quoting, as an example, the vis inertiƦ; as if that, which is in itself inert, could possess the quality of force. The moderns laugh at this difficulty, and coolly reply that, if the vis displeased them, they might substitute natura, or any other equivalent word; and that it was lost time to dispute about words, and neglect things. So it may be said in this case; they who disapprove of the designation of school, may substitute that of academy, or any other term denoting a place where the art of painting is professed and taught. And, as the learned universities always derive their names from the city where they are established, as the university of Padua or Pisa, although the professors may be all, or in great part, from other states, so it is with the schools of painting, to which the name of the country is always attached, in preference to that of the master. In Vasari we do not find this classification of schools, and Monsignor Agucchi was the first to divide Italian art into the schools of Lombardy, Venice, Tuscany, and Rome.[1] He has employed the term of schools after the manner of the ancients, and has thus characterised one of them as the Roman School. He has, perhaps, erred in placing Michel Angiolo, as well as Raphael, at the head of this school, as posterity have assigned him his station as chief of the school of Florence; but he has judged right in classing it under a separate head, possessing, as it does, its own peculiar style; and in this he has been followed by all the modern writers of art. The characteristic feature in the Roman School has been said to consist in a strict imitation of the works of the ancients, not only in sublimity, but also in elegance and selection; and to this we shall add other peculiarities, which will be noticed in their proper place.
Book Synopsis The History of Painting in Italy by : Luigi Lanzi
Download or read book The History of Painting in Italy written by Luigi Lanzi and published by . This book was released on 2020-06-24 with total page 212 pages. Available in PDF, EPUB and Kindle. Book excerpt: I have frequently heard the lovers of art express a doubt whether the Roman School possesses the same inherent right to that distinctive appellation as the schools of Florence, Bologna, and Venice. Those of the latter cities were, indeed, founded by their respective citizens, and supported through a long course of ages; while the Roman School, it may be said, could boast only of Giulio Romano and Sacchi, and a few others, natives of Rome, who taught, and left scholars there. The other artists who flourished there were either natives of the cities of the Roman state, or from other parts of Italy, some of whom established themselves in Rome, and others, after the close of their labours there, returned and died in their native places. But this question is, if I mistake not, rather a dispute of words than of things, and similar to those objections advanced by the peripatetic sophists against the modern philosophy; insisting that they abuse the meaning of their words, and quoting, as an example, the vis inertiƦ; as if that, which is in itself inert, could possess the quality of force. The moderns laugh at this difficulty, and coolly reply that, if the vis displeased them, they might substitute natura, or any other equivalent word; and that it was lost time to dispute about words, and neglect things. So it may be said in this case; they who disapprove of the designation of school, may substitute that of academy, or any other term denoting a place where the art of painting is professed and taught. And, as the learned universities always derive their names from the city where they are established, as the university of Padua or Pisa, although the professors may be all, or in great part, from other states, so it is with the schools of painting, to which the name of the country is always attached, in preference to that of the master. In Vasari we do not find this classification of schools, and Monsignor Agucchi was the first to divide Italian art into the schools of Lombardy, Venice, Tuscany, and Rome.[1] He has employed the term of schools after the manner of the ancients, and has thus characterised one of them as the Roman School. He has, perhaps, erred in placing Michel Angiolo, as well as Raphael, at the head of this school, as posterity have assigned him his station as chief of the school of Florence; but he has judged right in classing it under a separate head, possessing, as it does, its own peculiar style; and in this he has been followed by all the modern writers of art. The characteristic feature in the Roman School has been said to consist in a strict imitation of the works of the ancients, not only in sublimity, but also in elegance and selection; and to this we shall add other peculiarities, which will be noticed in their proper place.
An introduction to 15th century Italian painting and the social history behind it, arguing that the two are interlinked and that the conditions of the time helped fashion distinctive elements in the painter's style.
Book Synopsis Painting and Experience in Fifteenth Century Italy by : Michael Baxandall
Download or read book Painting and Experience in Fifteenth Century Italy written by Michael Baxandall and published by Oxford Paperbacks. This book was released on 1988 with total page 200 pages. Available in PDF, EPUB and Kindle. Book excerpt: An introduction to 15th century Italian painting and the social history behind it, arguing that the two are interlinked and that the conditions of the time helped fashion distinctive elements in the painter's style.
Book Synopsis A History of Painting in North Italy by : Joseph Archer Crowe
Download or read book A History of Painting in North Italy written by Joseph Archer Crowe and published by . This book was released on 1871 with total page 678 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Italian art, starting with its origins in the Middle Ages, has developed by the multiplicity of its artists and in the autonomy of its styles that for centuries now have been a constant point of reference for the whole Western World. This magnificent volume, illustrated with nearly 500 works of art, presents a portfolio of the artists who best represent the genesis and development of art in Italy from the twelfth to the nineteenth centuries. With clear and concise narrative, each historical period is brought to life in a way which will both enlighten and entertain the reader. Biographies of the artists featured add an extra dimension to the book.
Book Synopsis Italian Art by : Mattia Reiche
Download or read book Italian Art written by Mattia Reiche and published by Giunti Editore. This book was released on 2000 with total page 430 pages. Available in PDF, EPUB and Kindle. Book excerpt: Italian art, starting with its origins in the Middle Ages, has developed by the multiplicity of its artists and in the autonomy of its styles that for centuries now have been a constant point of reference for the whole Western World. This magnificent volume, illustrated with nearly 500 works of art, presents a portfolio of the artists who best represent the genesis and development of art in Italy from the twelfth to the nineteenth centuries. With clear and concise narrative, each historical period is brought to life in a way which will both enlighten and entertain the reader. Biographies of the artists featured add an extra dimension to the book.
Book Synopsis The History of Painting in Italy: The schools of Naples, Venice, Lombardy, Mantua, Modena, Parma, Cremona, and Milan by : Luigi Lanzi
Download or read book The History of Painting in Italy: The schools of Naples, Venice, Lombardy, Mantua, Modena, Parma, Cremona, and Milan written by Luigi Lanzi and published by . This book was released on 1853 with total page 558 pages. Available in PDF, EPUB and Kindle. Book excerpt: