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Hitler Dances is striking not so much for the formal experimentation of its dramatic design as for its use of innovative theatrical procedures. Conceived as a workshop by the Traverse Theatre of Edinburgh, Hitler Dances originated as a series of exercises in which the actors confronted their experience and recollection of wartime England.
Book Synopsis Hitler Dances by : Howard Brenton
Download or read book Hitler Dances written by Howard Brenton and published by Heinemann Educational Books. This book was released on 1982 with total page 104 pages. Available in PDF, EPUB and Kindle. Book excerpt: Hitler Dances is striking not so much for the formal experimentation of its dramatic design as for its use of innovative theatrical procedures. Conceived as a workshop by the Traverse Theatre of Edinburgh, Hitler Dances originated as a series of exercises in which the actors confronted their experience and recollection of wartime England.
The Nazis burned books and banned much modern art. However, few people know the fascinating story of German modern dance, which was the great exception. Modern expressive dance found favor with the regime and especially with the infamous Dr. Joseph Goebbels, the Minister of Propaganda. How modern artists collaborated with Nazism reveals an important aspect of modernism, uncovers the bizarre bureaucracy which controlled culture and tells the histories of great figures who became enthusiastic Nazis and lied about it later. The book offers three perspectives: the dancer Lilian Karina writes her very vivid personal story of dancing in interwar Germany; the dance historian Marion Kant gives a systematic account of the interaction of modern dance and the totalitarian state, and a documentary appendix provides a glimpse into the twisted reality created by Nazi racism, pedantic bureaucrats and artistic ambition.
Book Synopsis Hitler's Dancers by : Lilian Karina
Download or read book Hitler's Dancers written by Lilian Karina and published by Berghahn Books. This book was released on 2004 with total page 400 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Nazis burned books and banned much modern art. However, few people know the fascinating story of German modern dance, which was the great exception. Modern expressive dance found favor with the regime and especially with the infamous Dr. Joseph Goebbels, the Minister of Propaganda. How modern artists collaborated with Nazism reveals an important aspect of modernism, uncovers the bizarre bureaucracy which controlled culture and tells the histories of great figures who became enthusiastic Nazis and lied about it later. The book offers three perspectives: the dancer Lilian Karina writes her very vivid personal story of dancing in interwar Germany; the dance historian Marion Kant gives a systematic account of the interaction of modern dance and the totalitarian state, and a documentary appendix provides a glimpse into the twisted reality created by Nazi racism, pedantic bureaucrats and artistic ambition.
The history of drama is typically viewed as a series of inert "styles." Tracing British and American stage drama from the 1880s onward, W. B. Worthen instead sees drama as the interplay of text, stage production, and audience. How are audiences manipulated? What makes drama meaningful? Worthen identifies three rhetorical strategies that distinguish an O'Neill play from a Yeats, or these two from a Brecht. Where realistic theater relies on the "natural" qualities of the stage scene, poetic theater uses the poet's word, the text, to control performance. Modern political theater, by contrast, openly places the audience at the center of its rhetorical designs, and the drama of the postwar period is shown to develop a range of post-Brechtian practices that make the audience the subject of the play. Worthen's book deserves the attention of any literary critic or serious theatergoer interested in the relationship between modern drama and the spectator. The history of drama is typically viewed as a series of inert "styles." Tracing British and American stage drama from the 1880s onward, W. B. Worthen instead sees drama as the interplay of text, stage production, and audience. How are audiences manipulated? What makes drama meaningful? Worthen identifies three rhetorical strategies that distinguish an O'Neill play from a Yeats, or these two from a Brecht. Where realistic theater relies on the "natural" qualities of the stage scene, poetic theater uses the poet's word, the text, to control performance. Modern political theater, by contrast, openly places the audience at the center of its rhetorical designs, and the drama of the postwar period is shown to develop a range of post-Brechtian practices that make the audience the subject of the play. Worthen's book deserves the attention of any literary critic or serious theatergoer interested in the relationship between modern drama and the spectator.
Book Synopsis Modern Drama and the Rhetoric of Theater by : William B. Worthen
Download or read book Modern Drama and the Rhetoric of Theater written by William B. Worthen and published by Univ of California Press. This book was released on 1992-01-01 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: The history of drama is typically viewed as a series of inert "styles." Tracing British and American stage drama from the 1880s onward, W. B. Worthen instead sees drama as the interplay of text, stage production, and audience. How are audiences manipulated? What makes drama meaningful? Worthen identifies three rhetorical strategies that distinguish an O'Neill play from a Yeats, or these two from a Brecht. Where realistic theater relies on the "natural" qualities of the stage scene, poetic theater uses the poet's word, the text, to control performance. Modern political theater, by contrast, openly places the audience at the center of its rhetorical designs, and the drama of the postwar period is shown to develop a range of post-Brechtian practices that make the audience the subject of the play. Worthen's book deserves the attention of any literary critic or serious theatergoer interested in the relationship between modern drama and the spectator. The history of drama is typically viewed as a series of inert "styles." Tracing British and American stage drama from the 1880s onward, W. B. Worthen instead sees drama as the interplay of text, stage production, and audience. How are audiences manipulated? What makes drama meaningful? Worthen identifies three rhetorical strategies that distinguish an O'Neill play from a Yeats, or these two from a Brecht. Where realistic theater relies on the "natural" qualities of the stage scene, poetic theater uses the poet's word, the text, to control performance. Modern political theater, by contrast, openly places the audience at the center of its rhetorical designs, and the drama of the postwar period is shown to develop a range of post-Brechtian practices that make the audience the subject of the play. Worthen's book deserves the attention of any literary critic or serious theatergoer interested in the relationship between modern drama and the spectator.
Book Synopsis Hitler Never Went To A Hunky Dance by : D. P. Schnur
Download or read book Hitler Never Went To A Hunky Dance written by D. P. Schnur and published by RoseDog Books. This book was released on 2005-03-01 with total page 159 pages. Available in PDF, EPUB and Kindle. Book excerpt:
The Routledge Encyclopedia of Films comprises 200 essays by leading film scholars analysing the most important, influential, innovative and interesting films of all time. Arranged alphabetically, each entry explores why each film is significant for those who study film and explores the social, historical and political contexts in which the film was produced. Ranging from Hollywood classics to international bestsellers to lesser-known representations of national cinema, this collection is deliberately broad in scope crossing decades, boundaries and genres. The encyclopedia thus provides an introduction to the historical range and scope of cinema produced throughout the world.
Book Synopsis The Routledge Encyclopedia of Films by : Sabine Haenni
Download or read book The Routledge Encyclopedia of Films written by Sabine Haenni and published by Routledge. This book was released on 2014-09-15 with total page 711 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Routledge Encyclopedia of Films comprises 200 essays by leading film scholars analysing the most important, influential, innovative and interesting films of all time. Arranged alphabetically, each entry explores why each film is significant for those who study film and explores the social, historical and political contexts in which the film was produced. Ranging from Hollywood classics to international bestsellers to lesser-known representations of national cinema, this collection is deliberately broad in scope crossing decades, boundaries and genres. The encyclopedia thus provides an introduction to the historical range and scope of cinema produced throughout the world.
The Thatcher administration of 1979 to 1990 had a profound and apparently lasting effect on British theatre and drama. It is now roughly a decade since the fall of Margaret Thatcher and, with the benefit of hindsight, it has become possible to disentangle fact from fantasy concerning her effect on the British theatre. During her administration, there was a significant cultural shift which affected drama in Britain. While some critics have argued that the theatre was simply affected by financial cutbacks in arts subsidies, this volume challenges that view. While it looks at the economic influence of Thatcher's policies, it also examines how her ideology shaped theatrical and dramatic discourse. It begins by defining Thatcherism and illustrating its cultural influence. It then examines the consequences of Thatcherite policies through the agency of the Arts Council of Great Britain. Having established this political and cultural environment, the book considers in detail the effect of Thatcher's administration on the subject-matter and dramatic and theatrical discourse of left-wing drama and on the subsidized political theatre companies which proliferated during the 1970s. Attention is then given to the development of constituency theatres, such as Women's and Black Theatre, which assumed an oppositional cultural stance and, in some cases, attempted to develop characteristic theatrical and dramatic discourses. The penultimate chapter deals with the effect of Thatcherite economic policy and ideology on new writing and performance, while the final chapter draws conclusions and suggests that the cultural shift perpetrated by the Thatcher regime has altered the status of subsidized theatre from an agency of cultural, spiritual, social, or psychological welfare to an entertainment industry which is viewed as largely irrelevant to the workings of society.
Book Synopsis Thatcher's Theatre by : D. Keith Peacock
Download or read book Thatcher's Theatre written by D. Keith Peacock and published by Bloomsbury Publishing USA. This book was released on 1999-03-30 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Thatcher administration of 1979 to 1990 had a profound and apparently lasting effect on British theatre and drama. It is now roughly a decade since the fall of Margaret Thatcher and, with the benefit of hindsight, it has become possible to disentangle fact from fantasy concerning her effect on the British theatre. During her administration, there was a significant cultural shift which affected drama in Britain. While some critics have argued that the theatre was simply affected by financial cutbacks in arts subsidies, this volume challenges that view. While it looks at the economic influence of Thatcher's policies, it also examines how her ideology shaped theatrical and dramatic discourse. It begins by defining Thatcherism and illustrating its cultural influence. It then examines the consequences of Thatcherite policies through the agency of the Arts Council of Great Britain. Having established this political and cultural environment, the book considers in detail the effect of Thatcher's administration on the subject-matter and dramatic and theatrical discourse of left-wing drama and on the subsidized political theatre companies which proliferated during the 1970s. Attention is then given to the development of constituency theatres, such as Women's and Black Theatre, which assumed an oppositional cultural stance and, in some cases, attempted to develop characteristic theatrical and dramatic discourses. The penultimate chapter deals with the effect of Thatcherite economic policy and ideology on new writing and performance, while the final chapter draws conclusions and suggests that the cultural shift perpetrated by the Thatcher regime has altered the status of subsidized theatre from an agency of cultural, spiritual, social, or psychological welfare to an entertainment industry which is viewed as largely irrelevant to the workings of society.
The English Stage Company at the Royal Court Theatre is the longest running specialist production organization in the history of British theatre. Philip Roberts’s account, which was first published in 1986, covers the period 1965-1972 in the Company’s life, beginning in 1965 with the appointment of William Gaskill as Artistic Director. It is not simply about the critical triumphs of these years of the Royal Court’s work, but also about the day-to-day workings of a busy and often turbulent organization. The result of the book is both scholarly and entertaining. This book will be of interest to students of the theatre and drama.
Book Synopsis The Royal Court Theatre (Routledge Revivals) by : Philip Roberts
Download or read book The Royal Court Theatre (Routledge Revivals) written by Philip Roberts and published by CRC Press. This book was released on 2015-06-03 with total page 215 pages. Available in PDF, EPUB and Kindle. Book excerpt: The English Stage Company at the Royal Court Theatre is the longest running specialist production organization in the history of British theatre. Philip Roberts’s account, which was first published in 1986, covers the period 1965-1972 in the Company’s life, beginning in 1965 with the appointment of William Gaskill as Artistic Director. It is not simply about the critical triumphs of these years of the Royal Court’s work, but also about the day-to-day workings of a busy and often turbulent organization. The result of the book is both scholarly and entertaining. This book will be of interest to students of the theatre and drama.
This comprehensive study formulates an original theory that dramatic song must be perceived as a separate genre situated between poetry, music, and theater. It focuses on John Arden, Margaretta D'Arcy, Edward Bond, Peter Barnes, John Osborne, Peter Nichols, Harold Pinter, Tom Stoppard, Peter Shaffer, and John McGrath.
Book Synopsis The Function of Song in Contemporary British Drama by : Elizabeth Hale Winkler
Download or read book The Function of Song in Contemporary British Drama written by Elizabeth Hale Winkler and published by University of Delaware Press. This book was released on 1990 with total page 382 pages. Available in PDF, EPUB and Kindle. Book excerpt: This comprehensive study formulates an original theory that dramatic song must be perceived as a separate genre situated between poetry, music, and theater. It focuses on John Arden, Margaretta D'Arcy, Edward Bond, Peter Barnes, John Osborne, Peter Nichols, Harold Pinter, Tom Stoppard, Peter Shaffer, and John McGrath.
In 1930's Germany, a popular teenage girl becomes increasingly aware of the Nazi regime's brutalities and finds many of her preconceived ideas and ideals of humanity shattered. The manuscript has received excellent recommendations from noted scholars, critics and historians.
Book Synopsis Dance on the Volcano by : Renata Zerner
Download or read book Dance on the Volcano written by Renata Zerner and published by Booklocker.Com Incorporated. This book was released on 2010 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: In 1930's Germany, a popular teenage girl becomes increasingly aware of the Nazi regime's brutalities and finds many of her preconceived ideas and ideals of humanity shattered. The manuscript has received excellent recommendations from noted scholars, critics and historians.
The author recounts his years lived under a fake Christian identity during the Nazi occupation of Hungary in the Second World War, including the efforts he put forth to protect his family as well as many other Jews.
Book Synopsis Masquerade by : Tivadar Soros
Download or read book Masquerade written by Tivadar Soros and published by Arcade Publishing. This book was released on 2001 with total page 308 pages. Available in PDF, EPUB and Kindle. Book excerpt: The author recounts his years lived under a fake Christian identity during the Nazi occupation of Hungary in the Second World War, including the efforts he put forth to protect his family as well as many other Jews.
