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Since the age of 16, when he drove in a clapped-out van from Amsterdam to Istanbul to pick up a consignment of sheepskin coats - later to be sold at huge profit - Michel van Rijn knew that schoolwork was no longer for him. Business was the thing - buying low and selling high, cutting deals and working the market. It was a decision that would have repercussions throughout the sedate salons of the art world for years to come.
Book Synopsis Hot Art, Cold Cash by : Michael Van Rijn
Download or read book Hot Art, Cold Cash written by Michael Van Rijn and published by Little Brown & Company. This book was released on 1994 with total page 484 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since the age of 16, when he drove in a clapped-out van from Amsterdam to Istanbul to pick up a consignment of sheepskin coats - later to be sold at huge profit - Michel van Rijn knew that schoolwork was no longer for him. Business was the thing - buying low and selling high, cutting deals and working the market. It was a decision that would have repercussions throughout the sedate salons of the art world for years to come.
The author, a dealer in art and antiques, has inside knowledge of an international market that is too lucrative to be entirely honest. Personally involved in many sensational transactions, he has chosen through this book to reveal the inside workings of his profession.
Book Synopsis Hot Art, Cold Cash by : Michael Van Rijn
Download or read book Hot Art, Cold Cash written by Michael Van Rijn and published by . This book was released on 1992-12 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: The author, a dealer in art and antiques, has inside knowledge of an international market that is too lucrative to be entirely honest. Personally involved in many sensational transactions, he has chosen through this book to reveal the inside workings of his profession.
In 1994 two important paintings by J.M.W. Turner—then valued at twenty-four million pounds—were stolen from a German public gallery while on loan from Tate Britain. In this vivid, personal account, Sandy Nairne who was then Director of Programmes at the Tate and became centrally involved in the pursuit of the paintings and the negotiations for their return, retells this complex, 8-year, cloak-and-dagger story, which finally concluded in 2002 with the pictures returning to public display at the Tate. In addition to this thrilling narrative, Nairne unravels stories of other high-value art thefts, puzzling what motivates a thief to steal a well-known work of art that cannot be sold, even on the black market. Nairne also examines the role of art theft within the larger underworld of international looting and illicit deals among art and antique collectors. The art heist, of course, is a popular theme of crime novels and films, and Nairne considers these depictions as well, investigating the imaginative construction of the art thief, the specialist detective, and the mysterious collector. Art Theft and the Case of the Stolen Turners is a compelling, real-life detective story that will keep both art and mystery lovers eagerly turning pages.
Book Synopsis Art Theft and the Case of the Stolen Turners by : Sandy Nairne
Download or read book Art Theft and the Case of the Stolen Turners written by Sandy Nairne and published by Reaktion Books. This book was released on 2011-09-15 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt: In 1994 two important paintings by J.M.W. Turner—then valued at twenty-four million pounds—were stolen from a German public gallery while on loan from Tate Britain. In this vivid, personal account, Sandy Nairne who was then Director of Programmes at the Tate and became centrally involved in the pursuit of the paintings and the negotiations for their return, retells this complex, 8-year, cloak-and-dagger story, which finally concluded in 2002 with the pictures returning to public display at the Tate. In addition to this thrilling narrative, Nairne unravels stories of other high-value art thefts, puzzling what motivates a thief to steal a well-known work of art that cannot be sold, even on the black market. Nairne also examines the role of art theft within the larger underworld of international looting and illicit deals among art and antique collectors. The art heist, of course, is a popular theme of crime novels and films, and Nairne considers these depictions as well, investigating the imaginative construction of the art thief, the specialist detective, and the mysterious collector. Art Theft and the Case of the Stolen Turners is a compelling, real-life detective story that will keep both art and mystery lovers eagerly turning pages.
Painting the Soul is a beautifully illustrated study of the creation and development of the icon. "This book is a firework display. It sets off scores of explosions which light up the sky over-arching our field, terrain that is normally traversed nose down and too mindful of the footsteps of our predecessors."—Burlington Magazine
Book Synopsis Painting the Soul by : Robin Cormack
Download or read book Painting the Soul written by Robin Cormack and published by Reaktion Books. This book was released on 2013-06-01 with total page 250 pages. Available in PDF, EPUB and Kindle. Book excerpt: Painting the Soul is a beautifully illustrated study of the creation and development of the icon. "This book is a firework display. It sets off scores of explosions which light up the sky over-arching our field, terrain that is normally traversed nose down and too mindful of the footsteps of our predecessors."—Burlington Magazine
Hot Art, Cold War – Southern and Eastern European Writing on American Art 1945-1990 is one of two text anthologies that trace the reception of American art in Europe during the Cold War era through primary sources. Translated into English for the first time from sixteen languages and introduced by scholarly essays, the texts in this volume offer a representative selection of the diverse responses to American art in Portugal, Italy, Spain, Greece, Yugoslavia, Romania, Bulgaria, Soviet Union (including the Baltic States), Czechoslovakia, Poland, Hungary, and East Germany (GDR). There was no single European discourse, as attitudes to American art were determined by a wide range of ideological, political, social, cultural and artistic positions that varied considerably across the European nations. This volume and its companion, Hot Art, Cold War – Northern and Western European Writing on American Art 1945-1990, offer the reader a unique opportunity to compare how European art writers introduced and explained contemporary American art to their many and varied audiences. Whilst many are fluent in one or two foreign languages, few are able to read all twenty-five languages represented in the two volumes. These ground-breaking publications significantly enrich the fields of American art studies and European art criticism.
Book Synopsis Hot Art, Cold War – Southern and Eastern European Writing on American Art 1945-1990 by : Claudia Hopkins
Download or read book Hot Art, Cold War – Southern and Eastern European Writing on American Art 1945-1990 written by Claudia Hopkins and published by Routledge. This book was released on 2020-12-21 with total page 836 pages. Available in PDF, EPUB and Kindle. Book excerpt: Hot Art, Cold War – Southern and Eastern European Writing on American Art 1945-1990 is one of two text anthologies that trace the reception of American art in Europe during the Cold War era through primary sources. Translated into English for the first time from sixteen languages and introduced by scholarly essays, the texts in this volume offer a representative selection of the diverse responses to American art in Portugal, Italy, Spain, Greece, Yugoslavia, Romania, Bulgaria, Soviet Union (including the Baltic States), Czechoslovakia, Poland, Hungary, and East Germany (GDR). There was no single European discourse, as attitudes to American art were determined by a wide range of ideological, political, social, cultural and artistic positions that varied considerably across the European nations. This volume and its companion, Hot Art, Cold War – Northern and Western European Writing on American Art 1945-1990, offer the reader a unique opportunity to compare how European art writers introduced and explained contemporary American art to their many and varied audiences. Whilst many are fluent in one or two foreign languages, few are able to read all twenty-five languages represented in the two volumes. These ground-breaking publications significantly enrich the fields of American art studies and European art criticism.
Hot Art, Cold War – Northern and Western European Writing on American Art 1945-1990 is one of two text anthologies that trace the reception of American art in Europe during the Cold War era through primary sources. With the exception of those originally published in English, the majority of these texts are translated into English for the first time from eight languages, and are introduced by scholarly essays. They offer a representative selection of the diverse responses to American art in Great Britain, Ireland, France, Belgium, the Netherlands, West Germany (FRG), Austria, Switzerland, Denmark, Norway, Sweden, and Finland. There was no single European discourse, as attitudes to American art were determined by a wide range of ideological, political, social, cultural, and artistic positions that varied considerably across the European nations. This volume and its companion, Hot Art, Cold War – Southern and Eastern European Writing on American Art 1945-1990, offer the reader a unique opportunity to compare how European art writers introduced and explained contemporary American art to their many and varied audiences. Whilst many are fluent in one or two foreign languages, few are able to read all twenty-five languages represented in the two volumes. These ground-breaking publications significantly enrich the fields of American art studies and European art criticism. This book, together with its companion volume Hot Art, Cold War – Southern and Eastern European Writing on American Art 1945-1990,, is a joint initiative of the Terra Foundation for American Art and the editors of the journal Art in Translation at the University of Edinburgh. The journal, launched in 2009, publishes English-language translations of the most significant texts on art and visual cultures presently only available only in their source language. It is committed to widening the perspectives of art history, making it more pluralist in terms of its authors, viewpoints, and subject matter.
Book Synopsis Hot Art, Cold War – Western and Northern European Writing on American Art 1945-1990 by : Claudia Hopkins
Download or read book Hot Art, Cold War – Western and Northern European Writing on American Art 1945-1990 written by Claudia Hopkins and published by Routledge. This book was released on 2020-09-17 with total page 749 pages. Available in PDF, EPUB and Kindle. Book excerpt: Hot Art, Cold War – Northern and Western European Writing on American Art 1945-1990 is one of two text anthologies that trace the reception of American art in Europe during the Cold War era through primary sources. With the exception of those originally published in English, the majority of these texts are translated into English for the first time from eight languages, and are introduced by scholarly essays. They offer a representative selection of the diverse responses to American art in Great Britain, Ireland, France, Belgium, the Netherlands, West Germany (FRG), Austria, Switzerland, Denmark, Norway, Sweden, and Finland. There was no single European discourse, as attitudes to American art were determined by a wide range of ideological, political, social, cultural, and artistic positions that varied considerably across the European nations. This volume and its companion, Hot Art, Cold War – Southern and Eastern European Writing on American Art 1945-1990, offer the reader a unique opportunity to compare how European art writers introduced and explained contemporary American art to their many and varied audiences. Whilst many are fluent in one or two foreign languages, few are able to read all twenty-five languages represented in the two volumes. These ground-breaking publications significantly enrich the fields of American art studies and European art criticism. This book, together with its companion volume Hot Art, Cold War – Southern and Eastern European Writing on American Art 1945-1990,, is a joint initiative of the Terra Foundation for American Art and the editors of the journal Art in Translation at the University of Edinburgh. The journal, launched in 2009, publishes English-language translations of the most significant texts on art and visual cultures presently only available only in their source language. It is committed to widening the perspectives of art history, making it more pluralist in terms of its authors, viewpoints, and subject matter.
The faking and forgery of works of art and antiquities is probably now more extensive than ever before. The frauds are aided by new technologies, from ink jet printers to epoxy resins, and driven by the astronomic prices realised on the global market. This book aims to provide a comprehensive survey of the subject over a wide range of materials, emphasising how the fakes and forgeries are produced and how they may be detected by technical and scientific examination. The subject is exemplified by numerous case studies, some turning out not to be as conclusive as is sometimes believed. The book is aimed at those likely to have a serious interest in these investigations, be they curator, collector, conservator or scientist. Paul Craddock has recently retired from the Department of Conservation, Documentation and Science at the British Museum, where he was a materials scientist.
Book Synopsis Scientific Investigation of Copies, Fakes and Forgeries by : Paul Craddock
Download or read book Scientific Investigation of Copies, Fakes and Forgeries written by Paul Craddock and published by Taylor & Francis. This book was released on 2009-02-04 with total page 642 pages. Available in PDF, EPUB and Kindle. Book excerpt: The faking and forgery of works of art and antiquities is probably now more extensive than ever before. The frauds are aided by new technologies, from ink jet printers to epoxy resins, and driven by the astronomic prices realised on the global market. This book aims to provide a comprehensive survey of the subject over a wide range of materials, emphasising how the fakes and forgeries are produced and how they may be detected by technical and scientific examination. The subject is exemplified by numerous case studies, some turning out not to be as conclusive as is sometimes believed. The book is aimed at those likely to have a serious interest in these investigations, be they curator, collector, conservator or scientist. Paul Craddock has recently retired from the Department of Conservation, Documentation and Science at the British Museum, where he was a materials scientist.
This exciting collection represents a range of scholarly approaches and include close textual study, comparative readings, and broad cultural analysis. Contributors to this collection include Bernard Beatty, Peter Cochran, Marilyn Gaull, Charles E. Robinson, Andrew Stauffer, and Timothy Webb.
Book Synopsis Byron by : C. Wilson
Download or read book Byron written by C. Wilson and published by Springer. This book was released on 2008-03-03 with total page 262 pages. Available in PDF, EPUB and Kindle. Book excerpt: This exciting collection represents a range of scholarly approaches and include close textual study, comparative readings, and broad cultural analysis. Contributors to this collection include Bernard Beatty, Peter Cochran, Marilyn Gaull, Charles E. Robinson, Andrew Stauffer, and Timothy Webb.
This invaluable book, for the first time, brings together the international and European Union legal framework on cultural property law and the restitution of cultural property. Drawing on the author's extensive experience of international disputes, it provides a very comprehensive and useful commentary. Theories of cultural nationalism and cultural internationalism and their founding principles are explored. Irini Stamatoudi also draws on soft law sources, ethics, morality, public feeling and the role of international organisations to create a complete picture of the principles and trends emerging today.
Book Synopsis Cultural Property Law and Restitution by : Irini A. Stamatoudi
Download or read book Cultural Property Law and Restitution written by Irini A. Stamatoudi and published by Edward Elgar Publishing. This book was released on 2011-01-01 with total page 417 pages. Available in PDF, EPUB and Kindle. Book excerpt: This invaluable book, for the first time, brings together the international and European Union legal framework on cultural property law and the restitution of cultural property. Drawing on the author's extensive experience of international disputes, it provides a very comprehensive and useful commentary. Theories of cultural nationalism and cultural internationalism and their founding principles are explored. Irini Stamatoudi also draws on soft law sources, ethics, morality, public feeling and the role of international organisations to create a complete picture of the principles and trends emerging today.
The illicit traffic of art is an important problem that affects modern life all over the world. This work addresses the issue using the showcase of Cambodia, where looters systematically destroy cultural heritage. Beginning with an overview of Cambodian history and culture, it explores every aspect of the illicit traffic of Cambodian art. It analyzes the history, size, and structure of art trafficking in Cambodia, its growth and profit margins, and the participants and international crime syndicate involved. It also describes the "demand" side of the story: antique dealers, collectors, auction houses, and museums. The work deals with the impact of the illicit trafficking on the legal, political, and economic systems of Cambodia, as well as its effect on archeological, historical, and religious values and the cultural identity of the nation. The work also analyzes the current long-term and short-term policies proposed by the Cambodian government and suggests policy alternatives that may be implemented by the Cambodian authorities. An appendix includes the description of all cases of the restitution of objects of Khmer art.
Book Synopsis Pillaging Cambodia by : Masha Lafont
Download or read book Pillaging Cambodia written by Masha Lafont and published by McFarland. This book was released on 2015-02-13 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: The illicit traffic of art is an important problem that affects modern life all over the world. This work addresses the issue using the showcase of Cambodia, where looters systematically destroy cultural heritage. Beginning with an overview of Cambodian history and culture, it explores every aspect of the illicit traffic of Cambodian art. It analyzes the history, size, and structure of art trafficking in Cambodia, its growth and profit margins, and the participants and international crime syndicate involved. It also describes the "demand" side of the story: antique dealers, collectors, auction houses, and museums. The work deals with the impact of the illicit trafficking on the legal, political, and economic systems of Cambodia, as well as its effect on archeological, historical, and religious values and the cultural identity of the nation. The work also analyzes the current long-term and short-term policies proposed by the Cambodian government and suggests policy alternatives that may be implemented by the Cambodian authorities. An appendix includes the description of all cases of the restitution of objects of Khmer art.
