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Pamela D. Winfield offers a fascinating juxtaposition and comparison of the thoughts of two pre-modern Japanese Buddhist masters, Kukai (774-835) and Dogen (1200-1253) on the role of imagery in the enlightenment experience.
Book Synopsis Icons and Iconoclasm in Japanese Buddhism by : Pamela Winfield
Download or read book Icons and Iconoclasm in Japanese Buddhism written by Pamela Winfield and published by Oxford University Press. This book was released on 2013-02-20 with total page 230 pages. Available in PDF, EPUB and Kindle. Book excerpt: Pamela D. Winfield offers a fascinating juxtaposition and comparison of the thoughts of two pre-modern Japanese Buddhist masters, Kukai (774-835) and Dogen (1200-1253) on the role of imagery in the enlightenment experience.
Winner of the Association of Asian Studies's Southeast Conference Book Prize (2014) Does imagery help or hinder the enlightenment experience? Does awakening involve the imagination or not? Can art ever fully represent the realization of buddahood? In this study, Pamela D. Winfield offers a fascinating comparison of two pre-modern Japanese Buddhist masters and their views on the role of imagery in the enlightenment experience. Kukai (774-835) believed that real and imagined forms were indispensable to his new esoteric Mikky? method for "becoming a Buddha in this very body" (sokushin jobutsu), yet he also deconstructed the significance of such imagery in his poetic and doctrinal works. Conversely, Dogen (1200-1253) believed that "just sitting" in Zen meditation without any visual props or mental elaborations could lead one to realize that ''this very mind is Buddha'' (sokushin zebutsu), but he also privileged select Zen icons as worthy of veneration. In considering the nuanced views of both Kukai and Dogen anew, Winfield updates previous comparisons of their oeuvres and engages their texts and images together for the first time. In so doing, she liberates them from past sectarian scholarship that has pigeon-holed them into iconographic/ritual vs. philological/philosophical categories. She also restores the historical symbiosis between religious thought and artistic expression that was lost in the nineteenth-century disciplinary distinction between religious studies and art history. Finally, Winfield breaks new methodological ground by proposing space and time as organizing principles for analyzing both meditative experience and visual/material culture. As a result, this study presents a wider and deeper vision of how Japanese Buddhists themselves understood the role of imagery before, during, and after awakening.
Book Synopsis Icons and Iconoclasm in Japanese Buddhism by : Pamela D. Winfield
Download or read book Icons and Iconoclasm in Japanese Buddhism written by Pamela D. Winfield and published by Oxford University Press. This book was released on 2013-02-20 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: Winner of the Association of Asian Studies's Southeast Conference Book Prize (2014) Does imagery help or hinder the enlightenment experience? Does awakening involve the imagination or not? Can art ever fully represent the realization of buddahood? In this study, Pamela D. Winfield offers a fascinating comparison of two pre-modern Japanese Buddhist masters and their views on the role of imagery in the enlightenment experience. Kukai (774-835) believed that real and imagined forms were indispensable to his new esoteric Mikky? method for "becoming a Buddha in this very body" (sokushin jobutsu), yet he also deconstructed the significance of such imagery in his poetic and doctrinal works. Conversely, Dogen (1200-1253) believed that "just sitting" in Zen meditation without any visual props or mental elaborations could lead one to realize that ''this very mind is Buddha'' (sokushin zebutsu), but he also privileged select Zen icons as worthy of veneration. In considering the nuanced views of both Kukai and Dogen anew, Winfield updates previous comparisons of their oeuvres and engages their texts and images together for the first time. In so doing, she liberates them from past sectarian scholarship that has pigeon-holed them into iconographic/ritual vs. philological/philosophical categories. She also restores the historical symbiosis between religious thought and artistic expression that was lost in the nineteenth-century disciplinary distinction between religious studies and art history. Finally, Winfield breaks new methodological ground by proposing space and time as organizing principles for analyzing both meditative experience and visual/material culture. As a result, this study presents a wider and deeper vision of how Japanese Buddhists themselves understood the role of imagery before, during, and after awakening.
Pamela D. Winfield offers a fascinating juxtaposition and comparison of the thoughts of two pre-modern Japanese Buddhist masters, Kukai (774-835) and Dogen (1200-1253) on the role of imagery in the enlightenment experience.
Book Synopsis Icons and Iconoclasm in Japanese Buddhism by : Pamela Winfield
Download or read book Icons and Iconoclasm in Japanese Buddhism written by Pamela Winfield and published by . This book was released on 2013 with total page 207 pages. Available in PDF, EPUB and Kindle. Book excerpt: Pamela D. Winfield offers a fascinating juxtaposition and comparison of the thoughts of two pre-modern Japanese Buddhist masters, Kukai (774-835) and Dogen (1200-1253) on the role of imagery in the enlightenment experience.
The essays in this volume focus on the historical, institutional, and ritual context of a number of Japanese Buddhist paintings, sculptures, calligraphies, and relics?some celebrated, others long overlooked.
Book Synopsis Living Images by : Robert H. Sharf
Download or read book Living Images written by Robert H. Sharf and published by Stanford University Press. This book was released on 2001 with total page 308 pages. Available in PDF, EPUB and Kindle. Book excerpt: The essays in this volume focus on the historical, institutional, and ritual context of a number of Japanese Buddhist paintings, sculptures, calligraphies, and relics?some celebrated, others long overlooked.
Images of the Buddha are everywhere—not just in temples but also in museums and homes and online—but what these images mean largely depends on the background and circumstance of those viewing them. In Behold the Buddha, James Dobbins invites readers to imagine how premodern Japanese Buddhists understood and experienced icons in temple settings long before the advent of museums and the internet. Although widely portrayed in the last century as visual emblems of great religious truths or as exquisite works of Asian art, Buddhist images were traditionally treated as the very embodiment of the Buddha, his palpable presence among people. Hence, Buddhists approached them as living entities in their own right—that is, as awakened icons with whom they could interact religiously. Dobbins begins by reflecting on art museums, where many non-Buddhists first encounter images of the Buddha, before outlining the complex Western response to them in previous centuries. He next elucidates images as visual representations of the story of the Buddha’s life followed by an overview of the physical attributes and symbolic gestures found in Buddhist iconography. A variety of Buddhas, Bodhisattvas, and other divinities commonly depicted in Japanese Buddhism is introduced, and their “living” quality discussed in the context of traditional temples and Buddhist rituals. Finally, other religious objects in Japanese Buddhism—relics, scriptures, inscriptions, portraits of masters, and sacred sites—are explained using the Buddhist icon as a model. Dobbins concludes by contemplating art museums further as potential sites for discerning the religious character of Buddhist images. Those interested in Buddhism generally who would like to learn more about its rich iconography—whether encountered in temples or museums—will find much in this concise, well-illustrated volume to help them “behold the Buddha.”
Book Synopsis Behold the Buddha by : James C. Dobbins
Download or read book Behold the Buddha written by James C. Dobbins and published by University of Hawaii Press. This book was released on 2020-03-31 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: Images of the Buddha are everywhere—not just in temples but also in museums and homes and online—but what these images mean largely depends on the background and circumstance of those viewing them. In Behold the Buddha, James Dobbins invites readers to imagine how premodern Japanese Buddhists understood and experienced icons in temple settings long before the advent of museums and the internet. Although widely portrayed in the last century as visual emblems of great religious truths or as exquisite works of Asian art, Buddhist images were traditionally treated as the very embodiment of the Buddha, his palpable presence among people. Hence, Buddhists approached them as living entities in their own right—that is, as awakened icons with whom they could interact religiously. Dobbins begins by reflecting on art museums, where many non-Buddhists first encounter images of the Buddha, before outlining the complex Western response to them in previous centuries. He next elucidates images as visual representations of the story of the Buddha’s life followed by an overview of the physical attributes and symbolic gestures found in Buddhist iconography. A variety of Buddhas, Bodhisattvas, and other divinities commonly depicted in Japanese Buddhism is introduced, and their “living” quality discussed in the context of traditional temples and Buddhist rituals. Finally, other religious objects in Japanese Buddhism—relics, scriptures, inscriptions, portraits of masters, and sacred sites—are explained using the Buddhist icon as a model. Dobbins concludes by contemplating art museums further as potential sites for discerning the religious character of Buddhist images. Those interested in Buddhism generally who would like to learn more about its rich iconography—whether encountered in temples or museums—will find much in this concise, well-illustrated volume to help them “behold the Buddha.”
A study of Buddhism and iconoclasm in East Asia as part of a general theory of religious destruction.
Book Synopsis Buddhism and Iconoclasm in East Asia by : Fabio Rambelli
Download or read book Buddhism and Iconoclasm in East Asia written by Fabio Rambelli and published by A&C Black. This book was released on 2012-11-08 with total page 273 pages. Available in PDF, EPUB and Kindle. Book excerpt: A study of Buddhism and iconoclasm in East Asia as part of a general theory of religious destruction.
The volume introduces the central themes in and the main figures of Japanese Buddhist philosophy. It will have two sections, one that discusses general topics relevant to Japanese Buddhist philosophy and one that reads the work of the main Japanese Buddhist philosophers in the context of comparative philosophy. It combines basic information with cutting edge scholarship considering recent publications in Japanese, Chinese, English, and other European languages. As such, it will be an invaluable tool for professors teaching courses in Asian and global philosophy, undergraduate and graduate students, as well as the people generally interested in philosophy and/or Buddhism.
Book Synopsis The Dao Companion to Japanese Buddhist Philosophy by : Gereon Kopf
Download or read book The Dao Companion to Japanese Buddhist Philosophy written by Gereon Kopf and published by Springer. This book was released on 2019-06-03 with total page 737 pages. Available in PDF, EPUB and Kindle. Book excerpt: The volume introduces the central themes in and the main figures of Japanese Buddhist philosophy. It will have two sections, one that discusses general topics relevant to Japanese Buddhist philosophy and one that reads the work of the main Japanese Buddhist philosophers in the context of comparative philosophy. It combines basic information with cutting edge scholarship considering recent publications in Japanese, Chinese, English, and other European languages. As such, it will be an invaluable tool for professors teaching courses in Asian and global philosophy, undergraduate and graduate students, as well as the people generally interested in philosophy and/or Buddhism.
This book explores trans-cultural and cross-border transformation of Esoteric Buddhism in East Asia, focusing on the significance of Esoteric Buddhism in relation to some forms of material culture, including rituals, arts, and the construction of sacred space and narratives. In East Asia, Esoteric Buddhism’s influences can be seen across all levels of society: not only in that it achieved a recognizable sectarian identity, but also because elements of esoteric teachings were absorbed by other religious schools, influencing their philosophical tenets and everyday practices. The influence was not confined to the religious sphere: scholars have been paying more and more attention to the significance of Tang Esoteric Buddhism in relation to material culture and the dissemination of Esoteric Buddhist technologies in South, Central, and East Asia. No matter how one looks at a maṇḍala—an integral feature of esoteric practice—or the uncannily expressive statues of Buddhas, Bodhisattvas or Yidam that come in all shapes and sizes, or the murals that depict the variegated, mysterious themes of the esoteric tradition, one can always recognise the profound connection between art and Esoteric Buddhism. Esoteric Influences also abound in East Asian literature across different genres, displaying its unique characters both in poetry and prose. Likewise, in architecture, one can readily make out the enigmatic, colorful and distinctive elements characteristic of the esoteric tradition. Monks initiated into the esoteric lineages not only brought Buddhist classics and practices to China, but also advanced knowledge in astronomy, calendarial calculations and mathematical theories. The chapters in this volume investigate the profound and far-reaching impacts wrought by Esoteric Buddhism on rituals, arts, and the construction of sacred space and narratives in East Asia. This book will be beneficial to advanced students and researchers interested in Religious Studies, History and Buddhist studies. It was originally published as a special issue of Studies in Chinese Religions.
Book Synopsis Esoteric Buddhism and Texts by : Jinhua Chen
Download or read book Esoteric Buddhism and Texts written by Jinhua Chen and published by Taylor & Francis. This book was released on 2024-02-08 with total page 241 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores trans-cultural and cross-border transformation of Esoteric Buddhism in East Asia, focusing on the significance of Esoteric Buddhism in relation to some forms of material culture, including rituals, arts, and the construction of sacred space and narratives. In East Asia, Esoteric Buddhism’s influences can be seen across all levels of society: not only in that it achieved a recognizable sectarian identity, but also because elements of esoteric teachings were absorbed by other religious schools, influencing their philosophical tenets and everyday practices. The influence was not confined to the religious sphere: scholars have been paying more and more attention to the significance of Tang Esoteric Buddhism in relation to material culture and the dissemination of Esoteric Buddhist technologies in South, Central, and East Asia. No matter how one looks at a maṇḍala—an integral feature of esoteric practice—or the uncannily expressive statues of Buddhas, Bodhisattvas or Yidam that come in all shapes and sizes, or the murals that depict the variegated, mysterious themes of the esoteric tradition, one can always recognise the profound connection between art and Esoteric Buddhism. Esoteric Influences also abound in East Asian literature across different genres, displaying its unique characters both in poetry and prose. Likewise, in architecture, one can readily make out the enigmatic, colorful and distinctive elements characteristic of the esoteric tradition. Monks initiated into the esoteric lineages not only brought Buddhist classics and practices to China, but also advanced knowledge in astronomy, calendarial calculations and mathematical theories. The chapters in this volume investigate the profound and far-reaching impacts wrought by Esoteric Buddhism on rituals, arts, and the construction of sacred space and narratives in East Asia. This book will be beneficial to advanced students and researchers interested in Religious Studies, History and Buddhist studies. It was originally published as a special issue of Studies in Chinese Religions.
This handbook is currently in development, with individual articles publishing online in advance of print publication. At this time, we cannot add information about unpublished articles in this handbook, however the table of contents will continue to grow as additional articles pass through the review process and are added to the site. Please note that the online publication date for this handbook is the date that the first article in the title was published online.
Book Synopsis The Oxford Handbook of Japanese Philosophy by : Bret W. Davis
Download or read book The Oxford Handbook of Japanese Philosophy written by Bret W. Davis and published by Oxford Handbooks. This book was released on 2020 with total page 841 pages. Available in PDF, EPUB and Kindle. Book excerpt: This handbook is currently in development, with individual articles publishing online in advance of print publication. At this time, we cannot add information about unpublished articles in this handbook, however the table of contents will continue to grow as additional articles pass through the review process and are added to the site. Please note that the online publication date for this handbook is the date that the first article in the title was published online.
Dogen and Soto Zen builds upon and further refines a continuing wave of enthusiastic popular interest and scholarly developments in Western appropriations of Zen. In the last few decades, research in English and European languages on Dogen and Soto Zen has grown, aided by an increasing awareness on both sides of the Pacific of the important influence of the religious movement and its founder. The school has flourished throughout the medieval and early modern periods of Japanese history, and it is still spreading and reshaping itself in the current age of globalization. This volume continues the work of Steven Heine's recently published collection, Dogen: Textual and Historical Studies, featuring some of the same outstanding authors as well as some new experts who explore diverse aspects of the life and teachings of Zen master Dogen (1200-1253), the founder of the Soto Zen sect (or Sotoshu) in early Kamakura-era Japan. The contributors examine the ritual and institutional history of the Soto school, including the role of the Eiheji monastery established by Dogen as well as rites and precepts performed there and at other temples.
Book Synopsis Dogen and Soto Zen by : Steven Heine
Download or read book Dogen and Soto Zen written by Steven Heine and published by Oxford University Press. This book was released on 2015-01-29 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: Dogen and Soto Zen builds upon and further refines a continuing wave of enthusiastic popular interest and scholarly developments in Western appropriations of Zen. In the last few decades, research in English and European languages on Dogen and Soto Zen has grown, aided by an increasing awareness on both sides of the Pacific of the important influence of the religious movement and its founder. The school has flourished throughout the medieval and early modern periods of Japanese history, and it is still spreading and reshaping itself in the current age of globalization. This volume continues the work of Steven Heine's recently published collection, Dogen: Textual and Historical Studies, featuring some of the same outstanding authors as well as some new experts who explore diverse aspects of the life and teachings of Zen master Dogen (1200-1253), the founder of the Soto Zen sect (or Sotoshu) in early Kamakura-era Japan. The contributors examine the ritual and institutional history of the Soto school, including the role of the Eiheji monastery established by Dogen as well as rites and precepts performed there and at other temples.
