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Identity Politics of the Captivity Narrative After 1848

Author: Andrea Tinnemeyer

Publisher: U of Nebraska Press

Published: 2006-01-01

Total Pages: 182

ISBN-13: 0803244002

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Andrea Tinnemeyer's book examines the nineteenth-century captivity narrative as a dynamic, complex genre that provided an ample medium for cultural critique, a revision of race relations, and a means of elucidating the U.S.?Mexican War?s complex and often contradictory significance in the national imagination. The captivity narrative, as Tinnemeyer shows, addressed questions arising from the incorporation of residents in the newly annexed territory. This genre transformed its heroine from the quintessential white virgin into the Mexican maiden in order to quell anxieties over miscegenation, condone acts furthering Manifest Density, or otherwise romanticize the land-grabbing nature of the war and of the opportunists who traveled to the Southwest after 1848. Some of these narratives condone and even welcome interracial marriages between Mexican women and Anglo-American men. By understanding marriage for love as an expression of free will or as a declaration of independence, texts containing interracial marriages or romanticizing the U.S.?Mexican War could politicize the nuptials and present the Anglo-American husband as a hero and rescuer. This romanticizing of annexation and cross-border marriages tended to feminize Mexico, making the country appear captive and in need of American rescue and influencing the understanding of ?foreign? and ?domestic? by relocating geographic and racial boundaries. In addition to examining more conventional notions of captivity, Tinnemeyer?s book uses war song lyrics and legal cases to argue that ?captivity? is a multivalenced term encompassing desire, identity formation, and variable definitions of citizenship.

Book Synopsis Identity Politics of the Captivity Narrative After 1848 by : Andrea Tinnemeyer

Download or read book Identity Politics of the Captivity Narrative After 1848 written by Andrea Tinnemeyer and published by U of Nebraska Press. This book was released on 2006-01-01 with total page 182 pages. Available in PDF, EPUB and Kindle. Book excerpt: Andrea Tinnemeyer's book examines the nineteenth-century captivity narrative as a dynamic, complex genre that provided an ample medium for cultural critique, a revision of race relations, and a means of elucidating the U.S.?Mexican War?s complex and often contradictory significance in the national imagination. The captivity narrative, as Tinnemeyer shows, addressed questions arising from the incorporation of residents in the newly annexed territory. This genre transformed its heroine from the quintessential white virgin into the Mexican maiden in order to quell anxieties over miscegenation, condone acts furthering Manifest Density, or otherwise romanticize the land-grabbing nature of the war and of the opportunists who traveled to the Southwest after 1848. Some of these narratives condone and even welcome interracial marriages between Mexican women and Anglo-American men. By understanding marriage for love as an expression of free will or as a declaration of independence, texts containing interracial marriages or romanticizing the U.S.?Mexican War could politicize the nuptials and present the Anglo-American husband as a hero and rescuer. This romanticizing of annexation and cross-border marriages tended to feminize Mexico, making the country appear captive and in need of American rescue and influencing the understanding of ?foreign? and ?domestic? by relocating geographic and racial boundaries. In addition to examining more conventional notions of captivity, Tinnemeyer?s book uses war song lyrics and legal cases to argue that ?captivity? is a multivalenced term encompassing desire, identity formation, and variable definitions of citizenship.

Women’s Narratives of the Early Americas and the Formation of Empire

Author: Mary McAleer Balkun

Publisher: Springer

Published: 2016-04-08

Total Pages: 286

ISBN-13: 113754323X

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The essays in this collection examine the connections between the forces of empire and women's lives in the early Americas, in particular the ways their narratives contributed to empire formation. Focusing on the female body as a site of contestation, the essays describe acts of bravery, subversion, and survival expressed in a variety of genres, including the saga, letter, diary, captivity narrative, travel narrative, verse, sentimental novel, and autobiography. The volume also speaks to a range of female experience, across the Americas and across time, from the Viking exploration to early nineteenth-century United States, challenging scholars to reflect on the implications of early American literature even to the present day.

Book Synopsis Women’s Narratives of the Early Americas and the Formation of Empire by : Mary McAleer Balkun

Download or read book Women’s Narratives of the Early Americas and the Formation of Empire written by Mary McAleer Balkun and published by Springer. This book was released on 2016-04-08 with total page 286 pages. Available in PDF, EPUB and Kindle. Book excerpt: The essays in this collection examine the connections between the forces of empire and women's lives in the early Americas, in particular the ways their narratives contributed to empire formation. Focusing on the female body as a site of contestation, the essays describe acts of bravery, subversion, and survival expressed in a variety of genres, including the saga, letter, diary, captivity narrative, travel narrative, verse, sentimental novel, and autobiography. The volume also speaks to a range of female experience, across the Americas and across time, from the Viking exploration to early nineteenth-century United States, challenging scholars to reflect on the implications of early American literature even to the present day.

The War in Words

Author: Kathryn Zabelle Derounian-Stodola

Publisher: U of Nebraska Press

Published: 2009-05-01

Total Pages: 397

ISBN-13: 0803213700

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The War in Words is the first book to study the captivity and confinement narratives generated by a single American war as it traces the development and variety of the captivity narrative genre. Kathryn Zabelle Derounian-Stodola examines the complex 1862 Dakota Conflict (also called the Dakota War) by focusing on twenty-four of the dozens of narratives that European Americans and Native Americans wrote about it. This six-week war was the deadliest confrontation between whites and Dakotas in Minnesota?s history. Conducted at the same time as the Civil War, it is sometimes called Minnesota?s Civil War because itøwas?and continues to be?so divisive. ø The Dakota Conflict aroused impassioned prose from participants and commentators as they disputed causes, events, identity, ethnicity, memory, and the all-important matter of the war?s legacy. Though the study targets one region, its ramifications reach far beyond Minnesota in its attention to war and memory. An ethnography of representative Dakota Conflict narratives and an analysis of the war?s historiography, The War in Words includes new archival information, historical data, and textual criticism.

Book Synopsis The War in Words by : Kathryn Zabelle Derounian-Stodola

Download or read book The War in Words written by Kathryn Zabelle Derounian-Stodola and published by U of Nebraska Press. This book was released on 2009-05-01 with total page 397 pages. Available in PDF, EPUB and Kindle. Book excerpt: The War in Words is the first book to study the captivity and confinement narratives generated by a single American war as it traces the development and variety of the captivity narrative genre. Kathryn Zabelle Derounian-Stodola examines the complex 1862 Dakota Conflict (also called the Dakota War) by focusing on twenty-four of the dozens of narratives that European Americans and Native Americans wrote about it. This six-week war was the deadliest confrontation between whites and Dakotas in Minnesota?s history. Conducted at the same time as the Civil War, it is sometimes called Minnesota?s Civil War because itøwas?and continues to be?so divisive. ø The Dakota Conflict aroused impassioned prose from participants and commentators as they disputed causes, events, identity, ethnicity, memory, and the all-important matter of the war?s legacy. Though the study targets one region, its ramifications reach far beyond Minnesota in its attention to war and memory. An ethnography of representative Dakota Conflict narratives and an analysis of the war?s historiography, The War in Words includes new archival information, historical data, and textual criticism.

Americans Recaptured

Author: Molly K. Varley

Publisher: University of Oklahoma Press

Published: 2014-10-22

Total Pages: 241

ISBN-13: 0806147555

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It was on the frontier, where “civilized” men and women confronted the “wilderness,” that Europeans first became Americans—or so authorities from Frederick Jackson Turner to Theodore Roosevelt claimed. But as the frontier disappeared, Americans believed they needed a new mechanism for fixing their collective identity; and they found it, historian Molly K. Varley suggests, in tales of white Americans held captive by Indians. For Americans in the Progressive Era (1890–1916) these stories of Indian captivity seemed to prove that the violence of national expansion had been justified, that citizens’ individual suffering had been heroic, and that settlers’ contact with Indians and wilderness still characterized the nation’s “soul.” Furthermore, in the act of memorializing white Indian captives—through statues, parks, and reissued narratives—small towns found a way of inscribing themselves into the national story. By drawing out the connections between actual captivity, captivity narratives, and the memorializing of white captives, Varley shows how Indian captivity became a means for Progressive Era Americans to look forward by looking back. Local boosters and cultural commentators used Indian captivity to define “Americanism” and to renew those frontier qualities deemed vital to the survival of the nation in the post-frontier world, such as individualism, bravery, ingenuity, enthusiasm, “manliness,” and patriotism. In Varley’s analysis of the Progressive Era mentality, contact between white captives and Indians represented a stage in the evolution of a new American people and affirmed the contemporary notion of America as a melting pot. Revealing how the recitation and interpretation of these captivity narratives changed over time—with shifting emphasis on brutality, gender, and ethnographic and historical accuracy—Americans Recaptured shows that tales of Indian captivity were no more fixed than American identity, but were consistently used to give that identity its own useful, ever-evolving shape.

Book Synopsis Americans Recaptured by : Molly K. Varley

Download or read book Americans Recaptured written by Molly K. Varley and published by University of Oklahoma Press. This book was released on 2014-10-22 with total page 241 pages. Available in PDF, EPUB and Kindle. Book excerpt: It was on the frontier, where “civilized” men and women confronted the “wilderness,” that Europeans first became Americans—or so authorities from Frederick Jackson Turner to Theodore Roosevelt claimed. But as the frontier disappeared, Americans believed they needed a new mechanism for fixing their collective identity; and they found it, historian Molly K. Varley suggests, in tales of white Americans held captive by Indians. For Americans in the Progressive Era (1890–1916) these stories of Indian captivity seemed to prove that the violence of national expansion had been justified, that citizens’ individual suffering had been heroic, and that settlers’ contact with Indians and wilderness still characterized the nation’s “soul.” Furthermore, in the act of memorializing white Indian captives—through statues, parks, and reissued narratives—small towns found a way of inscribing themselves into the national story. By drawing out the connections between actual captivity, captivity narratives, and the memorializing of white captives, Varley shows how Indian captivity became a means for Progressive Era Americans to look forward by looking back. Local boosters and cultural commentators used Indian captivity to define “Americanism” and to renew those frontier qualities deemed vital to the survival of the nation in the post-frontier world, such as individualism, bravery, ingenuity, enthusiasm, “manliness,” and patriotism. In Varley’s analysis of the Progressive Era mentality, contact between white captives and Indians represented a stage in the evolution of a new American people and affirmed the contemporary notion of America as a melting pot. Revealing how the recitation and interpretation of these captivity narratives changed over time—with shifting emphasis on brutality, gender, and ethnographic and historical accuracy—Americans Recaptured shows that tales of Indian captivity were no more fixed than American identity, but were consistently used to give that identity its own useful, ever-evolving shape.

Fictions of Western American Domesticity

Author: Amanda J. Zink

Publisher: University of New Mexico Press

Published: 2018-06-01

Total Pages: 355

ISBN-13: 0826359191

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This work provides a compelling explanation of something that has bedeviled a number of feminist scholars: Why did popular authors like Edna Ferber continue to write conventional fiction while living lives that were far from conventional? Amanda J. Zink argues that white writers like Ferber and Willa Cather avoided the subject of their own domestic labor by writing about the performance of domestic labor by “others,” showing that American print culture, both in novels and through advertisements, moved away from portraying women as angels in the house and instead sought to persuade other women to be angels in their houses. Zink further explores lesser-known works such as Mexican American cookbooks and essays in Indian boarding school magazines to show how women writers “dialoging domesticity” exemplify the cross-cultural encounters between “colonial domesticity” and “sovereign domesticity.” By situating these interpretations of literature within their historical contexts, Zink shows how these writers championed and challenged the ideology of domesticity.

Book Synopsis Fictions of Western American Domesticity by : Amanda J. Zink

Download or read book Fictions of Western American Domesticity written by Amanda J. Zink and published by University of New Mexico Press. This book was released on 2018-06-01 with total page 355 pages. Available in PDF, EPUB and Kindle. Book excerpt: This work provides a compelling explanation of something that has bedeviled a number of feminist scholars: Why did popular authors like Edna Ferber continue to write conventional fiction while living lives that were far from conventional? Amanda J. Zink argues that white writers like Ferber and Willa Cather avoided the subject of their own domestic labor by writing about the performance of domestic labor by “others,” showing that American print culture, both in novels and through advertisements, moved away from portraying women as angels in the house and instead sought to persuade other women to be angels in their houses. Zink further explores lesser-known works such as Mexican American cookbooks and essays in Indian boarding school magazines to show how women writers “dialoging domesticity” exemplify the cross-cultural encounters between “colonial domesticity” and “sovereign domesticity.” By situating these interpretations of literature within their historical contexts, Zink shows how these writers championed and challenged the ideology of domesticity.

Remapping Citizenship and the Nation in African-American Literature

Author:

Publisher: Routledge

Published:

Total Pages: 248

ISBN-13: 1135247196

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Book Synopsis Remapping Citizenship and the Nation in African-American Literature by :

Download or read book Remapping Citizenship and the Nation in African-American Literature written by and published by Routledge. This book was released on with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Mexico in Verse

Author: Stephen Neufeld

Publisher: University of Arizona Press

Published: 2015-03-26

Total Pages: 369

ISBN-13: 0816501734

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The history of Mexico is spoken in the voice of ordinary people. In rhymed verse and mariachi song, in letters of romance and whispered words in the cantina, the heart and soul of a nation is revealed in all its intimacy and authenticity. Mexico in Verse, edited by Stephen Neufeld and Michael Matthews, examines Mexican history through its poetry and music, the spoken and the written word. Focusing on modern Mexico, from 1840 to the 1980s, this volume examines the cultural venues in which people articulated their understanding of the social, political, and economic change they witnessed taking place during times of tremendous upheaval, such as the Mexican-American War, the Porfiriato, and the Mexican Revolution. The words of diverse peoples—people of the street, of the field, of the cantinas—reveal the development of the modern nation. Neufeld and Matthews have chosen sources so far unexplored by Mexicanist scholars in order to investigate the ways that individuals interpreted—whether resisting or reinforcing—official narratives about formative historical moments. The contributors offer new research that reveals how different social groups interpreted and understood the Mexican experience. The collected essays cover a wide range of topics: military life, railroad accidents, religious upheaval, children’s literature, alcohol consumption, and the 1985 earthquake. Each chapter provides a translated song or poem that encourages readers to participate in the interpretive practice of historical research and cultural scholarship. In this regard, Mexico in Verse serves both as a volume of collected essays and as a classroom-ready primary document reader.

Book Synopsis Mexico in Verse by : Stephen Neufeld

Download or read book Mexico in Verse written by Stephen Neufeld and published by University of Arizona Press. This book was released on 2015-03-26 with total page 369 pages. Available in PDF, EPUB and Kindle. Book excerpt: The history of Mexico is spoken in the voice of ordinary people. In rhymed verse and mariachi song, in letters of romance and whispered words in the cantina, the heart and soul of a nation is revealed in all its intimacy and authenticity. Mexico in Verse, edited by Stephen Neufeld and Michael Matthews, examines Mexican history through its poetry and music, the spoken and the written word. Focusing on modern Mexico, from 1840 to the 1980s, this volume examines the cultural venues in which people articulated their understanding of the social, political, and economic change they witnessed taking place during times of tremendous upheaval, such as the Mexican-American War, the Porfiriato, and the Mexican Revolution. The words of diverse peoples—people of the street, of the field, of the cantinas—reveal the development of the modern nation. Neufeld and Matthews have chosen sources so far unexplored by Mexicanist scholars in order to investigate the ways that individuals interpreted—whether resisting or reinforcing—official narratives about formative historical moments. The contributors offer new research that reveals how different social groups interpreted and understood the Mexican experience. The collected essays cover a wide range of topics: military life, railroad accidents, religious upheaval, children’s literature, alcohol consumption, and the 1985 earthquake. Each chapter provides a translated song or poem that encourages readers to participate in the interpretive practice of historical research and cultural scholarship. In this regard, Mexico in Verse serves both as a volume of collected essays and as a classroom-ready primary document reader.

Darwinian Feminism and Early Science Fiction

Author: Patrick B Sharp

Publisher: University of Wales Press

Published: 2018-03-28

Total Pages: 210

ISBN-13: 1786832305

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Darwinian Feminism in Early Science Fiction provides the first detailed scholarly examination of women’s SF in the early magazine period before the Second World War. Tracing the tradition of women’s SF back to the 1600s, the author demonstrates how women such as Margaret Cavendish and Mary Shelley drew critical attention to the colonial mindset of scientific masculinity, which was attached to scientific institutions that excluded women. In the late nineteenth century, Charles Darwin’s theory of sexual selection provided an impetus for a number of first-wave feminists to imagine Amazonian worlds where women control their own bodies, relationships and destinies. Patrick B. Sharp traces how these feminist visions of scientific femininity, Amazonian power and evolutionary progress proved influential on many women publishing in the SF magazines of the late 1920s and early 1930s, and presents a compelling picture of the emergence to prominence of feminist SF in the early twentieth century before vanishing until the 1960s.

Book Synopsis Darwinian Feminism and Early Science Fiction by : Patrick B Sharp

Download or read book Darwinian Feminism and Early Science Fiction written by Patrick B Sharp and published by University of Wales Press. This book was released on 2018-03-28 with total page 210 pages. Available in PDF, EPUB and Kindle. Book excerpt: Darwinian Feminism in Early Science Fiction provides the first detailed scholarly examination of women’s SF in the early magazine period before the Second World War. Tracing the tradition of women’s SF back to the 1600s, the author demonstrates how women such as Margaret Cavendish and Mary Shelley drew critical attention to the colonial mindset of scientific masculinity, which was attached to scientific institutions that excluded women. In the late nineteenth century, Charles Darwin’s theory of sexual selection provided an impetus for a number of first-wave feminists to imagine Amazonian worlds where women control their own bodies, relationships and destinies. Patrick B. Sharp traces how these feminist visions of scientific femininity, Amazonian power and evolutionary progress proved influential on many women publishing in the SF magazines of the late 1920s and early 1930s, and presents a compelling picture of the emergence to prominence of feminist SF in the early twentieth century before vanishing until the 1960s.

Splattered Ink

Author: Sarah E Whitney

Publisher: University of Illinois Press

Published: 2016-08-01

Total Pages: 280

ISBN-13: 0252098897

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In-depth and refreshingly readable, Splattered Ink is a bold analysis of postfeminist gothic, a literary genre that continues to jar readers, reject happy endings, and find powerful new ways to talk about violence against women. Sarah E. Whitney explores the genre's challenge to postfeminist assumptions of women's equality and empowerment. The authors she examines--Patricia Cornwell, Jodi Picoult, Susanna Moore, Sapphire, and Alice Sebold--construct narratives around socially invisible and physically broken protagonists who directly experience consequences of women's ongoing disempowerment. Their works ask readers to inhabit women's suffering and to face the uncomfortable, all-too-denied fact that today's women must navigate lives fraught with risk. Whitney's analysis places the authors within a female gothic tradition that has long given voice to women's fears of their own powerlessness. But she also reveals the paradox that allows the genre to powerfully critique postfeminism's often sunshiney outlook while uneasily coexisting within the same universe.

Book Synopsis Splattered Ink by : Sarah E Whitney

Download or read book Splattered Ink written by Sarah E Whitney and published by University of Illinois Press. This book was released on 2016-08-01 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt: In-depth and refreshingly readable, Splattered Ink is a bold analysis of postfeminist gothic, a literary genre that continues to jar readers, reject happy endings, and find powerful new ways to talk about violence against women. Sarah E. Whitney explores the genre's challenge to postfeminist assumptions of women's equality and empowerment. The authors she examines--Patricia Cornwell, Jodi Picoult, Susanna Moore, Sapphire, and Alice Sebold--construct narratives around socially invisible and physically broken protagonists who directly experience consequences of women's ongoing disempowerment. Their works ask readers to inhabit women's suffering and to face the uncomfortable, all-too-denied fact that today's women must navigate lives fraught with risk. Whitney's analysis places the authors within a female gothic tradition that has long given voice to women's fears of their own powerlessness. But she also reveals the paradox that allows the genre to powerfully critique postfeminism's often sunshiney outlook while uneasily coexisting within the same universe.