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Download or read book Image and Meaning in Islamic Art written by Robert Hillenbrand and published by . This book was released on 2005 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author: Wendy M. K. Shaw
Publisher: Cambridge University Press
Published: 2019-10-10
Total Pages: 387
ISBN-13: 1108474659
DOWNLOAD EBOOKAn alternate approach to Islamic art emphasizing literary over historical contexts and reception over production in visual arts and music.
Download or read book What is “Islamic” Art? written by Wendy M. K. Shaw and published by Cambridge University Press. This book was released on 2019-10-10 with total page 387 pages. Available in PDF, EPUB and Kindle. Book excerpt: An alternate approach to Islamic art emphasizing literary over historical contexts and reception over production in visual arts and music.
Author: Maryam D. Ekhtiar
Publisher: Metropolitan Museum of Art
Published: 2018-09-03
Total Pages: 159
ISBN-13: 1588396304
DOWNLOAD EBOOK"For centuries, Islamic calligraphy has mesmerized viewers with its beauty, sophistication, and seemingly endless variety of styles. How to Read Islamic Calligraphy offers new perspectives on this distinctive art form, using examples from The Met's superlative collections to explore the enduring preeminence of the written word as a means of creative expression throughout the Islamic world. Combining engaging, accessible texts with stunning new photography, How to Read Islamic Calligraphy introduces readers to the major Islamic script types and explains the various contexts, whether secular or sacred, in which each one came to be used. Beauty and brilliance emerge in equal measure from works of every medium, from lavishly illuminated Qur'an manuscripts, to glassware etched with poetic verses, to ceramic tiles brushed with benedictions. The sheer breadth of objects illustrated in these pages exemplifies the ubiquity of calligraphy, and provides a compelling introduction to this unique art form"--Publisher's description
Download or read book How to Read Islamic Calligraphy written by Maryam D. Ekhtiar and published by Metropolitan Museum of Art. This book was released on 2018-09-03 with total page 159 pages. Available in PDF, EPUB and Kindle. Book excerpt: "For centuries, Islamic calligraphy has mesmerized viewers with its beauty, sophistication, and seemingly endless variety of styles. How to Read Islamic Calligraphy offers new perspectives on this distinctive art form, using examples from The Met's superlative collections to explore the enduring preeminence of the written word as a means of creative expression throughout the Islamic world. Combining engaging, accessible texts with stunning new photography, How to Read Islamic Calligraphy introduces readers to the major Islamic script types and explains the various contexts, whether secular or sacred, in which each one came to be used. Beauty and brilliance emerge in equal measure from works of every medium, from lavishly illuminated Qur'an manuscripts, to glassware etched with poetic verses, to ceramic tiles brushed with benedictions. The sheer breadth of objects illustrated in these pages exemplifies the ubiquity of calligraphy, and provides a compelling introduction to this unique art form"--Publisher's description
Download or read book The Meaning of Islamic Art written by Khursheed Kamal Aziz and published by . This book was released on 2004 with total page 608 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author: Sheila Blair
Publisher: Hood Museum of Art Darmouth College
Published: 1991
Total Pages: 124
ISBN-13:
DOWNLOAD EBOOKA catalog accompanying an exhibit, The here and the hereafter: images of paradise in Islamic art, organized by the Hood Museum of Art at Dartmouth College, and scheduled to travel to several museums across the US until June 1992. Includes photographs--24 in color--of tapestry, calligraphy, paintings, and ceramic and metal vessels. 121/4x91/4 Distributed by U. of Texas Press. Annotation copyrighted by Book News, Inc., Portland, OR
Download or read book Images of Paradise in Islamic Art written by Sheila Blair and published by Hood Museum of Art Darmouth College. This book was released on 1991 with total page 124 pages. Available in PDF, EPUB and Kindle. Book excerpt: A catalog accompanying an exhibit, The here and the hereafter: images of paradise in Islamic art, organized by the Hood Museum of Art at Dartmouth College, and scheduled to travel to several museums across the US until June 1992. Includes photographs--24 in color--of tapestry, calligraphy, paintings, and ceramic and metal vessels. 121/4x91/4 Distributed by U. of Texas Press. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Anna Contadini
Publisher: BRILL
Published: 2010-07-15
Total Pages: 284
ISBN-13: 9004236619
DOWNLOAD EBOOKArab painting is treated here as a significant artistic corpus in its own right. Rejecting the traditional emphasis on individual paintings, the distinguished contributors to this volume stress the integration of text and image as a more productive theoretical framework.
Download or read book Arab Painting written by Anna Contadini and published by BRILL. This book was released on 2010-07-15 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: Arab painting is treated here as a significant artistic corpus in its own right. Rejecting the traditional emphasis on individual paintings, the distinguished contributors to this volume stress the integration of text and image as a more productive theoretical framework.
Author: Jonathan M. Bloom
Publisher: Routledge
Published: 2017-05-15
Total Pages: 634
ISBN-13: 1351942581
DOWNLOAD EBOOKThis volume deals with the formative period of Islamic art (to c. 950), and the different approaches to studying it. Individual essays deal with architecture, ceramics, coins, textiles, and manuscripts, as well as with such broad questions as the supposed prohibition of images, and the relationships between sacred and secular art. An introductory essay sets each work in context; it is complemented by a bibliography for further reading.
Download or read book Early Islamic Art and Architecture written by Jonathan M. Bloom and published by Routledge. This book was released on 2017-05-15 with total page 634 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume deals with the formative period of Islamic art (to c. 950), and the different approaches to studying it. Individual essays deal with architecture, ceramics, coins, textiles, and manuscripts, as well as with such broad questions as the supposed prohibition of images, and the relationships between sacred and secular art. An introductory essay sets each work in context; it is complemented by a bibliography for further reading.
Author: Yasser Tabbaa
Publisher: University of Washington Press
Published: 2011-10-01
Total Pages: 224
ISBN-13: 0295803932
DOWNLOAD EBOOKThe transformation of Islamic architecture and ornament during the eleventh and twelfth centuries signaled profound cultural changes in the Islamic world. Yasser Tabbaa explores with exemplary lucidity the geometric techniques that facilitated this transformation, and investigates the cultural processes by which meaning was produced within the new forms. Iran, Iraq, and Syria saw the development of proportional calligraphy, vegetal and geometric arabesque, muqarnas (stalactite) vaulting, and other devices that became defining features of medieval Islamic architecture. Ultimately, the forms and themes described in this book shaped the development of Mamluk architecture in Egypt and Syria, and by extension, the entire course of North African and Andalusian architecture as well. These innovations developed and were disseminated in a highly charged atmosphere of confrontation between the Seljuk and post-Seljuk proponents of the traditionalist Sunni revival and their main opponents in Fatimid Egypt. These forms stood as visual signs of allegiance to the orthodox Abbasid caliphate and of difference from the heterodox Fatimids. Tabbaa proposes that their rapid spread throughout the Islamic world operated within a system of reciprocating, ceremonial gestures, which conveyed a new and formal language that helped negotiate the gap between the myth of a unified Sunni Islam and its actual political fragmentation. In subject matter and approach, The Transformation of Islamic Art during the Sunni Revival makes original contributions to the study of art, revealing that this relatively neglected sector of medieval art and architecture is of critical importance for reevaluating the entire field of Islamic studies. It challenges the essentialist and positivist approaches that still permeate the study of Islamic art, and offers a historical and semiotic alternative for exploring meaning within ruptures of change.
Download or read book The Transformation of Islamic Art during the Sunni Revival written by Yasser Tabbaa and published by University of Washington Press. This book was released on 2011-10-01 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: The transformation of Islamic architecture and ornament during the eleventh and twelfth centuries signaled profound cultural changes in the Islamic world. Yasser Tabbaa explores with exemplary lucidity the geometric techniques that facilitated this transformation, and investigates the cultural processes by which meaning was produced within the new forms. Iran, Iraq, and Syria saw the development of proportional calligraphy, vegetal and geometric arabesque, muqarnas (stalactite) vaulting, and other devices that became defining features of medieval Islamic architecture. Ultimately, the forms and themes described in this book shaped the development of Mamluk architecture in Egypt and Syria, and by extension, the entire course of North African and Andalusian architecture as well. These innovations developed and were disseminated in a highly charged atmosphere of confrontation between the Seljuk and post-Seljuk proponents of the traditionalist Sunni revival and their main opponents in Fatimid Egypt. These forms stood as visual signs of allegiance to the orthodox Abbasid caliphate and of difference from the heterodox Fatimids. Tabbaa proposes that their rapid spread throughout the Islamic world operated within a system of reciprocating, ceremonial gestures, which conveyed a new and formal language that helped negotiate the gap between the myth of a unified Sunni Islam and its actual political fragmentation. In subject matter and approach, The Transformation of Islamic Art during the Sunni Revival makes original contributions to the study of art, revealing that this relatively neglected sector of medieval art and architecture is of critical importance for reevaluating the entire field of Islamic studies. It challenges the essentialist and positivist approaches that still permeate the study of Islamic art, and offers a historical and semiotic alternative for exploring meaning within ruptures of change.
Author: Mohammed Hamdouni Alami
Publisher: Bloomsbury Publishing
Published: 2013-12-20
Total Pages: 304
ISBN-13: 0857731750
DOWNLOAD EBOOKWhat is 'art' in the sense of the Islamic tradition? Mohammed Hamdouni Alami argues that Islamic art has historically been excluded from Western notions of art; that the Western aesthetic tradition's preoccupation with the human body, and the ban on the representation of the human body in Islam, has meant that Islamic and Western art have been perceived as inherently at odds. However, the move away from this 'anthropomorphic aesthetic' in Western art movements, such as modern abstract and constructivist painting, have presented the opportunity for new ways of viewing and evaluating Islamic art and architecture. This book questions the very idea of art predicated on the anthropocentric bias of classical art, and the corollary 'exclusion' of Islamic art from the status of art. It addresses a central question in post-classical aesthetic theory, in as much as the advent of modern abstract and constructivist painting have shown that art can be other than the representation of the human body; that art is not neutral aesthetic contemplation but it is fraught with power and violence; and that the presupposition of classical art was not a universal truth but the assumption of a specific cultural and historical set of practices and vocabularies. Based on close readings of classical Islamic literature, philosophy, poetry, medicine and theology, along with contemporary Western art theory, the author uncovers a specific Islamic theoretical vision of art and architecture based on poetic practice, politics, cosmology and desire. In particular it traces the effects of decoration and architectural planning on the human soul as well as the centrality of the gaze in this poetic view - in Arabic 'nazar'- while examining its surprising similarity to modern theories of the gaze. Through this double gesture, moving critically between two traditions, the author brings Islamic thought and aesthetics back into the realm of visibility, addressing the lack of recognition in comparison with other historical periods and traditions. This is an important step toward a critical analysis of the contemporary debate around the revival of Islamic architectural identity - a debate intricately embedded within opposing Islamic political and social projects throughout the world.
Download or read book Art and Architecture in the Islamic Tradition written by Mohammed Hamdouni Alami and published by Bloomsbury Publishing. This book was released on 2013-12-20 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: What is 'art' in the sense of the Islamic tradition? Mohammed Hamdouni Alami argues that Islamic art has historically been excluded from Western notions of art; that the Western aesthetic tradition's preoccupation with the human body, and the ban on the representation of the human body in Islam, has meant that Islamic and Western art have been perceived as inherently at odds. However, the move away from this 'anthropomorphic aesthetic' in Western art movements, such as modern abstract and constructivist painting, have presented the opportunity for new ways of viewing and evaluating Islamic art and architecture. This book questions the very idea of art predicated on the anthropocentric bias of classical art, and the corollary 'exclusion' of Islamic art from the status of art. It addresses a central question in post-classical aesthetic theory, in as much as the advent of modern abstract and constructivist painting have shown that art can be other than the representation of the human body; that art is not neutral aesthetic contemplation but it is fraught with power and violence; and that the presupposition of classical art was not a universal truth but the assumption of a specific cultural and historical set of practices and vocabularies. Based on close readings of classical Islamic literature, philosophy, poetry, medicine and theology, along with contemporary Western art theory, the author uncovers a specific Islamic theoretical vision of art and architecture based on poetic practice, politics, cosmology and desire. In particular it traces the effects of decoration and architectural planning on the human soul as well as the centrality of the gaze in this poetic view - in Arabic 'nazar'- while examining its surprising similarity to modern theories of the gaze. Through this double gesture, moving critically between two traditions, the author brings Islamic thought and aesthetics back into the realm of visibility, addressing the lack of recognition in comparison with other historical periods and traditions. This is an important step toward a critical analysis of the contemporary debate around the revival of Islamic architectural identity - a debate intricately embedded within opposing Islamic political and social projects throughout the world.
Author: Erica Cruikshank Dodd
Publisher: Syracuse University Press
Published: 1981
Total Pages: 108
ISBN-13:
DOWNLOAD EBOOKVolume I is designed to be read by itself, but it presents the arguments and conclusions drawn from the Indexes in Volume II. Volume II presents the documentation for the arguments: a collection of published inscriptions decorating Islamic monuments. They are organized under three headings: 1) according to the number of the Sura and verse; 2) according to the geographical area, the city and the building where the verses occur; 3) according to the location within the buildings, over doors, for example, or on minarets.
Download or read book The Image of the Word written by Erica Cruikshank Dodd and published by Syracuse University Press. This book was released on 1981 with total page 108 pages. Available in PDF, EPUB and Kindle. Book excerpt: Volume I is designed to be read by itself, but it presents the arguments and conclusions drawn from the Indexes in Volume II. Volume II presents the documentation for the arguments: a collection of published inscriptions decorating Islamic monuments. They are organized under three headings: 1) according to the number of the Sura and verse; 2) according to the geographical area, the city and the building where the verses occur; 3) according to the location within the buildings, over doors, for example, or on minarets.
