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There are countless important events and stages to document in a child's life. "Photographing Childhood" will give readers the know-how and the inspiration that they are looking for to create the perfect image. Rich with emotion and creativity, this guide delivers tips from a master photographer, going way beyond the photography basics.
Book Synopsis Photographing Childhood by : LaNola Kathleen Stone
Download or read book Photographing Childhood written by LaNola Kathleen Stone and published by Taylor & Francis. This book was released on 2012 with total page 196 pages. Available in PDF, EPUB and Kindle. Book excerpt: There are countless important events and stages to document in a child's life. "Photographing Childhood" will give readers the know-how and the inspiration that they are looking for to create the perfect image. Rich with emotion and creativity, this guide delivers tips from a master photographer, going way beyond the photography basics.
Despite the fact that there is a New England of cities, factories, and an increasingly diverse ethnic population, it is the Old New England that Americans have always treasured, finding in it a kind of 'national memory bank.' This book examines images of Old New England created between 1865 and 1945, demonstrating how these images encoded the values of age and tradition to a nation facing complex cultural issues during the period.
Book Synopsis Picturing Old New England by : William H. Truettner
Download or read book Picturing Old New England written by William H. Truettner and published by Yale University Press. This book was released on 1999 with total page 239 pages. Available in PDF, EPUB and Kindle. Book excerpt: Despite the fact that there is a New England of cities, factories, and an increasingly diverse ethnic population, it is the Old New England that Americans have always treasured, finding in it a kind of 'national memory bank.' This book examines images of Old New England created between 1865 and 1945, demonstrating how these images encoded the values of age and tradition to a nation facing complex cultural issues during the period.
This is a philosophical investigation into the differing sensations of time in cinema and photography. Throughout the work, Sutton connects and grounds cinema and photography as starting points to comprehend how we come to terms, ultimately, with time itself as pure, immanent change.
Book Synopsis Photography, Cinema, Memory by : Damian Sutton
Download or read book Photography, Cinema, Memory written by Damian Sutton and published by U of Minnesota Press. This book was released on 2009 with total page 287 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is a philosophical investigation into the differing sensations of time in cinema and photography. Throughout the work, Sutton connects and grounds cinema and photography as starting points to comprehend how we come to terms, ultimately, with time itself as pure, immanent change.
An exploration of life at the margins of history from one of Russia’s most exciting contemporary writers Shortlisted for the 2021 International Booker Prize Winner of the MLA Lois Roth Translation Award With the death of her aunt, the narrator is left to sift through an apartment full of faded photographs, old postcards, letters, diaries, and heaps of souvenirs: a withered repository of a century of life in Russia. Carefully reassembled with calm, steady hands, these shards tell the story of how a seemingly ordinary Jewish family somehow managed to survive the myriad persecutions and repressions of the last century. In dialogue with writers like Roland Barthes, W. G. Sebald, Susan Sontag, and Osip Mandelstam, In Memory of Memory is imbued with rare intellectual curiosity and a wonderfully soft-spoken, poetic voice. Dipping into various forms—essay, fiction, memoir, travelogue, and historical documents—Stepanova assembles a vast panorama of ideas and personalities and offers an entirely new and bold exploration of cultural and personal memory.
Book Synopsis In Memory of Memory by : Maria Stepanova
Download or read book In Memory of Memory written by Maria Stepanova and published by New Directions Publishing. This book was released on 2021-02-09 with total page 436 pages. Available in PDF, EPUB and Kindle. Book excerpt: An exploration of life at the margins of history from one of Russia’s most exciting contemporary writers Shortlisted for the 2021 International Booker Prize Winner of the MLA Lois Roth Translation Award With the death of her aunt, the narrator is left to sift through an apartment full of faded photographs, old postcards, letters, diaries, and heaps of souvenirs: a withered repository of a century of life in Russia. Carefully reassembled with calm, steady hands, these shards tell the story of how a seemingly ordinary Jewish family somehow managed to survive the myriad persecutions and repressions of the last century. In dialogue with writers like Roland Barthes, W. G. Sebald, Susan Sontag, and Osip Mandelstam, In Memory of Memory is imbued with rare intellectual curiosity and a wonderfully soft-spoken, poetic voice. Dipping into various forms—essay, fiction, memoir, travelogue, and historical documents—Stepanova assembles a vast panorama of ideas and personalities and offers an entirely new and bold exploration of cultural and personal memory.
The work of German cultural theorist and art historian Aby Warburg (1866–1929) has had a lasting effect on how we think about images. This book is the first in English to focus on his last project, the encyclopedic Atlas of Images: Mnemosyne. Begun in earnest in 1927, and left unfinished at the time of Warburg’s death in 1929, the Atlas consisted of sixty-three large wooden panels covered with black cloth. On these panels Warburg carefully, intuitively arranged some thousand black-and-white photographs of classical and Renaissance art objects, as well as of astrological and astronomical images ranging from ancient Babylon to Weimar Germany. Here and there, he also included maps, manuscript pages, and contemporary images taken from newspapers. Trying through these constellations of images to make visible the many polarities that fueled antiquity’s afterlife, Warburg envisioned the Atlas as a vital form of metaphoric thought. While the nondiscursive, frequently digressive character of the Atlas complicates any linear narrative of its themes and contents, Christopher D. Johnson traces several thematic sequences in the panels. By drawing on Warburg’s published and unpublished writings and by attending to Warburg’s cardinal idea that "pathos formulas" structure the West’s cultural memory, Johnson maps numerous tensions between word and image in the Atlas. In addition to examining the work itself, he considers the literary, philosophical, and intellectual-historical implications of the Atlas. As Johnson demonstrates, the Atlas is not simply the culmination of Warburg’s lifelong study of Renaissance culture but the ultimate expression of his now literal, now metaphoric search for syncretic solutions to the urgent problems posed by the history of art and culture.
Book Synopsis Memory, Metaphor, and Aby Warburg's Atlas of Images by : Christopher D. Johnson
Download or read book Memory, Metaphor, and Aby Warburg's Atlas of Images written by Christopher D. Johnson and published by Cornell University Press. This book was released on 2012-09-15 with total page 305 pages. Available in PDF, EPUB and Kindle. Book excerpt: The work of German cultural theorist and art historian Aby Warburg (1866–1929) has had a lasting effect on how we think about images. This book is the first in English to focus on his last project, the encyclopedic Atlas of Images: Mnemosyne. Begun in earnest in 1927, and left unfinished at the time of Warburg’s death in 1929, the Atlas consisted of sixty-three large wooden panels covered with black cloth. On these panels Warburg carefully, intuitively arranged some thousand black-and-white photographs of classical and Renaissance art objects, as well as of astrological and astronomical images ranging from ancient Babylon to Weimar Germany. Here and there, he also included maps, manuscript pages, and contemporary images taken from newspapers. Trying through these constellations of images to make visible the many polarities that fueled antiquity’s afterlife, Warburg envisioned the Atlas as a vital form of metaphoric thought. While the nondiscursive, frequently digressive character of the Atlas complicates any linear narrative of its themes and contents, Christopher D. Johnson traces several thematic sequences in the panels. By drawing on Warburg’s published and unpublished writings and by attending to Warburg’s cardinal idea that "pathos formulas" structure the West’s cultural memory, Johnson maps numerous tensions between word and image in the Atlas. In addition to examining the work itself, he considers the literary, philosophical, and intellectual-historical implications of the Atlas. As Johnson demonstrates, the Atlas is not simply the culmination of Warburg’s lifelong study of Renaissance culture but the ultimate expression of his now literal, now metaphoric search for syncretic solutions to the urgent problems posed by the history of art and culture.
"Charles "Teenie" Harris (1908-1998) photographed the events and daily life of African Americans for the Pittsburgh Courier, one of the nation's most influential Black newspapers. From the 1930s to 1970s, Harris created a richly detailed record of publicpersonalities, historic events, and the lives of average people. In 2001, Carnegie Museum of Art purchased Harris's archive of nearly 80,000 photographic negatives, few of which are titled and dated; the archive is considered one of the most important documentations of 20th century African American life (www.cmoa.org/teenie). The book will serve as the definitive publication on the life and work of Teenie Harris, consisting of three significant essays: Cheryl Finley, assistant professor in the history ofart at Cornell University, offers the first thorough analysis of Harris as an artist, situating him within the history of 20th?century African American art as well as American documentary and vernacular photography; Larry Glasco, associate professor of history at the University of Pittsburgh, draws on new research to present a detailed biography of the photographer; and Joe Trotter, professor of history and social justice at Carnegie Mellon University, explores the social and historical context of Harris's photographs. The book will also include a foreword by Deborah Willis, professor at the Tisch School of the Arts at NYU. In addition to comparative illustrations within the essays, the book includes 100 plates of Harris's signature work and a complete bibliography and chronology"--
Book Synopsis Teenie Harris, Photographer by : Cheryl Finley
Download or read book Teenie Harris, Photographer written by Cheryl Finley and published by . This book was released on 2011 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Charles "Teenie" Harris (1908-1998) photographed the events and daily life of African Americans for the Pittsburgh Courier, one of the nation's most influential Black newspapers. From the 1930s to 1970s, Harris created a richly detailed record of publicpersonalities, historic events, and the lives of average people. In 2001, Carnegie Museum of Art purchased Harris's archive of nearly 80,000 photographic negatives, few of which are titled and dated; the archive is considered one of the most important documentations of 20th century African American life (www.cmoa.org/teenie). The book will serve as the definitive publication on the life and work of Teenie Harris, consisting of three significant essays: Cheryl Finley, assistant professor in the history ofart at Cornell University, offers the first thorough analysis of Harris as an artist, situating him within the history of 20th?century African American art as well as American documentary and vernacular photography; Larry Glasco, associate professor of history at the University of Pittsburgh, draws on new research to present a detailed biography of the photographer; and Joe Trotter, professor of history and social justice at Carnegie Mellon University, explores the social and historical context of Harris's photographs. The book will also include a foreword by Deborah Willis, professor at the Tisch School of the Arts at NYU. In addition to comparative illustrations within the essays, the book includes 100 plates of Harris's signature work and a complete bibliography and chronology"--
Human Memory: Structures and Images offers students a comprehensive overview of research in human memory. Providing a theoretical background for the research, author Mary B. Howes uses a clear and accessible format to cover three major areas—mainstream experimental research; naturalistic research; and work in the domains of the amnesias, malfunctions of memory, and neuroscience.
Book Synopsis Human Memory by : Mary B. Howes
Download or read book Human Memory written by Mary B. Howes and published by SAGE Publications. This book was released on 2006-11-22 with total page 473 pages. Available in PDF, EPUB and Kindle. Book excerpt: Human Memory: Structures and Images offers students a comprehensive overview of research in human memory. Providing a theoretical background for the research, author Mary B. Howes uses a clear and accessible format to cover three major areas—mainstream experimental research; naturalistic research; and work in the domains of the amnesias, malfunctions of memory, and neuroscience.
This book is a critical study of visual representations of José Martí The National Hero of Cuba , and the discourses of power that make it possible for Martí's images to be perceived as icons today. It argues that an observer of Martí's icons who is immersed in the Cuban national narrative experiences a retrospective reconstruction of those images by means of ideologically formed national discourses of power. Also, the obsessive reproduction of Martí's icons signals a melancholia for the loss of the martyr-hero. But instead of attempting to "forget Martí," the book concludes that the utopian impulse of his memory should serve to resist melancholia and to visualize new forms of creative re-significations of Martí and, by extension, the nation.
Book Synopsis José Martí by : E. Bejel
Download or read book José Martí written by E. Bejel and published by Springer. This book was released on 2016-07-14 with total page 174 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is a critical study of visual representations of José Martí The National Hero of Cuba , and the discourses of power that make it possible for Martí's images to be perceived as icons today. It argues that an observer of Martí's icons who is immersed in the Cuban national narrative experiences a retrospective reconstruction of those images by means of ideologically formed national discourses of power. Also, the obsessive reproduction of Martí's icons signals a melancholia for the loss of the martyr-hero. But instead of attempting to "forget Martí," the book concludes that the utopian impulse of his memory should serve to resist melancholia and to visualize new forms of creative re-significations of Martí and, by extension, the nation.
The beautiful catalogue that accompanies the critically-acclaimed exhibition currently on view at the Metropolitan Museum Best known for her striking drawings of ocean surfaces, begun in 1968 and revisited over many years both in drawings and paintings, Vija Celmins (b. 1938) has been creating exquisitely detailed renderings of natural imagery for more than five decades. The oceans were followed by desert floors and night skies--all subjects in which vast, expansive distances are distilled into luminous, meticulous, and mesmerizing small-scale artworks. For Celmins, this obsessive "redescribing" of the world is a way to understand human consciousness in relation to lived experience. The first major publication on the artist in twenty years, this comprehensive and lavishly illustrated volume explores the full range of Celmins's work produced since the 1960s--drawings and paintings as well as sculpture and prints. Scholarly essays, a narrative chronology, and a selection of excerpts from interviews with the artist illuminate her methods and techniques; survey her early years in Los Angeles, where she was part of a circle that included James Turrell and Ken Price; and trace the development of her work after she moved to New York City and befriended figures such as Robert Gober and Richard Serra.
Book Synopsis Vija Celmins by : Ian Alteveer
Download or read book Vija Celmins written by Ian Alteveer and published by Yale University Press. This book was released on 2018-12-11 with total page 273 pages. Available in PDF, EPUB and Kindle. Book excerpt: The beautiful catalogue that accompanies the critically-acclaimed exhibition currently on view at the Metropolitan Museum Best known for her striking drawings of ocean surfaces, begun in 1968 and revisited over many years both in drawings and paintings, Vija Celmins (b. 1938) has been creating exquisitely detailed renderings of natural imagery for more than five decades. The oceans were followed by desert floors and night skies--all subjects in which vast, expansive distances are distilled into luminous, meticulous, and mesmerizing small-scale artworks. For Celmins, this obsessive "redescribing" of the world is a way to understand human consciousness in relation to lived experience. The first major publication on the artist in twenty years, this comprehensive and lavishly illustrated volume explores the full range of Celmins's work produced since the 1960s--drawings and paintings as well as sculpture and prints. Scholarly essays, a narrative chronology, and a selection of excerpts from interviews with the artist illuminate her methods and techniques; survey her early years in Los Angeles, where she was part of a circle that included James Turrell and Ken Price; and trace the development of her work after she moved to New York City and befriended figures such as Robert Gober and Richard Serra.
As America huffed its way to the end of the '70s, a change more profound than any one cultural trope's evolutionary death knell was taking place. Perceptively distilled in a new volume of photographs by longtime National Geographic shooter Nathan Benn, Kodachrome Memory: American Pictures 1972-1990 depicts an America of boisterous legend and vibrant regionalism, teetering on the cusp of the coming Information Age's great cultural flattening. Nathan Benn embraced color photography before it was considered an acceptable medium for serious documentary expression, traveling globally for National Geographic magazine for two decades. In revisiting his archive of almost half a million images, and editing his photographs with a 21st-century perspective, he discovered hundreds of unpublished American pictures that appeared inconsequential to editors of the 1970s and 1980s, but now resonate-in beautiful Kodachrome color-with empathic perspectives on everyday life in forgotten neighborhoods. Kodachrome Memory exemplifies forthright storytelling about everyday people and vernacular spaces. The photographs, organized by geographic and cultural affinities (North East, Heartland, Pittsburgh, and Florida), delight with poetic happenstance, melancholy framing, and wistful abandon. The past, an era heavily eulogized, comes alive again in its deliciously homely demeanor, and glorious Kodachrome hues. Yes, this is your father's America. An essay by scholar Paul M. Farber contextualizes the creation and selection of these images, offering a fresh perspective about color photography on the eve of the digital revolution. "Mr. Benn's [Kodachrome Memory] is a study of regional texture, the fruit of two decades as a photographer for National Geographic. Mr. Benn's unshowy compositions and the rich, clear colors of his Kodachrome slide-film make his images seem both timeless and particular." -The Wall Street Journal "Kodachrome Memory celebrates the significance of American regional diversity as it was 30 or 40 years ago, before the advent of Internet culture and before the country became one vast strip mall stretching from sea to sea. The seemingly inconsequential subjects of Benn's photographs-which are keenly observed and evocative of a time and place-act as metaphors for American culture and values. Although much of Benn's work was done for a magazine and not gallery walls, his use of color throughout holds its own with artists of the period such as William Eggleston and Stephen Shore." -Richard Buckley "Even if you've never seen Nathan Benn's photographs from the 1970s, they feel somehow familiar-like the refrain of a half-remembered song. With a uniquely American mix of formality and ease, and a color palette so tart you can almost taste it, Benn makes the past vividly-even painfully-present. So there's nothing nostalgic about his pictures of parades, homecomings, and town meetings, juke joints and barbershops, front porches and back roads, because you are there. Maybe that's why Kodachrome Memory: American Pictures 1972-1990 feels like an instant classic." -Vince Aletti
Book Synopsis Kodachrome Memory by :
Download or read book Kodachrome Memory written by and published by powerHouse Books. This book was released on 2013-09-17 with total page 170 pages. Available in PDF, EPUB and Kindle. Book excerpt: As America huffed its way to the end of the '70s, a change more profound than any one cultural trope's evolutionary death knell was taking place. Perceptively distilled in a new volume of photographs by longtime National Geographic shooter Nathan Benn, Kodachrome Memory: American Pictures 1972-1990 depicts an America of boisterous legend and vibrant regionalism, teetering on the cusp of the coming Information Age's great cultural flattening. Nathan Benn embraced color photography before it was considered an acceptable medium for serious documentary expression, traveling globally for National Geographic magazine for two decades. In revisiting his archive of almost half a million images, and editing his photographs with a 21st-century perspective, he discovered hundreds of unpublished American pictures that appeared inconsequential to editors of the 1970s and 1980s, but now resonate-in beautiful Kodachrome color-with empathic perspectives on everyday life in forgotten neighborhoods. Kodachrome Memory exemplifies forthright storytelling about everyday people and vernacular spaces. The photographs, organized by geographic and cultural affinities (North East, Heartland, Pittsburgh, and Florida), delight with poetic happenstance, melancholy framing, and wistful abandon. The past, an era heavily eulogized, comes alive again in its deliciously homely demeanor, and glorious Kodachrome hues. Yes, this is your father's America. An essay by scholar Paul M. Farber contextualizes the creation and selection of these images, offering a fresh perspective about color photography on the eve of the digital revolution. "Mr. Benn's [Kodachrome Memory] is a study of regional texture, the fruit of two decades as a photographer for National Geographic. Mr. Benn's unshowy compositions and the rich, clear colors of his Kodachrome slide-film make his images seem both timeless and particular." -The Wall Street Journal "Kodachrome Memory celebrates the significance of American regional diversity as it was 30 or 40 years ago, before the advent of Internet culture and before the country became one vast strip mall stretching from sea to sea. The seemingly inconsequential subjects of Benn's photographs-which are keenly observed and evocative of a time and place-act as metaphors for American culture and values. Although much of Benn's work was done for a magazine and not gallery walls, his use of color throughout holds its own with artists of the period such as William Eggleston and Stephen Shore." -Richard Buckley "Even if you've never seen Nathan Benn's photographs from the 1970s, they feel somehow familiar-like the refrain of a half-remembered song. With a uniquely American mix of formality and ease, and a color palette so tart you can almost taste it, Benn makes the past vividly-even painfully-present. So there's nothing nostalgic about his pictures of parades, homecomings, and town meetings, juke joints and barbershops, front porches and back roads, because you are there. Maybe that's why Kodachrome Memory: American Pictures 1972-1990 feels like an instant classic." -Vince Aletti
