Imageless Truths

Imageless Truths

Author: Karen A. Weisman

Publisher: University of Pennsylvania Press

Published: 2016-11-11

Total Pages: 244

ISBN-13: 1512808857

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In Imageless Truths, Karen A. Weisman offers a new reading of Shelley's work in the context of the poet's changing constructions of poetic fictions. Shelley's understanding of language in general, and of the fictions and their rhetorical trope in particular, evolved throughout his career, and Weisman argues that it is in his self-consciousness over these transformations that we can find the primary motivating factor in the poet's philosophical and literary development. Weisman discerns in Shelley an ongoing quest for a mode of fiction-making that can accommodate both the poet's belief in a "metaphysical ultimate" and his anxiety over the implications of grounding poetic fictions too firmly in the details of everyday life. If Shelley's awareness of fictionality is a major element in the poetry, it is an awareness that comes with the troubled sense of the limits of fiction. Weisman contents that it is this persistent, double-edged anxiety that distinguishes Shelley from the other English Romantics. Her point is not intended to deny the validity or the continuing relevance of the deconstructionist perspective, nor the value of its various claims for Shelley; she is simply concerned that the instability of poetic fictions was eventually perceived as a "given" by Shelley, as the beginning premise which he acknowledged and then tried to move beyond. Imageless Truths will be of interest to students and scholars of English literature.


Book Synopsis Imageless Truths by : Karen A. Weisman

Download or read book Imageless Truths written by Karen A. Weisman and published by University of Pennsylvania Press. This book was released on 2016-11-11 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Imageless Truths, Karen A. Weisman offers a new reading of Shelley's work in the context of the poet's changing constructions of poetic fictions. Shelley's understanding of language in general, and of the fictions and their rhetorical trope in particular, evolved throughout his career, and Weisman argues that it is in his self-consciousness over these transformations that we can find the primary motivating factor in the poet's philosophical and literary development. Weisman discerns in Shelley an ongoing quest for a mode of fiction-making that can accommodate both the poet's belief in a "metaphysical ultimate" and his anxiety over the implications of grounding poetic fictions too firmly in the details of everyday life. If Shelley's awareness of fictionality is a major element in the poetry, it is an awareness that comes with the troubled sense of the limits of fiction. Weisman contents that it is this persistent, double-edged anxiety that distinguishes Shelley from the other English Romantics. Her point is not intended to deny the validity or the continuing relevance of the deconstructionist perspective, nor the value of its various claims for Shelley; she is simply concerned that the instability of poetic fictions was eventually perceived as a "given" by Shelley, as the beginning premise which he acknowledged and then tried to move beyond. Imageless Truths will be of interest to students and scholars of English literature.


Imageless Truths: Shelley's Poetic Fictions

Imageless Truths: Shelley's Poetic Fictions

Author: Karen A. Weisman

Publisher:

Published: 1990

Total Pages: 774

ISBN-13:

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Book Synopsis Imageless Truths: Shelley's Poetic Fictions by : Karen A. Weisman

Download or read book Imageless Truths: Shelley's Poetic Fictions written by Karen A. Weisman and published by . This book was released on 1990 with total page 774 pages. Available in PDF, EPUB and Kindle. Book excerpt:


From 1989, or European Music and the Modernist Unconscious

From 1989, or European Music and the Modernist Unconscious

Author: Seth Brodsky

Publisher: Univ of California Press

Published: 2017-01-24

Total Pages: 364

ISBN-13: 0520966503

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What happened to musical modernism? When did it end? Did it end? In this unorthodox Lacanian account of European New Music, Seth Brodsky focuses on the unlikely year 1989, when New Music hardly takes center stage. Instead one finds Rostropovich playing Bach at Checkpoint Charlie; or Bernstein changing “Joy” to “Freedom” in Beethoven’s Ninth; or David Hasselhoff lip-synching “Looking for Freedom” to thousands on New Year’s Eve. But if such spectacles claim to master their historical moment, New Music unconsciously takes the role of analyst. In so doing, it restages earlier scenes of modernism. As world politics witnesses a turning away from the possibility of revolution, musical modernism revolves in place, performing century-old tasks of losing, failing, and beginning again, in preparation for a revolution to come.


Book Synopsis From 1989, or European Music and the Modernist Unconscious by : Seth Brodsky

Download or read book From 1989, or European Music and the Modernist Unconscious written by Seth Brodsky and published by Univ of California Press. This book was released on 2017-01-24 with total page 364 pages. Available in PDF, EPUB and Kindle. Book excerpt: What happened to musical modernism? When did it end? Did it end? In this unorthodox Lacanian account of European New Music, Seth Brodsky focuses on the unlikely year 1989, when New Music hardly takes center stage. Instead one finds Rostropovich playing Bach at Checkpoint Charlie; or Bernstein changing “Joy” to “Freedom” in Beethoven’s Ninth; or David Hasselhoff lip-synching “Looking for Freedom” to thousands on New Year’s Eve. But if such spectacles claim to master their historical moment, New Music unconsciously takes the role of analyst. In so doing, it restages earlier scenes of modernism. As world politics witnesses a turning away from the possibility of revolution, musical modernism revolves in place, performing century-old tasks of losing, failing, and beginning again, in preparation for a revolution to come.


Shelley's Visual Imagination

Shelley's Visual Imagination

Author: Nancy Moore Goslee

Publisher: Cambridge University Press

Published: 2011-06-23

Total Pages: 293

ISBN-13: 1139936697

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Shelley's drafts and notebooks, which have recently been published for the first time, are very revealing about the creative processes behind his poems, and show - through illustrations and doodles - an unexpectedly vivid visual imagination which contributed greatly to the effect of his poetry. Shelley's Visual Imagination analyzes both verbal script and visual sketches in his manuscripts to interpret the lively personifications of concepts such as 'Liberty', 'Anarchy', or 'Life' in his completed poems. Challenging the persistent assumption that Shelley's poetry in particular, and Romantic poetry more generally, reject the visual for expressive voice or music, this first full-length study of the drafts and notebooks combines criticism with a focus upon bibliographic codes and iconic pages. The product of years of close examination of these remarkable texts, this much-anticipated book will be of great value for all students of Shelley and all those interested in the Romantic process of creation.


Book Synopsis Shelley's Visual Imagination by : Nancy Moore Goslee

Download or read book Shelley's Visual Imagination written by Nancy Moore Goslee and published by Cambridge University Press. This book was released on 2011-06-23 with total page 293 pages. Available in PDF, EPUB and Kindle. Book excerpt: Shelley's drafts and notebooks, which have recently been published for the first time, are very revealing about the creative processes behind his poems, and show - through illustrations and doodles - an unexpectedly vivid visual imagination which contributed greatly to the effect of his poetry. Shelley's Visual Imagination analyzes both verbal script and visual sketches in his manuscripts to interpret the lively personifications of concepts such as 'Liberty', 'Anarchy', or 'Life' in his completed poems. Challenging the persistent assumption that Shelley's poetry in particular, and Romantic poetry more generally, reject the visual for expressive voice or music, this first full-length study of the drafts and notebooks combines criticism with a focus upon bibliographic codes and iconic pages. The product of years of close examination of these remarkable texts, this much-anticipated book will be of great value for all students of Shelley and all those interested in the Romantic process of creation.


Shelley and the Romantic Imagination

Shelley and the Romantic Imagination

Author: Thomas R. Frosch

Publisher: University of Delaware Press

Published: 2007

Total Pages: 368

ISBN-13: 9780874139785

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"Frosch offers a fuller psychoanalytic account of Shelley's poetry than previously available, discussing both oedipal and pre-oedipal conflict, the positive and negative attitudes toward both the father and the mother, and the subtle workings, defensive and creative, of the ego."--Jacket.


Book Synopsis Shelley and the Romantic Imagination by : Thomas R. Frosch

Download or read book Shelley and the Romantic Imagination written by Thomas R. Frosch and published by University of Delaware Press. This book was released on 2007 with total page 368 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Frosch offers a fuller psychoanalytic account of Shelley's poetry than previously available, discussing both oedipal and pre-oedipal conflict, the positive and negative attitudes toward both the father and the mother, and the subtle workings, defensive and creative, of the ego."--Jacket.


Romantic Localities

Romantic Localities

Author: Christoph Bode

Publisher: Routledge

Published: 2015-10-06

Total Pages: 352

ISBN-13: 1317324307

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Romantic Localities explores the ways in which Romantic-period writers of varying nationalities responded to languages, landscapes – both geographical and metaphorical – and literatures.


Book Synopsis Romantic Localities by : Christoph Bode

Download or read book Romantic Localities written by Christoph Bode and published by Routledge. This book was released on 2015-10-06 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt: Romantic Localities explores the ways in which Romantic-period writers of varying nationalities responded to languages, landscapes – both geographical and metaphorical – and literatures.


Imagination, Metaphor and Mythopeiea in Wordsworth, Shelley and Keats

Imagination, Metaphor and Mythopeiea in Wordsworth, Shelley and Keats

Author: Firat Karadas

Publisher: Peter Lang

Published: 2008

Total Pages: 192

ISBN-13: 9783631582367

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The book studies metaphor, myth and their imaginative aspects in the poetry of William Wordsworth, Percy Bysshe Shelley and John Keats. Relying on Kantian, Romantic, Neo-Kantian and modern ideas of imagination, metaphor and myth, the book proposes that imagination is an inherently metaphorizing and mythologizing faculty because the act of perception is an act of giving form to natural phenomena and seeing similitude in dissimilitude, which are basically metaphorical and mythological acts. Studying selected poems, the author explores how in its form-giving activity the imagination of the speaking subject 'mythologizes' and 'metaphorizes' by seeing objects of nature as spiritual, animate or divine beings and thus transforming them into the alien territory of myth. Myth and metaphor are analyzed in these poems mainly in two regards: first, myth and metaphor are handled as inborn aspects of imagination and perception, and the interaction between nature and imagination is presented as the origin of all mythology; second, to show how myth is re-created time and again by poetic imagination, Romantic mythography and re-creation of precursor mythologies are analyzed.


Book Synopsis Imagination, Metaphor and Mythopeiea in Wordsworth, Shelley and Keats by : Firat Karadas

Download or read book Imagination, Metaphor and Mythopeiea in Wordsworth, Shelley and Keats written by Firat Karadas and published by Peter Lang. This book was released on 2008 with total page 192 pages. Available in PDF, EPUB and Kindle. Book excerpt: The book studies metaphor, myth and their imaginative aspects in the poetry of William Wordsworth, Percy Bysshe Shelley and John Keats. Relying on Kantian, Romantic, Neo-Kantian and modern ideas of imagination, metaphor and myth, the book proposes that imagination is an inherently metaphorizing and mythologizing faculty because the act of perception is an act of giving form to natural phenomena and seeing similitude in dissimilitude, which are basically metaphorical and mythological acts. Studying selected poems, the author explores how in its form-giving activity the imagination of the speaking subject 'mythologizes' and 'metaphorizes' by seeing objects of nature as spiritual, animate or divine beings and thus transforming them into the alien territory of myth. Myth and metaphor are analyzed in these poems mainly in two regards: first, myth and metaphor are handled as inborn aspects of imagination and perception, and the interaction between nature and imagination is presented as the origin of all mythology; second, to show how myth is re-created time and again by poetic imagination, Romantic mythography and re-creation of precursor mythologies are analyzed.


The Complete Poetry of Percy Bysshe Shelley

The Complete Poetry of Percy Bysshe Shelley

Author: Percy Bysshe Shelley

Publisher: JHU Press

Published: 2012-07-01

Total Pages: 1149

ISBN-13: 1421411091

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Winner of the 2013 Richard J. Finneran Award, Society for Textual ScholarshipOutstanding Academic Title, Choice "His name is Percy Bysshe Shelley, and he is the author of a poetical work entitled Alastor, or the Spirit of Solitude.” With these words, the radical journalist and poet Leigh Hunt announced his discovery in 1816 of an extraordinary talent within “a new school of poetry rising of late.” The third volume of the acclaimed edition of The Complete Poetry of Percy Bysshe Shelley includes Alastor, one of Shelley’s first major works, and all the poems that Shelley completed, for either private circulation or publication, during the turbulent years from 1814 to March 1818: Hymn to Intellectual Beauty, Mont Blanc, Laon and Cythna, as well as shorter pieces, such as his most famous sonnet, Ozymandias. It was during these years that Shelley, already an accomplished and practiced poet with three volumes of published verse, authored two major volumes, earned international recognition, and became part of the circle that was later called the Younger Romantics. As with previous volumes, extensive discussions of the poems’ composition, influences, publication, circulation, reception, and critical history accompany detailed records of textual variants for each work. Among the appendixes are Mary W. Shelley’s 1839 notes on the poems for these years, a table of the forty-two revisions made to Laon and Cythna for its reissue as The Revolt of Islam, and Shelley’s errata list for the same. It is in the works included in this volume that the recognizable and characteristic voice of Shelley emerges—unmistakable, consistent, and vital.


Book Synopsis The Complete Poetry of Percy Bysshe Shelley by : Percy Bysshe Shelley

Download or read book The Complete Poetry of Percy Bysshe Shelley written by Percy Bysshe Shelley and published by JHU Press. This book was released on 2012-07-01 with total page 1149 pages. Available in PDF, EPUB and Kindle. Book excerpt: Winner of the 2013 Richard J. Finneran Award, Society for Textual ScholarshipOutstanding Academic Title, Choice "His name is Percy Bysshe Shelley, and he is the author of a poetical work entitled Alastor, or the Spirit of Solitude.” With these words, the radical journalist and poet Leigh Hunt announced his discovery in 1816 of an extraordinary talent within “a new school of poetry rising of late.” The third volume of the acclaimed edition of The Complete Poetry of Percy Bysshe Shelley includes Alastor, one of Shelley’s first major works, and all the poems that Shelley completed, for either private circulation or publication, during the turbulent years from 1814 to March 1818: Hymn to Intellectual Beauty, Mont Blanc, Laon and Cythna, as well as shorter pieces, such as his most famous sonnet, Ozymandias. It was during these years that Shelley, already an accomplished and practiced poet with three volumes of published verse, authored two major volumes, earned international recognition, and became part of the circle that was later called the Younger Romantics. As with previous volumes, extensive discussions of the poems’ composition, influences, publication, circulation, reception, and critical history accompany detailed records of textual variants for each work. Among the appendixes are Mary W. Shelley’s 1839 notes on the poems for these years, a table of the forty-two revisions made to Laon and Cythna for its reissue as The Revolt of Islam, and Shelley’s errata list for the same. It is in the works included in this volume that the recognizable and characteristic voice of Shelley emerges—unmistakable, consistent, and vital.


Poetics of Self and Form in Keats and Shelley

Poetics of Self and Form in Keats and Shelley

Author: Mark Sandy

Publisher: Routledge

Published: 2017-03-02

Total Pages: 229

ISBN-13: 1351910663

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Beginning with a reassessment of contemporary romantic studies, this book provides a modern critical comparison of Keats and Shelley. The study offers detailed close readings of a variety of literary genres (including the romance, lyric, elegy and literary fragment) adopted by Keats and Shelley to explore their poetic treatment of self and form. The poetic careers of Keats and Shelley embrace a tragic affirmation of those darker elements latent in the earlier writings to meditate on their own posthumous reception and reputation. Fresh readings of Keats and Shelley show how they conceive of the self as fictional and anticipate Nietzsche's modern theories of subjectivity. Nietzsche's conception of the subject as a site of conflicting fictions usefully measures this emergent sense of poetic self and form in Keats and Shelley. This Nietzschean perspective enriches our appreciation of the considerable artistic achievement of these two significant second-generation romantic poets.


Book Synopsis Poetics of Self and Form in Keats and Shelley by : Mark Sandy

Download or read book Poetics of Self and Form in Keats and Shelley written by Mark Sandy and published by Routledge. This book was released on 2017-03-02 with total page 229 pages. Available in PDF, EPUB and Kindle. Book excerpt: Beginning with a reassessment of contemporary romantic studies, this book provides a modern critical comparison of Keats and Shelley. The study offers detailed close readings of a variety of literary genres (including the romance, lyric, elegy and literary fragment) adopted by Keats and Shelley to explore their poetic treatment of self and form. The poetic careers of Keats and Shelley embrace a tragic affirmation of those darker elements latent in the earlier writings to meditate on their own posthumous reception and reputation. Fresh readings of Keats and Shelley show how they conceive of the self as fictional and anticipate Nietzsche's modern theories of subjectivity. Nietzsche's conception of the subject as a site of conflicting fictions usefully measures this emergent sense of poetic self and form in Keats and Shelley. This Nietzschean perspective enriches our appreciation of the considerable artistic achievement of these two significant second-generation romantic poets.


Epic

Epic

Author: Herbert F. Tucker

Publisher: Oxford University Press

Published: 2012-11-29

Total Pages: 748

ISBN-13: 0199232997

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Literary history has conventionally viewed Milton as the last real practitioner of the epic in English verse. Herbert Tucker's spirited book shows that the British tradition of epic poetry was unbroken from the French Revolution to World War I.


Book Synopsis Epic by : Herbert F. Tucker

Download or read book Epic written by Herbert F. Tucker and published by Oxford University Press. This book was released on 2012-11-29 with total page 748 pages. Available in PDF, EPUB and Kindle. Book excerpt: Literary history has conventionally viewed Milton as the last real practitioner of the epic in English verse. Herbert Tucker's spirited book shows that the British tradition of epic poetry was unbroken from the French Revolution to World War I.