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Imaginary Museums

Author: Nicolette Polek

Publisher: Catapult

Published: 2020-01-14

Total Pages: 129

ISBN-13: 159376586X

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"A collection of flash fiction that feels seemingly arbitrary with an ache of human longing for connection peppered in. . . . These bizarre but beautiful stories transport you elsewhere with no intention of bringing you back." —Ashleah Gonzales, W magazine In this collection of compact fictions, Nicolette Polek transports us to a gently unsettling realm inhabited by disheveled landlords, a fugitive bride, a seamstress who forgets what people look like, and two rival falconers from neighboring towns. They find themselves in bathhouses, sports bars, grocery stores, and forests in search of exits, pink tennis balls, licorice, and independence. Yet all of her beautifully strange characters are possessed by a familiar and human longing for connection: to their homes, families, God, and themselves.

Book Synopsis Imaginary Museums by : Nicolette Polek

Download or read book Imaginary Museums written by Nicolette Polek and published by Catapult. This book was released on 2020-01-14 with total page 129 pages. Available in PDF, EPUB and Kindle. Book excerpt: "A collection of flash fiction that feels seemingly arbitrary with an ache of human longing for connection peppered in. . . . These bizarre but beautiful stories transport you elsewhere with no intention of bringing you back." —Ashleah Gonzales, W magazine In this collection of compact fictions, Nicolette Polek transports us to a gently unsettling realm inhabited by disheveled landlords, a fugitive bride, a seamstress who forgets what people look like, and two rival falconers from neighboring towns. They find themselves in bathhouses, sports bars, grocery stores, and forests in search of exits, pink tennis balls, licorice, and independence. Yet all of her beautifully strange characters are possessed by a familiar and human longing for connection: to their homes, families, God, and themselves.

Imaginary Museums

Author: Nicolette Polek

Publisher: Catapult

Published: 2020-01-14

Total Pages: 64

ISBN-13: 1593765878

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Book Synopsis Imaginary Museums by : Nicolette Polek

Download or read book Imaginary Museums written by Nicolette Polek and published by Catapult. This book was released on 2020-01-14 with total page 64 pages. Available in PDF, EPUB and Kindle. Book excerpt: "A collection of flash fiction that feels seemingly arbitrary with an ache of human longing for connection peppered in. . . . These bizarre but beautiful stories transport you elsewhere with no intention of bringing you back." —Ashleah Gonzales, W magazine In this collection of compact fictions, Nicolette Polek transports us to a gently unsettling realm inhabited by disheveled landlords, a fugitive bride, a seamstress who forgets what people look like, and two rival falconers from neighboring towns. They find themselves in bathhouses, sports bars, grocery stores, and forests in search of exits, pink tennis balls, licorice, and independence. Yet all of her beautifully strange characters are possessed by a familiar and human longing for connection: to their homes, families, God, and themselves.

Imagined Museums

Author: Katarzyna Pieprzak

Publisher: U of Minnesota Press

Published: 2010-01-01

Total Pages: 256

ISBN-13: 1452915202

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Imagined Museumsexamines the intertwined politics surrounding art and modernization in Morocco from 1912 to the present by considering the structure of the museum not only as a modern institution but also as a national monument to modernity, asking what happens when museum monuments start to crumble. In an analysis of museum history, exhibition policy, the lack of national museum space for modern art, and postmodern exhibit spaces in Morocco, Katarzyna Pieprzak focuses on the role that art plays in the social fabric of a modernizing Morocco. She argues that the decay of colonial and national institutions of culture has invited the rethinking of the museum and generated countermuseums to stage new narratives of art, memory, and modernity. Through these spaces she explores a range of questions: How is modernity imagined locally? How are claims to modernity articulated? How is Moroccan modernity challenged globally? In this first cultural history of modern Moroccan art and its museums, Pieprzak goes beyond the investigation of national institutions to treat the history and evolution of multiple museums—from official state and corporate exhibition spaces to informal, popular, street-level art and performance spaces—as cultural architectures that both enshrine the past and look to the future.

Book Synopsis Imagined Museums by : Katarzyna Pieprzak

Download or read book Imagined Museums written by Katarzyna Pieprzak and published by U of Minnesota Press. This book was released on 2010-01-01 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: Imagined Museumsexamines the intertwined politics surrounding art and modernization in Morocco from 1912 to the present by considering the structure of the museum not only as a modern institution but also as a national monument to modernity, asking what happens when museum monuments start to crumble. In an analysis of museum history, exhibition policy, the lack of national museum space for modern art, and postmodern exhibit spaces in Morocco, Katarzyna Pieprzak focuses on the role that art plays in the social fabric of a modernizing Morocco. She argues that the decay of colonial and national institutions of culture has invited the rethinking of the museum and generated countermuseums to stage new narratives of art, memory, and modernity. Through these spaces she explores a range of questions: How is modernity imagined locally? How are claims to modernity articulated? How is Moroccan modernity challenged globally? In this first cultural history of modern Moroccan art and its museums, Pieprzak goes beyond the investigation of national institutions to treat the history and evolution of multiple museums—from official state and corporate exhibition spaces to informal, popular, street-level art and performance spaces—as cultural architectures that both enshrine the past and look to the future.

The Book on the Floor

Author: WALTER GRASSKAMP

Publisher: Getty Publications

Published: 2016-12-10

Total Pages: 244

ISBN-13: 1606065017

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In 1954, the French writer, politician, and publisher André Malraux posed at home for a photographer from the magazine Paris Match, surrounded by pages from his forthcoming book Le musée imaginaire de la sculpture mondiale. The enchanting metaphor of the musée imaginaire (imaginary museum) was built upon that illustrated art book, and Malraux was one of its greatest champions. Drawing on a range of contemporary publications, he adopted images and responded to ideas. Indeed, Malraux’s book on the floor is a variation of photographer André Vigneau’s spectacular Encyclopédie photographique de l’art, published in five volumes from 1935 on—years before Malraux would enter this field. Both authors were engaged in juxtaposing artworks via photographs and publishing these photographs by the hundreds, but Malraux was the better sloganeer. Starting from a close examination of the photograph of Malraux in his salon, art historian Walter Grasskamp takes the reader back to the dawn of this genre of illustrated art book. He shows how it catalyzed the practice of comparing works of art on a global scale. He retraces the metaphor to earlier reproduction practices and highlights its ubiquity in contemporary art, ending with an homage to the other pioneer of the “museum without walls,” the unjustly forgotten Vigneau.

Book Synopsis The Book on the Floor by : WALTER GRASSKAMP

Download or read book The Book on the Floor written by WALTER GRASSKAMP and published by Getty Publications. This book was released on 2016-12-10 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: In 1954, the French writer, politician, and publisher André Malraux posed at home for a photographer from the magazine Paris Match, surrounded by pages from his forthcoming book Le musée imaginaire de la sculpture mondiale. The enchanting metaphor of the musée imaginaire (imaginary museum) was built upon that illustrated art book, and Malraux was one of its greatest champions. Drawing on a range of contemporary publications, he adopted images and responded to ideas. Indeed, Malraux’s book on the floor is a variation of photographer André Vigneau’s spectacular Encyclopédie photographique de l’art, published in five volumes from 1935 on—years before Malraux would enter this field. Both authors were engaged in juxtaposing artworks via photographs and publishing these photographs by the hundreds, but Malraux was the better sloganeer. Starting from a close examination of the photograph of Malraux in his salon, art historian Walter Grasskamp takes the reader back to the dawn of this genre of illustrated art book. He shows how it catalyzed the practice of comparing works of art on a global scale. He retraces the metaphor to earlier reproduction practices and highlights its ubiquity in contemporary art, ending with an homage to the other pioneer of the “museum without walls,” the unjustly forgotten Vigneau.

The Stories of the Mona Lisa

Author: Piotr Barsony

Publisher: Skyhorse Publishing Inc.

Published: 2012-01-01

Total Pages: 57

ISBN-13: 1620872285

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A history of modern painting, presented through the story of the Mona Lisa, features an artist who serves as a museum tour guide introducing famous movements while sharing creative images of how the Mona Lisa may have appeared if painted by other master artists.

Book Synopsis The Stories of the Mona Lisa by : Piotr Barsony

Download or read book The Stories of the Mona Lisa written by Piotr Barsony and published by Skyhorse Publishing Inc.. This book was released on 2012-01-01 with total page 57 pages. Available in PDF, EPUB and Kindle. Book excerpt: A history of modern painting, presented through the story of the Mona Lisa, features an artist who serves as a museum tour guide introducing famous movements while sharing creative images of how the Mona Lisa may have appeared if painted by other master artists.

Museum Making

Author: Suzanne Macleod

Publisher: Routledge

Published: 2012-03-15

Total Pages: 488

ISBN-13: 1136445749

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Over recent decades, many museums, galleries and historic sites around the world have enjoyed an unprecedented level of large-scale investment in their capital infrastructure, in building refurbishments and new gallery displays. This period has also seen the creation of countless new purpose-built museums and galleries, suggesting a fundamental re-evaluation of the processes of designing and shaping of museums. Museum Making: Narratives, Architectures, Exhibitions examines this re-making by exploring the inherently spatial character of narrative in the museum and its potential to connect on the deepest levels with human perception and imagination. Through this uniting theme, the chapters explore the power of narratives as structured experiences unfolding in space and time as well as the use of theatre, film and other technologies of storytelling by contemporary museum makers to generate meaningful and, it is argued here, highly effective and affective museum spaces. Contributions by an internationally diverse group of museum and heritage professionals, exhibition designers, architects and artists with academics from a range of disciplines including museum studies, theatre studies, architecture, design and history cut across traditional boundaries including the historical and the contemporary and together explore the various roles and functions of narrative as a mechanism for the creation of engaging and meaningful interpretive environments.

Book Synopsis Museum Making by : Suzanne Macleod

Download or read book Museum Making written by Suzanne Macleod and published by Routledge. This book was released on 2012-03-15 with total page 488 pages. Available in PDF, EPUB and Kindle. Book excerpt: Over recent decades, many museums, galleries and historic sites around the world have enjoyed an unprecedented level of large-scale investment in their capital infrastructure, in building refurbishments and new gallery displays. This period has also seen the creation of countless new purpose-built museums and galleries, suggesting a fundamental re-evaluation of the processes of designing and shaping of museums. Museum Making: Narratives, Architectures, Exhibitions examines this re-making by exploring the inherently spatial character of narrative in the museum and its potential to connect on the deepest levels with human perception and imagination. Through this uniting theme, the chapters explore the power of narratives as structured experiences unfolding in space and time as well as the use of theatre, film and other technologies of storytelling by contemporary museum makers to generate meaningful and, it is argued here, highly effective and affective museum spaces. Contributions by an internationally diverse group of museum and heritage professionals, exhibition designers, architects and artists with academics from a range of disciplines including museum studies, theatre studies, architecture, design and history cut across traditional boundaries including the historical and the contemporary and together explore the various roles and functions of narrative as a mechanism for the creation of engaging and meaningful interpretive environments.

Religion in Cultural Imaginary

Author: Daria Pezzoli-Olgiati

Publisher: Nomos Verlag

Published: 2015-07-15

Total Pages: 343

ISBN-13: 3845264063

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Das vielschichtige Konzept des Imaginären erweist sich als weiterführende Kategorie, um die Präsenz und Diffusion religiöser Symbole, Weltbilder und Narrative in verschiedenen Medien und gesellschaftlichen Bereichen wie Politik, Wirtschaft, Kunst und Populärkultur einzufangen. Eingesetzt, um die Rezeption und Transformation religiöser Referenzen durch Zeit und Kulturen zu fassen, kann das Imaginäre verstanden werden als geteilter Fundus von mentalen Bildern und materiellen Gegenständen, von Ideen, Symbolen, Werten und Praktiken, die zur Produktion von Bedeutung und dem gesellschaftlichen Zusammenhalt beitragen. Im Schnittbereich von soziologischen, politisch-philosophischen und kulturwissenschaftlichen Zugängen zu Religion bietet die interdisziplinäre Studie einen intensiven Austausch zwischen theoretischer Diskussion und reichhaltigen empirischen Analysen. Mit Beiträgen von Daria Pezzoli-Ogiati, Ann Jeffers, Anna-Katharina Höpflinger, Paola von Wyss-Giacosa, Natasha O'Hear, Davide Zordan, Natalie Fritz, Marie-Therese Mäder, Sean Ryan, Stefanie Knauss, Alexander D. Ornella

Book Synopsis Religion in Cultural Imaginary by : Daria Pezzoli-Olgiati

Download or read book Religion in Cultural Imaginary written by Daria Pezzoli-Olgiati and published by Nomos Verlag. This book was released on 2015-07-15 with total page 343 pages. Available in PDF, EPUB and Kindle. Book excerpt: Das vielschichtige Konzept des Imaginären erweist sich als weiterführende Kategorie, um die Präsenz und Diffusion religiöser Symbole, Weltbilder und Narrative in verschiedenen Medien und gesellschaftlichen Bereichen wie Politik, Wirtschaft, Kunst und Populärkultur einzufangen. Eingesetzt, um die Rezeption und Transformation religiöser Referenzen durch Zeit und Kulturen zu fassen, kann das Imaginäre verstanden werden als geteilter Fundus von mentalen Bildern und materiellen Gegenständen, von Ideen, Symbolen, Werten und Praktiken, die zur Produktion von Bedeutung und dem gesellschaftlichen Zusammenhalt beitragen. Im Schnittbereich von soziologischen, politisch-philosophischen und kulturwissenschaftlichen Zugängen zu Religion bietet die interdisziplinäre Studie einen intensiven Austausch zwischen theoretischer Diskussion und reichhaltigen empirischen Analysen. Mit Beiträgen von Daria Pezzoli-Ogiati, Ann Jeffers, Anna-Katharina Höpflinger, Paola von Wyss-Giacosa, Natasha O'Hear, Davide Zordan, Natalie Fritz, Marie-Therese Mäder, Sean Ryan, Stefanie Knauss, Alexander D. Ornella

The Historic Imaginary

Author: Claudio Fogu

Publisher: University of Toronto Press

Published: 2003-01-01

Total Pages: 292

ISBN-13: 9780802087645

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Focusing on both ritual and mass-visual representations of history in 1920s and 1930s Italy, The Historic Imaginary unveils how Italian Fascism sought to institutionalize a modernist culture of history. The study takes a new historicist and microhistorical approach to cultural-intellectual history, integrating theoretical tools of analysis acquired from visual-cultural studies, art history, linguistics, and reception theory in a sophisticated examination of visual modes of historical representation - from commemorations to monuments to exhibitions and mass-media - spanning the entire period of the Italian-fascist regime. Claudio Fogu argues that the fascist historic imaginary was intellectually rooted in the actualist philosophy of history elaborated by Giovanni Gentile, culturally grounded in Latin-Catholic rhetorical codes, and aimed at overcoming both Marxist and liberal conceptions of the relationship between historical agency, representation, and consciousness. The book further proposes that this modernist vision of history was a core element of fascist ideology, encapsulated by the famous Mussolinian motto that "fascism makes history rather than writing it," and that its institutionalization constituted a key point of intersection between the fascist aesthetization and sacralization of politics. The author finally claims that his study of fascist historic culture opens the way to an understanding and re-evaluation of the historical relationship between the modernist critique of historical consciousness and the rise of post-modernist forms of temporality.

Book Synopsis The Historic Imaginary by : Claudio Fogu

Download or read book The Historic Imaginary written by Claudio Fogu and published by University of Toronto Press. This book was released on 2003-01-01 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt: Focusing on both ritual and mass-visual representations of history in 1920s and 1930s Italy, The Historic Imaginary unveils how Italian Fascism sought to institutionalize a modernist culture of history. The study takes a new historicist and microhistorical approach to cultural-intellectual history, integrating theoretical tools of analysis acquired from visual-cultural studies, art history, linguistics, and reception theory in a sophisticated examination of visual modes of historical representation - from commemorations to monuments to exhibitions and mass-media - spanning the entire period of the Italian-fascist regime. Claudio Fogu argues that the fascist historic imaginary was intellectually rooted in the actualist philosophy of history elaborated by Giovanni Gentile, culturally grounded in Latin-Catholic rhetorical codes, and aimed at overcoming both Marxist and liberal conceptions of the relationship between historical agency, representation, and consciousness. The book further proposes that this modernist vision of history was a core element of fascist ideology, encapsulated by the famous Mussolinian motto that "fascism makes history rather than writing it," and that its institutionalization constituted a key point of intersection between the fascist aesthetization and sacralization of politics. The author finally claims that his study of fascist historic culture opens the way to an understanding and re-evaluation of the historical relationship between the modernist critique of historical consciousness and the rise of post-modernist forms of temporality.

The Imaginary Museum of Musical Works : An Essay in the Philosophy of Music

Author: Lydia Goehr

Publisher: Clarendon Press

Published: 1992-03-26

Total Pages: 330

ISBN-13: 0191520012

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What is the difference between a performance of Beethoven's Fifth Symphony and the symphony itself? What does it mean for musicians to be faithful to the works they perform? To answer such questions, Lydia Goehr combines philosophical and historical methods of enquiry. Finding Anglo-American philosophy inadequate for the task, she shows that a historical perspective is indispensable to a full understanding of musical ontology. Goehr examines the concepts and assumptions behind the practice of classical music in the nineteenth century and demonstrates how different they were from those of previous centuries. She rejects the finding that the concept of a musical work emerged in the sixteenth century, placing its emergence instead around 1800. She describes how the concept of a work then came to define the norms, expectations, and behaviour that we now associate with classical music. Out of the historical thesis Goehr draws philosophical conclusions about the normative functions of concepts and ideals. She also addresses current debates among conductors, early music performers, and avant-gardists. - ;Introduction; I. The Analytic Approach: Status and identity: Analytical positions I; Analytical positions II; Critique and transition; II. The Historical Approach: Normativity and Practice: The central claim; Musical meaning I; Musical meaning II; Musical production I; Musical production II; Werktreue: Confirmation and challenge -

Book Synopsis The Imaginary Museum of Musical Works : An Essay in the Philosophy of Music by : Lydia Goehr

Download or read book The Imaginary Museum of Musical Works : An Essay in the Philosophy of Music written by Lydia Goehr and published by Clarendon Press. This book was released on 1992-03-26 with total page 330 pages. Available in PDF, EPUB and Kindle. Book excerpt: What is the difference between a performance of Beethoven's Fifth Symphony and the symphony itself? What does it mean for musicians to be faithful to the works they perform? To answer such questions, Lydia Goehr combines philosophical and historical methods of enquiry. Finding Anglo-American philosophy inadequate for the task, she shows that a historical perspective is indispensable to a full understanding of musical ontology. Goehr examines the concepts and assumptions behind the practice of classical music in the nineteenth century and demonstrates how different they were from those of previous centuries. She rejects the finding that the concept of a musical work emerged in the sixteenth century, placing its emergence instead around 1800. She describes how the concept of a work then came to define the norms, expectations, and behaviour that we now associate with classical music. Out of the historical thesis Goehr draws philosophical conclusions about the normative functions of concepts and ideals. She also addresses current debates among conductors, early music performers, and avant-gardists. - ;Introduction; I. The Analytic Approach: Status and identity: Analytical positions I; Analytical positions II; Critique and transition; II. The Historical Approach: Normativity and Practice: The central claim; Musical meaning I; Musical meaning II; Musical production I; Musical production II; Werktreue: Confirmation and challenge -

Automatic Cities

Author: Robin Lee Clark

Publisher: Museum of Contemporary Art, San Diego

Published: 2009

Total Pages: 168

ISBN-13:

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"Automatic Cities explores the psychological and metaphorical influence of architecture on contemporary visual art. The title of the exhibition refers to the Surrealist practices of automatic writing and automatic drawing, which sought to access individual creativity by tapping into the unconscious. The exhibition explores notions of architecture in the broadest sense, comprising images of sites and cities both built and unbuilt, rising from collective experience and imagination." "Automatic Cities includes works by 13 artists and one artists' collective hailing from 11 countries around the globe including Michael Borremans (Belgium); Matthew Buckingham (New York); Los Carpinteros (Cuba); Catharina van Eetvelde (Paris, born Belgium); Jakob Kolding (Berlin, born Copenhagen); Ann Lislegaard (Copenhagen, born in Norway); Julie Mehretu (New York, born Ethiopia); Paul Noble (London); Sarah Oppenheimer (New York); Matthew Ritchie (New York, born London); Hiraki Sawa (London, born Japan); Katrin Sigurdardottir (U.S., born Iceland); Rachel Whiteread (London); and Saskia Olde Wolbers (London, born Netherlands)." --Book Jacket.

Book Synopsis Automatic Cities by : Robin Lee Clark

Download or read book Automatic Cities written by Robin Lee Clark and published by Museum of Contemporary Art, San Diego. This book was released on 2009 with total page 168 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Automatic Cities explores the psychological and metaphorical influence of architecture on contemporary visual art. The title of the exhibition refers to the Surrealist practices of automatic writing and automatic drawing, which sought to access individual creativity by tapping into the unconscious. The exhibition explores notions of architecture in the broadest sense, comprising images of sites and cities both built and unbuilt, rising from collective experience and imagination." "Automatic Cities includes works by 13 artists and one artists' collective hailing from 11 countries around the globe including Michael Borremans (Belgium); Matthew Buckingham (New York); Los Carpinteros (Cuba); Catharina van Eetvelde (Paris, born Belgium); Jakob Kolding (Berlin, born Copenhagen); Ann Lislegaard (Copenhagen, born in Norway); Julie Mehretu (New York, born Ethiopia); Paul Noble (London); Sarah Oppenheimer (New York); Matthew Ritchie (New York, born London); Hiraki Sawa (London, born Japan); Katrin Sigurdardottir (U.S., born Iceland); Rachel Whiteread (London); and Saskia Olde Wolbers (London, born Netherlands)." --Book Jacket.