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Dilworth explores diverse expressions of mainstream society's primitivist impulse - from the Fred Harvey Company's guided tours of Indian pueblos supposedly untouched by modern life to enthnographic descriptions of the Hopi Snake dance as alien and exotic. She shows how magazines touted the preindustrial simplicity of Indian artisanal occupations and how Mary Austin's 1923 book, The American Rhythm, urged poets to emulate the cadences of Native American song and dance.
Book Synopsis IMAGINING INDIANS SW by : DILWORTH L
Download or read book IMAGINING INDIANS SW written by DILWORTH L and published by Smithsonian Books (DC). This book was released on 1996-10-17 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: Dilworth explores diverse expressions of mainstream society's primitivist impulse - from the Fred Harvey Company's guided tours of Indian pueblos supposedly untouched by modern life to enthnographic descriptions of the Hopi Snake dance as alien and exotic. She shows how magazines touted the preindustrial simplicity of Indian artisanal occupations and how Mary Austin's 1923 book, The American Rhythm, urged poets to emulate the cadences of Native American song and dance.
In Imagining Indians in the Southwest, Leah Dilworth examines the creation and enduring potency of the early twentieth-century myth of the primitive Indian. She shows how visions of Indians - created not only by tourism but also by anthropologists, collectors of Indian crafts, and modernist writers - have reflected white anxieties about such issues as the value of labor in an industrialized society, racial assimilation, and the perceived loss of cultural authenticity. Dilworth explores diverse expressions of mainstream society's primitivist impulse - from the Fred Harvey Company's guided tours of Indian pueblos supposedly untouched by modern life to enthnographic descriptions of the Hopi Snake dance as alien and exotic. She shows how magazines touted the preindustrial simplicity of Indian artisanal occupations and how Mary Austin's 1923 book, The American Rhythm, urged poets to emulate the cadences of Native American song and dance. Contending that Native Americans of the Southwest still are seen primarily as living relics, Dilworth describes the ways in which they have resisted cultural colonialism. She concludes with a consideration of two contemporary artists who, by infusing their works with history and complexity, are recasting the practices and politics of primitivism.
Book Synopsis IMAGINING INDIANS SW by : DILWORTH L
Download or read book IMAGINING INDIANS SW written by DILWORTH L and published by Smithsonian. This book was released on 1996-10-17 with total page 294 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Imagining Indians in the Southwest, Leah Dilworth examines the creation and enduring potency of the early twentieth-century myth of the primitive Indian. She shows how visions of Indians - created not only by tourism but also by anthropologists, collectors of Indian crafts, and modernist writers - have reflected white anxieties about such issues as the value of labor in an industrialized society, racial assimilation, and the perceived loss of cultural authenticity. Dilworth explores diverse expressions of mainstream society's primitivist impulse - from the Fred Harvey Company's guided tours of Indian pueblos supposedly untouched by modern life to enthnographic descriptions of the Hopi Snake dance as alien and exotic. She shows how magazines touted the preindustrial simplicity of Indian artisanal occupations and how Mary Austin's 1923 book, The American Rhythm, urged poets to emulate the cadences of Native American song and dance. Contending that Native Americans of the Southwest still are seen primarily as living relics, Dilworth describes the ways in which they have resisted cultural colonialism. She concludes with a consideration of two contemporary artists who, by infusing their works with history and complexity, are recasting the practices and politics of primitivism.
In the fall of 1886, Boston philanthropist Mary Tileston Hemenway sponsored an archaeological expedition to the American Southwest. Directed by anthropologist Frank Hamilton Cushing, the Hemenway Expedition sought to trace the ancestors of the Zu–is with an eye toward establishing a museum for the study of American Indians. In the third year of fieldwork, Hemenway's overseeing board fired Cushing based on doubts concerning his physical health and mental stability, and much of the expedition's work went unpublished. Today, however, it is recognized as a critical base for research into all of southwestern prehistory. Drawing on materials housed in half a dozen institutions and now brought together for the first time, this projected seven-volume work presents a cultural history of the Hemenway Expedition and early anthropology in the American Southwest, told in the voices of its participants and interpreted by contemporary scholars. Taken as a whole, the series comprises a thorough study and presentation of the cultural, historical, literary, and archaeological significance of the expedition, with each volume posing distinct themes and problems through a set of original writings such as letters, reports, and diaries. Accompanying essays guide readers to a coherent understanding of the history of the expedition and discuss the cultural and scientific significance of these data in modern debates. This first volume, The Southwest in the American Imagination, presents the writings of Sylvester Baxter, a journalist who became Cushing's friend and publicist in the early 1880s and who traveled to the Southwest and wrote accounts of the expedition. Included are Baxter's early writings about Cushing and the Southwest, from 1881 to 1883, which reported enthusiastically on the anthropologist's work and lifestyle at Zu–i before the expedition. Also included are published accounts of the Hemenway Expedition and its scientific promise, from 1888 to 1889, drawing on Baxter's central role in expedition affairs as secretary-treasurer of the advisory board. Series co-editor Curtis Hinsley provides an introductory essay that reviews Baxter's relationship with Cushing and his career as a journalist and civic activist in Boston, and a closing essay that inquires further into the lasting implications of the "invention of the Southwest," arguing that this aesthetic was central to the emergence and development of southwestern archaeology. Seen a century later, the Hemenway Expedition provides unusual insights into such themes as the formation of a Southwestern identity, the roots of museum anthropology, gender relations and social reform in the late nineteenth century, and the grounding of American nationhood in prehistoric cultures. It also conveys an intellectual struggle, ongoing today, to understand cultures that are different from the dominant culture and to come to grips with questions concerning America's meaning and destiny.
Book Synopsis The Southwest in the American Imagination by : Sylvester Baxter
Download or read book The Southwest in the American Imagination written by Sylvester Baxter and published by University of Arizona Press. This book was released on 1996 with total page 316 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the fall of 1886, Boston philanthropist Mary Tileston Hemenway sponsored an archaeological expedition to the American Southwest. Directed by anthropologist Frank Hamilton Cushing, the Hemenway Expedition sought to trace the ancestors of the Zu–is with an eye toward establishing a museum for the study of American Indians. In the third year of fieldwork, Hemenway's overseeing board fired Cushing based on doubts concerning his physical health and mental stability, and much of the expedition's work went unpublished. Today, however, it is recognized as a critical base for research into all of southwestern prehistory. Drawing on materials housed in half a dozen institutions and now brought together for the first time, this projected seven-volume work presents a cultural history of the Hemenway Expedition and early anthropology in the American Southwest, told in the voices of its participants and interpreted by contemporary scholars. Taken as a whole, the series comprises a thorough study and presentation of the cultural, historical, literary, and archaeological significance of the expedition, with each volume posing distinct themes and problems through a set of original writings such as letters, reports, and diaries. Accompanying essays guide readers to a coherent understanding of the history of the expedition and discuss the cultural and scientific significance of these data in modern debates. This first volume, The Southwest in the American Imagination, presents the writings of Sylvester Baxter, a journalist who became Cushing's friend and publicist in the early 1880s and who traveled to the Southwest and wrote accounts of the expedition. Included are Baxter's early writings about Cushing and the Southwest, from 1881 to 1883, which reported enthusiastically on the anthropologist's work and lifestyle at Zu–i before the expedition. Also included are published accounts of the Hemenway Expedition and its scientific promise, from 1888 to 1889, drawing on Baxter's central role in expedition affairs as secretary-treasurer of the advisory board. Series co-editor Curtis Hinsley provides an introductory essay that reviews Baxter's relationship with Cushing and his career as a journalist and civic activist in Boston, and a closing essay that inquires further into the lasting implications of the "invention of the Southwest," arguing that this aesthetic was central to the emergence and development of southwestern archaeology. Seen a century later, the Hemenway Expedition provides unusual insights into such themes as the formation of a Southwestern identity, the roots of museum anthropology, gender relations and social reform in the late nineteenth century, and the grounding of American nationhood in prehistoric cultures. It also conveys an intellectual struggle, ongoing today, to understand cultures that are different from the dominant culture and to come to grips with questions concerning America's meaning and destiny.
Photographer and filmmaker Victor Masayesva, Jr., was raised in the Hopi village of Hotevilla and was educated at the Horace Mann School in New York, Princeton University, and the University of Arizona. His immersion in photographic experimentation embraces a projection of stories and symbols, natural objects, and locations both at Hopi and worldwide. His work has been exhibited internationally, and he is perhaps best known for his feature-length film Imagining Indians. For Masayesva, photography is a discipline that he approaches in a manner similar to the way that he was taught about himself and his clan identity. As he navigates his personal associations with Hopi subject matter in varied investigations of biology, ecology, humanity, history, planetary energy, places remembered, and musings on things broken and whole, he has created an extraordinary visual cosmography. In this compilation of his photographic journey, Masayesva presents some of the most important and vibrant images of that visual quest and reflects on them in provocative essays.
Book Synopsis Husk of Time by :
Download or read book Husk of Time written by and published by University of Arizona Press. This book was released on 2006 with total page 136 pages. Available in PDF, EPUB and Kindle. Book excerpt: Photographer and filmmaker Victor Masayesva, Jr., was raised in the Hopi village of Hotevilla and was educated at the Horace Mann School in New York, Princeton University, and the University of Arizona. His immersion in photographic experimentation embraces a projection of stories and symbols, natural objects, and locations both at Hopi and worldwide. His work has been exhibited internationally, and he is perhaps best known for his feature-length film Imagining Indians. For Masayesva, photography is a discipline that he approaches in a manner similar to the way that he was taught about himself and his clan identity. As he navigates his personal associations with Hopi subject matter in varied investigations of biology, ecology, humanity, history, planetary energy, places remembered, and musings on things broken and whole, he has created an extraordinary visual cosmography. In this compilation of his photographic journey, Masayesva presents some of the most important and vibrant images of that visual quest and reflects on them in provocative essays.
The more than one hundred images--by well-known photographers such as Dorothea Lange and Laura Gilpin as well as by an array of less familiar ones--places the work of local Arizonans alongside that of federal photographers both to illuminate the impact of the Depression on the state's distinctive racial and natural landscapes and to show the influence of differing cultural agendas on the photographic record. Includes essays by a variety of authors on life in 1930s Arizona and the photographers who documented it.
Book Synopsis Picturing Arizona by : Katherine G. Morrissey
Download or read book Picturing Arizona written by Katherine G. Morrissey and published by University of Arizona Press. This book was released on 2005-10 with total page 270 pages. Available in PDF, EPUB and Kindle. Book excerpt: The more than one hundred images--by well-known photographers such as Dorothea Lange and Laura Gilpin as well as by an array of less familiar ones--places the work of local Arizonans alongside that of federal photographers both to illuminate the impact of the Depression on the state's distinctive racial and natural landscapes and to show the influence of differing cultural agendas on the photographic record. Includes essays by a variety of authors on life in 1930s Arizona and the photographers who documented it.
Indian Country analyzes the works of Anglo writers and artists who encountered American Indians in the course of their travels in the Southwest during the one-hundred-year period beginning in 1840. Martin Padget looks first at the accounts produced by government-sponsored explorers, most notably John Wesley Powell's writings about the Colorado Plateau. He goes on to survey the writers who popularized the region in fiction and travelogue, including Helen Hunt Jackson and Charles F. Lummis. He also introduces us to Eldridge Ayer Burbank, an often-overlooked artist who between 1897 and 1917 made thousands of paintings and drawings of Indians from over 140 western tribes. Padget addresses two topics: how the Southwest emerged as a distinctive region in the minds of late-nineteenth- and early-twentieth-century Americans, and what impact these conceptions, and the growing presence of Anglos, had on Indians in the region. Popular writers like Jackson and Lummis presented the American Indians as a "primitive culture waiting to be discovered" and experienced firsthand. Later, as Padget shows, Anglo activists for Indian rights, such as Mabel Dodge Luhan and Mary Austin, worked for the acceptance of other views of Native Americans and their cultures.
Book Synopsis Indian Country by : Martin Padget
Download or read book Indian Country written by Martin Padget and published by UNM Press. This book was released on 2006 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt: Indian Country analyzes the works of Anglo writers and artists who encountered American Indians in the course of their travels in the Southwest during the one-hundred-year period beginning in 1840. Martin Padget looks first at the accounts produced by government-sponsored explorers, most notably John Wesley Powell's writings about the Colorado Plateau. He goes on to survey the writers who popularized the region in fiction and travelogue, including Helen Hunt Jackson and Charles F. Lummis. He also introduces us to Eldridge Ayer Burbank, an often-overlooked artist who between 1897 and 1917 made thousands of paintings and drawings of Indians from over 140 western tribes. Padget addresses two topics: how the Southwest emerged as a distinctive region in the minds of late-nineteenth- and early-twentieth-century Americans, and what impact these conceptions, and the growing presence of Anglos, had on Indians in the region. Popular writers like Jackson and Lummis presented the American Indians as a "primitive culture waiting to be discovered" and experienced firsthand. Later, as Padget shows, Anglo activists for Indian rights, such as Mabel Dodge Luhan and Mary Austin, worked for the acceptance of other views of Native Americans and their cultures.
Since the 1800's, many European Americans have relied on Native Americans as models for their own national, racial, and gender identities. Displays of this impulse include world's fairs, fraternal organizations, and films such as Dances with Wolves. Shari M. Huhndorf uses cultural artifacts such as these to examine the phenomenon of "going native," showing its complex relations to social crises in the broader American society—including those posed by the rise of industrial capitalism, the completion of the military conquest of Native America, and feminist and civil rights activism. Huhndorf looks at several modern cultural manifestations of the desire of European Americans to emulate Native Americans. Some are quite pervasive, as is clear from the continuing, if controversial, existence of fraternal organizations for young and old which rely upon "Indian" costumes and rituals. Another fascinating example is the process by which Arctic travelers "went Eskimo," as Huhndorf describes in her readings of Robert Flaherty's travel narrative, My Eskimo Friends, and his documentary film, Nanook of the North. Huhndorf asserts that European Americans' appropriation of Native identities is not a thing of the past, and she takes a skeptical look at the "tribes" beloved of New Age devotees. Going Native shows how even seemingly harmless images of Native Americans can articulate and reinforce a range of power relations including slavery, patriarchy, and the continued oppression of Native Americans. Huhndorf reconsiders the cultural importance and political implications of the history of the impersonation of Indian identity in light of continuing debates over race, gender, and colonialism in American culture.
Book Synopsis Going Native by : Shari M. Huhndorf
Download or read book Going Native written by Shari M. Huhndorf and published by Cornell University Press. This book was released on 2015-01-26 with total page 237 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since the 1800's, many European Americans have relied on Native Americans as models for their own national, racial, and gender identities. Displays of this impulse include world's fairs, fraternal organizations, and films such as Dances with Wolves. Shari M. Huhndorf uses cultural artifacts such as these to examine the phenomenon of "going native," showing its complex relations to social crises in the broader American society—including those posed by the rise of industrial capitalism, the completion of the military conquest of Native America, and feminist and civil rights activism. Huhndorf looks at several modern cultural manifestations of the desire of European Americans to emulate Native Americans. Some are quite pervasive, as is clear from the continuing, if controversial, existence of fraternal organizations for young and old which rely upon "Indian" costumes and rituals. Another fascinating example is the process by which Arctic travelers "went Eskimo," as Huhndorf describes in her readings of Robert Flaherty's travel narrative, My Eskimo Friends, and his documentary film, Nanook of the North. Huhndorf asserts that European Americans' appropriation of Native identities is not a thing of the past, and she takes a skeptical look at the "tribes" beloved of New Age devotees. Going Native shows how even seemingly harmless images of Native Americans can articulate and reinforce a range of power relations including slavery, patriarchy, and the continued oppression of Native Americans. Huhndorf reconsiders the cultural importance and political implications of the history of the impersonation of Indian identity in light of continuing debates over race, gender, and colonialism in American culture.
This monograph marks the first presentation of a detailed Classic period ceramic chronology for central and southern Veracruz, the first detailed study of a Gulf Coast pottery production locale, and the first sourcing-distribution study of a Gulf Coast pottery complex.
Book Synopsis Paths of Life by : Thomas E. Sheridan
Download or read book Paths of Life written by Thomas E. Sheridan and published by University of Arizona Press. This book was released on 2022-05-03 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: This monograph marks the first presentation of a detailed Classic period ceramic chronology for central and southern Veracruz, the first detailed study of a Gulf Coast pottery production locale, and the first sourcing-distribution study of a Gulf Coast pottery complex.
Huhndorf looks at modern cultural manifestations of the desire of European Americans to emulate Native Americans, showing how seemingly harmless images of Native Americans can articulate and reinforce a range of power relations including slavery, patriarchy, and oppression.
Book Synopsis Going Native by : Shari M. Huhndorf
Download or read book Going Native written by Shari M. Huhndorf and published by Cornell University Press. This book was released on 2001-02-15 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: Huhndorf looks at modern cultural manifestations of the desire of European Americans to emulate Native Americans, showing how seemingly harmless images of Native Americans can articulate and reinforce a range of power relations including slavery, patriarchy, and oppression.
Introduction to the Native peoples of the American Southwest.
Book Synopsis The People by :
Download or read book The People written by and published by . This book was released on 1993 with total page 558 pages. Available in PDF, EPUB and Kindle. Book excerpt: Introduction to the Native peoples of the American Southwest.
