Immersion and Participation in Punchdrunk's Theatrical Worlds

Immersion and Participation in Punchdrunk's Theatrical Worlds

Author: Carina E. I. Westling

Publisher: Methuen Drama

Published: 2020-05-28

Total Pages: 240

ISBN-13: 9781350101951

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Immersion and Participation in Punchdrunk's Theatrical Worlds is a detailed account of the company's award-winning productions and their historical context. Examining Punchdrunk's role as pioneers of immersive theatre in the UK through a range of their productions including Sleep No More and The Drowned Man besides theatrical works such as Faust, The Duchess of Malfi and Kabeiroi, and cross-platform productions like The Moon Slave, The Borough and The Oracles, the book presents an original framework for understanding immersion in theatrical and mixed reality experiences. Central to the book is a study of how immersive experience is produced in interaction with physical and digital scenography for participatory audiences. Through ethnographies of the company, their designers, actors, producers and audiences, the book interrogates the relationship between the aesthetics of interaction and the experience of immersion in Punchdrunk's work. The theoretical framework that the book introduces affords analyses of material cultures and the influence of technology on interaction design in theatre and beyond, and offers a blueprint for next-generation immersive design and scenography for interactive multimedia environments.


Book Synopsis Immersion and Participation in Punchdrunk's Theatrical Worlds by : Carina E. I. Westling

Download or read book Immersion and Participation in Punchdrunk's Theatrical Worlds written by Carina E. I. Westling and published by Methuen Drama. This book was released on 2020-05-28 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: Immersion and Participation in Punchdrunk's Theatrical Worlds is a detailed account of the company's award-winning productions and their historical context. Examining Punchdrunk's role as pioneers of immersive theatre in the UK through a range of their productions including Sleep No More and The Drowned Man besides theatrical works such as Faust, The Duchess of Malfi and Kabeiroi, and cross-platform productions like The Moon Slave, The Borough and The Oracles, the book presents an original framework for understanding immersion in theatrical and mixed reality experiences. Central to the book is a study of how immersive experience is produced in interaction with physical and digital scenography for participatory audiences. Through ethnographies of the company, their designers, actors, producers and audiences, the book interrogates the relationship between the aesthetics of interaction and the experience of immersion in Punchdrunk's work. The theoretical framework that the book introduces affords analyses of material cultures and the influence of technology on interaction design in theatre and beyond, and offers a blueprint for next-generation immersive design and scenography for interactive multimedia environments.


Immersion and Participation in Punchdrunk's Theatrical Worlds

Immersion and Participation in Punchdrunk's Theatrical Worlds

Author: Carina E. I. Westling

Publisher: Bloomsbury Publishing

Published: 2020-05-14

Total Pages: 208

ISBN-13: 1350101974

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Immersion and Participation in Punchdrunk's Theatrical Worlds is a detailed account of the company's award-winning productions and their historical context. Examining Punchdrunk's role as pioneers of immersive theatre in the UK through a range of their productions including Sleep No More and The Drowned Man besides theatrical works such as Faust, The Duchess of Malfi and Kabeiroi, and cross-platform productions like The Moon Slave, The Borough and The Oracles, the book presents an original framework for understanding immersion in theatrical and mixed reality experiences. Central to the book is a study of how immersive experience is produced in interaction with physical and digital scenography for participatory audiences. Through ethnographies of the company, their designers, actors, producers and audiences, the book interrogates the relationship between the aesthetics of interaction and the experience of immersion in Punchdrunk's work. The theoretical framework that the book introduces affords analyses of material cultures and the influence of technology on interaction design in theatre and beyond, and offers a blueprint for next-generation immersive design and scenography for interactive multimedia environments.


Book Synopsis Immersion and Participation in Punchdrunk's Theatrical Worlds by : Carina E. I. Westling

Download or read book Immersion and Participation in Punchdrunk's Theatrical Worlds written by Carina E. I. Westling and published by Bloomsbury Publishing. This book was released on 2020-05-14 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: Immersion and Participation in Punchdrunk's Theatrical Worlds is a detailed account of the company's award-winning productions and their historical context. Examining Punchdrunk's role as pioneers of immersive theatre in the UK through a range of their productions including Sleep No More and The Drowned Man besides theatrical works such as Faust, The Duchess of Malfi and Kabeiroi, and cross-platform productions like The Moon Slave, The Borough and The Oracles, the book presents an original framework for understanding immersion in theatrical and mixed reality experiences. Central to the book is a study of how immersive experience is produced in interaction with physical and digital scenography for participatory audiences. Through ethnographies of the company, their designers, actors, producers and audiences, the book interrogates the relationship between the aesthetics of interaction and the experience of immersion in Punchdrunk's work. The theoretical framework that the book introduces affords analyses of material cultures and the influence of technology on interaction design in theatre and beyond, and offers a blueprint for next-generation immersive design and scenography for interactive multimedia environments.


Immersion and Participation in Punchdrunk's Theatrical Worlds

Immersion and Participation in Punchdrunk's Theatrical Worlds

Author: Carina E. I. Westling

Publisher: Bloomsbury Publishing

Published: 2020-05-14

Total Pages: 222

ISBN-13: 1350101966

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Longlisted for the PQ Best Publication Award in Performance Design & Scenography 2023 Immersion and Participation in Punchdrunk's Theatrical Worlds is a detailed account of the company's award-winning productions and their historical context. Examining Punchdrunk's role as pioneers of immersive theatre in the UK through a range of their productions including Sleep No More and The Drowned Man besides theatrical works such as Faust, The Duchess of Malfi and Kabeiroi, and cross-platform productions like The Moon Slave, The Borough and The Oracles, the book presents an original framework for understanding immersion in theatrical and mixed reality experiences. Central to the book is a study of how immersive experience is produced in interaction with physical and digital scenography for participatory audiences. Through ethnographies of the company, their designers, actors, producers and audiences, the book interrogates the relationship between the aesthetics of interaction and the experience of immersion in Punchdrunk's work. The theoretical framework that the book introduces affords analyses of material cultures and the influence of technology on interaction design in theatre and beyond, and offers a blueprint for next-generation immersive design and scenography for interactive multimedia environments.


Book Synopsis Immersion and Participation in Punchdrunk's Theatrical Worlds by : Carina E. I. Westling

Download or read book Immersion and Participation in Punchdrunk's Theatrical Worlds written by Carina E. I. Westling and published by Bloomsbury Publishing. This book was released on 2020-05-14 with total page 222 pages. Available in PDF, EPUB and Kindle. Book excerpt: Longlisted for the PQ Best Publication Award in Performance Design & Scenography 2023 Immersion and Participation in Punchdrunk's Theatrical Worlds is a detailed account of the company's award-winning productions and their historical context. Examining Punchdrunk's role as pioneers of immersive theatre in the UK through a range of their productions including Sleep No More and The Drowned Man besides theatrical works such as Faust, The Duchess of Malfi and Kabeiroi, and cross-platform productions like The Moon Slave, The Borough and The Oracles, the book presents an original framework for understanding immersion in theatrical and mixed reality experiences. Central to the book is a study of how immersive experience is produced in interaction with physical and digital scenography for participatory audiences. Through ethnographies of the company, their designers, actors, producers and audiences, the book interrogates the relationship between the aesthetics of interaction and the experience of immersion in Punchdrunk's work. The theoretical framework that the book introduces affords analyses of material cultures and the influence of technology on interaction design in theatre and beyond, and offers a blueprint for next-generation immersive design and scenography for interactive multimedia environments.


Punchdrunk on the Classics

Punchdrunk on the Classics

Author: Emma Cole

Publisher: Springer Nature

Published:

Total Pages: 242

ISBN-13: 3031430670

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Book Synopsis Punchdrunk on the Classics by : Emma Cole

Download or read book Punchdrunk on the Classics written by Emma Cole and published by Springer Nature. This book was released on with total page 242 pages. Available in PDF, EPUB and Kindle. Book excerpt:


The Cambridge Companion to British Theatre since 1945

The Cambridge Companion to British Theatre since 1945

Author: Jen Harvie

Publisher: Cambridge University Press

Published: 2024-02-29

Total Pages: 325

ISBN-13: 1108421806

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The definitive guide to post-war British theatre's huge variety and expansion, exploring the diverse contexts that shaped it.


Book Synopsis The Cambridge Companion to British Theatre since 1945 by : Jen Harvie

Download or read book The Cambridge Companion to British Theatre since 1945 written by Jen Harvie and published by Cambridge University Press. This book was released on 2024-02-29 with total page 325 pages. Available in PDF, EPUB and Kindle. Book excerpt: The definitive guide to post-war British theatre's huge variety and expansion, exploring the diverse contexts that shaped it.


Secret Cinema and the immersive experience industry

Secret Cinema and the immersive experience industry

Author: Sarah Atkinson

Publisher: Manchester University Press

Published: 2022-12-06

Total Pages: 212

ISBN-13: 1526140195

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This book presents a comprehensive history and analysis of Secret Cinema – the leading producer of large-scale immersive experiences in the UK. It examines how the company has evolved over twelve years from an experimental and artisanal organisation to a global leader in the field. The book focuses on the UK in late-2019, a point at which the immersive sector had grown significantly through its increasing contribution to GDP and its widespread recognition as a legitimate cultural offering. It captures an organisation and a sector transitioning from marginal and subcultural roots to a commodifiable and commercial form, now with recognisable professional roles and practices, which has contributed to the establishment of an immersive experience industry of national importance and global reach.


Book Synopsis Secret Cinema and the immersive experience industry by : Sarah Atkinson

Download or read book Secret Cinema and the immersive experience industry written by Sarah Atkinson and published by Manchester University Press. This book was released on 2022-12-06 with total page 212 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book presents a comprehensive history and analysis of Secret Cinema – the leading producer of large-scale immersive experiences in the UK. It examines how the company has evolved over twelve years from an experimental and artisanal organisation to a global leader in the field. The book focuses on the UK in late-2019, a point at which the immersive sector had grown significantly through its increasing contribution to GDP and its widespread recognition as a legitimate cultural offering. It captures an organisation and a sector transitioning from marginal and subcultural roots to a commodifiable and commercial form, now with recognisable professional roles and practices, which has contributed to the establishment of an immersive experience industry of national importance and global reach.


Immersive Theatre and Audience Experience

Immersive Theatre and Audience Experience

Author: Rose Biggin

Publisher: Springer

Published: 2017-09-06

Total Pages: 225

ISBN-13: 3319620398

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This book is the first full-length monograph to focus on Punchdrunk, the internationally-renowned theatre company known for its pioneering approach to immersive theatre. With its promises of empowerment, freedom and experiential joy, immersive theatre continues to gain popularity - this study brings necessary critical analysis to this rapidly developing field. What exactly do we mean by audience “immersion”? How might immersion in a Punchdrunk production be described, theorised, situated or politicised? What is valued in immersive experience - and are these values explicit or implied? Immersive Theatre and Audience Experience draws on rehearsals, performances and archival access to Punchdrunk, providing new critical perspectives from cognitive studies, philosophical aesthetics, narrative theory and computer games. Its discussion of immersion is structured around three themes: interactivity and game; story and narrative; environment and space. Providing a rigorous theoretical toolkit to think further about the form’s capabilities, and offering a unique set of approaches, this book will be of significance to scholars, students, artists and spectators.


Book Synopsis Immersive Theatre and Audience Experience by : Rose Biggin

Download or read book Immersive Theatre and Audience Experience written by Rose Biggin and published by Springer. This book was released on 2017-09-06 with total page 225 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is the first full-length monograph to focus on Punchdrunk, the internationally-renowned theatre company known for its pioneering approach to immersive theatre. With its promises of empowerment, freedom and experiential joy, immersive theatre continues to gain popularity - this study brings necessary critical analysis to this rapidly developing field. What exactly do we mean by audience “immersion”? How might immersion in a Punchdrunk production be described, theorised, situated or politicised? What is valued in immersive experience - and are these values explicit or implied? Immersive Theatre and Audience Experience draws on rehearsals, performances and archival access to Punchdrunk, providing new critical perspectives from cognitive studies, philosophical aesthetics, narrative theory and computer games. Its discussion of immersion is structured around three themes: interactivity and game; story and narrative; environment and space. Providing a rigorous theoretical toolkit to think further about the form’s capabilities, and offering a unique set of approaches, this book will be of significance to scholars, students, artists and spectators.


The Punchdrunk Encyclopaedia

The Punchdrunk Encyclopaedia

Author: Josephine Machon

Publisher: Routledge

Published: 2018-12-07

Total Pages: 310

ISBN-13: 1351367781

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The Punchdrunk Encyclopaedia is the definitive book on the company’s work to date, marking eighteen years of Punchdrunk’s existence. It provides the first full-scale, historical account of one of the world’s foremost immersive theatre companies, drawn from unrivalled access to the collective memory and archives of their core creative team. The playful encyclopaedic format, much like a Punchdrunk masked show, invites readers to create their own journey through the ideas, aesthetics, contexts, and practices that underpin Punchdrunk’s work. Interjections from Felix Barrett, Stephen Dobbie, Maxine Doyle, Peter Higgin, Beatrice Minns, Colin Nightingale and Livi Vaughan, among others, fill out the picture with in-depth reflections. Charting Punchdrunk’s rise from the fringe to the mainstream, this encyclopaedia records the founding principles and mission of the company, documenting its evolving creative process and operational structures. It has been compiled to be useful to scholars and students from a variety of backgrounds and disciplines, from secondary level through to doctoral research, and is intended for those with a fascination for theatre in general and immersive work in particular. Ultimately it is written for those who have dared to come play with Punchdrunk across the years. It is also offered to the curious; those adventurers ready and waiting to be immersed in Punchdrunk worlds.


Book Synopsis The Punchdrunk Encyclopaedia by : Josephine Machon

Download or read book The Punchdrunk Encyclopaedia written by Josephine Machon and published by Routledge. This book was released on 2018-12-07 with total page 310 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Punchdrunk Encyclopaedia is the definitive book on the company’s work to date, marking eighteen years of Punchdrunk’s existence. It provides the first full-scale, historical account of one of the world’s foremost immersive theatre companies, drawn from unrivalled access to the collective memory and archives of their core creative team. The playful encyclopaedic format, much like a Punchdrunk masked show, invites readers to create their own journey through the ideas, aesthetics, contexts, and practices that underpin Punchdrunk’s work. Interjections from Felix Barrett, Stephen Dobbie, Maxine Doyle, Peter Higgin, Beatrice Minns, Colin Nightingale and Livi Vaughan, among others, fill out the picture with in-depth reflections. Charting Punchdrunk’s rise from the fringe to the mainstream, this encyclopaedia records the founding principles and mission of the company, documenting its evolving creative process and operational structures. It has been compiled to be useful to scholars and students from a variety of backgrounds and disciplines, from secondary level through to doctoral research, and is intended for those with a fascination for theatre in general and immersive work in particular. Ultimately it is written for those who have dared to come play with Punchdrunk across the years. It is also offered to the curious; those adventurers ready and waiting to be immersed in Punchdrunk worlds.


Immersive Theatres

Immersive Theatres

Author: Josephine Machon

Publisher: Bloomsbury Publishing

Published: 2017-09-16

Total Pages: 344

ISBN-13: 1137019859

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This comprehensive text is the first survey to explore the theory, history and practice of immersive theatre. Charting the rise of the immersive theatre phenomenon, Josephine Machon shares her wealth of expertise in the field of contemporary performance, inviting the reader to immerse themselves within this abundantly illustrated text. The first section of the book introduces concepts of immersion, situating them within a historical context and establishing a clear critical vocabulary for discussion. The second section then presents contributions from a wealth of immersive artists. Assuming no prior knowledge with its critical commentary, this is a rich resource for lecturers and students at all levels and internationally, including undergraduates and post-graduates, as well as practitioners and researchers of contemporary performance. This would also be an ideal text for general enthusiasts and readers with an interest in immersive theatre.


Book Synopsis Immersive Theatres by : Josephine Machon

Download or read book Immersive Theatres written by Josephine Machon and published by Bloomsbury Publishing. This book was released on 2017-09-16 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt: This comprehensive text is the first survey to explore the theory, history and practice of immersive theatre. Charting the rise of the immersive theatre phenomenon, Josephine Machon shares her wealth of expertise in the field of contemporary performance, inviting the reader to immerse themselves within this abundantly illustrated text. The first section of the book introduces concepts of immersion, situating them within a historical context and establishing a clear critical vocabulary for discussion. The second section then presents contributions from a wealth of immersive artists. Assuming no prior knowledge with its critical commentary, this is a rich resource for lecturers and students at all levels and internationally, including undergraduates and post-graduates, as well as practitioners and researchers of contemporary performance. This would also be an ideal text for general enthusiasts and readers with an interest in immersive theatre.


Reframing Immersive Theatre

Reframing Immersive Theatre

Author: James Frieze

Publisher: Springer

Published: 2017-03-30

Total Pages: 353

ISBN-13: 1137366044

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This diverse collection of essays and testimonies challenges critical orthodoxies about the twenty-first century boom in immersive theatre and performance. A culturally and institutionally eclectic range of producers and critics comprehensively reconsider the term ‘immersive’ and the practices it has been used to describe. Applying ecological, phenomenological and political ideas to both renowned and lesser-known performances, contributing scholars and artists offers fresh ideas on the ethics and practicalities of participatory performance. These ideas interrogate claims that have frequently been made by producers and by critics that participatory performance extends engagement. These claims are interrogated across nine dimensions of engagement: bodily, technological, spatial, temporal, spiritual, performative, pedagogical, textual, social. Enquiry is focussed along the following seams of analysis: the participant as co-designer; the challenges facing the facilitator of immersive/participatory performance; the challenges facing the critic of immersive/participatory performance; how and why immersion troubles boundaries between the material and the magical.


Book Synopsis Reframing Immersive Theatre by : James Frieze

Download or read book Reframing Immersive Theatre written by James Frieze and published by Springer. This book was released on 2017-03-30 with total page 353 pages. Available in PDF, EPUB and Kindle. Book excerpt: This diverse collection of essays and testimonies challenges critical orthodoxies about the twenty-first century boom in immersive theatre and performance. A culturally and institutionally eclectic range of producers and critics comprehensively reconsider the term ‘immersive’ and the practices it has been used to describe. Applying ecological, phenomenological and political ideas to both renowned and lesser-known performances, contributing scholars and artists offers fresh ideas on the ethics and practicalities of participatory performance. These ideas interrogate claims that have frequently been made by producers and by critics that participatory performance extends engagement. These claims are interrogated across nine dimensions of engagement: bodily, technological, spatial, temporal, spiritual, performative, pedagogical, textual, social. Enquiry is focussed along the following seams of analysis: the participant as co-designer; the challenges facing the facilitator of immersive/participatory performance; the challenges facing the critic of immersive/participatory performance; how and why immersion troubles boundaries between the material and the magical.