Download In Contemporary Rhythm full books in PDF, epub, and Kindle. Read online In Contemporary Rhythm ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
The definitive retrospective on Ernest L. Blumenschein (1874-1960), one of the founders of the Taos Society of Artists and perhaps the most accomplished of all the painters associated with that organization. Reproducing masterworks from a new exhibit along with additional works and historical photographs, this volume forms the most comprehensive assemblage of his paintings ever published.
Book Synopsis In Contemporary Rhythm by : Peter H. Hassrick
Download or read book In Contemporary Rhythm written by Peter H. Hassrick and published by University of Oklahoma Press. This book was released on 2008 with total page 434 pages. Available in PDF, EPUB and Kindle. Book excerpt: The definitive retrospective on Ernest L. Blumenschein (1874-1960), one of the founders of the Taos Society of Artists and perhaps the most accomplished of all the painters associated with that organization. Reproducing masterworks from a new exhibit along with additional works and historical photographs, this volume forms the most comprehensive assemblage of his paintings ever published.
In the half-century between 1890 and 1950, a variety of fields and disciplines, from musicology and literary studies to biology, psychology, genetics, and eugenics, expressed a profound interest in the subject of rhythm. In this book, Michael Golston recovers much of the work done in this area and situates it in the society, politics, and culture of the Modernist period. He then filters selected Modernist poems through this archive to demonstrate that innovations in prosody, form, and subject matter are based on a largely forgotten ideology of rhythm and that beneath Modernist prosody is a science and an accompanying technology. In his analysis, Golston first examines psychological and physiological experiments that purportedly proved that races responded differently to rhythmic stimuli. He then demonstrates how poets like Ezra Pound, W. B. Yeats, Mina Loy, and William Carlos Williams either absorbed or echoed the information in these studies, using it to hone the innovative edge of Modernist practice and fundamentally alter the way poetry was written. Golston performs close readings of canonical texts such as Pound's Cantos, Yeats's "Lake Isle of Innisfree," and William Carlos Williams's Paterson, and examines the role the sciences of rhythm played in racist discourses and fascist political thinking in the years leading up to World War II. Recovering obscure texts written in France, Germany, England, and America, Golston argues that "Rhythmics" was instrumental in generating an international modern art and should become a major consideration in our reading of reactionary avant-garde poetry.
Book Synopsis Rhythm and Race in Modernist Poetry and Science by : Michael Golston
Download or read book Rhythm and Race in Modernist Poetry and Science written by Michael Golston and published by Columbia University Press. This book was released on 2007-12-21 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the half-century between 1890 and 1950, a variety of fields and disciplines, from musicology and literary studies to biology, psychology, genetics, and eugenics, expressed a profound interest in the subject of rhythm. In this book, Michael Golston recovers much of the work done in this area and situates it in the society, politics, and culture of the Modernist period. He then filters selected Modernist poems through this archive to demonstrate that innovations in prosody, form, and subject matter are based on a largely forgotten ideology of rhythm and that beneath Modernist prosody is a science and an accompanying technology. In his analysis, Golston first examines psychological and physiological experiments that purportedly proved that races responded differently to rhythmic stimuli. He then demonstrates how poets like Ezra Pound, W. B. Yeats, Mina Loy, and William Carlos Williams either absorbed or echoed the information in these studies, using it to hone the innovative edge of Modernist practice and fundamentally alter the way poetry was written. Golston performs close readings of canonical texts such as Pound's Cantos, Yeats's "Lake Isle of Innisfree," and William Carlos Williams's Paterson, and examines the role the sciences of rhythm played in racist discourses and fascist political thinking in the years leading up to World War II. Recovering obscure texts written in France, Germany, England, and America, Golston argues that "Rhythmics" was instrumental in generating an international modern art and should become a major consideration in our reading of reactionary avant-garde poetry.
This book concentrates on thirty second note rhythms exploring nearly every combination of rests and ties. All examples use one pitch allowing total concentration on rhythm and time. Free audio flies are available in the "Member's Area" of the muse-eek.com website for each exercise.
Book Synopsis Rhythms Volume Three by : Bruce E. Arnold
Download or read book Rhythms Volume Three written by Bruce E. Arnold and published by muse eek publishing. This book was released on 2001-04 with total page 132 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book concentrates on thirty second note rhythms exploring nearly every combination of rests and ties. All examples use one pitch allowing total concentration on rhythm and time. Free audio flies are available in the "Member's Area" of the muse-eek.com website for each exercise.
An exploration of rhythm and the richness of musical time from the perspective of performers, composers, analysts, and listeners.
Book Synopsis The Cambridge Companion to Rhythm by : Russell Hartenberger
Download or read book The Cambridge Companion to Rhythm written by Russell Hartenberger and published by Cambridge University Press. This book was released on 2020-09-24 with total page 371 pages. Available in PDF, EPUB and Kindle. Book excerpt: An exploration of rhythm and the richness of musical time from the perspective of performers, composers, analysts, and listeners.
A pioneering work in cognitive versification studies, scrutinizing the rhythmical means of free verse. Investigating a previously neglected area of study, Rhythm in Modern Poetry establishes a foundation for cognitive versification studies with a focus on the modernist free verse. Following in the tradition of cognitive poetics by Reuven Tsur, Richard Cureton and Derek Attridge, every chapter investigates the rhythms of one modern poem, by Lawrence Ferlinghetti, Sylvia Plath and others, and engages each element in the broader interpretation of the poem in question. In her examination of modernist poetry in English and other Germanic languages, Eva Lilja expands her analysis to discuss both the Ancient Greek and Norse origins of rhythm in free verse and the intermedia intersection, comparing poetic rhythm with rhythm in pictures, sculptures and dance. Rhythm in Modern Poetry thus expands the field of cognitive versification studies while also engaging readers writ large interested in how rhythm works in the aesthetic field.
Book Synopsis Rhythm in Modern Poetry by : Eva Lilja
Download or read book Rhythm in Modern Poetry written by Eva Lilja and published by Bloomsbury Publishing USA. This book was released on 2023-11-02 with total page 189 pages. Available in PDF, EPUB and Kindle. Book excerpt: A pioneering work in cognitive versification studies, scrutinizing the rhythmical means of free verse. Investigating a previously neglected area of study, Rhythm in Modern Poetry establishes a foundation for cognitive versification studies with a focus on the modernist free verse. Following in the tradition of cognitive poetics by Reuven Tsur, Richard Cureton and Derek Attridge, every chapter investigates the rhythms of one modern poem, by Lawrence Ferlinghetti, Sylvia Plath and others, and engages each element in the broader interpretation of the poem in question. In her examination of modernist poetry in English and other Germanic languages, Eva Lilja expands her analysis to discuss both the Ancient Greek and Norse origins of rhythm in free verse and the intermedia intersection, comparing poetic rhythm with rhythm in pictures, sculptures and dance. Rhythm in Modern Poetry thus expands the field of cognitive versification studies while also engaging readers writ large interested in how rhythm works in the aesthetic field.
Focus: Music in Contemporary Japan explores a diversity of musics performed in Japan today, ranging from folk song to classical music, the songs of geisha to the screaming of underground rock, with a specific look at the increasingly popular world of taiko (ensemble drumming). Discussion of contemporary musical practice is situated within broader frames of musical and sociopolitical history, processes of globalization and cosmopolitanism, and the continued search for Japanese identity through artistic expression. It explores how the Japanese have long negotiated cultural identity through musical practice in three parts: Part I, "Japanese Music and Culture," provides an overview of the key characteristics of Japanese culture that inform musical performance, such as the attitude towards the natural environment, changes in ruling powers, dominant religious forms, and historical processes of cultural exchange. Part II, "Sounding Japan," describes the elements that distinguish traditional Japanese music and then explores how music has changed in the modern era under the influence of Western music and ideology. Part III, "Focusing In: Identity, Meaning and Japanese Drumming in Kyoto," is based on fieldwork with musicians and explores the position of Japanese drumming within Kyoto. It focuses on four case studies that paint a vivid picture of each respective site, the music that is practiced, and the pedagogy and creative processes of each group. The downloadable resources include examples of Japanese music that illustrate specific elements and key genres introduced in the text. A companion website includes additional audio-visual sources discussed in detail in the text. Jennifer Milioto Matsue is an Associate Professor at Union College and specializes in modern Japanese music and culture.
Book Synopsis Focus: Music in Contemporary Japan by : Jennifer Milioto Matsue
Download or read book Focus: Music in Contemporary Japan written by Jennifer Milioto Matsue and published by Routledge. This book was released on 2015-07-16 with total page 307 pages. Available in PDF, EPUB and Kindle. Book excerpt: Focus: Music in Contemporary Japan explores a diversity of musics performed in Japan today, ranging from folk song to classical music, the songs of geisha to the screaming of underground rock, with a specific look at the increasingly popular world of taiko (ensemble drumming). Discussion of contemporary musical practice is situated within broader frames of musical and sociopolitical history, processes of globalization and cosmopolitanism, and the continued search for Japanese identity through artistic expression. It explores how the Japanese have long negotiated cultural identity through musical practice in three parts: Part I, "Japanese Music and Culture," provides an overview of the key characteristics of Japanese culture that inform musical performance, such as the attitude towards the natural environment, changes in ruling powers, dominant religious forms, and historical processes of cultural exchange. Part II, "Sounding Japan," describes the elements that distinguish traditional Japanese music and then explores how music has changed in the modern era under the influence of Western music and ideology. Part III, "Focusing In: Identity, Meaning and Japanese Drumming in Kyoto," is based on fieldwork with musicians and explores the position of Japanese drumming within Kyoto. It focuses on four case studies that paint a vivid picture of each respective site, the music that is practiced, and the pedagogy and creative processes of each group. The downloadable resources include examples of Japanese music that illustrate specific elements and key genres introduced in the text. A companion website includes additional audio-visual sources discussed in detail in the text. Jennifer Milioto Matsue is an Associate Professor at Union College and specializes in modern Japanese music and culture.
How is “rhythm” experienced? What role does “rhythm” play in musicians’ search for a collective musical identity? These questions are answered in this book on the fascinating blend of musical styles and influences within contemporary Malagasy music. Madagascar is the fourth largest island in the world, “the footprint between Africa and Asia,” with a history marked by many waves of migration. Over the centuries, a wide range of styles of music, of instruments and of dance have become a part of the island’s musical palette. Despite this and the resulting diversity of regional musical particularities, musicians claim there is one element they all share: a common rhythmical base. To explore this claim and the meaning of “rhythm” in the Malagasy context, Jenny Fuhr makes use of her dual role as musician and researcher. Self-reflexive field research combined with learning to play and perform Malagasy music enables a profound intercultural dialogue. This book shows how her intense involvement in music-making and a constant dialogue between musical experiences and discourses opens up new paths of understanding. In doing so, it challenges prevalent Western analytical perspectives on music and demonstrates the need for a more performance-based approach to ethnomusicology.
Book Synopsis Experiencing Rhythm by : Jenny Fuhr
Download or read book Experiencing Rhythm written by Jenny Fuhr and published by Cambridge Scholars Publishing. This book was released on 2014-07-18 with total page 205 pages. Available in PDF, EPUB and Kindle. Book excerpt: How is “rhythm” experienced? What role does “rhythm” play in musicians’ search for a collective musical identity? These questions are answered in this book on the fascinating blend of musical styles and influences within contemporary Malagasy music. Madagascar is the fourth largest island in the world, “the footprint between Africa and Asia,” with a history marked by many waves of migration. Over the centuries, a wide range of styles of music, of instruments and of dance have become a part of the island’s musical palette. Despite this and the resulting diversity of regional musical particularities, musicians claim there is one element they all share: a common rhythmical base. To explore this claim and the meaning of “rhythm” in the Malagasy context, Jenny Fuhr makes use of her dual role as musician and researcher. Self-reflexive field research combined with learning to play and perform Malagasy music enables a profound intercultural dialogue. This book shows how her intense involvement in music-making and a constant dialogue between musical experiences and discourses opens up new paths of understanding. In doing so, it challenges prevalent Western analytical perspectives on music and demonstrates the need for a more performance-based approach to ethnomusicology.
Book Synopsis Dance Rhythms in Contemporary Music by : Helen Meredith Ellis
Download or read book Dance Rhythms in Contemporary Music written by Helen Meredith Ellis and published by . This book was released on 1957 with total page 70 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Vietnam is currently undergoing a metamorphosis from a relatively closed society with a centrally planned economy, to a rapidly urbanising one with a global outlook. These changes have been the catalyst for an exciting ferment of activity in popular culture. This volume contains contributions from scholars engaged in the most up-to-date social research in Vietnam, as well as some of Vietnam's most popular cultural producers who are forging new ways of imagining the present whilst at the same time engaging actively in reinterpreting the past. The diverse ways that Vietnam is culturally and socially negotiating the future are examined as the book addresses issues of indigenisation of cultural influences, ambivalence surrounding change, and the consistent blurring of boundaries between informal, non-state cultural activities and formal institutional structures in the evolution of a civil society in Vietnam.
Book Synopsis Consuming Urban Culture in Contemporary Vietnam by : Lisa Drummond
Download or read book Consuming Urban Culture in Contemporary Vietnam written by Lisa Drummond and published by Routledge. This book was released on 2005-07-25 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: Vietnam is currently undergoing a metamorphosis from a relatively closed society with a centrally planned economy, to a rapidly urbanising one with a global outlook. These changes have been the catalyst for an exciting ferment of activity in popular culture. This volume contains contributions from scholars engaged in the most up-to-date social research in Vietnam, as well as some of Vietnam's most popular cultural producers who are forging new ways of imagining the present whilst at the same time engaging actively in reinterpreting the past. The diverse ways that Vietnam is culturally and socially negotiating the future are examined as the book addresses issues of indigenisation of cultural influences, ambivalence surrounding change, and the consistent blurring of boundaries between informal, non-state cultural activities and formal institutional structures in the evolution of a civil society in Vietnam.
Stockholm, an iconically late-modern city, is home to Europe's first-known multiethnolect - Rinkeby Swedish. Swedish-language researchers describe the variety as staccato, but rhythm has not been thoroughly investigated for any variety of Stockholm Swedish to date. Not only does this study show that rhythm stratifies in the direction of staccato (low alternation) for the racialized working class, rhythm is also significantly high-alternation/non-staccato in the speech of the white working class. The former is interpreted to be a feature of multiethnolect; the latter a feature of Södersnack, Stockholm's industrial-era working-class variety. The higher classes produce an intermediate degree of rhythm in casual speech. Working-class formal speech appears to target upper-class casual speech. Within the racialized working class, a generational difference was found. Those born before 1983 mainly achieve staccato with a reduction of accented vowels. Those born after 1983 achieve it by enlarging unstressed vowels. The change point coincides with significant socio-historical transformations that occurred when the speakers were in adolescence. In all styles, younger speakers of any background have more staccato speech than older speakers of the same background. It is proposed that this is due to the diffusion of contact prosody, for which multiethnolect is one key conduit.
Book Synopsis Rhythm in late-modern Stockholm by : Nathan Joel Young
Download or read book Rhythm in late-modern Stockholm written by Nathan Joel Young and published by BoD - Books on Demand. This book was released on 2020-01-23 with total page 394 pages. Available in PDF, EPUB and Kindle. Book excerpt: Stockholm, an iconically late-modern city, is home to Europe's first-known multiethnolect - Rinkeby Swedish. Swedish-language researchers describe the variety as staccato, but rhythm has not been thoroughly investigated for any variety of Stockholm Swedish to date. Not only does this study show that rhythm stratifies in the direction of staccato (low alternation) for the racialized working class, rhythm is also significantly high-alternation/non-staccato in the speech of the white working class. The former is interpreted to be a feature of multiethnolect; the latter a feature of Södersnack, Stockholm's industrial-era working-class variety. The higher classes produce an intermediate degree of rhythm in casual speech. Working-class formal speech appears to target upper-class casual speech. Within the racialized working class, a generational difference was found. Those born before 1983 mainly achieve staccato with a reduction of accented vowels. Those born after 1983 achieve it by enlarging unstressed vowels. The change point coincides with significant socio-historical transformations that occurred when the speakers were in adolescence. In all styles, younger speakers of any background have more staccato speech than older speakers of the same background. It is proposed that this is due to the diffusion of contact prosody, for which multiethnolect is one key conduit.
