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Indian Cinema in the Time of Celluloid

Author: Ashish Rajadhyaksha

Publisher:

Published: 2009

Total Pages: 441

ISBN-13: 9788189487522

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The book Nowhere has the cinema made more foundational a public intervention than in India, and yet the Indian cinema is consistently presented as something of an exception to world film history. What if, this book asks, film history was instead written from the Indian experience? Indian Cinema in the Time of Celluloid reconstructs an era of film that saw an unprecedented public visibility attached to the moving image and to its social usage. The cinema was not invented by celluloid, nor will it die with celluloid's growing obsolescence. But 'celluloid' names a distinct era in cinema's career that coincides with a particular construct of the twentieth-century state. This is not merely a coincidence: the very raison d'etre of celluloid was derived from the use to which the modern state put it, as the authorized technology through which the state spoke and as narrative practices endorsing its authority as producer of the rational subject.

Book Synopsis Indian Cinema in the Time of Celluloid by : Ashish Rajadhyaksha

Download or read book Indian Cinema in the Time of Celluloid written by Ashish Rajadhyaksha and published by . This book was released on 2009 with total page 441 pages. Available in PDF, EPUB and Kindle. Book excerpt: The book Nowhere has the cinema made more foundational a public intervention than in India, and yet the Indian cinema is consistently presented as something of an exception to world film history. What if, this book asks, film history was instead written from the Indian experience? Indian Cinema in the Time of Celluloid reconstructs an era of film that saw an unprecedented public visibility attached to the moving image and to its social usage. The cinema was not invented by celluloid, nor will it die with celluloid's growing obsolescence. But 'celluloid' names a distinct era in cinema's career that coincides with a particular construct of the twentieth-century state. This is not merely a coincidence: the very raison d'etre of celluloid was derived from the use to which the modern state put it, as the authorized technology through which the state spoke and as narrative practices endorsing its authority as producer of the rational subject.

Indian Cinema in the Time of Celluloid

Author: Ashish Rajadhyaksha

Publisher: Indiana University Press

Published: 2009-10-16

Total Pages: 0

ISBN-13: 9780253352682

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In Indian Cinema in the Time of Celluloid, Ashish Rajadhyaksha argues that any exploration of the social uses to which cinema is put in a place like India can only make sense if it transforms our understanding of cinema itself. Taking as his timeframe the era of celluloid, which is also marked by public experiences of spectatorship and uses of cinema by the state, Rajadhyaksha examines three moments of crisis for the Indian State in which cinema played a central role.

Book Synopsis Indian Cinema in the Time of Celluloid by : Ashish Rajadhyaksha

Download or read book Indian Cinema in the Time of Celluloid written by Ashish Rajadhyaksha and published by Indiana University Press. This book was released on 2009-10-16 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Indian Cinema in the Time of Celluloid, Ashish Rajadhyaksha argues that any exploration of the social uses to which cinema is put in a place like India can only make sense if it transforms our understanding of cinema itself. Taking as his timeframe the era of celluloid, which is also marked by public experiences of spectatorship and uses of cinema by the state, Rajadhyaksha examines three moments of crisis for the Indian State in which cinema played a central role.

Indian Cinema

Author:

Publisher:

Published: 1993

Total Pages: 196

ISBN-13:

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Book Synopsis Indian Cinema by :

Download or read book Indian Cinema written by and published by . This book was released on 1993 with total page 196 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Encyclopaedia of Hindi Cinema

Author: Gulazāra

Publisher: Popular Prakashan

Published: 2003

Total Pages: 692

ISBN-13: 9788179910665

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The Encyclopaedia Which Brings Together An Array Of Experts, Gives A Perspective On The Fascinating Journey Of Hindi Cinema From The Turn Of The Last Century To Becoming A Leader In The World Of Celluloid.

Book Synopsis Encyclopaedia of Hindi Cinema by : Gulazāra

Download or read book Encyclopaedia of Hindi Cinema written by Gulazāra and published by Popular Prakashan. This book was released on 2003 with total page 692 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Encyclopaedia Which Brings Together An Array Of Experts, Gives A Perspective On The Fascinating Journey Of Hindi Cinema From The Turn Of The Last Century To Becoming A Leader In The World Of Celluloid.

Once Upon a Time in India

Author: Bhawana Somaaya

Publisher: Random House India

Published: 2016-12-08

Total Pages: 328

ISBN-13: 9385990403

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If you are a Hindi-movie buff, karva chauth immediately brings to mind DDLJ, and Easter probably reminds you of Anthony Gonsalves. Take a trip down the memory lane with this beautifully conceived celebration of Indian cinema, which contains its century-long history in a fun capsule, and includes fascinating facts and milestones. Once Upon a Time in India will be your constant companion through the weeks of the coming year, with its attractive diary pages featuring iconic dialogues and fun trivia. Like the timelessness of Indian cinema, the fifty-three full-page original illustrations in Bollywood poster art style—depicting some of the most memorable scenes from your favourite films—make this a volume to treasure even when the year is over.

Book Synopsis Once Upon a Time in India by : Bhawana Somaaya

Download or read book Once Upon a Time in India written by Bhawana Somaaya and published by Random House India. This book was released on 2016-12-08 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt: If you are a Hindi-movie buff, karva chauth immediately brings to mind DDLJ, and Easter probably reminds you of Anthony Gonsalves. Take a trip down the memory lane with this beautifully conceived celebration of Indian cinema, which contains its century-long history in a fun capsule, and includes fascinating facts and milestones. Once Upon a Time in India will be your constant companion through the weeks of the coming year, with its attractive diary pages featuring iconic dialogues and fun trivia. Like the timelessness of Indian cinema, the fifty-three full-page original illustrations in Bollywood poster art style—depicting some of the most memorable scenes from your favourite films—make this a volume to treasure even when the year is over.

A Companion to Indian Cinema

Author: Neepa Majumdar

Publisher: John Wiley & Sons

Published: 2022-08-09

Total Pages: 628

ISBN-13: 1119048265

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A new collection in the Wiley Blackwell Companions to National Cinemas series, featuring the cinemas of India In A Companion to Indian Cinema, film scholars Neepa Majumdar and Ranjani Mazumdar along with 25 established and emerging scholars, deliver new research on contemporary and historical questions on Indian cinema. The collection considers Indian cinema's widespread presence both within and outside the country, and pays particular attention to regional cinemas such as Bhojpuri, Bengali, Malayalam, Manipuri, and Marathi. The volume also reflects on the changing dimensions of technology, aesthetics, and the archival impulse of film. The editors have included scholarship that discusses a range of films and film experiences that include commercial cinema, art cinema, and non-fiction film. Even as scholarship on earlier decades of Indian cinema is challenged by the absence of documentation and films, the innovative archival and field work in this Companion extends from cinema in early twentieth century India to a historicized engagement with new technologies and contemporary cinematic practices. There is a focus on production cultures and circulation, material cultures, media aesthetics, censorship, stardom, non-fiction practices, new technologies, and the transnational networks relevant to Indian cinema. Suitable for undergraduate and graduate students of film and media studies, South Asian studies, and history, A Companion to Indian Cinema is also an important new resource for scholars with an interest in the context and theoretical framework for the study of India's moving image cultures.

Book Synopsis A Companion to Indian Cinema by : Neepa Majumdar

Download or read book A Companion to Indian Cinema written by Neepa Majumdar and published by John Wiley & Sons. This book was released on 2022-08-09 with total page 628 pages. Available in PDF, EPUB and Kindle. Book excerpt: A new collection in the Wiley Blackwell Companions to National Cinemas series, featuring the cinemas of India In A Companion to Indian Cinema, film scholars Neepa Majumdar and Ranjani Mazumdar along with 25 established and emerging scholars, deliver new research on contemporary and historical questions on Indian cinema. The collection considers Indian cinema's widespread presence both within and outside the country, and pays particular attention to regional cinemas such as Bhojpuri, Bengali, Malayalam, Manipuri, and Marathi. The volume also reflects on the changing dimensions of technology, aesthetics, and the archival impulse of film. The editors have included scholarship that discusses a range of films and film experiences that include commercial cinema, art cinema, and non-fiction film. Even as scholarship on earlier decades of Indian cinema is challenged by the absence of documentation and films, the innovative archival and field work in this Companion extends from cinema in early twentieth century India to a historicized engagement with new technologies and contemporary cinematic practices. There is a focus on production cultures and circulation, material cultures, media aesthetics, censorship, stardom, non-fiction practices, new technologies, and the transnational networks relevant to Indian cinema. Suitable for undergraduate and graduate students of film and media studies, South Asian studies, and history, A Companion to Indian Cinema is also an important new resource for scholars with an interest in the context and theoretical framework for the study of India's moving image cultures.

The 1970s and its Legacies in India's Cinemas

Author: Priya Joshi

Publisher: Routledge

Published: 2016-05-06

Total Pages: 230

ISBN-13: 1134927665

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The 1970s was a pivotal decade in the Indian social, cultural, political and economic landscape: the global oil crisis, wars with China and Pakistan in the previous decade, the Bangladesh war of 1971, labour and food shortages, widespread political corruption, and the declaration of the state of Emergency. Amidst this backdrop Indian cinema in both its popular and art/parallel film forms flourished. This exciting new collection brings together original research from across the arts and humanities disciplines that examine the legacies of the 1970s in India’s cinemas, offering an invaluable insight into this important period. The authors argue that the historical processes underway in the 1970s are important even today, and can be deciphered in the aural and visual medium of Indian cinema. The book explores two central themes: first, the popular cinema’s role in helping to construct the decade’s public culture; and second, the powerful and under-studied archive of the decade as present in India’s popular cinemas. This book is based on a special issue of South Asian Popular Culture.

Book Synopsis The 1970s and its Legacies in India's Cinemas by : Priya Joshi

Download or read book The 1970s and its Legacies in India's Cinemas written by Priya Joshi and published by Routledge. This book was released on 2016-05-06 with total page 230 pages. Available in PDF, EPUB and Kindle. Book excerpt: The 1970s was a pivotal decade in the Indian social, cultural, political and economic landscape: the global oil crisis, wars with China and Pakistan in the previous decade, the Bangladesh war of 1971, labour and food shortages, widespread political corruption, and the declaration of the state of Emergency. Amidst this backdrop Indian cinema in both its popular and art/parallel film forms flourished. This exciting new collection brings together original research from across the arts and humanities disciplines that examine the legacies of the 1970s in India’s cinemas, offering an invaluable insight into this important period. The authors argue that the historical processes underway in the 1970s are important even today, and can be deciphered in the aural and visual medium of Indian cinema. The book explores two central themes: first, the popular cinema’s role in helping to construct the decade’s public culture; and second, the powerful and under-studied archive of the decade as present in India’s popular cinemas. This book is based on a special issue of South Asian Popular Culture.

Routledge Handbook of Indian Cinemas

Author: K. Moti Gokulsing

Publisher: Routledge

Published: 2013-04-17

Total Pages: 741

ISBN-13: 113677291X

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India is the largest film producing country in the world and its output has a global reach. After years of marginalisation by academics in the Western world, Indian cinemas have moved from the periphery to the centre of the world cinema in a comparatively short space of time. Bringing together contributions from leading scholars in the field, this Handbook looks at the complex reasons for this remarkable journey. Combining a historical and thematic approach, the Handbook discusses how Indian cinemas need to be understood in their historical unfolding as well as their complex relationships to social, economic, cultural, political, ideological, aesthetic, technical and institutional discourses. The thematic section provides an up-to-date critical narrative on diverse topics such as audience, censorship, film distribution, film industry, diaspora, sexuality, film music and nationalism. The Handbook provides a comprehensive and cutting edge survey of Indian cinemas, discussing Popular, Parallel/New Wave and Regional cinemas as well as the spectacular rise of Bollywood. It is an invaluable resource for students and academics of South Asian Studies, Film Studies and Cultural Studies.

Book Synopsis Routledge Handbook of Indian Cinemas by : K. Moti Gokulsing

Download or read book Routledge Handbook of Indian Cinemas written by K. Moti Gokulsing and published by Routledge. This book was released on 2013-04-17 with total page 741 pages. Available in PDF, EPUB and Kindle. Book excerpt: India is the largest film producing country in the world and its output has a global reach. After years of marginalisation by academics in the Western world, Indian cinemas have moved from the periphery to the centre of the world cinema in a comparatively short space of time. Bringing together contributions from leading scholars in the field, this Handbook looks at the complex reasons for this remarkable journey. Combining a historical and thematic approach, the Handbook discusses how Indian cinemas need to be understood in their historical unfolding as well as their complex relationships to social, economic, cultural, political, ideological, aesthetic, technical and institutional discourses. The thematic section provides an up-to-date critical narrative on diverse topics such as audience, censorship, film distribution, film industry, diaspora, sexuality, film music and nationalism. The Handbook provides a comprehensive and cutting edge survey of Indian cinemas, discussing Popular, Parallel/New Wave and Regional cinemas as well as the spectacular rise of Bollywood. It is an invaluable resource for students and academics of South Asian Studies, Film Studies and Cultural Studies.

Bollywood and Postmodernism

Author: Neelam Sidhar Wright

Publisher: Edinburgh University Press

Published: 2015-06-24

Total Pages: 240

ISBN-13: 1474403565

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'New Bollywood' has arrived, but its postmodern impulse often leaves film scholars reluctant to theorise its aesthetics. How do we define the style of a contemporary Bollywood film? Are Bollywood films just uninspired Hollywood rip-offs, or does their borrowing signal genuine innovation within the industry?Applying postmodern concepts and locating postmodern motifs in key commercial Hindi films, this innovative study reveals how Indian cinema has changed in the 21st century. Equipping readers with an alternative method of reading contemporary Indian cinema, Bollywood and Postmodernism takes Indian film studies beyond the exhausted theme of diaspora, and exposes a new decade of aesthetic experimentation and textual appropriation in mainstream Bombay cinema. A bold celebration of contemporary Bollywood texts, this book radically redefines Indian film and persuasively argues for its seriousness as a field of study in world cinema.

Book Synopsis Bollywood and Postmodernism by : Neelam Sidhar Wright

Download or read book Bollywood and Postmodernism written by Neelam Sidhar Wright and published by Edinburgh University Press. This book was released on 2015-06-24 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: 'New Bollywood' has arrived, but its postmodern impulse often leaves film scholars reluctant to theorise its aesthetics. How do we define the style of a contemporary Bollywood film? Are Bollywood films just uninspired Hollywood rip-offs, or does their borrowing signal genuine innovation within the industry?Applying postmodern concepts and locating postmodern motifs in key commercial Hindi films, this innovative study reveals how Indian cinema has changed in the 21st century. Equipping readers with an alternative method of reading contemporary Indian cinema, Bollywood and Postmodernism takes Indian film studies beyond the exhausted theme of diaspora, and exposes a new decade of aesthetic experimentation and textual appropriation in mainstream Bombay cinema. A bold celebration of contemporary Bollywood texts, this book radically redefines Indian film and persuasively argues for its seriousness as a field of study in world cinema.

From Bombay to Bollywood

Author: Aswin Punathambekar

Publisher: NYU Press

Published: 2013-07-24

Total Pages: 268

ISBN-13: 0814729487

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From Bombay to Bollywood analyzes the transformation of the national film industry in Bombay into a transnational and multi-media cultural enterprise, which has come to be known as Bollywood. Combining ethnographic, institutional, and textual analyses, Aswin Punathambekar explores how relations between state institutions, the Indian diaspora, circuits of capital, and new media technologies and industries have reconfigured the Bombay-based industry’s geographic reach. Providing in-depth accounts of the workings of media companies and media professionals, Punathambekar has produced a timely analysis of how a media industry in the postcolonial world has come to claim the global as its scale of operations. Based on extensive field research in India and the U.S., this book offers empirically-rich and theoretically-informed analyses of how the imaginations and practices of industry professionals give shape to the media worlds we inhabit and engage with. Moving beyond a focus on a single medium, Punathambekar develops a comparative and integrated approach that examines four different but interrelated media industries--film, television, marketing, and digital media. Offering a path-breaking account of media convergence in a non-Western context, Punathambekar’s transnational approach to understanding the formation of Bollywood is an innovative intervention into current debates on media industries, production cultures, and cultural globalization.

Book Synopsis From Bombay to Bollywood by : Aswin Punathambekar

Download or read book From Bombay to Bollywood written by Aswin Punathambekar and published by NYU Press. This book was released on 2013-07-24 with total page 268 pages. Available in PDF, EPUB and Kindle. Book excerpt: From Bombay to Bollywood analyzes the transformation of the national film industry in Bombay into a transnational and multi-media cultural enterprise, which has come to be known as Bollywood. Combining ethnographic, institutional, and textual analyses, Aswin Punathambekar explores how relations between state institutions, the Indian diaspora, circuits of capital, and new media technologies and industries have reconfigured the Bombay-based industry’s geographic reach. Providing in-depth accounts of the workings of media companies and media professionals, Punathambekar has produced a timely analysis of how a media industry in the postcolonial world has come to claim the global as its scale of operations. Based on extensive field research in India and the U.S., this book offers empirically-rich and theoretically-informed analyses of how the imaginations and practices of industry professionals give shape to the media worlds we inhabit and engage with. Moving beyond a focus on a single medium, Punathambekar develops a comparative and integrated approach that examines four different but interrelated media industries--film, television, marketing, and digital media. Offering a path-breaking account of media convergence in a non-Western context, Punathambekar’s transnational approach to understanding the formation of Bollywood is an innovative intervention into current debates on media industries, production cultures, and cultural globalization.