Intellectual Creativity in First-Year Composition Classes

Intellectual Creativity in First-Year Composition Classes

Author: Heidi Wall Burns

Publisher: Rowman & Littlefield

Published: 2016-10-12

Total Pages: 157

ISBN-13: 1475824971

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Today’s first year composition classrooms are largely reflective of the writing pedagogy that has been used for the last 200 years. Unfortunately, this methodology does not meet the research or writing needs of today’s college and university students. Burns and MacBride were determined to make their first year composition courses more relevant to their students and sought a way to revolutionize their syllabus to do so. Building on the work of Tom Romono, Nancy Mack, Camille Allen, Sirpa Grierson, Melinda Putz (and others), Burns and MacBride set out to determine if a multigenre research project could better teach their students research, writing, and critical thinking skills than a traditional research-based essay. The findings of their semester-long study indicated that not only does a MGRP teach these skills, but it far surpasses a traditional essay in teaching engagement, intellectual creativity, and transferable writing skills. Burns and MacBride demonstrate two different ways to integrate a multigenre research project into the college composition classroom.


Book Synopsis Intellectual Creativity in First-Year Composition Classes by : Heidi Wall Burns

Download or read book Intellectual Creativity in First-Year Composition Classes written by Heidi Wall Burns and published by Rowman & Littlefield. This book was released on 2016-10-12 with total page 157 pages. Available in PDF, EPUB and Kindle. Book excerpt: Today’s first year composition classrooms are largely reflective of the writing pedagogy that has been used for the last 200 years. Unfortunately, this methodology does not meet the research or writing needs of today’s college and university students. Burns and MacBride were determined to make their first year composition courses more relevant to their students and sought a way to revolutionize their syllabus to do so. Building on the work of Tom Romono, Nancy Mack, Camille Allen, Sirpa Grierson, Melinda Putz (and others), Burns and MacBride set out to determine if a multigenre research project could better teach their students research, writing, and critical thinking skills than a traditional research-based essay. The findings of their semester-long study indicated that not only does a MGRP teach these skills, but it far surpasses a traditional essay in teaching engagement, intellectual creativity, and transferable writing skills. Burns and MacBride demonstrate two different ways to integrate a multigenre research project into the college composition classroom.


Tell Me a Story

Tell Me a Story

Author: Anthony Tate Fulton

Publisher: Rowman & Littlefield

Published: 2017-09-25

Total Pages: 144

ISBN-13: 1475828802

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Stories have great power. This book attempts to harness that power to help students grow and develop as writers. It argues that stories and narratives can be utilized in the composition classroom, specifically first-year composition (FYC) to break down barriers. Throughout a given semester, stories and narratives can help students in composition courses to overcome academic, personal, and creative barriers, establishing a space for developing as writers and thinkers. Providing theoretical approaches, practical methods, and implications for using stories in FYC, this book explores the versatility of stories as teaching tools.


Book Synopsis Tell Me a Story by : Anthony Tate Fulton

Download or read book Tell Me a Story written by Anthony Tate Fulton and published by Rowman & Littlefield. This book was released on 2017-09-25 with total page 144 pages. Available in PDF, EPUB and Kindle. Book excerpt: Stories have great power. This book attempts to harness that power to help students grow and develop as writers. It argues that stories and narratives can be utilized in the composition classroom, specifically first-year composition (FYC) to break down barriers. Throughout a given semester, stories and narratives can help students in composition courses to overcome academic, personal, and creative barriers, establishing a space for developing as writers and thinkers. Providing theoretical approaches, practical methods, and implications for using stories in FYC, this book explores the versatility of stories as teaching tools.


Composition Studies As A Creative Art

Composition Studies As A Creative Art

Author: Lynn Bloom

Publisher:

Published: 1998-06

Total Pages: 292

ISBN-13:

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This is a book about the creative dynamics that arise from the interrelation of writing, teaching writing, and ways of reading - and the scholarship and administrative issues engendered by both. To regard composition studies as a creative art is to engage in a process of intellectual or aesthetic free play, and then to translate the results of this play into serious work that yet retains the freedom and playfulness of its origins. The book is fueled by a mixture of faith in the fields that compose composition studies, hope that the efforts of composition teachers can make a difference, and a sense of community in its broadest meaning.


Book Synopsis Composition Studies As A Creative Art by : Lynn Bloom

Download or read book Composition Studies As A Creative Art written by Lynn Bloom and published by . This book was released on 1998-06 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is a book about the creative dynamics that arise from the interrelation of writing, teaching writing, and ways of reading - and the scholarship and administrative issues engendered by both. To regard composition studies as a creative art is to engage in a process of intellectual or aesthetic free play, and then to translate the results of this play into serious work that yet retains the freedom and playfulness of its origins. The book is fueled by a mixture of faith in the fields that compose composition studies, hope that the efforts of composition teachers can make a difference, and a sense of community in its broadest meaning.


Beyond the Frontier

Beyond the Frontier

Author: Jill Dahlman

Publisher: Cambridge Scholars Publishing

Published: 2015-10-05

Total Pages: 250

ISBN-13: 144388393X

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Beyond the Frontier: Innovations in First-Year Composition is a compilation of the latest research in first-year composition presented at, and inspired by, the Rocky Mountain Modern Language Association’s “Beyond the Frontier” panels. The book is divided similarly into panels, with the editors having collected a sampling of the composition practices that will stand the test of time. The purpose of the book is to present the reader with innovative methods and techniques for incorporation into the first-year composition classroom, or simply to provide food for thought – passing the torch, as it were – so that new research can be conducted and new findings disseminated. The division of the book mimics the panels one would typically find on a particular day during the Rocky Mountain Modern Language Association Conference, providing the reader with a taste of what it’s like to be in the room with first-year composition scholars.


Book Synopsis Beyond the Frontier by : Jill Dahlman

Download or read book Beyond the Frontier written by Jill Dahlman and published by Cambridge Scholars Publishing. This book was released on 2015-10-05 with total page 250 pages. Available in PDF, EPUB and Kindle. Book excerpt: Beyond the Frontier: Innovations in First-Year Composition is a compilation of the latest research in first-year composition presented at, and inspired by, the Rocky Mountain Modern Language Association’s “Beyond the Frontier” panels. The book is divided similarly into panels, with the editors having collected a sampling of the composition practices that will stand the test of time. The purpose of the book is to present the reader with innovative methods and techniques for incorporation into the first-year composition classroom, or simply to provide food for thought – passing the torch, as it were – so that new research can be conducted and new findings disseminated. The division of the book mimics the panels one would typically find on a particular day during the Rocky Mountain Modern Language Association Conference, providing the reader with a taste of what it’s like to be in the room with first-year composition scholars.


Creative Composition

Creative Composition

Author: Danita Berg

Publisher: Multilingual Matters

Published: 2015

Total Pages: 206

ISBN-13: 1783093633

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This book brings together contemporary authors and well-respected creative writing instructors and theorists to explore ways creativity in composition may be encouraged in student writers. The question in this anthology is not 'Can writing be taught?' but 'How can we inspire students to embrace the creative process no matter what they write?'


Book Synopsis Creative Composition by : Danita Berg

Download or read book Creative Composition written by Danita Berg and published by Multilingual Matters. This book was released on 2015 with total page 206 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book brings together contemporary authors and well-respected creative writing instructors and theorists to explore ways creativity in composition may be encouraged in student writers. The question in this anthology is not 'Can writing be taught?' but 'How can we inspire students to embrace the creative process no matter what they write?'


To Know Her Own History

To Know Her Own History

Author: Kelly Ritter

Publisher: University of Pittsburgh Pre

Published: 2012-02-20

Total Pages: 265

ISBN-13: 0822977877

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To Know Her Own History chronicles the evolution of writing programs at a landmark Southern women's college during the postwar period. Kelly Ritter finds that despite its conservative Southern culture and vocational roots, the Woman's College of the University of North Carolina was a unique setting where advanced writing programs and creativity flourished long before these trends emerged nationally. Ritter profiles the history of the Woman's College, first as a normal school, where women trained as teachers with an emphasis on composition and analytical writing, then as a liberal arts college. She compares the burgeoning writing program here to those of the Seven Sisters (Wellesley, Smith, Radcliffe, Barnard, Vassar, Bryn Mawr, and Mount Holyoke) and to elite all-male universities, to show the singular progressivism of the Woman's College. Ritter presents lively student writing samples from the early postwar period to reveal a blurring of the boundaries between "creative" and "expository" styles. By midcentury, a quantum shift toward creative writing changed administrators' valuation of composition courses and staff at the Woman's College. An intensive process of curricular revisions, modeled after Harvard's "Redbook" plan, was proposed and rejected in 1951, as the college stood by its unique curricula and singular values. Ritter follows the plight of individual instructors of creative writing and composition, showing how their compensation and standing were made disproportionate by the shifting position of expository writing in relation to creative writing. Despite this unsettled period, the Woman's College continued to gain in stature, and by 1964 it became a prize acquisition of the University of North Carolina system. Ritter's study demonstrates the value of local histories to uncover undocumented advancements in writing education, offering insights into the political, cultural, and social conditions that influenced learning and methodologies at "marginalized" schools such as the Woman's College.


Book Synopsis To Know Her Own History by : Kelly Ritter

Download or read book To Know Her Own History written by Kelly Ritter and published by University of Pittsburgh Pre. This book was released on 2012-02-20 with total page 265 pages. Available in PDF, EPUB and Kindle. Book excerpt: To Know Her Own History chronicles the evolution of writing programs at a landmark Southern women's college during the postwar period. Kelly Ritter finds that despite its conservative Southern culture and vocational roots, the Woman's College of the University of North Carolina was a unique setting where advanced writing programs and creativity flourished long before these trends emerged nationally. Ritter profiles the history of the Woman's College, first as a normal school, where women trained as teachers with an emphasis on composition and analytical writing, then as a liberal arts college. She compares the burgeoning writing program here to those of the Seven Sisters (Wellesley, Smith, Radcliffe, Barnard, Vassar, Bryn Mawr, and Mount Holyoke) and to elite all-male universities, to show the singular progressivism of the Woman's College. Ritter presents lively student writing samples from the early postwar period to reveal a blurring of the boundaries between "creative" and "expository" styles. By midcentury, a quantum shift toward creative writing changed administrators' valuation of composition courses and staff at the Woman's College. An intensive process of curricular revisions, modeled after Harvard's "Redbook" plan, was proposed and rejected in 1951, as the college stood by its unique curricula and singular values. Ritter follows the plight of individual instructors of creative writing and composition, showing how their compensation and standing were made disproportionate by the shifting position of expository writing in relation to creative writing. Despite this unsettled period, the Woman's College continued to gain in stature, and by 1964 it became a prize acquisition of the University of North Carolina system. Ritter's study demonstrates the value of local histories to uncover undocumented advancements in writing education, offering insights into the political, cultural, and social conditions that influenced learning and methodologies at "marginalized" schools such as the Woman's College.


Creative Writing Pedagogies for the Twenty-First Century

Creative Writing Pedagogies for the Twenty-First Century

Author: Alexandria Peary

Publisher: SIU Press

Published: 2015-05-22

Total Pages: 322

ISBN-13: 0809334038

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The creative writing workshop has long been entrenched as the primary pedagogy of creative writing classes. This book offers twelve different approaches to the teaching of creative writing to supplement or replace traditional workshop pedagogy. Contributors are from both creative writing and composition studies--a discipline rich with a wide range of established pedagogies.


Book Synopsis Creative Writing Pedagogies for the Twenty-First Century by : Alexandria Peary

Download or read book Creative Writing Pedagogies for the Twenty-First Century written by Alexandria Peary and published by SIU Press. This book was released on 2015-05-22 with total page 322 pages. Available in PDF, EPUB and Kindle. Book excerpt: The creative writing workshop has long been entrenched as the primary pedagogy of creative writing classes. This book offers twelve different approaches to the teaching of creative writing to supplement or replace traditional workshop pedagogy. Contributors are from both creative writing and composition studies--a discipline rich with a wide range of established pedagogies.


Reading and Writing Skills: Cognitive, Emotional, Creative, and Digital Approaches

Reading and Writing Skills: Cognitive, Emotional, Creative, and Digital Approaches

Author: María Isabel de Vicente-Yagüe Jara

Publisher: Frontiers Media SA

Published: 2023-12-14

Total Pages: 487

ISBN-13: 2832540953

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Book Synopsis Reading and Writing Skills: Cognitive, Emotional, Creative, and Digital Approaches by : María Isabel de Vicente-Yagüe Jara

Download or read book Reading and Writing Skills: Cognitive, Emotional, Creative, and Digital Approaches written by María Isabel de Vicente-Yagüe Jara and published by Frontiers Media SA. This book was released on 2023-12-14 with total page 487 pages. Available in PDF, EPUB and Kindle. Book excerpt:


Power and Identity in the Creative Writing Classroom

Power and Identity in the Creative Writing Classroom

Author: Anna Leahy

Publisher: Multilingual Matters

Published: 2005-01-01

Total Pages: 242

ISBN-13: 9781853598463

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Power and Identity In the Creative Writing Classroom remaps theories and practices for teaching creative writing at university and college level. This collection critiques well-established approaches for teaching creative writing in all genres and builds a comprehensive and adaptable pedagogy based on issues of authority, power, and identity. A long-needed reflection, this book shapes creative writing pedagogy for the 21st century.


Book Synopsis Power and Identity in the Creative Writing Classroom by : Anna Leahy

Download or read book Power and Identity in the Creative Writing Classroom written by Anna Leahy and published by Multilingual Matters. This book was released on 2005-01-01 with total page 242 pages. Available in PDF, EPUB and Kindle. Book excerpt: Power and Identity In the Creative Writing Classroom remaps theories and practices for teaching creative writing at university and college level. This collection critiques well-established approaches for teaching creative writing in all genres and builds a comprehensive and adaptable pedagogy based on issues of authority, power, and identity. A long-needed reflection, this book shapes creative writing pedagogy for the 21st century.


First-Year Composition

First-Year Composition

Author: Deborah Coxwell-Teague

Publisher: Parlor Press LLC

Published: 2014-05-01

Total Pages: 245

ISBN-13: 1602355215

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First-Year Composition: From Theory to Practice’s combination of theory and practice provides readers an opportunity to hear twelve of the leading theorists in composition studies answer, in their own voices, the key question of what it is they hope to accomplish in a first-year composition course. In addition, these chapters, and the accompanying syllabi, provide rich insights into the classroom practices of these theorists.


Book Synopsis First-Year Composition by : Deborah Coxwell-Teague

Download or read book First-Year Composition written by Deborah Coxwell-Teague and published by Parlor Press LLC. This book was released on 2014-05-01 with total page 245 pages. Available in PDF, EPUB and Kindle. Book excerpt: First-Year Composition: From Theory to Practice’s combination of theory and practice provides readers an opportunity to hear twelve of the leading theorists in composition studies answer, in their own voices, the key question of what it is they hope to accomplish in a first-year composition course. In addition, these chapters, and the accompanying syllabi, provide rich insights into the classroom practices of these theorists.