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Download or read book Invisible Poets written by Joan R. Sherman and published by . This book was released on 1989 with total page 338 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author: Maw Shein Win
Publisher:
Published: 2018-05
Total Pages: 96
ISBN-13: 9781945665080
DOWNLOAD EBOOKThemes of vulnerability and power emerge through reflections on family, art, and loss from an award-winning poet
Download or read book Invisible Gifts written by Maw Shein Win and published by . This book was released on 2018-05 with total page 96 pages. Available in PDF, EPUB and Kindle. Book excerpt: Themes of vulnerability and power emerge through reflections on family, art, and loss from an award-winning poet
Author: Helen Hajnoczky
Publisher: Invisible Publishing
Published: 2010
Total Pages: 0
ISBN-13: 9780981248875
DOWNLOAD EBOOKAdvertising constructs us, always addressing, "You." But who is this person, this "you" that advertising addresses? Poets and Killers answers this question by telling the life story of a man through advertising. Beginning in the 1940s when he is born, working up to 2009 when he dies, Poets and Killers uses lines taken directly from advertisements to write the main character's biography. This book examines what it means to be an individual in a world where we are all sold the same individuality, exploring what possibilities for a non-utilitarian humanity still exist between the lines of advertising copy. By using the language of advertising to create something fundamentally unmarketable and useless, that is, the story of a fallible human life expressed through experimental poetry, Poets and Killers shows that despite the pervasiveness of advertising and its efforts to rob us of the ability to express ourselves without commodifying ourselves, we can still speak.
Download or read book Poets and Killers written by Helen Hajnoczky and published by Invisible Publishing. This book was released on 2010 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Advertising constructs us, always addressing, "You." But who is this person, this "you" that advertising addresses? Poets and Killers answers this question by telling the life story of a man through advertising. Beginning in the 1940s when he is born, working up to 2009 when he dies, Poets and Killers uses lines taken directly from advertisements to write the main character's biography. This book examines what it means to be an individual in a world where we are all sold the same individuality, exploring what possibilities for a non-utilitarian humanity still exist between the lines of advertising copy. By using the language of advertising to create something fundamentally unmarketable and useless, that is, the story of a fallible human life expressed through experimental poetry, Poets and Killers shows that despite the pervasiveness of advertising and its efforts to rob us of the ability to express ourselves without commodifying ourselves, we can still speak.
Author: Helen Vendler
Publisher: Princeton University Press
Published: 2009-02-09
Total Pages: 110
ISBN-13: 1400826713
DOWNLOAD EBOOKWhen a poet addresses a living person--whether friend or enemy, lover or sister--we recognize the expression of intimacy. But what impels poets to leap across time and space to speak to invisible listeners, seeking an ideal intimacy--George Herbert with God, Walt Whitman with a reader in the future, John Ashbery with the Renaissance painter Francesco Parmigianino? In Invisible Listeners, Helen Vendler argues that such poets must invent the language that will enact, on the page, an intimacy they lack in life. Through brilliantly insightful and gracefully written readings of these three great poets over three different centuries, Vendler maps out their relationships with their chosen listeners. For his part, Herbert revises the usual "vertical" address to God in favor of a "horizontal" one-addressing God as a friend. Whitman hovers in a sometimes erotic, sometimes quasi-religious language in conceiving the democratic camerado, who will, following Whitman's example, find his true self. And yet the camerado will be replaced, in Whitman's verse, by the ultimate invisible listener, Death. Ashbery, seeking a fellow artist who believes that art always distorts what it represents, finds he must travel to the remote past. In tones both tender and skeptical he addresses Parmigianino, whose extraordinary self-portrait in a convex mirror furnishes the poet with both a theory and a precedent for his own inventions. By creating the forms and speech of ideal intimacy, these poets set forth the possibility of a more complete and satisfactory human interchange--an ethics of relation that is uncoerced, understanding, and free.
Download or read book Invisible Listeners written by Helen Vendler and published by Princeton University Press. This book was released on 2009-02-09 with total page 110 pages. Available in PDF, EPUB and Kindle. Book excerpt: When a poet addresses a living person--whether friend or enemy, lover or sister--we recognize the expression of intimacy. But what impels poets to leap across time and space to speak to invisible listeners, seeking an ideal intimacy--George Herbert with God, Walt Whitman with a reader in the future, John Ashbery with the Renaissance painter Francesco Parmigianino? In Invisible Listeners, Helen Vendler argues that such poets must invent the language that will enact, on the page, an intimacy they lack in life. Through brilliantly insightful and gracefully written readings of these three great poets over three different centuries, Vendler maps out their relationships with their chosen listeners. For his part, Herbert revises the usual "vertical" address to God in favor of a "horizontal" one-addressing God as a friend. Whitman hovers in a sometimes erotic, sometimes quasi-religious language in conceiving the democratic camerado, who will, following Whitman's example, find his true self. And yet the camerado will be replaced, in Whitman's verse, by the ultimate invisible listener, Death. Ashbery, seeking a fellow artist who believes that art always distorts what it represents, finds he must travel to the remote past. In tones both tender and skeptical he addresses Parmigianino, whose extraordinary self-portrait in a convex mirror furnishes the poet with both a theory and a precedent for his own inventions. By creating the forms and speech of ideal intimacy, these poets set forth the possibility of a more complete and satisfactory human interchange--an ethics of relation that is uncoerced, understanding, and free.
Author: C. K. Williams
Publisher: Farrar, Straus and Giroux
Published: 2014-09-09
Total Pages: 69
ISBN-13: 1466880619
DOWNLOAD EBOOKThe eighth book--and the most various yet--by a major American poet. With his two previous books, a generous Selected Poems and The Vigil, C. K. Williams received great acclaim, including the PEN/Voelcker Award and the prestigious Berlin Prize. Repair represents an extraordinary outpouring of nearly fifty new poems. His subjects, again, are love, death, secrets among intimates, the waywardness of thought, and the violence and metaphoric power of the natural world. A long poem about the sixties, "King," broods over the mixed motives and misunderstandings of the period; the final poem defines, and in its way celebrates, the "invisible mending" of time and attentiveness to the thing itself. Here is a poet in full maturity, his mastery transforming everything he touches. Repair is a 1999 National Book Award Finalist for Poetry and the winner of the 2000 Pulitzer Prize for Poetry.
Download or read book Repair written by C. K. Williams and published by Farrar, Straus and Giroux. This book was released on 2014-09-09 with total page 69 pages. Available in PDF, EPUB and Kindle. Book excerpt: The eighth book--and the most various yet--by a major American poet. With his two previous books, a generous Selected Poems and The Vigil, C. K. Williams received great acclaim, including the PEN/Voelcker Award and the prestigious Berlin Prize. Repair represents an extraordinary outpouring of nearly fifty new poems. His subjects, again, are love, death, secrets among intimates, the waywardness of thought, and the violence and metaphoric power of the natural world. A long poem about the sixties, "King," broods over the mixed motives and misunderstandings of the period; the final poem defines, and in its way celebrates, the "invisible mending" of time and attentiveness to the thing itself. Here is a poet in full maturity, his mastery transforming everything he touches. Repair is a 1999 National Book Award Finalist for Poetry and the winner of the 2000 Pulitzer Prize for Poetry.
Author: David Rattray
Publisher: MIT Press
Published: 2019-09-17
Total Pages: 425
ISBN-13: 1635900727
DOWNLOAD EBOOKThe only collection of Rattray's prose: essays that offer a kind of secret history and guidebook to a poetic and mystical tradition. In order to become one of the invisible, it is necessary to throw oneself into the arms of God... Some of us stayed for weeks, some for months, some forever. —from How I Became One of the Invisible Since its first publication in 1992, David Rattray's How I Became One of the Invisible has functioned as a kind of secret history and guidebook to a poetic and mystical tradition running through Western civilization from Pythagoras to In Nomine music to Hölderlin and Antonin Artaud. Rattray not only excavated this tradition, he embodied and lived it. He studied at Harvard and the Sorbonne but remained a poet, outside the academy. His stories “Van” and “The Angel” chronicle his travels in southern Mexico with his friend, the poet Van Buskirk, and his adventures after graduating from Dartmouth in the mid-1950s. Eclipsed by the more mediagenic Beat writers during his lifetime, Rattray has become a powerful influence on contemporary artists and writers. Living in Paris, Rattray became the first English translator of Antonin Artaud, and he understood Artaud's incisive scholarship and technological prophecies as few others would. As he writes of his translations in How I Became One of the Invisible, “You have to identify with the man or the woman. If you don't, then you shouldn't be translating it. Why would you translate something that you didn't think had an important message for other people? I translated Artaud because I wanted to turn my friends on and pass a message that had relevance to our lives. Not to get a grant, or be hired by an English department.” Compiled in the months before his untimely death at age 57, How I Became One of the Invisible is the only volume of Rattray's prose. This new edition, edited by Robert Dewhurst, includes five additional pieces, two of them previously unpublished.
Download or read book How I Became One of the Invisible, new edition written by David Rattray and published by MIT Press. This book was released on 2019-09-17 with total page 425 pages. Available in PDF, EPUB and Kindle. Book excerpt: The only collection of Rattray's prose: essays that offer a kind of secret history and guidebook to a poetic and mystical tradition. In order to become one of the invisible, it is necessary to throw oneself into the arms of God... Some of us stayed for weeks, some for months, some forever. —from How I Became One of the Invisible Since its first publication in 1992, David Rattray's How I Became One of the Invisible has functioned as a kind of secret history and guidebook to a poetic and mystical tradition running through Western civilization from Pythagoras to In Nomine music to Hölderlin and Antonin Artaud. Rattray not only excavated this tradition, he embodied and lived it. He studied at Harvard and the Sorbonne but remained a poet, outside the academy. His stories “Van” and “The Angel” chronicle his travels in southern Mexico with his friend, the poet Van Buskirk, and his adventures after graduating from Dartmouth in the mid-1950s. Eclipsed by the more mediagenic Beat writers during his lifetime, Rattray has become a powerful influence on contemporary artists and writers. Living in Paris, Rattray became the first English translator of Antonin Artaud, and he understood Artaud's incisive scholarship and technological prophecies as few others would. As he writes of his translations in How I Became One of the Invisible, “You have to identify with the man or the woman. If you don't, then you shouldn't be translating it. Why would you translate something that you didn't think had an important message for other people? I translated Artaud because I wanted to turn my friends on and pass a message that had relevance to our lives. Not to get a grant, or be hired by an English department.” Compiled in the months before his untimely death at age 57, How I Became One of the Invisible is the only volume of Rattray's prose. This new edition, edited by Robert Dewhurst, includes five additional pieces, two of them previously unpublished.
Download or read book Invisible Poets written by Joan R. Sherman and published by . This book was released on 1989 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author: Steven Monte
Publisher: U of Nebraska Press
Published: 2000-01-01
Total Pages: 324
ISBN-13: 9780803232112
DOWNLOAD EBOOKFor all its recent popularity among poets and critics, prose poetry continues to raise more questions than it answers. How have prose poems been identified as such, and why have similar works been excluded from the genre? What happens when we read a work as a prose poem? How have prose genres such as the novel affected prose poetry and modern poetry in general? In Invisible Fences Steven Monte places prose poetry in historical and theoretical perspective by comparing its development in the French and American literary traditions. In spite of its apparent formal freedom, prose poetry is constrained by specific historical circumstances and is constantly engaged in border disputes with neighboring prose and poetic genres. Monte illuminates these constraints through an examination of works that have influenced the development of the prose poem as well as through a discussion of genre theory and detailed readings of poems ranging from Charles Baudelaire's "La Solitude" to John Ashbery's "The System." Monte explores the ways in which literary-historical narratives affect interpretation: why, for example, prose poetry tends to be seen as a revolutionary genre and how this perspective influences readings of individual works. The American poets he discusses include Ralph Waldo Emerson, William Carlos Williams, T. S. Eliot, Gertrude Stein, and Ashbery; the French poets range from Baudelaire, Arthur Rimbaud, and Stephane Mallarmä to Max Jacob. In exploring prose poetry as a genre, Invisible Fences offers new perspectives not only on modern poetry, but also on genre itself, challenging current theories of genre with a test case that asks for yet eludes definition.
Download or read book Invisible Fences written by Steven Monte and published by U of Nebraska Press. This book was released on 2000-01-01 with total page 324 pages. Available in PDF, EPUB and Kindle. Book excerpt: For all its recent popularity among poets and critics, prose poetry continues to raise more questions than it answers. How have prose poems been identified as such, and why have similar works been excluded from the genre? What happens when we read a work as a prose poem? How have prose genres such as the novel affected prose poetry and modern poetry in general? In Invisible Fences Steven Monte places prose poetry in historical and theoretical perspective by comparing its development in the French and American literary traditions. In spite of its apparent formal freedom, prose poetry is constrained by specific historical circumstances and is constantly engaged in border disputes with neighboring prose and poetic genres. Monte illuminates these constraints through an examination of works that have influenced the development of the prose poem as well as through a discussion of genre theory and detailed readings of poems ranging from Charles Baudelaire's "La Solitude" to John Ashbery's "The System." Monte explores the ways in which literary-historical narratives affect interpretation: why, for example, prose poetry tends to be seen as a revolutionary genre and how this perspective influences readings of individual works. The American poets he discusses include Ralph Waldo Emerson, William Carlos Williams, T. S. Eliot, Gertrude Stein, and Ashbery; the French poets range from Baudelaire, Arthur Rimbaud, and Stephane Mallarmä to Max Jacob. In exploring prose poetry as a genre, Invisible Fences offers new perspectives not only on modern poetry, but also on genre itself, challenging current theories of genre with a test case that asks for yet eludes definition.
Author: James Uden
Publisher: Oxford University Press, USA
Published: 2015
Total Pages: 273
ISBN-13: 0199387273
DOWNLOAD EBOOKBased on author's dissertation, Columbia Univ., 2011.
Download or read book The Invisible Satirist written by James Uden and published by Oxford University Press, USA. This book was released on 2015 with total page 273 pages. Available in PDF, EPUB and Kindle. Book excerpt: Based on author's dissertation, Columbia Univ., 2011.
Author: Kelly Cherry
Publisher: LSU Press
Published: 2019-09-04
Total Pages: 97
ISBN-13: 0807171832
DOWNLOAD EBOOKIn Observing the Invisible, Kelly Cherry crafts poems that explore the ever-evolving realm of modern physics, confronting the invisibilities and mysteries of the material world. She leverages challenging ideas into a space of contemplative wonder as the book moves from external observation into an increasingly inward space of personal reflection and expression. Throughout, Observing the Invisible remains deliberate in its concentration on what cannot be, almost as if the poems are being erased even as they are being written. Acknowledging that such contradictions cannot sustain themselves for long, Cherry seeks out these difficulties and ultimately finds resolutions.
Download or read book Observing the Invisible written by Kelly Cherry and published by LSU Press. This book was released on 2019-09-04 with total page 97 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Observing the Invisible, Kelly Cherry crafts poems that explore the ever-evolving realm of modern physics, confronting the invisibilities and mysteries of the material world. She leverages challenging ideas into a space of contemplative wonder as the book moves from external observation into an increasingly inward space of personal reflection and expression. Throughout, Observing the Invisible remains deliberate in its concentration on what cannot be, almost as if the poems are being erased even as they are being written. Acknowledging that such contradictions cannot sustain themselves for long, Cherry seeks out these difficulties and ultimately finds resolutions.
