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Book Synopsis Italian Modernisms by : Sergio Poretti
Download or read book Italian Modernisms written by Sergio Poretti and published by Gangemi Editore Spa. This book was released on 2013-09-21 with total page 16 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Italian Modernisms. Architecture and Construction in the Twentieth Century by : Sergio Poretti
Download or read book Italian Modernisms. Architecture and Construction in the Twentieth Century written by Sergio Poretti and published by . This book was released on 2013 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt:
This provocative collection of essays is the first book-length treatment of the development of modern architecture in the Middle East. Ranging from Jerusalem at the turn of the twentieth century to Libya under Italian colonial rule, postwar Turkey, and on to present-day Iraq, the essays cohere around the historical encounter between the politics of nation-building and architectural modernism's new materials, methods, and motives. Architecture, as physical infrastructure and as symbolic expression, provides an exceptional window onto the powerful forces that shaped the modern Middle East and that continue to dominate it today. Experts in this volume demonstrate the political dimensions of both creating the built environment and, subsequently, inhabiting it. In revealing the tensions between achieving both international relevance and regional meaning, Modernism in the Middle East affords a dynamic view of the ongoing confrontations of deep traditions with rapid modernization. Political and cultural historians, as well as architects and urban planners, will find fresh material here on a range of diverse practices.
Book Synopsis Modernism and the Middle East by : Sandy Isenstadt
Download or read book Modernism and the Middle East written by Sandy Isenstadt and published by University of Washington Press. This book was released on 2011-03-01 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: This provocative collection of essays is the first book-length treatment of the development of modern architecture in the Middle East. Ranging from Jerusalem at the turn of the twentieth century to Libya under Italian colonial rule, postwar Turkey, and on to present-day Iraq, the essays cohere around the historical encounter between the politics of nation-building and architectural modernism's new materials, methods, and motives. Architecture, as physical infrastructure and as symbolic expression, provides an exceptional window onto the powerful forces that shaped the modern Middle East and that continue to dominate it today. Experts in this volume demonstrate the political dimensions of both creating the built environment and, subsequently, inhabiting it. In revealing the tensions between achieving both international relevance and regional meaning, Modernism in the Middle East affords a dynamic view of the ongoing confrontations of deep traditions with rapid modernization. Political and cultural historians, as well as architects and urban planners, will find fresh material here on a range of diverse practices.
Following Italy's unification in 1861, architects, artists, politicians, and literati engaged in volatile debates over the pursuit of national and regional identity. Growing industrialization and urbanization across the country contrasted with the rediscovery of traditionally built forms and objects created by the agrarian peasantry. Pride in Modesty argues that these ordinary, often anonymous, everyday things inspired and transformed Italian art and architecture from the 1920s through the 1970s. Through in-depth examinations of texts, drawings, and buildings, Michelangelo Sabatino finds that the folk traditions of the pre-industrial countryside have provided formal, practical, and poetic inspiration directly affecting both design and construction practices over a period of sixty years and a number of different political regimes. This surprising continuity allows Sabatino to reject the division of Italian history into sharply delimited periods such as Fascist Interwar and Democratic Postwar and to instead emphasize the long, continuous process that transformed pastoral and urban ideals into a new, modernist Italy.
Book Synopsis Pride in Modesty by : Michelangelo Sabatino
Download or read book Pride in Modesty written by Michelangelo Sabatino and published by University of Toronto Press. This book was released on 2011-05-21 with total page 369 pages. Available in PDF, EPUB and Kindle. Book excerpt: Following Italy's unification in 1861, architects, artists, politicians, and literati engaged in volatile debates over the pursuit of national and regional identity. Growing industrialization and urbanization across the country contrasted with the rediscovery of traditionally built forms and objects created by the agrarian peasantry. Pride in Modesty argues that these ordinary, often anonymous, everyday things inspired and transformed Italian art and architecture from the 1920s through the 1970s. Through in-depth examinations of texts, drawings, and buildings, Michelangelo Sabatino finds that the folk traditions of the pre-industrial countryside have provided formal, practical, and poetic inspiration directly affecting both design and construction practices over a period of sixty years and a number of different political regimes. This surprising continuity allows Sabatino to reject the division of Italian history into sharply delimited periods such as Fascist Interwar and Democratic Postwar and to instead emphasize the long, continuous process that transformed pastoral and urban ideals into a new, modernist Italy.
In 1896, Otto Wagner's "Modern Architecture" shocked the European architectural community with its impassioned plea for an end to eclecticism and for a "modern" style suited to contemporary needs and ideals, utilizing the nascent constructional technologies and materials. Through the combined forces of his polemical, pedagogical, and professional efforts, this determined, newly appointed professor at the Vienna Academy of Fine Arts emerged in the late 1890s - along with such contemporaries as Charles Rennie Mackintosh in Glasgow and Louis Sullivan in Chicago - as one of the leaders of the revolution soon to be identified as the "Modern Movement." Wagner's historic manifesto is now presented in a new English translation - the first in almost ninety years - based on the expanded 1902 text and noting emendations made to the 1896, 1898, and 1914 editions. In his introduction, Dr. Harry Mallgrave examines Wagner's tract against the backdrop of nineteenth-century theory, critically exploring the affinities of Wagner's revolutionary élan with the German eclectic debate of the 1840s, the materialistic tendencies of the 1870s and 1880s, and the emerging cultural ideology of modernity. Modern Architecture is one of those rare works in the literature of architecture that not only proclaimed the dawning of a new era, but also perspicaciously and cogently shaped the issues and the course of its development; it defined less the personal aspirations of one individual and more the collective hopes and dreams of a generation facing the sanguine promise of a new century
Book Synopsis Modern Architecture by : Otto Wagner
Download or read book Modern Architecture written by Otto Wagner and published by Getty Publications. This book was released on 1988 with total page 202 pages. Available in PDF, EPUB and Kindle. Book excerpt: In 1896, Otto Wagner's "Modern Architecture" shocked the European architectural community with its impassioned plea for an end to eclecticism and for a "modern" style suited to contemporary needs and ideals, utilizing the nascent constructional technologies and materials. Through the combined forces of his polemical, pedagogical, and professional efforts, this determined, newly appointed professor at the Vienna Academy of Fine Arts emerged in the late 1890s - along with such contemporaries as Charles Rennie Mackintosh in Glasgow and Louis Sullivan in Chicago - as one of the leaders of the revolution soon to be identified as the "Modern Movement." Wagner's historic manifesto is now presented in a new English translation - the first in almost ninety years - based on the expanded 1902 text and noting emendations made to the 1896, 1898, and 1914 editions. In his introduction, Dr. Harry Mallgrave examines Wagner's tract against the backdrop of nineteenth-century theory, critically exploring the affinities of Wagner's revolutionary élan with the German eclectic debate of the 1840s, the materialistic tendencies of the 1870s and 1880s, and the emerging cultural ideology of modernity. Modern Architecture is one of those rare works in the literature of architecture that not only proclaimed the dawning of a new era, but also perspicaciously and cogently shaped the issues and the course of its development; it defined less the personal aspirations of one individual and more the collective hopes and dreams of a generation facing the sanguine promise of a new century
The studies in this book focus on Italian twentieth-century architecture, in particular design and construction techniques. The descriptions of the worksites and building processes provide a much better and clearer picture of the different modernist styles that existed in Italy; they also reveal the ‘thin red line' that characterised an univocal construction method: mixed masonry enriched (and not replaced) by reinforced concrete – a technique well suited to small artisanal worksites. This was a mild version of modern construction, in line with the role construction played in slowing down an industrialisation process which in Italy was, in itself, slow. Each chapter illustrates a specific aspect of the history of construction and highlights several new issues involving architecture in general: the important tectonic similarities which one way or another link the Littorio style and the several different kinds of rationalisms in the thirties; the continuity between the autarchic experimentation and the techniques used in reconstruction; the connection between the large-scale works designed by engineers and the architectures of the fifties and sixties, which now appear to be one of the mainstays of the unique Italian Style.
Book Synopsis Italian Modernisms by : Sergio Poretti
Download or read book Italian Modernisms written by Sergio Poretti and published by Gangemi Editore spa. This book was released on 2015-02-17T00:00:00+01:00 with total page 324 pages. Available in PDF, EPUB and Kindle. Book excerpt: The studies in this book focus on Italian twentieth-century architecture, in particular design and construction techniques. The descriptions of the worksites and building processes provide a much better and clearer picture of the different modernist styles that existed in Italy; they also reveal the ‘thin red line' that characterised an univocal construction method: mixed masonry enriched (and not replaced) by reinforced concrete – a technique well suited to small artisanal worksites. This was a mild version of modern construction, in line with the role construction played in slowing down an industrialisation process which in Italy was, in itself, slow. Each chapter illustrates a specific aspect of the history of construction and highlights several new issues involving architecture in general: the important tectonic similarities which one way or another link the Littorio style and the several different kinds of rationalisms in the thirties; the continuity between the autarchic experimentation and the techniques used in reconstruction; the connection between the large-scale works designed by engineers and the architectures of the fifties and sixties, which now appear to be one of the mainstays of the unique Italian Style.
Italian architecture has long exerted a special influence on the evolution of architectural ideas elsewhere - from the Beaux-Arts academy's veneration of Rome, to modernist and postmodern interest in Renaissance proportion, Baroque space, and Mannerist ambiguity. This book critically examines this enduring phenomenon, exploring the privileged position of Italian architects, architecture, and cities in the architectural culture of the past century. Questioning the deep-rooted myth of Italy within architectural history, the book presents case studies of Italy's powerful yet problematic position in 20th-century architectural ideologies, at a time when established Eurocentric narratives are rightly being challenged. It reconciles the privileged position of Italian architecture and design with the imperative to write history across a more global, diverse, heterogenous cultural geography. Twenty chapters from distinguished international scholars cover subjects and architects ranging from Alberti to Gio Ponti, Aldo Rossi, Manfredo Tafuri, Vittorio Gregotti; cities from Rome and Venice to Milan; and an array of international architects, movements, and architectural ideas influenced by Italy. The chapters each question where, how, and why the disciplinary edifice of 20th-century architecture-its canon of built, visual, textual, and conceptual works-relied on Italian foundations, examining where and how those foundations have become insecure. Indispensable for students and scholars of both Italian and global architectural history, Italian Imprints on Twentieth-Century Architecture provides an opportunity to consider the architectural and urban landscape of Italy from substantially new points of view.
Book Synopsis Italian Imprints on Twentieth-Century Architecture by : Denise Costanzo
Download or read book Italian Imprints on Twentieth-Century Architecture written by Denise Costanzo and published by Bloomsbury Publishing. This book was released on 2022-05-19 with total page 321 pages. Available in PDF, EPUB and Kindle. Book excerpt: Italian architecture has long exerted a special influence on the evolution of architectural ideas elsewhere - from the Beaux-Arts academy's veneration of Rome, to modernist and postmodern interest in Renaissance proportion, Baroque space, and Mannerist ambiguity. This book critically examines this enduring phenomenon, exploring the privileged position of Italian architects, architecture, and cities in the architectural culture of the past century. Questioning the deep-rooted myth of Italy within architectural history, the book presents case studies of Italy's powerful yet problematic position in 20th-century architectural ideologies, at a time when established Eurocentric narratives are rightly being challenged. It reconciles the privileged position of Italian architecture and design with the imperative to write history across a more global, diverse, heterogenous cultural geography. Twenty chapters from distinguished international scholars cover subjects and architects ranging from Alberti to Gio Ponti, Aldo Rossi, Manfredo Tafuri, Vittorio Gregotti; cities from Rome and Venice to Milan; and an array of international architects, movements, and architectural ideas influenced by Italy. The chapters each question where, how, and why the disciplinary edifice of 20th-century architecture-its canon of built, visual, textual, and conceptual works-relied on Italian foundations, examining where and how those foundations have become insecure. Indispensable for students and scholars of both Italian and global architectural history, Italian Imprints on Twentieth-Century Architecture provides an opportunity to consider the architectural and urban landscape of Italy from substantially new points of view.
An examination of architectural trends across the world in the last century - Neoclassicism - Architecture after the First World War - American architecture - Globalization of modern architecture - High-tech and postmodern architecture - The Rationalist tradition in Italy - Architecture in the 21st century.
Book Synopsis The Story of Architecture of the 20th Century by : Jürgen Tietz
Download or read book The Story of Architecture of the 20th Century written by Jürgen Tietz and published by Konemann. This book was released on 1999 with total page 128 pages. Available in PDF, EPUB and Kindle. Book excerpt: An examination of architectural trends across the world in the last century - Neoclassicism - Architecture after the First World War - American architecture - Globalization of modern architecture - High-tech and postmodern architecture - The Rationalist tradition in Italy - Architecture in the 21st century.
A survey of 20th-century architecture, selecting significant moments and unravelling the attendant political, social and technological strands. The author not only describes buildings but also the evolution of design tools and their impact on architectural design.
Book Synopsis Twentieth-century Architecture by : Dennis P. Doordan
Download or read book Twentieth-century Architecture written by Dennis P. Doordan and published by Prentice Hall. This book was released on 2002 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt: A survey of 20th-century architecture, selecting significant moments and unravelling the attendant political, social and technological strands. The author not only describes buildings but also the evolution of design tools and their impact on architectural design.
In the decades following World War II, modern architecture spread around the globe alongside increased modernization, urbanization, and postwar reconstruction—and it eventually won widespread acceptance. But as the limitations of conventional conceptions of modernism became apparent, modern architecture has come under increasing criticism. In this collection of essays, experienced and emerging scholars take a fresh look at postwar modern architecture by asking what it meant to be "modern," what role modern architecture played in constructing modern identities, and who sanctioned (or was sanctioned by) modernism in architecture. This volume presents focused case studies of modern architecture in three realms—political, religious, and domestic—that address our very essence as human beings. Several essays explore developments in Czechoslovakia, Romania, and Yugoslavia and document a modernist design culture that crossed political barriers, such as the Iron Curtain, more readily than previously imagined. Other essays investigate various efforts to reconcile the concerns of modernist architects with the traditions of the Roman Catholic Church and other Christian institutions. And a final group of essays looks at postwar homebuilding in the United States and demonstrates how malleable and contested the image of the American home was in the mid-twentieth century. These inquiries show the limits of canonical views of modern architecture and reveal instead how civic institutions, ecclesiastical traditions, individual consumers, and others sought to sanction the forms and ideas of modern architecture in the service of their respective claims or desires to be modern.
Book Synopsis Sanctioning Modernism by : Timothy Parker
Download or read book Sanctioning Modernism written by Timothy Parker and published by University of Texas Press. This book was released on 2014-06-01 with total page 305 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the decades following World War II, modern architecture spread around the globe alongside increased modernization, urbanization, and postwar reconstruction—and it eventually won widespread acceptance. But as the limitations of conventional conceptions of modernism became apparent, modern architecture has come under increasing criticism. In this collection of essays, experienced and emerging scholars take a fresh look at postwar modern architecture by asking what it meant to be "modern," what role modern architecture played in constructing modern identities, and who sanctioned (or was sanctioned by) modernism in architecture. This volume presents focused case studies of modern architecture in three realms—political, religious, and domestic—that address our very essence as human beings. Several essays explore developments in Czechoslovakia, Romania, and Yugoslavia and document a modernist design culture that crossed political barriers, such as the Iron Curtain, more readily than previously imagined. Other essays investigate various efforts to reconcile the concerns of modernist architects with the traditions of the Roman Catholic Church and other Christian institutions. And a final group of essays looks at postwar homebuilding in the United States and demonstrates how malleable and contested the image of the American home was in the mid-twentieth century. These inquiries show the limits of canonical views of modern architecture and reveal instead how civic institutions, ecclesiastical traditions, individual consumers, and others sought to sanction the forms and ideas of modern architecture in the service of their respective claims or desires to be modern.