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In this book, Keith Williams explores Victorian culture's emergent 'cinematicity' as a key creative driver of Joyce's experimental fiction, showing how Joyce's style and themes share the cinematograph's roots in Victorian optical entertainment and science.
Book Synopsis James Joyce and Cinematicity by : Keith Williams
Download or read book James Joyce and Cinematicity written by Keith Williams and published by Edinburgh University Press. This book was released on 2020-03-27 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this book, Keith Williams explores Victorian culture's emergent 'cinematicity' as a key creative driver of Joyce's experimental fiction, showing how Joyce's style and themes share the cinematograph's roots in Victorian optical entertainment and science.
Employing concepts from film theory, this much-needed study explores in-depth the "cinematic" quality of James Joyce's fiction from Dubliners to Finnegan's Wake.
Book Synopsis Joycean Frames by : Thomas Burkdall
Download or read book Joycean Frames written by Thomas Burkdall and published by Routledge. This book was released on 2018-02-02 with total page 134 pages. Available in PDF, EPUB and Kindle. Book excerpt: Employing concepts from film theory, this much-needed study explores in-depth the "cinematic" quality of James Joyce's fiction from Dubliners to Finnegan's Wake.
James Joyce and the Phenomenology of Film reappraises the lines of influence said to exist between Joyce's writing and early cinema and provides an alternative to previous psychoanalytic readings of Joyce and film. Through a compelling combination of historical research and critical analysis, Cleo Hanaway-Oakley demonstrates that Joyce, early film-makers, and phenomenologists (Maurice Merleau-Ponty, in particular) share a common enterprise: all are concerned with showing, rather than explaining, the 'inherence of the self in the world'. Instead of portraying an objective, neutral world, bereft of human input, Joyce, the film-makers, and the phenomenologists present embodied, conscious engagement with the environment and others: they are interested in the world-as-it-is-lived and transcend the seemingly-rigid binaries of seer/seen, subject/object, absorptive/theatrical, and personal/impersonal. This book re-evaluates the history of body- and spectator-focused film theories, placing Merleau-Ponty at the centre of the discussion, and considers the ways in which Joyce may have encountered such theories. In a wealth of close analyses, Joyce's fiction is read alongside the work of early film-makers such as Charlie Chaplin, Georges Méliès, and Mitchell and Kenyon, and in relation to the philosophical dimensions of early-cinematic devices such as the Mutoscope, the stereoscope, and the panorama. By putting Joyce's literary work—Ulysses above all—into dialogue with both early cinema and phenomenology, this book elucidates and enlivens literature, film, and philosophy.
Book Synopsis James Joyce and the Phenomenology of Film by : Cleo Hanaway-Oakley
Download or read book James Joyce and the Phenomenology of Film written by Cleo Hanaway-Oakley and published by Oxford University Press. This book was released on 2017-06-30 with total page 160 pages. Available in PDF, EPUB and Kindle. Book excerpt: James Joyce and the Phenomenology of Film reappraises the lines of influence said to exist between Joyce's writing and early cinema and provides an alternative to previous psychoanalytic readings of Joyce and film. Through a compelling combination of historical research and critical analysis, Cleo Hanaway-Oakley demonstrates that Joyce, early film-makers, and phenomenologists (Maurice Merleau-Ponty, in particular) share a common enterprise: all are concerned with showing, rather than explaining, the 'inherence of the self in the world'. Instead of portraying an objective, neutral world, bereft of human input, Joyce, the film-makers, and the phenomenologists present embodied, conscious engagement with the environment and others: they are interested in the world-as-it-is-lived and transcend the seemingly-rigid binaries of seer/seen, subject/object, absorptive/theatrical, and personal/impersonal. This book re-evaluates the history of body- and spectator-focused film theories, placing Merleau-Ponty at the centre of the discussion, and considers the ways in which Joyce may have encountered such theories. In a wealth of close analyses, Joyce's fiction is read alongside the work of early film-makers such as Charlie Chaplin, Georges Méliès, and Mitchell and Kenyon, and in relation to the philosophical dimensions of early-cinematic devices such as the Mutoscope, the stereoscope, and the panorama. By putting Joyce's literary work—Ulysses above all—into dialogue with both early cinema and phenomenology, this book elucidates and enlivens literature, film, and philosophy.
Highlights the complex ways in which media anticipate, interfere with and draw on one other
Book Synopsis Cinematicity in Media History by : Jeffrey Geiger
Download or read book Cinematicity in Media History written by Jeffrey Geiger and published by Edinburgh University Press. This book was released on 2015-03-02 with total page 227 pages. Available in PDF, EPUB and Kindle. Book excerpt: Highlights the complex ways in which media anticipate, interfere with and draw on one other
James Joyce and Photography is the first book to explore in-depth James Joyce's personal and professional engagement with photography. Photographs, photographic devices and photographically-inspired techniques appear throughout Joyce's work, from his narrator's furtive proto-photographic framing in Silhouettes (c. 1897), to the aggressively-minded 'Tulloch-Turnbull girl with her coldblood kodak' in Finnegans Wake (1939). Through an exploration of Joyce's manuscripts and photographic and newspaper archival material, as well as the full range of his major works, this book sheds new light on his sustained interest in this visual medium. This project takes Joyce's intention in Dubliners (1914) to 'betray the soul of that hemiplegia or paralysis which many consider a city' as key to his interaction with photography, which in his literature occupies a dual position between stasis and innovation.
Book Synopsis James Joyce and Photography by : Georgina Binnie-Wright
Download or read book James Joyce and Photography written by Georgina Binnie-Wright and published by Bloomsbury Publishing. This book was released on 2022-05-19 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: James Joyce and Photography is the first book to explore in-depth James Joyce's personal and professional engagement with photography. Photographs, photographic devices and photographically-inspired techniques appear throughout Joyce's work, from his narrator's furtive proto-photographic framing in Silhouettes (c. 1897), to the aggressively-minded 'Tulloch-Turnbull girl with her coldblood kodak' in Finnegans Wake (1939). Through an exploration of Joyce's manuscripts and photographic and newspaper archival material, as well as the full range of his major works, this book sheds new light on his sustained interest in this visual medium. This project takes Joyce's intention in Dubliners (1914) to 'betray the soul of that hemiplegia or paralysis which many consider a city' as key to his interaction with photography, which in his literature occupies a dual position between stasis and innovation.
Book Synopsis On the Cracked Screen of Consciousness: James Joyce and Cinema by : Lia Guerra
Download or read book On the Cracked Screen of Consciousness: James Joyce and Cinema written by Lia Guerra and published by . This book was released on 2022 with total page 170 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Montage in James Joyce's Ulysses by : Craig Wallace Barrow
Download or read book Montage in James Joyce's Ulysses written by Craig Wallace Barrow and published by Yourdon Press. This book was released on 1980 with total page 238 pages. Available in PDF, EPUB and Kindle. Book excerpt:
This title focuses on Joyce's interest and involvement in early modern cinema and his subsequent thematic and formal borrowing for this genre. It looks at cinema's interest in Joyce as seen in important film versions of his work.
Book Synopsis Roll Away the Reel World by : John McCourt
Download or read book Roll Away the Reel World written by John McCourt and published by . This book was released on 2010 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This title focuses on Joyce's interest and involvement in early modern cinema and his subsequent thematic and formal borrowing for this genre. It looks at cinema's interest in Joyce as seen in important film versions of his work.
Within the last two decades “intermediality” has emerged as one of the most challenging concepts in media theory with no shortage of various taxonomies and definitions. What prompted the writing of the essays gathered in this volume, however, was not a desire for more classifications applied to the world of moving pictures, but a strong urge to investigate what the “inter-” implied by the idea of “intermediality” stands for, and what it actually entails in the cinema. The book offers in each of the individual chapters a cross-section view of specific instances in which cinema seems to consciously position itself “in-between” media and arts, employing techniques that tap into the multimedial complexity of cinema, and bring into play the tensions generated by media differences. The introductory theoretical writings deal with the historiography of approaching intermedial phenomena in cinema presenting at the same time some of the possible “gateways” that can open up the cinematic image towards the perceptual frames of other media and arts. The book also contains essays that examine more closely specific paradigms in the poetics of cinematic intermediality, like the allure of painting in Hitchcock’s films, the exquisite ways of framing and un-framing haptical imagery in Antonioni’s works, the narrative allegories of media differences, the word and image plays and ekphrastic techniques in Jean-Luc Godard’s “total” cinema, the flâneuristic intermedial gallery of moving images created by José Luis Guerín, or the types of intermedial metalepses in Agnès Varda’s “cinécriture.” From a theoretical vantage point these essays break with the tradition of thinking of intermediality in analogy with intertextuality and attempt a phenomenological (re)definition of intermedial relations. Moreover, some of the analyses target films that expose the coexistence of the hypermediated experience of intermediality and the illusion of reality, connecting the questions of intermediality both to the indexical nature of cinematic representation and to the specific ideological and cultural context of the films, thus offering insights into a few questions regarding the “politics” of intermediality as well.
Book Synopsis Cinema and Intermediality by : Ágnes Pethő
Download or read book Cinema and Intermediality written by Ágnes Pethő and published by Cambridge Scholars Publishing. This book was released on 2011-05-25 with total page 525 pages. Available in PDF, EPUB and Kindle. Book excerpt: Within the last two decades “intermediality” has emerged as one of the most challenging concepts in media theory with no shortage of various taxonomies and definitions. What prompted the writing of the essays gathered in this volume, however, was not a desire for more classifications applied to the world of moving pictures, but a strong urge to investigate what the “inter-” implied by the idea of “intermediality” stands for, and what it actually entails in the cinema. The book offers in each of the individual chapters a cross-section view of specific instances in which cinema seems to consciously position itself “in-between” media and arts, employing techniques that tap into the multimedial complexity of cinema, and bring into play the tensions generated by media differences. The introductory theoretical writings deal with the historiography of approaching intermedial phenomena in cinema presenting at the same time some of the possible “gateways” that can open up the cinematic image towards the perceptual frames of other media and arts. The book also contains essays that examine more closely specific paradigms in the poetics of cinematic intermediality, like the allure of painting in Hitchcock’s films, the exquisite ways of framing and un-framing haptical imagery in Antonioni’s works, the narrative allegories of media differences, the word and image plays and ekphrastic techniques in Jean-Luc Godard’s “total” cinema, the flâneuristic intermedial gallery of moving images created by José Luis Guerín, or the types of intermedial metalepses in Agnès Varda’s “cinécriture.” From a theoretical vantage point these essays break with the tradition of thinking of intermediality in analogy with intertextuality and attempt a phenomenological (re)definition of intermedial relations. Moreover, some of the analyses target films that expose the coexistence of the hypermediated experience of intermediality and the illusion of reality, connecting the questions of intermediality both to the indexical nature of cinematic representation and to the specific ideological and cultural context of the films, thus offering insights into a few questions regarding the “politics” of intermediality as well.
Joyce’s prismatic art reverberates within and across multiple genres. The essays in this volume reflect on Joycean re-tailorings, Joycean reception, and on the Joycean aesthetic metamorphosis in visual-textual imagery, visual art, music, TV and film.
Book Synopsis James Joyce and the Arts by :
Download or read book James Joyce and the Arts written by and published by BRILL. This book was released on 2020-04-20 with total page 245 pages. Available in PDF, EPUB and Kindle. Book excerpt: Joyce’s prismatic art reverberates within and across multiple genres. The essays in this volume reflect on Joycean re-tailorings, Joycean reception, and on the Joycean aesthetic metamorphosis in visual-textual imagery, visual art, music, TV and film.
