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This lavishly illustrated book is the catalogue for an exhibition of the works of Jan Steen, coorganized by the National Gallery of Art, Washington, and the Rijksmuseum, Amsterdam.
Book Synopsis Jan Steen, Painter and Storyteller by : H. Perry Chapman
Download or read book Jan Steen, Painter and Storyteller written by H. Perry Chapman and published by . This book was released on 1996 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: This lavishly illustrated book is the catalogue for an exhibition of the works of Jan Steen, coorganized by the National Gallery of Art, Washington, and the Rijksmuseum, Amsterdam.
In The Drawing Lesson, Jan Steen celebrates the art of the painter as teacher, placing his subjects in a familiar Dutch interior. This fascinating study of the painting - a masterpiece of the Museum's collection - examines the individual parts and larger patterns of the work and also recounts Steen's career and a history of the picture itself.
Book Synopsis Jan Steen by : John Walsh
Download or read book Jan Steen written by John Walsh and published by Getty Publications. This book was released on 1996 with total page 96 pages. Available in PDF, EPUB and Kindle. Book excerpt: In The Drawing Lesson, Jan Steen celebrates the art of the painter as teacher, placing his subjects in a familiar Dutch interior. This fascinating study of the painting - a masterpiece of the Museum's collection - examines the individual parts and larger patterns of the work and also recounts Steen's career and a history of the picture itself.
This publication includes six fictive conversations on the dynamism and processes that are at the basis of the actor's dramaturgy. These conversations never really took place - or at least not outside the author's own thinking process. The interlocutors are not based on real people. They are not psychologically realistic characters, but 'voices' that speak and argue from the perspective of their specific functions within the field of theatre. They are perspectives and functions that the author himself has experienced and through which he has reasoned throughout his whole professional life, being an actor, a director, a teacher and still considering himself to be a student. The dialogue format offers an opportunity to engage in a dynamic and open 'conversation' with these different functions and with the reader of the text, without any hierarchy among them. Complementary to the text, there are photos and a DVD with images of the author's work.
Book Synopsis Being in Playing by : Jan Steen
Download or read book Being in Playing written by Jan Steen and published by . This book was released on 2014 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This publication includes six fictive conversations on the dynamism and processes that are at the basis of the actor's dramaturgy. These conversations never really took place - or at least not outside the author's own thinking process. The interlocutors are not based on real people. They are not psychologically realistic characters, but 'voices' that speak and argue from the perspective of their specific functions within the field of theatre. They are perspectives and functions that the author himself has experienced and through which he has reasoned throughout his whole professional life, being an actor, a director, a teacher and still considering himself to be a student. The dialogue format offers an opportunity to engage in a dynamic and open 'conversation' with these different functions and with the reader of the text, without any hierarchy among them. Complementary to the text, there are photos and a DVD with images of the author's work.
Walter Liedtke, curator of European paintings at the Metropolitan Museum of Art in New York, has assembled a splendid catalog of Vermeer and his artistic milieu. Seven lengthy, well-illustrated chapters (Liedtke wrote five, Dutch art historians Michiel Plomp and Marten Jan Bok wrote the others) describe life in the city of Delft; the painters Carel Fabritius, Leonart Bramer, and others who preceded Vermeer; the careers of Vermeer and De Hooch; the making of drawings and prints in 17th-century Delft; and the collecting of art in the same period. The catalog follows: each painting, print, and drawing accompanied by a lengthy catalog essay. Oversize: 12.25x9.75". c. Book News Inc.
Book Synopsis Vermeer and the Delft School by : Walter A. Liedtke
Download or read book Vermeer and the Delft School written by Walter A. Liedtke and published by Metropolitan Museum of Art. This book was released on 2001 with total page 642 pages. Available in PDF, EPUB and Kindle. Book excerpt: Walter Liedtke, curator of European paintings at the Metropolitan Museum of Art in New York, has assembled a splendid catalog of Vermeer and his artistic milieu. Seven lengthy, well-illustrated chapters (Liedtke wrote five, Dutch art historians Michiel Plomp and Marten Jan Bok wrote the others) describe life in the city of Delft; the painters Carel Fabritius, Leonart Bramer, and others who preceded Vermeer; the careers of Vermeer and De Hooch; the making of drawings and prints in 17th-century Delft; and the collecting of art in the same period. The catalog follows: each painting, print, and drawing accompanied by a lengthy catalog essay. Oversize: 12.25x9.75". c. Book News Inc.
Presents a catalog that surveys the Dutch paintings found in the Metropolitan Museum of Art.
Book Synopsis Dutch Paintings in the Metropolitan Museum of Art by : Walter A. Liedtke
Download or read book Dutch Paintings in the Metropolitan Museum of Art written by Walter A. Liedtke and published by Metropolitan Museum of Art. This book was released on 2007 with total page 1109 pages. Available in PDF, EPUB and Kindle. Book excerpt: Presents a catalog that surveys the Dutch paintings found in the Metropolitan Museum of Art.
The appealing genre paintings of great seventeenth-century Dutch artists - Vermeer, Steen, de Hooch, Dou and others - have long enjoyed tremendous popularity. This comprehensive book explores the evolution of genre painting throughout the Dutch Golden Age, beginning in the early 1600s and continuing through the opening years of the next century. Wayne Franits, a well-known scholar of Dutch genre painting, offers a wealth of information about these works as well as about seventeenth-century Dutch culture, its predilections and its prejudices. The author approaches genre paintings from a variety of perspectives, examining their reception among contemporary audiences and setting the works in their political, cultural and economic contexts. The works emerge as distinctly conventional images, Franits shows, as genre artists continually replicated specific styles, motifs and a surprisingly restricted number of themes over the course of several generations. Luxuriously illustrated and with a full representation of the major artists and the cities where genre painting flourished, this book will delight students, scholars and general readers alike.
Book Synopsis Dutch Seventeenth-century Genre Painting by : Wayne E. Franits
Download or read book Dutch Seventeenth-century Genre Painting written by Wayne E. Franits and published by Yale University Press. This book was released on 2004-01-01 with total page 342 pages. Available in PDF, EPUB and Kindle. Book excerpt: The appealing genre paintings of great seventeenth-century Dutch artists - Vermeer, Steen, de Hooch, Dou and others - have long enjoyed tremendous popularity. This comprehensive book explores the evolution of genre painting throughout the Dutch Golden Age, beginning in the early 1600s and continuing through the opening years of the next century. Wayne Franits, a well-known scholar of Dutch genre painting, offers a wealth of information about these works as well as about seventeenth-century Dutch culture, its predilections and its prejudices. The author approaches genre paintings from a variety of perspectives, examining their reception among contemporary audiences and setting the works in their political, cultural and economic contexts. The works emerge as distinctly conventional images, Franits shows, as genre artists continually replicated specific styles, motifs and a surprisingly restricted number of themes over the course of several generations. Luxuriously illustrated and with a full representation of the major artists and the cities where genre painting flourished, this book will delight students, scholars and general readers alike.
Book Synopsis Jan Steen, Gerard Treburg, H. E. vander Neer, Peter de Hooge, Gonzales Cocques, Gabriel Metsu, Gaspar Netscher, A. vander Werf, Nicholas Maes, Godfrey Schalcken by : John Smith
Download or read book Jan Steen, Gerard Treburg, H. E. vander Neer, Peter de Hooge, Gonzales Cocques, Gabriel Metsu, Gaspar Netscher, A. vander Werf, Nicholas Maes, Godfrey Schalcken written by John Smith and published by . This book was released on 1833 with total page 390 pages. Available in PDF, EPUB and Kindle. Book excerpt:
An Inner World, the exhibition co-curated by Lara Yeager-Crasselt of the Leiden Collection and Heather Gibson Moqtaderi, Assistant Director and Associate Curator of the Arthur Ross Gallery, features exceptional paintings by seventeenth-century Dutch artists working in or near the city of Leiden, including nine paintings from the Leiden Collection (New York) and one painting from the Clark Art Institute (Williamstown, MA). Ten rare seventeenth-century books drawn from the collection of University of Pennsylvania's Kislak Center for Special Collections, Rare Books and Manuscripts expand the intellectual and cultural contexts of the exhibition. Works by Gerrit Dou, Gabriel Metsu, Domenicus van Tol, Willem van Mieris, and Jacob Toorenvliet demonstrate how these artists developed a sustained interest in an inner world—figures in interior spaces, and in moments of contemplation or quiet exchange, achieved through their meticulous technique of fine painting. In this lavishly illustrated catalogue, essays penned by specialists in the field of early modern Dutch painting illuminate the exhibition's themes and lesser known artists, and shed new light on the fijnschilders, or fine painters, of Leiden. Yeager-Crasselt's essay explores the central themes of An Inner World through the lens of Leiden as a university city and Dutch artists' interests in the illusionism of space, candlelight, and painted surfaces. Shira Brisman examines the use of candlelight in seventeenth-century paintings and its role as a source of illumination as well as an indicator of the larger issue of the wax trade and the "outer world" of commerce. Last, Eric Jorink reflects on the confluence of art, science, and religion in the Dutch Golden Age.
Book Synopsis An Inner World by : Lara Yeager-Crasselt
Download or read book An Inner World written by Lara Yeager-Crasselt and published by University of Pennsylvania Press. This book was released on 2021-05-14 with total page 80 pages. Available in PDF, EPUB and Kindle. Book excerpt: An Inner World, the exhibition co-curated by Lara Yeager-Crasselt of the Leiden Collection and Heather Gibson Moqtaderi, Assistant Director and Associate Curator of the Arthur Ross Gallery, features exceptional paintings by seventeenth-century Dutch artists working in or near the city of Leiden, including nine paintings from the Leiden Collection (New York) and one painting from the Clark Art Institute (Williamstown, MA). Ten rare seventeenth-century books drawn from the collection of University of Pennsylvania's Kislak Center for Special Collections, Rare Books and Manuscripts expand the intellectual and cultural contexts of the exhibition. Works by Gerrit Dou, Gabriel Metsu, Domenicus van Tol, Willem van Mieris, and Jacob Toorenvliet demonstrate how these artists developed a sustained interest in an inner world—figures in interior spaces, and in moments of contemplation or quiet exchange, achieved through their meticulous technique of fine painting. In this lavishly illustrated catalogue, essays penned by specialists in the field of early modern Dutch painting illuminate the exhibition's themes and lesser known artists, and shed new light on the fijnschilders, or fine painters, of Leiden. Yeager-Crasselt's essay explores the central themes of An Inner World through the lens of Leiden as a university city and Dutch artists' interests in the illusionism of space, candlelight, and painted surfaces. Shira Brisman examines the use of candlelight in seventeenth-century paintings and its role as a source of illumination as well as an indicator of the larger issue of the wax trade and the "outer world" of commerce. Last, Eric Jorink reflects on the confluence of art, science, and religion in the Dutch Golden Age.
Jan Steen, one of the most popular painters of the Dutch Golden Age, is known for his humorous depictions of dissolute households, tavern interiors, quacksalvers and love-sick young women. He was unrivalled in poking fun at every conceivable human weakness and vice. A lesser known fact is that he also painted history pieces: scenes based on episodes from the Bible, apocryphal writings and mythology - stories full of excitement, drama and passion. As he did in his genre pieces, Steen devoted a great deal of attention in his history paintings to the interaction between the figures, and was keenly aware of the satirical possibilities of every story. In contrast to what his later image suggests, Jan Steen was a versatile and ambitious artist with a profound knowledge of art history and literature: knowledge that comes to the fore in his history pieces. This richly illustrated publication, written by experts on Jan Steen, focuses on this little-known part of the artist's oeuvre. AUTHORS: Ariane van Suchtelen, curator at the Mauritshuis, is the author of an introduction to the life and work of Jan Steen, in which she discusses the place occupied by history painting in his (otherwise humorous) oeuvre. Which themes did he prefer? What were his sources? For whom were these paintings intended? Wouter Kloek, former curator at the Rijksmuseum, writes about the form and content of Steen's history paintings, and the thin line that separates representations of biblical and mythological themes from scenes of everyday life. Mariet Westermann, executive vice president of the Andrew W Mellon Foundation, writes about Steen's exceptional ambition as a history painter. Her essay clarifies the national and international context in which these paintings originated. SELLING POINTS: * For the first time in book form, presenting history-pieces by Jan Steen * 17th century paintings from the Dutch Golden Age * Contributions by Ariane van Suchtelen, Wouter Kloek and Mariet Westermann 125 colour, 25 b/w images
Book Synopsis Jan Steen's Histories by : Ariane van Suchtelen
Download or read book Jan Steen's Histories written by Ariane van Suchtelen and published by Uitgeverij de Kunst. This book was released on 2018 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Jan Steen, one of the most popular painters of the Dutch Golden Age, is known for his humorous depictions of dissolute households, tavern interiors, quacksalvers and love-sick young women. He was unrivalled in poking fun at every conceivable human weakness and vice. A lesser known fact is that he also painted history pieces: scenes based on episodes from the Bible, apocryphal writings and mythology - stories full of excitement, drama and passion. As he did in his genre pieces, Steen devoted a great deal of attention in his history paintings to the interaction between the figures, and was keenly aware of the satirical possibilities of every story. In contrast to what his later image suggests, Jan Steen was a versatile and ambitious artist with a profound knowledge of art history and literature: knowledge that comes to the fore in his history pieces. This richly illustrated publication, written by experts on Jan Steen, focuses on this little-known part of the artist's oeuvre. AUTHORS: Ariane van Suchtelen, curator at the Mauritshuis, is the author of an introduction to the life and work of Jan Steen, in which she discusses the place occupied by history painting in his (otherwise humorous) oeuvre. Which themes did he prefer? What were his sources? For whom were these paintings intended? Wouter Kloek, former curator at the Rijksmuseum, writes about the form and content of Steen's history paintings, and the thin line that separates representations of biblical and mythological themes from scenes of everyday life. Mariet Westermann, executive vice president of the Andrew W Mellon Foundation, writes about Steen's exceptional ambition as a history painter. Her essay clarifies the national and international context in which these paintings originated. SELLING POINTS: * For the first time in book form, presenting history-pieces by Jan Steen * 17th century paintings from the Dutch Golden Age * Contributions by Ariane van Suchtelen, Wouter Kloek and Mariet Westermann 125 colour, 25 b/w images